Sure that is more than Guitar Hero for Wii (including guitar and drums) will cost you but for those that love to have the best for rocking, the Logitech stuff is made from the best stuff on earth (just like Snapple). The wireless guitar has a maple neck, rosewood fingerboard and metal frets. Even the wireless controller has a white finish with a glossy-black pick guard.

Like those for the PS3, the Logitech Wireless Drum Controller for Wii has got three drum pads and two cymbals. You can adjust them to your liking and there is a recessed-rim around the pads that help avoid accidental rim shots. And haven't you always wanted a kick pedal made of stainless steel. The Wii remote fits into the panel on the drum set (and into a slot on the back of the guitar).

Logitech also released a wireless drum set for the Xbox360 which is pretty much the same as the one for the Wii without the opening for the remote. Same pricing and all.

For those watching the cash, you can always find the closest pub with a Rock Band jam session and totally mooch on their instruments. [Logitech]

Apparently, the guitars won't be included with the game, but sold separately for $99 each. Seriously, this is getting silly. [Kotaku]

The composer, YouTube user bd594, says what you hear is 100% pure, straight from the machines themselves—no effects or sampling were used. In the case of the Scanjet, the "vocals" were recorded in four separate parts using the one machine.

The aforementioned Atari 800XL is tickling the ivory on lead piano/organ, while a plucky Texas Instruments Ti-99/4a shreds on lead guitar. Rounding out the bunch are the floppy drive on bass and the hard drive clanging cymbals. As many have suggested already, the "instruments" could use a good tuning or ten.

On a related note, Scanjet symphonies seem to be in the air right now. Must be spring. [YouTube via Matrxisynth - Thanks, Matrix]

Luckily the UK has the Data Protection Act (1998) and Freedom of Information Act (2000), which are a little like the US Freedom of Information Act, allowing anyone the right to view the data that an organization holds about them. Usually that's things like personal information, but in this case it was video footage of their performances on surveillance CCTV systems, both privately and publicly owned. Not all of the organizations the band approached using these laws came up with the goods, but many of them did: enough to make the video.

Now, you may be thinking "no, I don't believe it... all that CCTV stuff is just Hollywood, Bourne Identity nonsense," but sadly, you'd be wrong. Sure, there's no central collection office where The Man can choose among millions of camera streams at will, but the cams really are everywhere. Some cameras are black and white, some infrared, some color, some are fixed, some can even be panned and zoomed in real-time by local police, and some are in taxis.

In their final compiled video, The Get Out Clause can be seen performing in shopping malls, on the street, on a type of pedestrian crossing where cars have to wait for you, on a bus and tram and in the back of a Hackney Carriage taxi. Sure, there's a bit of personal camcorder action in there, but mostly the video is CCTV, and for that bit of lateral thinking I applaud you, chaps. Clever. [The Telegraph via Boing Boing]

What could be greater than being that bit closer to your rock'n'roll dream? You did stop to notice you are chucking out pseudo riffs on a big, fake plastic guitar, right? Call me an ass, but I'll be in line—it's an interactive light and smoke show, man. Oh, the joy. The screen-cap details the kit shall be dropping on 23rd June, which cannot come to soon for me. Eat my synthetic smoke...wait, let me turn the smoke alarms off and get ready for some self-inflicted bronchial bashing. [Destructoid]