Yes, this $76,583, 56-inch set sports a resolution of 3840x2160, which means you can cram four full-res HD feeds in there at one time. You know, for watching four football games at once, or four movies at once. Samsung announced a similar, larger set a couple years ago, but as far as we know it never actually became a real product. This thing is all real.

Sure, this thing isn't meant for normal consumers, as the price makes it clear. But that doesn't mean you can't get one if you have the scratch. Come on, go for it. It's only $76,000. [AV Watch via Engadget]

TechRadar breaks down everything you need to know about HDMI 1.4 into an easy-to-digest 10-thing listicle. Personally, I'm most excited about the new Micro Connector, since I just love new kinds of cables, though sad I'll have to wait a whole year to buy it. [TechRadar, Image via Sam Catchsides/Flickr]

JVC has also created a prototype of their new 4K handheld camcorders, which shoot in 4240p and was made to be more of a broadcasting camera. Although release dates and prices are yet to be announced, they are rumored to cost under $200k, which is not that surprising considering that this cutting-edge technology is aimed more at professionals. [Akihabara New via CrunchGear]

Captured on the 4K RedOne (that's a frame resolution of 4096x2304, or 9.4 megapixels), the video-sourced cover image is thought to be a first in the magazine industry, challenging traditional SLR photography and the distinctions of photo vs video.

In other good news, there's a pile of leftover Megan Fox footage that's up at Esquire now. But in one of humanity's great travesties, the clips have been downrezzed for web streaming. [Esquire]

It is as though you are following a real world event happening right in front of your face with your own eyes. Any and all flickering in the movement of the vehicle, in the smoke from the tires, etc. are completely gone, and you are almost tricked into believing you are watching something in real life. The guests at the event were baffled by the quality of the image, and stared in amazement at the screen.

Head on over to the Gran Turismo site to see the tech details of how they did this. [Gran Turismo via PS3 Fanboy]

The Red One camera was never really interested in capturing HD video (1920x1080). Instead, the system's Super 35mm-sized Mysterium sensor captures footage at 4K (3626x2664) in precious RAW format. The camera starts at only $17,000, but once you get it fully loaded, the system can approach $80,000. Sound like a lot of money? It is. But seeing as it doesn't require purchasing or developing costly film and it still manages to nip the heels of 35mm quality, the Red One represents the democratization of an ever-opening Hollywood system.

The Red One will be at Gizmodo Gallery this December 4th-7th, in NYC.

[Thanks to REED ANNEX and thanks to our benefactor gizmine.com]

Gizmodo Gallery
Reed Annex
151 Orchard Street
New York, NY 10002

Gizmodo Gallery Reader Meetup
The reader meetup takes place across the street from the Gallery, at a place called The Annex (not to be confused with REED ANNEX where the gallery is hosted.) The address is 152 Orchard Street and we'll be there at 9 PM SHARP on Friday December 5th.

Gallery Dates:
December 4th-7th

Times:
12/4 Thursday
12-8

12/5 Friday
12-8

12/6 Saturday
11-8

12/7 Sunday
11-4

[Read more about our Gizmodo Gallery here and see what else we'll be playing with at the event.]

You can stack two to increase the light output, though it generates 3500 ANSI Lumens already. It's also got an ethernet port, so you can control multiple projectors from your PC, and receive error reports by email. Price isn't mentioned, but the Meridian setup was $185,000, so you can use your imagination.

FOR IMMEDIATE RELEASE

JVC UNVEILS 10 MEGAPIXEL ULTRA HIGH DEFINITION PROJECTOR
4K2K D-ILA Projector Provides Four Times the Resolution of Full HD

Denver, CO (September 3, 2008) – JVC unveils the world's smallest 4K2K ultra high definition projector, the DLA-SH4K. Based on the company's new proprietary 1.27-inch 10 megapixel D-ILA devices, the DLA-SH4K projects images at greater than 4 times the resolution and clarity of the industry's latest full high definition projectors. The higher resolution will bring a new level of reality to aircraft simulators, medical analysis, 3D display, command and control, museums, theme parks, and ultra high-end home theaters.

The DLA-SH4K will be unveiled at CEDIA September 3 – 6, 2008 and will be on display throughout the show in the JVC Theater located at The Denver Center for the Performing Arts next to the Denver convention center.

The projector's chassis achieves a remarkable 65% reduction in size compared with conventional projectors in its class. This was achieved in part by using JVC's latest 1.27-inch Direct Drive Image Light Amplifier (D-ILA) devices and a new optical system. D-ILA is a proprietary form of Liquid Crystal on Silicone (LCOS), a reflective technology that offers far greater pixel density than competing devices.

The D-ILA devices used in the DLA-SH4K provide a native 4096 x 2400 resolution—multi-screen display modes that allow users to view up to four Full HD screens at a time. A new optical design featuring an 825 Watt Xenon lamp generates a light output of 3500 ANSI Lumens and features adjustable lamp power that ranges from 825 to 660 watts.

Two DLA-SH4Ks can be stacked for increased light output. In addition, the projector can be inclined up to a ± 90-degree tilt angle and has a horizontal lens shift of ±25% and vertical shift of ±50%, which enables flexible installation.

The DLA-SH4K includes DVI-D (dual-link) x 4 input terminals that accept a wide variety of input resolutions. In addition to the RS-232C and USB connections, an Ethernet interface makes adjustment and installation from web browsers on PCs possible. Furthermore, networking allows multiple projectors to be operated with a single PC and an email function also enables the sending out of error messages and lamp replacement reminders.

JVC will offer two lenses for the projector, the GL-MS4015SZG 1.22x zoom lens for screens up to 300 inches, and the GL-MS4011SG short throw lens for screens up to 250 inches. The DLA-SH4K is available immediately. For more information and photos on the DLA- SH4K D-ILA projector, please visit JVC's Web site at http://referenceseries.com.

ABOUT JVC PROFESSIONAL PRODUCTS COMPANY
JVC Professional Products Company, located in Wayne, New Jersey, is a leading manufacturer of home theater products and security products in addition to a complete line of broadcast and professional video systems. For more information about this, or any other JVC Professional Products product, contact Candace Vadnais at PFS Marketwyse 973-812-8883, ext. 430 or visit JVC's Web site at http://pro.jvc.com

[JVC]

For one thing, we've laughed in the past at fancy home theaters that still had 720p monitors; well, this guy leapfrogs even 1080p and goes with Sony's formerly commercial $100,000 4K SRX-R110 projector, lighting up an 18-by-10-foot Stewart Snowmatte "laboratory-grade" screen. Ironically, the Sony doesn't have an HDMI HDCP input, but it can upconvert all Blu-ray and HD DVD content to 4,096 x 2,160 in analog. There's also a secondary projector, if you're just dying for the olden days of "full HD."

The sound system is 8.8 channel, though I can't figure out why it's not 9.16, or even 11.16, given the fact that there are eight Snell THX towers spaced all around, plus three Snell center-channel speakers, all powered by a combination of solid-state and tube amplifiers. As I hinted, the low end is handled by 16 Snell subwoofers. (I guess this means Snell makes the best speakers money can buy—I'll just file that away for...never.)

All of this is crowded into a room that's not ginormous by any means, just 26.5 x 33 feet, with a single three-cushion menage-a-trois couch as the focal point for all 11,315 watts of juice. (Fun Fact: That's like 11,215 more watts than anything I own.)

Want one? Well, you're in luck, cuz Jeremy Kipnis is selling this design, along with an even bigger one called the Alpha Ciné and a tinier one called the Gamma Ciné. That's right: $6 million doesn't even get you the Alpha; it gets you the Beta. [Kipnis via Crave and, most informatively, Audio Video Interiors]
Thanks Steve!

Witness the obliterating power and sheer magnificence of the new Sony CineAlta 4K SRX-R220, the projector that can display 8.850.000 pixels of ultra high definition footage in movie theaters, crazy rich people's home theaters and probably be integrated as deathly weaponry in any space battle station.

This technological terror is the latest iteration of Sony's SXRD (Silicon X-tal Reflective Display) line. Like the SRX-R1xx series it still can't reach 10 megapixels, but it comes loaded with more gear than the Death Star itself: LMT-100 media processor, LMS-100 screen management system, a gazillion gigabytes of RAID storage and uninterruptible power supply are all built-in.

More photos, so you can see the scale of the SRX-R210/R220, full specs, price and availability after the jump.

The projector itself has 4096 x 2160 pixels resolution with a 2000:1 contrast and 14 foot Lambert brightness (a whooping 47,964 cd/m2, according to Sony's site). The SRX-R220 model can fully cover a 20 meter screen (65.6 feet) with its 4.2W xenon lamp while the R110 goes up to 17 meters with a 3.0W and 14 meters with a 2.0W lamp.

The LMT-100 media processor (or Media Block, as Sony calls it) is in charge of pushing all those pixels to the screen, upscaling in case the original material is lower resolution, decrypting the content so no kids can put a couple of terabytes of UltraHD material on BitTorrent, process the multi-channel audio and even place subtitles on the fly using XML or PNG files. Beyond connecting all kinds of video gear using BNC connectors you can also connect a computer, PlayStation 3 or AppleTV using a DVI port. You know, just for fun.

The SRX-R220 and SRX-R210 has prices starting at $126,540, pop-corn machine and Golden Flavor dispenser not included. Expect to see it in a theater near you at the end of 2007 or 2008, because it will be available for sale from May 2007. – Jesus Diaz

Product page (japanese) [Sony via Impress AV Watch]

To learn more about this 4k resolution super camcorder by the founder of Oakley glasses, read here.

And even though the pro cam is out of the range of most of our prices and needs, it can't hurt to take a look at the rad hardware designs.–Brian Lam

Red One Camcorder [Gizmodo]

Projector enthusiasts say that "true" 4K resolution is 10-megapixels or higher, but unless your eyes can see as well as Daredevil's ears can hear, you probably can't tell the difference. The 4K of this isn't enough to display the 4K of the Red One, which is 4520 x 2540, but it's close. – Jason Chen

The new Sony 4K SXRD video projector [Akihabara News via Crunchgear]

"Red is onto something here. Something BIG. Something that if they continue to fulfill their stated specs and objectives, could and probably should substantially alter the landscape. The test footage I saw off the Mysterium ... makes me think Red is truly going to be a force to contend with, that it will compare favorably with existing high end digital cinema cameras...at ANY price."

Mike sees footage from Mysterium sensor [HD for Indies]
Red Digital Cinema Intros Red One 4K Camcorder [Hollywood Industry]