What makes a great small camera? For some, it must have comfortable controls. For others, it must actually fit comfortably in a pants pocket. So picky! Canon’s two new high-end compacts have two different beautiful exteriors that almost make me forget their few key shortcomings.
What Is It
Two new compact cameras with the same one-inch sensors inside, meaning better image quality than a phone or cheap pocket camera. They both have bright wide-aperture lenses, meaning pro-looking blurry backgrounds.
Key G9 X specs:
- one-inch sensor
- 28-84mm f/2-4.9 lens
- DIGIC 6 processor
- Almost all touch-screen controls
- Fits in a pants pocket (of a dude at least)
Key G5 X specs:
- one-inch sensor
- 24-100mm f/1.8-2.8 lens
- DIGIC 6 processor
- 2.36 million dot electronic viewfinder
- swiveling LCD
- physical controls plus a touch-screen
Why Does It Matter?
Little cameras are seeing a bit of a resurgence, and with it comes a market of people who want variety and choice. These two shooters enter a field of Sony RX100s, which vary in price but all have the same general makeup. There are a couple of other options out there, like the Panasonic LX100.
But the two key aspects of these cams: one is very small, and one has a nice built in EVF, are things that hold a big appeal.
Canon really nailed the design on a number of points with this duo of cameras.
Let’s start with the shrimp, the G9 X, which is smaller than its most acclaimed competitor, the Sony RX100 series, and nearly the same size as the much loved Canon S-series cameras (currently up to S-120). While the Sony cam is really tiny, I could never quite really stuff the RX100 into my pocket comfortably, but I can with the G9 X, thanks to its thin exterior. There are almost no physical controls aside from an aperture ring around the lens. Everything is done through the capacitive touch-screen. I’ll ruminate more on this later.
The G5 X is much bigger, but remains handsome despite the bulkier design. The grip on the side is fantastic for comfort, and something the RX100 series really lacks. It has a bunch of physical controls, all of which make sense. I especially love the wheel on the front of the camera, which falls directly beneath my index finger for adjusting shutter speed in one of the manual modes.
Both cameras take good pictures, but there are differences in image quality despite the fact that they share the same sensor. It comes down to the optics. The G9 X has an f/2-4.9 lens with an 35mm equivalent range of 28-84mm. The G5 X has a better lens at f/1.8-2.8 and an equivalent range of 24-100mm. That’s a fair difference and not only in terms of aperture and zoom range. I found that the G5 X took slightly sharper images when examined at full size. The difference in image quality and versatility justifies a lot of the $300 price jump from the G9 X to G5 X.
Shooting wide-angle with either camera, I was able to get nice blurry backgrounds easily enough. But zooming in with the G9 X means that aperture gets quite small and you lose the separation effect between your subject and its background. The G5 X is simply better for zooming and achieving de-focused backgrounds.
You’ll probably see a bit better noise performance out of the latest and priciest one-inch sensor cameras like the Sony RX100 Mark IV. But for most uses, the new Canons do fine.
The flip side to that is video. These Canon cams shoot poor quality HD video compared to the great video offerings from Sony and Panasonic pocket cameras. They’ll do fine for quick home video clips though.
Controlling the two cams is very different. My biggest apprehension about the small G9 X is the lack of controls. There isn’t even a directional pad. Nothing! To my surprise, I found the G9 X really easy to control because of the touch interface. Canon has included this on many previous cameras, but because you are forced to use it here, it becomes really easy really fast. It’s not the fastest way to change settings, but it’s still kind of great.
The G5 X has the same touch interface, but also some actual twisty knobs for more traditional control. You’ll need to use them when looking through the electronic viewfinder. This 2.36 million dot viewfinder is the greatest thing about the G5 X. Yes, it adds size, but it’s how many people prefer to shoot, and really helps out in bright sunlight. Using it feels like you’re more connected to your scene, and feels generally more comfortable than holding the camera out in front of you. The Sony RX100 Mark IV has a viewfinder but it’s contained in an awkward pop-out mechanism. My only knock against the G5 X viewfinder is that its refresh rate is slow, making for jittery motion when moving the camera around.
My enthusiasm for these cameras waned a bit once I was faced with rather sluggish autofocus. The =delay before the camera locks onto a subject is small but noticeable if you’ve used Sony’s latest generation RX100, the Mark IV. Panasonic’s LX100 compact was also faster.