<![CDATA[Gizmodo: animation]]> http://tags.gizmodo.com/assets/base/img/thumbs140x140/gizmodo.com.png <![CDATA[Gizmodo: animation]]> http://gizmodo.com/tag/animation http://gizmodo.com/tag/animation <![CDATA[Exclusive Clip From Family Guy's Empire Strikes Back Has A New Lando]]> We've got the first exclusive clip from Seth MacFarlane's second Family Guy Star Wars spoof. Since Empire Strikes Back is the best of the bunch, MacFarlane is really going to have to bring it... and so far, so good.

The official name for the Empire Strikes back spoof is Something Something Something Dark Side, and it'll be on DVD & Blu-ray 12/22.

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<![CDATA[Crazy Headsploding Animation Defies Any Classification]]> This is not stop motion. This is not animation. I don't have a clue about what this thing is. I do know that 1) it's for mature audiences only—for graphic violence and grossness—and 2) it's mind/headblowing. [LikeCool]

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<![CDATA[With Plans to Recast Futurama, Fox Infuriates Fanboys Everywhere]]> But seriously—why in the hell would you go and do that, Fox?

It's like the time Vince McMahon tried to pawn off a fake Razor Ramon and Diesel on us. Or the time the Fresh Prince's Aunt Viv inexplicably became four shades lighter over the course of a season (Vitiligo?). Or maybe more relevant, the time Cartoon Network aired all those new episodes of Dragonball Z, and Goku sounded like he was severely constipated.

The point is this: if you're bringing the show back for the rabid, already-established fanbase who knows the show best, how are you going to recast all the main voices and think the fans won't care or notice? It wont work. [CrunchGear]

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<![CDATA[Apple Hardware, If It Were Designed By Michel Gondry]]> The image associated with this post is best viewed using a browser.No, Apple hasn't replaced Jonathan—in reality, this is just a clever little stop motion pitch for the iPhone app accompaniment to the fantastic Delicious Library 2.0. [Delicious Monster via BBG]

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<![CDATA[This DSi Can Take Itself Apart, Thank You Very Much]]>
New rule: All teardowns must be recorded in seamless stop motion, synchronized with music and give the impression that the gadget is actually dancing itself into pieces. See above for further guidance.

TechRestore has used this technique before, and we've already glanced the DSi's innards, but the combination of a gratuitous teardown with 1304 frames of Tim Burton-style animation is kind of perfect. [TechRestore]

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<![CDATA[New Pixar Up Trailer Has Me Up Too]]> I had my doubts about the upcoming Pixar movie UP, but after watching the latest trailer—featuring airplanes, zeppelins, GPS, and dogs that can talk thanks to electronic collars—I think it has amazing potential.

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<![CDATA[Machinery With Organizational Fetishes Come to Life in Stop Motion Short]]> Since CGI has rendered stop-motion filmmaking all but obsolete, it's nice to see someone doing something fresh with the format. In this case, John Douglas Powers has created a mini-masterpiece using various machinery.

In the short, entitled "The Collector," a helping hand, in a very wall-e-esque manner, roams the landscape in search of various objects it can catalog and add to it's sizable stash. Somehow this leads to a Peacock feather sprouting from a hole once occupied by a screw, and is subsequently collected in a glass tube.

Not sure what that has to do with anything, but I cant complain, seeing as the style kinda reminds me of the early Gumby cartoons I hold near and dear to my heart...but without the clay and all. [John Douglas Powers via Make]

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<![CDATA[Wall-E on Blu-Ray Arrives November 18th]]> WALL-E is set to land on Blu-Ray (and DVD) on November 18th, and will probably become the go-to showoff movie for high-end entertainment systems. The newest Pixar movie is a big favorite here at Gizmodo, and the 3-disc set looks like a must-have for Blu-Ray owners, with all kinds of great extras. More details after the jump.

It'll be available in a two- or three-disc set on Blu-Ray, and feature a new short film called BURN-E, as well as Presto, the short that ran alongside the film in theaters. The sets also have a documentary on the studio called The Pixar Story, a "retro suite of video games," and of course the standards like commentary and a behind-the-scenes look. The double and triple-disc sets will run for $36 and $41, respectively, and there will be single, double, and triple-disk DVD sets as well. [Official Site]

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<![CDATA[The History of Computing as Told by Pixelated Dancing Scientists (and Jim Guthrie)]]> You might think the history of personal computing is way too complex to explain in under four minutes. But Canadian animators Superbrothers teamed up with singer-songwriter and all-around awesome dude Jim Guthrie to create this amazing music video that'll prove you wrong. The story: two heavily-pixelated scientists have a dance battle that echoes the transition from primitive '60s computers to today's cloud computing. The video is after the jump.


DOT MATRIX REVOLUTION* from superbrothers on Vimeo.[io9]

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<![CDATA[Stop-Frame Animator Makes Amazing DSLR Movie The Old-Fashioned Way]]> Made by Ryan Cashman, this movie shows you that with a chunk of ingenuity and a huge bucket-load of patience you can make movies with any old DSLR. Ryan's clip of an LED pianist was made with nothing more sophisticated than a green keychain LED and a Canon digital Rebel. He took a sequence of 20-30 second exposures, and strung them together later into an animated movie with original music. HD-video DSLRs? Pah... this is real art. [Vimeo via Wired]

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<![CDATA[Beautiful Visuals Created Using the Processing Programming Language]]> Processing is an open source programming language designed for visual artists, "created to teach fundamentals of computer programming within a visual context and to serve as a software sketchbook and professional production tool." Originally developed at the MIT Media Lab, it's a free alternative to fancy, expensive, proprietary software tools. And man, can you make some cool stuff with it. This video, created by Glenn Marshall using Processing, is called Metamophosis. Featuring music by the incomparable Boards of Canada, it's a remarkable testament to what you can create with a simple programming language if you've got the chops. [Fubiz via Notcot]

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<![CDATA[$22,000 T-Rex Skeleton Is Worth the Cost of Taking the Bus]]> Truth: the kids in the neighborhood will be unimpressed by your shiny new Corolla, even if it takes 4 years of monthly payments for you to actually own it. So buy something cool instead. Standing 13 feet tall and spreading 25 feet long, this animated T-Rex features 6 deadly-skeleton-like movements along with a roar that will force Ben Stiller into early retirement. Just check out the video:

Sorry, but the T-Rex does not come in periwinkle. Toyota still has you there. [Scare Factory via Nerd Approved]

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<![CDATA[This is What Happens When You Combine Boba Fett, Flashdance and Fireworks]]> This is what happens when you mix Boba Fett, Flashdance and fireworks: a brilliant, but somehow disturbing stop-motion animation, that's what. Damn you, Patrick Boivin, for mixing everyone's favorite Star Wars bounty hunter with the movie scene that made me horny for the first time. [Editor's Note: TMI!] On the other side, it could have been a lot worse:

Told you. [Club Jade]

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<![CDATA[MUTO is Among the More Astounding Videos We've Seen Online...or Off]]> Italian artist BLU is famous for painting politically and socially charged street murals, but his recent project involving street animation may be his most visually stunning. Called MUTO, the video is a series of digital stills assembled from sequential paintings on the streets/walls of Buenos Aires, Argentina. It's been floating around a bit, but if you haven't seen it, the effect is a sort of living, evolving mural that follows a dramatic, character-drive storyline. And if you watch one thing online today (or tomorrow or the next day), this should be it:

Told you. [Blu via Walyou]

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<![CDATA[Wall-E Movie is Jonathan Ive's Latest Design Job]]> CNNMoney/Fortune has a story out saying that Eve, the female character to stand opposite Wall-E in the movie of the same name, was designed in part by Apple lead designer Jonathan Ive. The robot design is kinda cool, in that it reminds me of the most recent incarnation of Marvin the Paranoid Android, but the real story to be told is of Ive's day spent with the Pixar guys working on Eve.

Wall-E director Andrew Stanton said he wanted the design to be high-end, but also "seamless and for the technology to be sort of hidden and subcutaneous." Stanton called this philosophy straight out of the Apple playbook and called up El Jobso in 2005. Steve sent over Johnny Ive for the day.

But oddly enough, Ive was as tight lipped as ever, despite being commissioned by Jobs for the task. So while the Pixar designers were running design ideas by Ive for Eve, all he would do is nod his head yes or no, as to whether or not he agreed. "Apple is so proprietary and so secretive that he couldn't even really allude to where the future of technology was going," said Stanton. And Pixar is a company which Jobs owns a stake in. Kinda creepy if you ask me. [Fortune]

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<![CDATA[Leaked Clone Wars Trailer is the New Force Hotness]]> Feast your eyes—squinting a bit—on the leaked two-minute trailer that was briefly seen in YouTube and then pulled off just to be rescued at the last minute by a Polish Corvette, saved into an astromech droid, launched onto a desert planet, and found by us in a garage sale somewhere in Kraków. Or something like that. The trailer further shows the work of the three hundred 3D animators who have been working on this project at Lucasfilm Animation for the past three years. And except for its lousy quality it, it seems that we are in for a ride (here's hoping Mr. Lucas didn't write the dialog.)

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<![CDATA[Paper Mario Animation, Six Weeks of Work in 60 Seconds]]>

Here's an enormously entertaining little video that took thousands of times longer to make than it does to watch. Created by an animator who calls himself "sketch (537CH)", he says it took six weeks to create this Paper Mario Animation. We like the way he moved the paper cutouts over the crayon-colored backgrounds, resulting in accurate and realistic-looking Mario action. Nice work. [Daily Motion, via CrunchGear]

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<![CDATA[Second Wall-E Trailer Hits The Internet]]> The second trailer for Pixar's Wall-E hit the French video site Allocine late last Friday (it officially came out today at 8 p.m. EDT) and the movie looks like it will be nothing short of awesome. While I could have done without Cars, and thought Finding Nemo was overrated, I absolutely loved Toy Story, Ratatouille and now this trailer. Wall-E revolves around a robot living in a future world who aspires to be more than a lowly worker bot. And he presumably sets out to achieve his dream. What also makes this film interesting is that it will be sans-dialogue according to the director. Robots in the future with a slight avant-garde twist? Consider me excited. [Allocine via Kottke via Daring Fireball]

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<![CDATA[MotionPortrait Animates Still Photos, Turns On Internet Dating World]]> MotionPortrait has released a new photo imaging program of the same name that can take a regular 2D picture and transform it into a moving, smiling, talking 3D model. According to the company, a one-gigahertz CPU can handle the 2D-to-3D transformation, which then allows the user to change eye color, hair-style and facial expressions. The CG animation can even be synced with sound to respond to various inputs.

This is easily one of the best picture-to-CG animations I've seen. Sure, it's not flawless—but if the company keeps improving on it, it can open up a whole lot of interesting features for social networking sites and video games. Unfortunately, the program can only be used through companies that put it into their own products—but I'm expecting a 3D animated Yuri to be doing obscene gestures on my friend's cellphones in the near future. [SciFi via UberGizmo]

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<![CDATA[World's Biggest Fake Fish Tank]]> A 250m by 30m LED screen has been installed in the ceiling of a new mall in Beijing. That's an impressive 7,500 square meters of viewable area, and comes with an impressive $32 million price tag to match. It hangs 80 feet in the air, and is actually five screens combined. Check out a video after the jump.

It can show films, video games or even photos uploaded by visitors, but most of the time it plays animations like swimming fish—all that space and what do they use it for? Screensavers. [LED Magazine]

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