Resolution aka 720p vs. 1080i vs. 1080p
Resolution is pretty simple—it's the number of individual dots (pixels) that make up a display, arranged in a grid. However, when it comes to TVs, we tend talk about it in a slightly weird way, as lines of resolution (think of a FourSquare board), and we tend to do it in shorthand. So, for instance, what's considered "standard definition" is a resolution of 640 x 480, which refers to 640 vertical lines, and 480 horizontal lines. A 720p TV has 720 horizontal lines of resolution, and most typically, 1280 vertical ones. A 1080i or 1080p TV is 1920 x 1080. And the whole 1080i vs. 1080p thing—i stands for interlaced, where only every other line of resolution is displayed, while p is for progressive scan, where the whole picture's displayed at once. Really, since even the cheapest sets are progressive now, you don't have to worry about it.

An important thing to consider, however, is the Lechner Distance, or the distance at which your eye can actually process all of the detail in a 1080i/p resolution image. While you should consult the chart, basically, if you're sitting further back than 7 feet from a 52-inch TV, your eyeballs can't actually resolve the difference between 720p and 1080p, so you might as well save the cash.

Motion Resolution
A somewhat trickier spec that some TV experts swear by, it refers to how well a set's resolution holds up when stuff's actually moving on the screen, like a baseball player running down a field. Plasmas tend to have better native motion resolution than LCD, but LCD has been fixing this problem. (See "hertz," below.)

Viewing Angle
Basically, it's how far to each side of the TV you can be and still see the picture, measured in an angle that is, naturally, less than 180º. Again, traditionally this was more of an LCD problem than a plasma one, but all TV technologies have had some issues in the past, and the worst offenders used to be DLP and other microdisplays.

To see viewing angle at work, start where the picture on a TV looks best, and move to one side—now note where the picture starts looking weird, with the colors changing, washing out and getting hard to see. Nicer sets reach nearly 180º, so plenty of people can take part in the HD glory.

Hertz, or What 120Hz and 240Hz Mean
Hertz is basically just the number of times the image onscreen refreshes a second. Because of broadcast standards, TVs in the US need to be 60Hz, meaning they refresh the image onscreen 60 times a second. (In Europe, the standard is 50Hz.) Video sources are generally 30 or 60 frames per second, because of this, and a regular video camera shoots at 60fps a second. So typically, 60Hz sets are the norm.

Lately, though you have 120Hz, and even 240Hz sets, all of them LCDs. They do this to increase motion resolution—see above. A 120Hz TV refreshes 120 times a second, and it comes up with those extra frames by making them up—either duping the frames that are there and putting black spaces in between, or by splicing in intermediary frames that are basically realtime morphs of the two frames they come between. Stuff looks really smooth—sometimes too smooth, true—but the point's to fight LCD's motion blur disadvantage against plasma.

240Hz is another ball of sticky still, promising less motion blur, but with a tradeoff. but there are two different ways to achieve it. One way's kind of cheating, in that it's a 120Hz that uses a flashing backlight to simulate 240 frames a second. The other, more "legit" 240Hz is genuinely faster, with images staying up on the screen for just 4ms before moving to the next. There's no real way to tell which kind of 240Hz a TV uses (though a "scanning backlight" is a tip off it's not the "real" 240Hz). There is a law of diminishing returns in reducing motion blur as you climb past 240Hz, but for some serious AV nerds, like Home Entertainment's Geoff Morrison, it does make LCD TVs more watchable.

Plasma TV brands sometimes boast "600Hz," but that's mostly to show off to LCD shoppers that these kinds of motion-blur refresh problems are really specific to LCD. It's not so much a spec as a declaration of the tech's superiority in this department.

To make things just a tad weirder for you, films have been shot since ancient times at 24 frames per second, so many TVs have a 24P mode, meaning the screen refreshes 24 frames per second, or in multiples thereof. (Any mathmagician can tell you that both 120 and 240 are divisible by 24.)

Plasma
The basic way plasmas work is that there's a party of noble gases trapped between two glass panels that are zapped and light up all pretty. More practically, what plasmas offer over LCDs is superior color (often), better motion (typically) and deeper blacks (always and forever, with a couple of exceptions). The tradeoff is that they're more power hungry, and generally heavier.

The life-or-death questions people have about plasmas are almost mythical now: Burn-in, where an image is permanently etched into the panel after being left up on screen too long isn't really problem anymore (unless you're sadistic to your TV). The "Denver problem," where high altitudes affect sets, is less of an issue, but it exists: If you live at 6,000 feet or higher, you should read this summary by our friend David Katzmaier at CNet. Panel half-life is a very long time, now, about the same as LCD's backlight (which, of course, could be replaced, but we're talking like 10 year out). When it comes to the cheapest TVs, 720p plasmas are hands-down the safest bet for best picture quality.

LCD
The people's HDTV technology, LCD, stands for liquid crystal display. The liquid crystal part is a gel that sits in front of a backlight, which is divided up into pixels. There are two main kinds of backlights used, CCFL (pictured, via Home Theater Mag) which are like the lights in your high school cafeteria), and LED, which we talk a bit more about below. There are two major kinds of LCD displays. There's the traditional twisted nematic kind (TNT), which is cheaper and known for faster response times, and then there's in-panel switching (IPS), which is more expensive and usually slower response times, buuut it's got a wider viewing angle and better colors.

On a broader level, the stuff to consider with LCD when it comes to actually buying a TV, is that, on the cheap side, LCDs tend to have worse motion and less excellent contrast ratios than plasma. You step up a bit, and it starts to even out. Especially if you pony up for the best of the best LCD TVs, typically lit up by LEDs. LCDs in general are way more eco-friendly, slimmer, and—because of their backlights—better to watch in environments where you're gonna have a ton of light spilling in.

DLP
DLP is a rear-projection technology made by Texas Instruments that creates the image onscreen using a whole bunch of tiny mirrors that reflect light through a lens. The big thing about DLP sets is that they're, um, big and for cheap—a 65-inch DLP set is just $1500. But you're probably not gonna be mounting this sucker either.

DLP is the last survivor of the "microdisplay" projection TVs, that also included LCD and LCOS techologies. They are great on contrast, but they got killed by flat panel because you can't make them an inch thick.

Laser TVs
Mitsubishi's LaserVue TV is a microdisplay projection set (with a DLP chip) that is lit up by lasers instead of just focused light. Thanks to this, it delivers some of the most amazing colors and deepest blacks possible, as good as plasma sets, but at a ridiculously low power consumption. Sadly, you'll probably never buy one, and not just because it's $5000 for a 65-inch set.

Contrast Ratio
So, technically, contrast ratio is just the ratio between the brightest and darkest images a display is capable of showing, which sounds like an objective enough specification. But like many specifications, this one has been turned into a marketing tool, and subverted to a point where it is not helpful. In the lab, there are several kinds of contrast ratios: Static, which is the ratio between the brightest and darkest a screen can display simultaneously, and dynamic, which is the darkest and lightest a screen can ever be at any given time. Sadly, it's this latter figure that most TV makers brazenly display on their boxes, to the tune of ridiculous numbers like 1,000,000:1 (or more). It's utterly meaningless, and you're better off ignoring it.

OLED
It's the beautiful future of television, but vastly too expensive for anyone but CEOs to own right now because OLED displays are really hard (read: expensive) to make at large sizes. "OLED" stands for organic light-emitting diode, and what's special is that the individual pixels light up by themselves, like plasma, but can be laid out on a single sheet of glass (or plastic), like LCD, so they get the best of both: They're super thin, they don't need a backlight, they have higher contrast, and they're energy efficient too. Also, they may one day—soon—be bendy!

LED TVs or LED Backlighting
While a standard LCD set is lit up by a cold-cathode fluorescent lamp (think dreary lighting from high school), the best LCD sets use LEDs (light-emitting diodes). They can be configured a few different ways: Edge-lit, where the LEDs are arranged in strips along the sides of the TV, and allow it to be super-thin; and backlit, where a grid array of hundreds of LEDs sits behind the screen and, with local dimming, where clusters of lights turn on and off individually, offers the best LCD money can buy. Three of the five best TVs you can buy are LED-lit, if that tells you anything. And no, they're not cheap.

3D
If you thought you heard a metric shitton about 3D this year, just wait for 2010. We have a giant primer on 3D tech right here, but there's just a couple you really need to know. Polarized 3D glasses are the cheap 3D for the masses—i.e., IMAX—where two synced projectors throw out two different images are slightly different polarizations that can only be seen by one eye at a time, making your brain see stuff in 3D without that annoying red/blue thing.

And while we kinda made fun of them, shutter glasses are actually the way 3D is moving in nicer implementations, from Panasonic and Nvidia, among others. Essentially, the glasses are battery powered, and shutters blink rapidly over each eye timed to the refresh rate of the display, so each eye sees a slightly different image as the shutter opens. It works better on plasma than LCD (even 120Hz models), in our experience.

Anti-Glare vs. Anti-Reflective
Anti-glare and anti-reflective displays, surprisingly are not the same thing. Anti-glare displays often try to diffuse light coming at a display with a treated or textured surface, almost like a "matte" finish. It's about cutting back external light hitting the display, but the tradeoff is that the picture coming through may not be as clear. Anti-reflective deals with light that comes from the display itself, as well as external light, and handles this with special coatings or films that minimize reflections from all angles to make the picture clearer. (Just think about eyeglasses, with that greenish coating. Same idea.)

HDMI
Honestly, the only thing you really need to know about but the High-Definition Multimedia Interface—you know, HDMI—is that the cables in most retail stores cost waaaaaay too much. If you pay anything over $10 for an HDMI cable, you are getting suckered. Order cheaper cables from Monoprice.com and other retailers—they do just fine as long as you're not installing them inside your walls. (If you're doing that, you should pick something heavily coated and insulated, and built to last a few generations of TV.) Oh, and there's a new version coming out—HDMI 1.4—that supports higher resolutions and internet. Not only will that require brand new HDMI cables, it will require new TVs and new content too, so it's a ways off.

Other HDTV Guides

• 5 Best HDTVs Under $1000
• 5 Best HDTVs Period
• The Difference Between a $600 and a $6000 TV
• How to Buy an HDTV Today (or Any Day)
• Picking an HDTV Like a Pro
• How to Set Up Your New HDTV
• How to Calibrate Your New TV

Still something you wanna know? Send questions about HD, VD, and KFC here, with "Giz Explains" in the subject line.

Here are a few reasons why you shouldn't spend $600 on this now. One, it's too early a technology to be sinking money into. Two, since it's early, the price will drop dramatically in the next year or two if you really want wireless HDMI. And three, we love wires, especially for situations like watching HD movies where you want to have as little interference to your picture as possible.

But if you really want it, here it is. [Best Buy via Dvice]

First, enjoy the video by playing it full screen. Switch between 1080p and 720p while you do it.

Better yet: Use Firefox's Download Helper to get the 720p and 1080p MP4 files into your hard drive, then play them side by side or at full screen. You will see that the 1080p version is clearly sharper than the 720p, helped by the extra pixels. In the 1080p version you see can a lot more of the delicate textures of the Muppets' fabrics, as well as fewer artifacts, and more details in all the objects in the screen. Don't believe me? Check this comparison gallery then.

Remember when YouTube used to be a tiny little window with pixels the size of my fist? [Thanks, GitEmSteveDave!]

YouTube's Going 1080p So That You Can Watch Silly Videos In High-Def

Unsatisfied with simple 720p, YouTube is going to a full HD experience with 1080p. They're about halfway through the process of re-encoding the current content, so it shouldn't be long before you can watch Rupe Murdoch rant in high-def. [CNET]

Yet Another "Virus" Attacks Unsecured Jailbroken Phones

The number of ridiculous iPhone viruses, worms and hacks is gradually growing as the number of idiots who refuse to change the default root passwords when running SSH on their jailbroken iPhones remains the same. Secure your iPhones already. Please.[BGR]

USB AM/FM Tuner Made By Company Who Hasn't Heard Of Internet Radio

This USB AM/FM tuner is useless without a computer, but if you've got a computer in front of you odds are good that you also have an Internet connection through which you can access most radio stations. And while it's lovely that it allows you to record broadcast content, it would be a bit more handy if the gadget also had some flash memory on board. [OhGizmo!]

Pirates Decorate Their MacBooks With Crossbones

MacBook decals appear to be turning into a trend as even pirates are getting into the game. Arrr, yo-ho-ho matey, or something like that. [Crunchgear]

For about $122, the HD8800 will play back your media in glorious HD on its 4.3-in. screen. Or on a TV, where you can boost the portable's 800x480 image all the way up to true 1920x1080 HD.

The player supports *deep breath* RMVB, MOV, AVI, VOB, MKV, MP4, WMV, TS, TP, MPG, Flash, and can play MP3, WMA, FLAC and APE music files. [Ownta via PMP Today]

The kit includes a remote, 2.5-in space for a you-provided HDD, three USB slots, Ethernet, and support for more than a few file formats. It launches, well, soon, as there's no date and it's currently in pre-order. [Amazon via The Gadget Site via Engadget]

Inside, this nettop is pretty much traditional netbook save for the graphics, which means affordable 1080p HD video watching, if you're so inclined, for a respectable price. As we've said before, this is a feature that's changed cheap consumer computing, like, forever.

The rest of the deets are your standard netbook fare:

1.6GHz Intel Atom processor
1GB of RAM
160GB hard drive

However, as Liliputing notes, since Adobe Flash isn't optimized on this graphics processor just yet, there will be some choppy playback of high quality/HD video on sites like YouTube and Hulu. Also, it kind of looks like a kid's toy. A pretty powerful, cheap little kid's toy. [Newegg via Blogeee via Liliputing]

The camera, shown today at IDF, is just a prototype, made up of a few components form other companies (a Sony IMX036 CMOS image sensor, for one), but it's damn impressive. Due to the speed of USB 3.0, the webcam is capable of streaming and displaying its 1920x1080 video without compression, which makes for huge files but also extremely sharp image quality. The camera lacked autofocus but manual focus let it capture incredibly crisp images, even all the miniscule elements of a PCI-Express card. Of course, as USB 3.0 isn't exactly widely available, you have to run it through that PCI-Express-to-USB-3.0 card, but Point Grey says it'll be ready for release in either very late 2009 or early 2010. [Point Grey]

There's a ton of stuff here, some of it quite similar, but it's pretty certain these'll be popped into smartphones and other mobile devices come next year. The most interesting to me is that "5 megapixel CMOS system on a chip camera, which can process 1080p at 30 fps," which could make for a pretty badass lens in a smartphone—I don't think we've ever seen video recording that sharp. But they've also got a slew of ARM processors and a few low-power 1GHz chipsets called OneDRAM, along with a lot of other internals that may not be flashy but will doubtless be powering our mobile gadgets. [Engadget]

Intel's Ion also runs HD video pretty nicely, but Via's really paying attention to media playback. Via's EPIA-P710 motherboard, a Pico-ITX, is the first to pack the VX855 Media System Processor, which allows some of that 1080p HD output despite needing only a heatsink and not a fan. Look for this combo to start popping up in higher-end netbooks soon—a wimpy Atom just isn't going to cut it anymore with this on the market. [Engadget]

The list of supported formats now include MPEG-1 MPEG-2 (VOB/ISO), MPEG-4 (DivX(R)/Xvid formats), DivX HD, Xvid HD, AVI, MOV, MKV, RMVB, AVC HD, H.264, WMV9, VC-1, M2TS, and TS/TP/M2T. On the audio front it includes AAC, MP3, Dolby Digital, DTS, ASF, FLAC, WMA, LPCM, ADPCM, WAV and OGG. It can also display JPEG files up to 20 megapixels, BMP, GIF, PNG and TIFF.

The FreeAgent Theater+ also includes two additional USB ports to add more hard drives, and Seagate says that they will have a USB Wireless Adapter in October, to integrate the device in 802.11n Wi-Fi networks. The audio output also uses the obligatory optical S/PDIF port.

You can get it now for $150—without hard drive—and $290 with 500GB. The Wi-Fi adapter will come later for $70. OK, Seagate, now that you smelled the coffee, bring me a cuppa and a bagel, please.

Seagate's New FreeAgent Theater+(TM) HD Media Player Enhances the Enjoyment of Digital Home Movies and Photos

Bring Your Digital Media to Life with True HD and Dolby(R) Digital Surround Sound Technology
SCOTTS VALLEY, Calif., Sept. 15 /PRNewswire-FirstCall/ — Seagate (Nasdaq: STX), the worldwide leader in hard disk drives and storage solutions, today unveiled its new FreeAgent Theater+(TM) [Plus] HD media player, the next generation home theater solution designed to instantly and easily connect your digital media library to your home entertainment system.

The FreeAgent Theater+ HD media player leverages a docking system unique to Seagate FreeAgent Go(TM) portable drives and accessories, providing a quick and easy way to connect your external hard drive to your television or home entertainment center. After loading the drive with your favorite movies, videos, music and pictures from the home PC, simply slide it into the FreeAgent Theater+ dock to get instant access to your digital media library. With the FreeAgent Theater+ player, you can just sit back, relax, point, click and enjoy as digitally captured memories and your favorite movies come to life in 1080p HD video, DTS(TM) 2.0 + Digital Out, or Dolby Digital technology. The interface is easily navigated with the included remote control, and you can choose from video, photos or music with the up/down arrows on the remote to make your selection.

The Seagate FreeAgent Theater+ HD media player includes two additional USB ports for connecting other USB attached storage devices. Also incorporated into FreeAgent Theater+ is an Ethernet port for network connectivity, which allows access to digital media through your home network. Seagate intends to launch a USB Wireless Adapter in October to enable this same access with 802.11n wireless connectivity to a home network. Enjoy it all, with the included new and improved remote control, from the comfort of your couch.

"There is so much media that is now being captured and created through various methods and stored on the PC, yet the computer is not the ideal way to enjoy these photos and videos," said Terry Cunningham, senior vice president, Seagate Branded Solutions. "The FreeAgent Theater provides the easiest way to view and enjoy video and photos on your HDTV. Simply load up a Seagate FreeAgent Go(TM) hard drive and drop it into the FreeAgent Theater+ HD media player dock. It's a behavior we've all been familiar with for years with VHS and DVDs, but now with digital HD enjoyment."

The new FreeAgent Theater+(TM) HD media player solution includes:

HDMI with 1080p HD video playback for high-definition content viewing
Dolby(R) Digital and DTS(TM) 2.0 + Digital Out audio support surround sound where available.
Unique docking system eliminates fumbling with cables and connections
Ethernet connection for accessing shared content on your network or streaming of content from the Internet
The optional wireless connectivity feature, expected to be available in October, will allow you to access stored content on any networked computer in the home at your fingertips
Two additional USB ports and one front-mounted port for digital cameras and additional storage devices
Simple sync software for PC and Mac(R) computers
Intuitive user interface with DVD-style navigation
Support for Windows(R) XP, Windows Vista(R), Windows(R) 7, and Mac OS(R) X operating systems, as well as NTFS, FAT, FAT32, HFS+ file support
Component video and Composite video support
Optical S/PDIF audio and Stereo RCA sound options
The software included with FreeAgent Theater+ HD media player is a rich media-specific synchronization application that enables the automatic transfer and organization of all photo, music, video and movie files stored on your computer.

Technical Specifications

The Seagate FreeAgent Theater+ HD media player now supports even more Audio/Video and sound formats including MPEG-1, MPEG-2 (VOB/ISO), MPEG-4 (DivX(R)/Xvid formats), DivX HD, Xvid HD, AVI, MOV, MKV, RMVB, AVC HD, H.264, WMV9, VC-1, M2TS, TS/TP/M2T, JPEG files up to 20 megapixels, BMP, GIF, PNG and TIFF. Audio formats supported include 5.1 channel surround sound, where available, and popular digital audio formats including: AAC, MP3, Dolby Digital, DTS, ASF, FLAC, WMA, LPCM, ADPCM, WAV and OGG. The FreeAgent Theater+ player also offers support for SAMI (smi), SRT and SUB subtitles. To download and transfer content to a Seagate FreeAgent Go portable drive using a Windows XP, Windows Vista or Windows 7 operated PC, a 256MB RAM and an available USB port is required. Mac computer users must be running Mac OS X 10.4.11 or 10.5.6 or later and have an available USB port. FreeAgent Theater connects to any TV with composite, component video or HDMI connection and stereo, optical S/PDIF or HDMI audio connection

Pricing and Availability

The Seagate FreeAgent Theater+ HD media player is available immediately via Seagate.com and other online retailers. It comes as a stand-alone unit for use with any USB storage device for a manufacturer's suggested retail price (MSRP) of $149.99, or bundled with a 500GB FreeAgent Go drive for a manufacturer's suggested retail price (MSRP) of $289.99. The FreeAgent Theater+ Wireless Adapter is expected to be available in October as a separate accessory through Seagate.com for $69.99.

It does, however, stream 1080p from a wireless source. That and the clear plastic block design—appearing as if the panel is suspended in a thin block of Lucite, like a visible LCD version of Han Solo—mean it's guaranteed to look oh so purdy hanging on a wall and from the side. What remains to be seen is how good the XBR10 looks compared to the XBR8. (The obscenely over-engineered set from two generations ago looked better to reviewers than the XBR9.)

The set has a few more things going for it, too. Like DLNA media streaming, Youtube, Amazon on Demand and "later in the fall, Netflix". (There are also other services, but I have no doubt they'll be of lesser value than the ones I mentioned.) It plays 24p content and has 240Hz tech, which interpolates 3 frames for every one (a tech that no one can see.) And it'll have the cross media interface.

The thing about the XBR8 was that it was expensive; the picture quality alone could not justify the $3000-$4000 cost. So, how does a wireless set like this one get away with costing $4500 and $5000 for 46 and 52-inch flavors?

SONY ADDS SUPER SLIM EDGE-LIT LED MODELS TO BRAVIA HDTV LINE
New XBR10 LCDs Feature 1080p Wireless High Definition Leaving the Cables Behind

ATLANTA (CEDIA Booth # 1409), Sept. 9, 2009 – Sony today introduced a new line of ultra-thin BRAVIA™ LCD HDTVs featuring an advanced edge-lit LED backlight and exceptional contrast ratio of over 1,000,000:1.

The XBR10-series models also deliver full 1080p wireless transmission of high definition signals from a separate media box to a receiver embedded in the TV, allowing source components to be placed out of sight.

"BRAVIA is on the cutting edge of television technology and the XBR10 series pushes the limits of industry-leading, innovative features," said Jeff Goldstein, vice president of the television business for Sony Electronics. "Not only will this TV look striking when hanging on a wall, the wireless feature clears the clutter of components and messy tangles of unsightly wires, allowing you to hide components away across the room."

The XBR10 models also feature an Ethernet connection allowing them to directly access Sony BRAVIA Internet Video content using an existing broadband network. The platform offers one of the largest selections of free and premium movies, TV shows, sports, music and more from an array of partners like, Amazon Video on Demand, YouTube®, Slacker Internet Radio, and, later this fall, Netflix.

Bravia Internet Widgets, powered by the Yahoo! Widget Engine, also expand and personalize the TV experience by adding on-screen applications that provide such information as weather reports, stock information, financial news, Twitter, and additional content.

The full HD 1920 x 1080 progressive (1080p) models also feature Sony's Motionflow™ 240Hz technology, which delivers exceptionally crisp and detailed images with natural motion. The Motionflow algorithm goes beyond traditional 120Hz technology by quadrupling the frame rate of conventional LCD TVs and interpolating three new frames.

The models are Digital Living Network Alliance (DLNA®) compliant, enabling easy access to digital photos, music, and video stored on a PC or other DLNA server using the XMB® interface and the TV's remote control. They also offer a USB input for displaying digital photos or playing digital video and music files from a USB storage device.

Other notable features include:
BRAVIA Engine™ 3
24p True Cinema™
xross media bar™ (XMB)with enhanced 3D favorites Menu
Internet powered TV Guide Onscreen

BRAVIA Sync™
4 HDMI inputs
RS232C
Single PC, component, composite and component/composite selectable inputs

Each receiver takes advantage of the latest sound and video technologies — such as the latest high-bit-rate formats, including Dolby(R) TrueHD and DTS-HD Master Audio(TM) delivered via Blu-ray Disc(TM) and the HD video content stored on iPod and iPhone products — and incorporates them into a beautifully designed, easy-to-use system.

We knew that the iPhone 3GS has the power to play 1080p video, but this capability is not enabled right now. The video that gets transferred to your iPhone and iPod from iTunes is low resolution at this moment. There's no way to store HD content, and have it accessible to Harman Kardon's receivers. So, obviously, the company knows something that we don't.

Could this mean that Apple will announce this capability in today's event? Perhaps it is related to the Cocktail project? We will discover it at 1pm Eastern/10am Pacific, in our liveblog. [MarketWatch]

The 3LCD-based 8100 features a contrast ratio of 36,000:1 and a brightness bump to 1800 lumens. It also includes a Dynamic Iris system that allows for frame by frame light control (up to 60 frames per second)—helping to smooth out movies with fast scene changes. Of course, the $1599 price tag doesn't quite compare to the new crop of sub-$1000 1080p projectors that are starting to hit the market, but Epson's 8100 does represent a second tier of affordability with specs that would probably have cost you at least twice as much a year ago. Of course the game is about more than just impressive contrast ratios, but even without a review these shrinking price points are encouraging. Expect the 8100 to arrive sometime in late October along with a $100 rebate offer that would bring the price down to $1499.

Epson Adds Two High-Performance 1080P Projectors to
Award-Winning Home Theater Lineup

Feature-Packed PowerLite Home Cinema 8100 and 8500 UB Offer Home Theater Enthusiasts Unsurpassed Image Quality and Affordability

ATLANTA (CEDIA Expo 2009, Booth 3353) – Sept. 8, 2009 – Epson America today announced two 1080p front projectors, the PowerLite® Home Cinema 8100 and 8500 UB, expanding its award-winning line of 3LCD™ home theater projectors. Featuring D7 technology for brilliant color and detail, and higher contrast, the Home Cinema 8100 reaches a 36,000:1 dynamic contrast ratio and the Home Cinema 8500 UB achieves an unprecedented 200,000:11. The Home Cinema 8100 and 8500 UB also offer the latest in real color reproduction capabilities for more natural and precise colors, delivering an outstanding viewing experience for home entertainment and AV enthusiasts.

With pricing of $1,599 (plus an additional $100 rebate at launch) and sub-$3,000, respectively, the Home Cinema 8100 and 8500 UB offer consumers affordable high-definition 3LCD home entertainment, delivering bright and natural color, crisp image detail, and unsurpassed light efficiency and reliability. These 3LCD projectors use an advanced, three-chip optical engine for brilliant color and image quality without the possibility of color break-up, unlike DLP projectors that generate images using a spinning color wheel with a white segment.

"Epson is committed to leading the market when it comes to home theater performance and value," said Marge Ang, senior product manager, Epson America. "These new models take advantage of Epson's latest technology to offer consumers the highest-performing1080p solutions available at their respective price points."

Epson Home Cinema 8100
The value-packed Home Cinema 8100 features an improved contrast ratio of up to 36,000:1 (double that of previous models) and higher brightness – 1,800 lumens color and white light output - for outstanding image quality in dark or lighted rooms. The projector's exclusive Dynamic Iris system contributes to the dramatic contrast improvement, allowing light to be controlled on a frame-by-frame basis at up to 60 times per second, making it ideal for fast-action movies with frequent scene changes. Designed for home entertainment and AV enthusiasts on a budget, this projector offers high-quality home entertainment for enjoying movies, video games, sports, and more.

Epson Home Cinema 8500 UB
Along with the latest D7 chip set, this high-quality projector adds Epson's C2Fine® and UltraBlack™ technology for superb black levels and vivid images. Further boosting black levels, the Home Cinema 8500 UB includes brightness of 1,600 lumens color and light output and new dual-layered auto iris technology, allowing for an impressive contrast ratio of up to 200,000:1. As a result, the projector controls light intensity more effectively, causing dark images to appear even darker and blacks to appear even richer and deeper.

The projector also features Epson's new Super-resolution™ technology to create a sharper, more detailed picture resolution ideal for broadcast signal noise reduction or enhancing the quality of poor DVD transfers. Super-resolution technology improves the resolution of a blurred image, allowing consumers to fully enjoy high-definition quality at all times. Epson has also added new real color reproduction capabilities, which delivers more natural and precise colors, allowing viewers to experience the true-to-life colors filmmakers intended.

To ensure sharp, clear images, the projector features Epson's 12-bit 3LCD driver technology and a built-in Silicon Optix HQV Reon-VX scaling and de-interlacing video processor. This processor reduces mosquito and block noise and augments multi-level contrast enhancement to further improve picture quality. The Home Cinema 8500 UB also features enhanced FineFrame™ technology resulting in smoother frame interpolation, sharper video quality and the elimination of judder.
Shared Features of the Home Cinema Line – The Home Cinema 8100 and 8500 UB share features designed to improve image quality and total cost of 3LCD projector ownership, including:

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Cinema Filter: Delivers larger color space for improved color fidelity.
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Fujinon OptiCinema™ Multi-Lens Optics System: Projects clean, precise edges with consistent image quality across the entire screen, expanding installation flexibility.
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Pre-set Color Modes: Features seven color modes (Dynamic, Living Room, Natural, Theatre, Theatre Black 1, Theatre Black 2, x.v.Color) for optimal viewing in any environment.
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E-TORL® (Epson Twin Optics Reflection Lamp): Provides optimum light uniformity and increased light output for screen sizes larger than ten feet with exclusive 200 watt high efficiency design; uses less energy for up to 4,000 hours of lamp lifeiii.
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Advanced Dust Filtration System: Ensures efficient power use, reduced cool-down periods, lower fan speeds, quieter operation (only 22 db), and 98 percent efficiency for longer filter life.
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Input Options: Features two HDMI 1.3a inputs with Deep Color support, high definition component video input, S-video input, composite video input, and VGA-type RGB input (D-sub 15).

Availability and Support
The Epson Home Cinema 8100 will be available in late-October and the Home Cinema 8500 UB will be available in November through authorized Epson projector dealers and select retail outlets, and come with Epson's industry leading service and support. Pricing for the Home Cinema 8500 UB will be released at that time. This includes a two-year limited warranty with access to Epson PrivateLine® priority toll-free support, 90-day limited lamp warranty, and free two-business day exchange with Extra CareSM Home Service.

Epson's Latest 1080P Pro Cinema Projectors Bring Custom Installers High
Performing
PowerLite Pro Cinema 9100 and 9500 UB Offer New Levels of Image Quality, Detail and Performance

ATLANTA (CEDIA Expo 2009, Booth 3353) – Sept. 8, 2009 – Epson America today announced two native 1080p 3LCD™ home theater projectors designed for custom installers and home theater buffs, the PowerLite® Pro Cinema 9100 and 9500 UB. These projectors feature the latest 3LCD chips with D7 technology for amazing color and detail, and significantly higher contrast ratios – the Pro Cinema 9100 achieves a 36,000:1 dynamic contrast ratio and the Pro Cinema 9500 UB attains an unprecedented 200,000:1 in its class . With professional-level color tools including ISF calibration and color isolation, the Pro Cinema 9100 and 9500 UB offer professional installers full-featured solutions.

Available for $2,599 and sub-$4,000 respectively, the Pro Cinema 9100 and 9500 UB offer state-of-the-art image quality and performance in each of their respective categories with enhanced color reproduction capabilities and 3LCD technology to deliver bright and natural color, crisp image detail and reliability. As Epson's flagship home theater model, the Pro Cinema 9500 UB brings several technology enhancements to the market, including a new dual-layered auto-iris to control light reduction rates, Super-resolution™ technology for enhanced picture quality and improved FineFrame™ technology.

"Epson understands the needs of the custom installation channel and is committed to providing high-quality products that meet the needs of dealers in today's competitive market," said Marge Ang, senior product manager, Epson America. "These latest Pro Cinema projectors have been packed with a range of value-add features and technology refinements that allow custom installers to build a customized high-performance, home entertainment system for their discerning customers."

Epson Pro Cinema 9100
The Pro Cinema 9100 offers a high-value, customizable home entertainment experience. The projector includes ISF Day and Night modes for switching between picture modes and lamp output, as well as Epson's Color Isolation system for fine-tuning of color saturation and hue without the need for blue and red optical filters, making set-up and calibration quick and simple. With a contrast ratio of up to 36,000:1 and brightness of 1,800 lumens color and white light output , this projector offers amazing big-screen image quality. Housed in a stylish black and silver design, the Pro Cinema 9100 features an exclusive Dynamic Iris system which contributes to the improvement in contrast. It controls light on a frame-by-frame basis at up to 60 times per second, making it ideal for fast-action movies with frequent scene changes.

Epson Pro Cinema 9500 UB
The flagship Pro Cinema 9500 UB offers custom installers the ultimate in image quality, combining Epson's C2Fine® and UltraBlack™ technology with 3LCD and D7 technology to produce superb black levels and vivid images. The projector also features a dual-layered auto iris to control light reduction rates more effectively, contributing to its astounding contrast ratio – up to 200,000:1. With brightness of 1,600 lumens color and white light output, the projector delivers deeper blacks and crystal clear detail.

Adding to its high-quality performance, the Pro Cinema 9500 UB features Epson's improved FineFrame technology for smoother frame interpolation, sharper video quality and the elimination of judder for viewing sports and fast-action movie scenes, and playing video games. Epson has also added new Super-resolution technology to sharpen blurry images or low-resolution pictures. This new technology is ideal for high-definition content, addressing broadcast signal noise reduction or improving the quality of poor DVD transfers.

The Pro Cinema 9500 UB also features new real color reproduction capabilities for more natural and precise colors, while Epson's 12-bit 3LCD driver technology and a built-in Silicon Optix HQV Reon-VX video processor and PW390 scaler ensure a smoother picture. It also includes pre-set color space selection to set color gamut according to geography and source material, a feature typically found only on high-end high-definition broadcast monitors. And, with an optional external anamorphic lens (available from Epson) and "vertical stretch" picture mode, the Pro Cinema 9500 UB enables anamorphic viewing without an external processor for a full theatrical image – projecting true 2.35:1 and 2.40:1 ultra widescreen images without the black bars above and below the picture.

Shared Features of the Pro Cinema Line – Epson's Pro Cinema projectors share a range of value-add features designed to further enhance performance, image quality and total cost of ownership, including:

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3LCD Technology: Delivers bright and natural color, amazing detail and road-tested reliability; uses an advanced, 3-chip optical engine for full-time color without the possibility of color break-up.
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Cinema Filter: Delivers larger color space for improved color fidelity.
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Fujinon OptiCinema™ Multi-Lens Optics System: Projects clean, precise edges with consistent image quality across the entire screen.
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E-TORL® (Epson Twin Optics Reflection Lamp): Provides optimum light uniformity and increased light output for screen sizes larger than ten feet with exclusive 200 watt high efficiency design; uses less energy for up to 4,000 hours of lamp life ; both models include a spare lamp.
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ISF Certification: Allows installers and calibrators to fine-tune picture quality and match output with front projection screens.
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Input Selections: Features two HDMI 1.3a inputs with Deep Color support, high definition component video input, S-video input, composite video input, and VGA-type RGB input (D-sub 15).
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Installation Options: Includes ceiling mount, reversible front panel Epson logo for various mounting positions, rear panel cable cover to hide wires and cable hook to ensure connections remain secure.

Availability and Support
Available in October and November respectively, the Pro Cinema 9100 and 9500 UB can be purchased through authorized Epson projector dealers and select retail outlets. Both models come with Epson's industry leading service and support, including a three-year limited warranty with toll-free access to Epson's PrivateLineSM priority technical support, 90-day limited lamp warranty, and free two-business day exchange with Extra CareSM Home Service.

[Epson]

Both 1080p HDTVs include wired and wireless internet connections and a crazy-sounding 16-speaker "sound projector" to really blast those rented flicks. Plus, the Vudu support includes support for YouTube, Flickr, Picasa and Pandora. Like Mitsubishi's previous deal, the purchase of one of these sets comes with a $50 Vudu credit for the first two months. Full press release below. [Mitsubishi]

Mitsubishi Digital Electronics America Ships VUDU Integrated 1080p Flat Panel LCD Televisions

Unisen™ Diamond Line of Immersive Sound TVs Deliver VUDU's Extensive HD Library In Full 1080p and 5.1 Dolby® Digital Surround Sound

IRVINE, Calif - September 3, 2009 —- Mitsubishi Digital Electronics America, Inc. (MDEA) today announced it has begun shipping VUDU integrated 1080p flat panel TVs in its Diamond models of Unisen™ Immersive Sound LCD Televisions. MDEA will provide the consumer the opportunity to experience the seamless delivery of thousands of high definition movies and TV shows.

Consumers will now be able to enjoy VUDU HD movie content through the unparalleled sensory experience that is delivered by Unisen's superior 1080p picture performance and built-in Dolby Digital® 5.1 surround sound. The Diamond Unisen models, LT-46249 and LT-52249, come equipped with an Ethernet port, which allows for direct connection to the Internet. With the addition of the optional VUDU wireless accessory bridge, consumers can simply link their Diamond Unisen model to their wireless home network to watch the latest in entertainment programming.

"We are always looking to elevate the large screen experience for consumers, and the Mitsubishi VUDU-integrated TVs will combine unprecedented HD program choice with unparalleled picture performance," said Frank DeMartin, vice president of marketing, Mitsubishi Digital Electronics America. "Owners of Diamond Unisen Immersive Sound TV's will now have convenient access to high quality entertainment content."

With over 2,200 HD titles and 16,000 titles overall, VUDU offers the most extensive HD movie library available today. In addition, starting later this month, the VUDU service on Diamond Unisen Immersive Sound TVs will offer popular internet services such as YouTube, Flickr, Picasa and Pandora®, as well as an "On Demand TV" area with more than 80 channels to choose from.

"VUDU's extensive HD library of recently released Hollywood titles provides the perfect entertainment solution for Mitsubishi's Diamond Unisen TVs," said Alain Rossmann, CEO of VUDU. "Through this collaboration with Mitsubishi, we are expanding the reach of the VUDU Service to a broad new segment of consumers, providing an outstanding movie watching experience with true 1080p and Dolby Digital Plus 5.1 surround sound."

For a limited time, owners of Mitsubishi's VUDU integrated Diamond Unisen TVs will receive two months worth of free movie rentals or purchases (up to $50.00)*, including SD, HD, and HDX movies, allowing them to experience the extraordinary 1080p image quality and immersive Dolby Digital 5.1 Surround Sound of the VUDU Service running on Mitsubishi Diamond Unisen TVs.

Diamond Unisen Features
In addition to the VUDU streaming capabilities, the Diamond Unisen line of premium flat panel TVs combine ultra compact design, immersive sound technology and advanced video performance to deliver a complete sensory experience without the hassle of complex setup. Each model features an UltraThin Frame™ design delivering a frame measuring less than one inch, fully integrated 18-speaker Dolby Digital 5.1 surround sound system featuring Dual Driver Extended Range Sound, and Variable Smooth 240 Film Motion for viewing of fast and slow moving programs. Diamond Unisen TVs feature wide color gamut backlight technology to reproduce approximately 25 percent more color than most LCD-TVs and both 249 Series models are EnergyStar™ 3.0 qualified.

Availability and Pricing
MDEA has commenced shipping Diamond Unisen models to authorized retailers in the United States. MSRP for the Diamond Unisen products will be $2,599 for the 46" model, LT-46249 and $3,099 for the 52" model, LT-52249.

I only had it set up in my living room for a short while. A little HBO, some movies, not much gaming at all. But it would have been long enough to pick apart a TV by just watching it. And during that time Sony's picture defied any major complaints. Standard definition TV looked colorful, clear and without too many artifacts, reminiscent of how good it did on ye old standard def CRTs, before flat panels started hamfisting the upscaling. On the high end, High definition content from a Blu-ray disc felt like pricks from hypodermic needles, 1920 x 1080 of them, filled with a solution of video joy suspended in photons, as well as some unknown meds that made my chest tighten and my eyes unable to blink. It was by far the best LCD I'd ever seen, and as David Katzmeier from CNet said when he reviewed it, one of the best sets ever, although not as fine of a picture as the now extinct Pioneer Kuro plasma sets.

Sony's engineers went to remarkable lengths to create it, almost as if the ghost of Sony's founding fathers came down and rekindled the engineering pride of the company, telling them to spare no measure to create the TV. "Use LEDs! Use three or four of them for every one those bastards in Korea do!" What resulted was a unique set of discrete red, green and blue LEDs—two of the dimmer greens in every triad— repeating the set up into a backlighting array. Each of the different color LEDs would be calibrated in real time, adjusting for color and brightness output. And that's after they were matched for similar qualities. Apply localized dimming, for a set only an LED fanatic could dream of. And the result was fantastic but without implying anything about its reliability, it is curiously prototype-like in many ways.

The set's large number of discreet color LEDs makes it heavier, more power hungry and thicker than most LED LCD sets, fitting somewhere in physical profile between other LED LCD sets and plasmas. A year and change after its revolutionary release, the set finds itself in murkier waters that make it impossible to justify its extravagance—another hallmark of cutting edge prototype-like technology. And there's competition. Kind of!

Having said how wonderful it looks, this set is a strange creature, born right before the economic crash wiped out the chance that high end sets, like Mitsu's laser TV or Pioneer's Kuros, would sell well. Yet it exists at the same time as its cheaper and poorer performing successors like the Non-LED XBR9.

Markets equalize all. Right now, the XBR8 still has a wildly expensive, with an MSRP of almost $4000 for a 46-incher. Thankfully, because of the set's age, they're going for $2600 on Amazon, which is better, but still over the MSRP of some competing sets that look almost—almost—as good. The XBR9 is $2600 MSRP and can be had for under 2 grand. For about the same price as the XBR9, you can get the LG LH90 in a 47 inch size, backlit by white LEDs with localized dimming. David K. over at CNet says its almost as good, visually.

Somehow, I'm still drawn to the only shipping LCD that uses separate red, green, and blue LEDs. Maybe once the retailers forget how special it is, and the final units are put on clearance as last year's model, I'll pick one up at a steal. More than likely, that sub $2k price point will fill up with better and better sets using simpler and more production friendly technology that'll make me wonder what I was lusting about in the first place. Until then, I still love the XBR8. And without any benchmarks, you'll just have to take my word for it that this set is something special, if not also an unrealistic set to own.

The H1080FD burns at 1800 lumens of brightness with a 5000:1 contrast ratio, with HDMI, composite, s-video and component ports. The chip is standard TI stock—the S450— and the entire package is unlikely to get videophiles too sweaty. But that's not the point—the point is that for just a $1000, you can get a 1080p, semi-portable projector that'll throw an image—assuming it's not terrible—that's equivalent to a truly huge TV, without looking like pixelated garbage. At $2,000 just less than a year ago, the 1080p prospect was exciting; at $1000, it's fantastic.

The company's a bit of an unknown quantity to us, but the h1080FD's ultra-high-end LED brother, the H9080FD, sounds pretty great. I'd wait on the reviews for this one—it ships in August—but if it can deliver decent image quality, it might be time to rethink your staunch allegiance to flatscreens. [Vivitek]

It's a form-factor that doesn't leave much room for creativity, but Samsung's managed to put together a distinctive product with the HMX-U10. The slightly swept design allows for more comfortable gripping than the flat bricks we've all grown accustomed to, and the compact profile—56mm x 103mm x 15.5mm—belies its solid specs, and most notably its ability to record 1080p H.264 video, as opposed to the industry standard 720p. Otherwise, we're in familiar territory here: there's a one-touch YouTube upload button, fixed-focus lens, expandable SD storage and a two-inch LED screen.

Also, with the emphasis on still shooting, I'm noticing a conceptual problem: point-and-shoot cameras have been getting more and more video savvy in the last few years, and now, mini-camcorders are aspiring to be pocket cameras. They're roughly the same size, and assuming a tag of around $200—suspected, but not certain—for the HMX-U10, fall into the same price range. The future won't be pretty for one category or the other, and that's not even considering the increasingly capable imaging capabilities of modern smartphones. Exactly what will kill what (and what we'll be left with) is still up in the air, but you can rest assured the slaughter will be well-recorded. [InfoSyncWorld, Crave]

Though HDMI is capable of handling both audio and video, the Mini DisplayPort on MacBooks is not—a definite source of annoyance for MacBook users. The Kanex adapter gets sound from USB, like one of those teeny external sound cards, and merges it into the video it gets from Mini DisplayPort, so on the other end, your HDTV gets both audio and video from HDMI, up to 1080p resolution. It's a simple solution, though of course not as elegant as if Apple would just put a damn HDMI-out in their MacBooks, so if you're showing a lot of HD video content, this could be a real life-saver.

The clumsily (if descriptively) named "Mini DisplayPort to HDMI adapter with USB digital audio" from Kanex (a line from Apogee, makers of various high-end A/V products) will be available this August for an undisclosed price. [Press Release]