<![CDATA[Gizmodo: christopher nolan]]> http://tags.gizmodo.com/assets/base/img/thumbs140x140/gizmodo.com.png <![CDATA[Gizmodo: christopher nolan]]> http://gizmodo.com/tag/christophernolan http://gizmodo.com/tag/christophernolan <![CDATA[Reminder: Christopher Nolan on Blu-ray Chat Tonight]]> Just a little reminder for Blu-ray/Batman fans in the audience—that live screening with director Christopher Nolan is tonight at 6pm Pacific. Here's what Warner says you need to do to participate:

Pending you've registered,

1. Pop your The Dark Knight Blu-ray Disc into your Internet-connected Blu-ray Player at least 15 minutes before the event and log into BD-Live from the main menu.
2. Fire up your Internet-connected computer and go to wblive.warnerbros.com, sign in, and click on the Post Question button in the event to ask a question.

We have word out to Warner Bros as to exactly how we can expect to receive Nolan's end of the discussion (audio track or text chat?), and we'll be sure to update this post if we hear anything more.

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<![CDATA[Watch The Dark Knight Blu-ray with Christopher Nolan]]> Warner Bros has been trying some pretty cool, experimental stuff with their first BD Live movie, The Dark Knight. And now, that list includes watching the movie with Christopher Nolan.

Those with The Dark Knight Blu-ray who've registered for Warner Bros' free Blu-ray accounts have the opportunity to watch the film in sync with director Christopher Nolan while he answers questions and gives us that commentary we were so missing from the BD's otherwise excellent extra features.

Slated for December 18th at 6PM Pacific, the community screening is open to the first 100,000 people who respond. But since Jason and I already RSVPd, that only leaves 99,998 spots left. Suckers.

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<![CDATA[Behind the IMAX in The Dark Knight]]> One of the many exciting aspects of The Dark Knight is how the movie incorporated IMAX shots. Friends who watched the film have called the shots absolutely stunning and incredibly immersive; another reason why this is the Best. Movie. Ever. Having yet to see it, I can only sigh wistfully and aggregate information on how it was done. Popular Mechanics has a great write-up of the challenges in shooting with an IMAX camera, including a behind-the-scenes video on how the action came together.

IMAX cameras, which use 70mm film, are much larger and heavier than a traditional 35mm machines. Among the plethora of changes to accommodate IMAX, technicians reinforced gyrostabled remote control camera cranes, crafted sturdier rigs to be mounted on cars, and forced one poor cameraman to actually carry the damn thing on his shoulders in an especially tense S.W.A.T. Team sequence.

When you're done checking the video out, head over to Wired (if you haven't already) for even more information on Christopher Nolan's methods and madness. Helicopters, wrangling with the Chinese government; the making of this movie could be its own movie. [Popular Mechanics]

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