<![CDATA[Gizmodo: d300]]> http://tags.gizmodo.com/assets/base/img/thumbs140x140/gizmodo.com.png <![CDATA[Gizmodo: d300]]> http://gizmodo.com/tag/d300 http://gizmodo.com/tag/d300 <![CDATA[Nikon D300s DSLR Adds 720p HD Video With Stereo Input, SD Slot to D300]]> It's not exactly surprising, but I'm still a little disappointed by the D300s: It's the same as the D300, but adds 720p video (at 24fps) with stereo input, an SD card slot and a few minor improvements for $1800.

Granted, my expectations are a little unfair—I wanted the D400, not the two-year-old D300 warmed over. I mean, come on guys, where's that 1080p video, at least? The D300s will be out later next month, if you are dying for a D300 with 720p video, though.

NIKON D300s revitalizes the standard and measure of agile, pro-level DX-Format d-slr design and performance

MELVILLE, N.Y. (July 30, 2009) – Today, Nikon announced the D300s digital SLR, combining professional-level performance with agility and enhanced D-Movie capabilities to deliver a new benchmark for creative versatility. Engineered to leverage proven Nikon technologies, including a 12.3-megapixel CMOS sensor and 51-point autofocus system; the addition of HD video capture; and faster 7 frame-per-second (fps) continuous shooting, the Nikon D300s balances form factor, performance, versatility and reliability for serious photo enthusiasts and professionals.

The D300s retains the photographer-friendly features of the critically acclaimed D300, while enhancing speed, versatility, and agility of the DX-format for a wide variety of photographers, including advanced enthusiasts, wedding shooters and photojournalists. The D300s can record HD video clips and high fidelity audio with an external stereo microphone input, offering users a D-SLR with full multimedia capabilities. Dual card slots afford users the ability to seamlessly record stills and video to one CompactFlash™ (CF) and one Secure Digital™ (SD) card separately, while one-button Live View, a new Quiet Shutter Release mode and Active D-Lighting bracketing help users to capture stunning images like never before.

"Today's photographer demands excellence and value from high-performance digital SLRs – and the Nikon D300s delivers," said Edward Fasano, general manager for Marketing, SLR System Products at Nikon, Inc. "It's no secret that more photographers need to gather multimedia content. In addition to proven technologies, such as the 51-point autofocus (AF) system and 12.3-megapixel CMOS sensor, we are more than confident that the D300s' HD movie mode, along with a host of additional performance enhancements, will broaden the appeal of the camera to those seeking exceptional still image quality and video versatility."

The Benchmark of Speed, Performance and Reliability
Whether on the front lines of spot news or behind the scenes at a spring wedding, users of the D300s can record HD video clips at 720p resolution with a smooth cinematic 24 fps rate. In addition, the D300s also records high fidelity audio-either with the convenient built-in microphone or by using the external stereo microphone input. Photographers can trim video length on the fly and apply Picture Controls to video, modifying the tone and color. Additionally, users can autofocus while recording video, using contrast detect AF, and do so while composing on the D300s' bright three-inch 920,000-dot LCD screen.

Nikon's applauded AF system, with 51 high density focus points, performs even faster and more accurately on the new D300s. The Multi-CAM 3500DX AF module uses 15 cross type sensors to provide unparalleled focus performance across the frame. The D300s offers multiple focus modes, including single-point AF mode, and a dynamic-area AF mode, where users can select from nine, 21 or 51 AF points with 3D tracking. Additionally, the added Face Detection System lets users instantly zoom in on a human face in playback mode on the high-resolution LCD monitor to check critical focus.

The Nikon exclusive and newly-accelerated Scene Recognition System (SRS) further refines Nikon's AF performance and light metering. In conjunction with the 3D Color Matrix Metering II system, the SRS uses precise color and brightness information from the 1,005-pixel RGB sensor to propel AF, auto exposure, i-TTL flash control and auto white balance to unprecedented accuracy.

The renowned 12.3-megapixel DX-format CMOS image sensor in the D300s delivers extraordinary image quality and low noise throughout the entire ISO sensitivity range from 200 to 3200 (Lo-1 at 100 and 6400 at Hi-1). The D300s captures image data using 14 bit A/D conversion, processed through a 16-bit pipeline for optimal performance, resulting in images with sharp details and smooth tonal gradations.

The D300s also incorporates Nikon's exclusive EXPEED™ image processing. EXPEED image processing uses an accumulation of sophisticated Nikon intelligence and technologies to ensure impeccable quality for both still images and movies, while also achieving high-speed processing and low power consumption. When using the included EN-EL3e Li-Ion rechargeable battery, photographers can achieve as many as 950 shots under normal shooting conditions. The optional Multi-Power Battery Pack MB-D10 extends shooting comfort and supports three types of batteries: R6/AA-size batteries, along with Nikon's Rechargeable Li-ion Battery EN-EL3e and the EN-EL4a Rechargeable Li-ion Battery. It combines added stability with extended shooting of up to 2,950 shots*1 per charge and enables faster high-speed continuous shooting at up to 8 fps*2.

The reinforced magnesium alloy body is lightweight, ruggedly constructed and comprehensively sealed and gasketed against the elements at key points, and the shutter has been proven to a demanding 150,000 cycles. Additionally, the D300s employs the Integrated Dust Reduction System countermeasures that combat the accumulation of image-degrading particles on the optical low-pass filter.
World Class Versatility

With the D300s, Nikon introduces the ability to bracket Active D-Lighting (ADL). By localizing tone control, ADL restores shadow and highlight detail typically lost in high contrast situations, such as backlit subjects or while outdoors with strong sunlight. ADL bracketing provides users with the ability to bracket up to five frames of ADL strength to help ensure perfect contrast throughout the frame, putting an end to the guesswork behind the shot with a bride's intricate white dress and a groom's tuxedo in the same frame, for example.

Additionally, the D300s features two memory card slots-one CF and one SD, used simultaneously in a variety of configurations to match users' preferences. Among the many options available, stills and video can record to separate cards or slots can be assigned for JPEG and RAW recording. The D300s offers "overflow" or "backup" modes, and when shooting D-Movie clips, it allows you to select the slot containing the card with the most available capacity. Users can also copy and paste files between cards.
Also added to the D300s is a Quiet Shutter Release mode, which substantially reduces the sound of the mirror while shooting. Quickly accessed by selecting "Q" on the release mode dial, this feature is ideal for the photographer who wishes to remain unobtrusive.

To further expand versatility, users have the ability to fine tune their images using Nikon's Picture Controls to adjust sharpening, brightness, contrast and color hue. The D300s offers users four presets including Standard, Neutral, Vivid and Monochrome; while Landscape and Portrait settings can be downloaded from the Nikon website. While the D300s offers a versatile built-in flash with wider coverage for a 16mm lens, the camera is also compatible with Nikon's Creative Lighting System and is capable of controlling up to two groups of remote units as a master / commander for Advanced Wireless Lighting.

System Expandability
In addition to compatibility with more than 60 NIKKOR lenses and a broad array of system accessories, the D300s will also perform well with the recently announced AF-S NIKKOR 70-200 f/2.8G ED VR II and the AF-S DX NIKKOR 18-200 f/3.5-5.6 ED VR II lenses.

Price and Availability
The Nikon D300s camera body will be available at Nikon Authorized dealers beginning in late August 2009 at an estimated selling price of $1799.95.** For more information, please visit www.nikonusa.com.

[Nikon]

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<![CDATA[The Nikon D300S Just Won't Stop Leaking]]> Here's the latest shot of the Nikon D300S. (Spoiler: It looks like a typical dSLR but with mic holes). According to Nikon Rumors, you can expect to hear more next week. [Nikon Rumors]

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<![CDATA[Nikon D300s DSLR in the Flesh, Apparently]]> Looks like a real live D300s to me. The Nikon leaks are speeding up, so I'm thinking we'll see this get official in August. You know, if it's real. More shots here: [Nikon Rumors]

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<![CDATA[This May Be Nikon's 2009/2010 Roadmap]]> The image associated with this post is best viewed using a browser.Nikon's 2009 AND 2010 roadmap may have been leaked on Grafika, detailing the upcoming bodies and lenses the company is working on.

Head to Nikon Rumors for the full list, but the short of it is that the D3000 and the D300 with HD movie are coming in August, D700X in October, D4 and D400 in Q2 2010, and D4X in late 2010. Supposedly. [Nikon Rumors]

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<![CDATA[Hey Look, It's the LCD Screen on the Back of a Nikon D300s DSLR]]> That's what we're supposedly looking at, gleaned directly from Nikon's site. Besides D300s splattered on it, note the SD card slot logo, matching earlier rumored specs. It's not a D400, but D300 + HD video, we'll take it. [Nikon Rumors]

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<![CDATA[Nikon D400 DSLR Spec List Claims 14.8MP Sensor, 1080p HD Video]]> Nikon just announced the D3x, and popped out the D700 a little bit ago, so next to be updated is the D300, right? Here are the first round of supposed specs for the D400.

Nikon Rumors got these specs as anonymous tip—anonymous comment, actually—so the standard caveats apply, BUT they do look fairly plausible, and fall in line with what Nikon's been up to lately. The most significant update is the addition of the rumored 1080p 24fps video recording, a whack back at Canon's 5D Mark II, whose video capabilities have blown us away again and again. Of course, we'll have to wait and see how good it actually looks. (Here's why DSLR video is finally happening, if you're curious.)

The rest is fairly expectable with a mix of current Nikon features and new specs—14.8MP DX sensor, but I'm hoping it'll be more D700-like in the noise department—and $2000 seems about right as the price tag, though $1800 would be more aggressive.

* New 14.8 megapixel DX format CMOS sensor effective 14.3 megapixel
* Self-cleaning sensor unit (low-pass filter vibration)
* ISO 100 - 6400 (with boost up to ISO 25600 and down to ISO 50)
* 14-bit A/D conversion
* Movie capture at up to 1080p 24 fps with stereo sound
* Nikon EXPEED Plus image processor 30% faster than previous EXPEED image processor
* Super fast operation (power-up 13 ms, shutter lag 40 ms, black-out 90 ms)
* Kevlar / carbon fibre composite shutter with 200,000 exposure durability
* Multi-CAM3500DX Auto Focus sensor (51-point, 15 cross-type, more vertical coverage)
* Auto-focus tracking by color (using information from 1005-pixel AE sensor)
* Auto-focus calibration (fine-tuning) now available (fixed body or up to 20 separate lens settings)
* Vignetting control in-camera
* Automatic chromatic aberration correction
* Custom image parameters now support brightness as well as contrast
* Seven frames per second continuous shooting (nine frames per second with battery pack)
* 3.0″ 922,000 pixel LCD monitor
* Live View with either phase detect (mirror up/down) or contrast-detect AF, face detection
* ‘Active D-Lighting’ (adjusts metering as well as applying D-Lighting curve)
* Detailed ‘Control Panel’ type display on LCD monitor, changes color in darkness
* Buttons sealed against moisture
* Same ultra-fast startup and shutter lag as D700
* Scene Recognition System (uses AE sensor, AF sensor)
* Picture Control image parameter presets
* UDMA compatible single CF card slot
* Virtual horizon indicates if camera is level (like an aircraft cockpit display)
* Extensive in-camera retouching
* HDMI HD video output
* Magnesium alloy body with connections and buttons sealed against moisture

[Nikon Rumors via CrunchGear]

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<![CDATA[Nikon GP-1 SLR GPS Now Available for $240]]> Quietly announced alongside the D90 back in August, Nikon is now selling their hot-shoe-mounted GP-1 geotagging device.

Compatible with the D200, D3, D700, D90, D300 and D3X, the GP-1 is an absolutely no-frills peripheral featuring a couple of LEDs to signal GPS connectivity and not much else. Location information is added as metadata to each saved photo, so at least the user experience is fairly seamless. The GP-1 is available at retailers now for $240. [Nikon via Wired]

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<![CDATA[Rumor: Nikon Planning 1080p-Capable D400?]]> Whether it's wishful thinking, educated guessing or true leakage is unclear, but the photo nerds are now abuzz about a Nikon D400 follow-up to the D300 we love so much, which would have D90-like video capability that could potentially rival Canon's 1080p-shootin' EOS 5D Mark II. If that was all gibberish to you, don't think on it a moment further. But if what you just read gave you a feeling down in the nether regions that you'd prefer not to discuss, go check out Photography Bay for the full rumor rundown. [Photography Bay]

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<![CDATA[Nikon D300 DSLR Lightning Review]]> The Gadget: Nikon's D300 is a 12.3MP camera with 200-6400 (hi mode) ISO, a 3-inch LCD, 51 autofocus points and a prosumer magnesium body on the fence, but teetering more towards pro than consumer. Inside is a DX-sensor, not quite the FX sensor found in the better D3 and D700 cams. It's not directly competitive with either the cheaper 50D or the more expensive 5D from Canon.

The Price: $1799 with no lens.

The Verdict:

Having been a Canon fan for quite some time, the D300 blew me away in 4 basic aspects. Shooting gadgets and liveblogs over a few months, it was clear that the Nikon D300, shooting to small JPGs from the hip, had a lot better time resolving white balance and the colors were more saturated (like old Fuji film) without being grotesque. Low light performance was the best I've seen yet; even less grainy in the most recent Apple liveblog than when I used the EOS 1D Mark III, with noticeably cleaner blacks. The 18-200mm kit glass was as good as they say it is for a consumer lens. The 51-point AF system is better than the 40D's, which often couldn't lock on darker objects. The LCD was easily viewable in daylight. And by far, Nikon's menu scheme is modern, whereas many competing cameras are not even close to being this easy to navigate.

I've used the D300 to shoot the most recent liveblog, as I said, and the camera did well but I think it could do better with a faster piece of glass at the 200mm mark (the VR lens I used sits at F5.6 at this focal length). Still, it performed admirably, and is my favorite DSLR to date. (Although I am playing with a D700 right now.)

I also used it to shoot the iPhone 3G in our review:

And some sailing.

Come on, let's be real, this camera deserves a real review:

I'll not claim to have plunged to the depths of what this camera can do, using in in a very specific and spontaneous way during live events and fast reviews. I've also shot at low res, and have uploaded shots with even more compression. This is not a scientific test by any means. If you're really considering this camera, I recommend reviews by DPreview, DCResource and DigitalCameraInfo (But watch out for the annoying inter-page ads on that last link.)

[D300]

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<![CDATA[Nikon D3 and D300 Firmware Updates]]> Hot on the tail of the D700 release, Nikon let loose firmware 2.0 for the D3 DSLR, making the amazing camera even better. The main points of interest are improved autofocus and white balance, but I've blockquoted the laundry list below. The D300 gets a firmware update to 1.03 to fix incorrect battery indicator readouts, which is not nearly as exciting. [Nikon via Rob Galbraith via Gadgetlab, photo by DPReview]

Modifications enabled with upgrade of A and B firmware to v.2.00

* Images captured with "Rotate tall", in the playback menu, set to "On", are not automatically rotated for display immediately after capture (image review).







* The following changes and additions have been made to "f4: Assign FUNC.Button > FUNC. Button + dials" ; "f5: Assign preview button > Preview + command dials", and "f6: Assign AE-L / AF-L button > AE-L / AF-L + command dials" menus in Custom Settings:







o The "Choose image area" option has been separated into two options, "Choose image area (FX / DX / 5:4)" and "Choose image area (FX / DX)"







o A new "Shooting menu bank" option has been added.







* When "Choose image area (FX / DX / 5:4)" or "Choose image area (FX/DX)" is selected and the function button (Fn) is pressed, the image area setting is displayed in the top control panel, in the shooting information display, and at the bottom of the viewfinder.







* A "Copyright information" item has been added to the setup menu. When "Copyright information" is enabled, the copyright symbol ( © ) is shown in the shooting info display.







* "Recent settings" can now be displayed in place of "My Menu".







* The virtual horizon can now be displayed with shooting in LiveView mode.







* The "Vignette control" setting can now be confimed in shooting information.







* The "Vignette control" item in the shooting menu now supports all types of G- and D-type lenses, except DX and PC lenses.







* The "Vignette control" compensation value has been optimized for shooting with "Active D-Lighting" the shooting menu.







* Electronic analog exposure displays are now shown in the control panel and shooting info display while the exposure compensation setting is being applied.







* The degree of the "High ISO NR" setting can now be confirmed in the shooting info display while the "High ISO NR" setting item, in the shooting menu, is being applied.







* Design of the FX-format icon in the "Choose image area" setting has been modified.







* Ankara, Riyadh, Kuwait, and Manamah have been added to the "Time zone" options for the "World Time" item in the setup menu.







* When a GPS device is used and no heading information is available, —.—° is now displayed for the "Position > Heading" option in the "GPS" item in the setup menu.







* When shooting in LiveView mode using Camera Control Pro 2 (ver. 2.2.0) or later with a PC-E lens, the aperture setting can now be adjusted from the computer.







* Autofocus performance has been improved.







* Auto White Balance performance has been improved.







* An issue that, in some rare circumstances, caused the battery indicator to blink, regardless of actual battery charge, has been resolved.







* Errors in the German help displays have been corrected.

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<![CDATA[Nikon D700 Shots Revealed as Fake]]> Darnit darnit—that's what you'll be saying if you're an eager Nikon fan, waiting for the new mid-range D700 DSLR. Those shots we showed you in our previous rumor post? Yep: faked. Over on NikonD700.com they've got a link to the original pre-Photoshopped image on Flickr. It's of a D300, and is clearly of a higher quality and resolution than the D700 fake. See below for the full pic.



[Flickr via NikonD700.com]

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<![CDATA[Nikon D300 Firmware Update]]> The freshly posted firmware update 1.02 for the D300 solves a bug that slapped vertical bands across pics shot at exposure times over eight seconds. Weird problem, fixed now. [For Windows For Mac via Rob Galbraith]

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<![CDATA[D300 Test Shots: A "Photogenic Weekend" With a Japanese Babe]]> While you're drooling as the sample shots from Nikon's full-frame D3 begin to roll in, maybe consider coming back to reality a bit to its able-bodied little cousin, the D300. Here, Impress puts one in the hands of a Japanese pro for a round of test shots under natural light (bounced off of reflectors) for a "photogenic weekend" with a hot Japanese actress. The tester was quite pleased with the D300's rendering of skin tones under Nikon's freshly-tweaked "Picture Control" color management system, and I must say I'm in agreement. A few more after the break.


vol1_01s.jpg
For the full high-res gallery hit up Impress

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<![CDATA[DPReview Does a 12-Page "Preview" of Nikon's D300]]> Phil over at DP Review is previewing the D300, and although they call it a preview, without verdict, it is a 12- page affair with almost every detail of the new camera. That photo above is a representation of the camera's 51 AF segments. Nuts, huh? He also runs down the liveviewfinder LCD and the HDMI output, along with dozens and dozens of other features. Given his wealth of knowledge, we're glad his slight impressions are in accord with our first impressions, however brief our look was. I can't wait for sample shots. [DP Review]

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<![CDATA[Hands On D3 and D300 Impressions: Beefy and Beautiful]]> After holding the D3 and D300 for several minutes, the Digital Rebel XTi I'm using (blasphemy at a Nikon event, I know) feels like a fucking toy—when I fired the D3 on burst mode, I felt like Arnold firing the minigun in T2 between the rapid clacking and the weight. I've never held a more solid-feeling camera, though. (The D300 isn't exactly a featherweight either, but you won't need to swallow some spinach beforehand.) And the LCD screens: gorgeous. You could watch movies on them. Jump to keep reading and see the D300 from all angles.

I did have a bit of trouble navigating the D3's controls despite the emphatically touted Italian design and had to ask for some help, but I wasn't overly familiar with its predecessor, which could be why I had some trouble. The D300 has a simpler layout, so I had an easier time. But you can look at the huge galleries and decide for yourself on the new layout.

The one down spot is that they were really adamant about me not cribbing a sample shot from either camera to upload, the reason being the cameras are stilled considered "prototypes" and not "mass production" models. Still, it's a little disappointing/disconcerting.

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<![CDATA[Hands-on Nikon D3 and D300 impressions coming...]]> Hands-on Nikon D3 and D300 impressions coming up soon with a slew of pictures—taken with a Digital Rebel XTi. And I am so the only asshole here carrying a Canon camera.

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<![CDATA[Nikon D300 DSLR Announced, Rocks 12.3 Megapixels and Live View Goodness]]> Nikon also announced the D300 today, as was heavily rumored. Its latest prosumer DSLR is loaded with a 12.3 megapixel DX format CMOS sensor (the one Sony just announced), 6fps burst—it goes up to 8 with the optional battery pack, HDMI support with 1080i playback, 200-3200 ISO range, live view and a 3-inch viewfinder (the same as the D3's). It too is shipping in November, with a body-only price of $1799. This is a lot of camera for less than half of what the D3 costs.


NIKON D300 DIGITAL SLR CAMERA: MAJOR FEATURES

New DX-format CMOS image sensor with 12.3 effective megapixels

The D300 features a new 12.3 effective megapixel DX-format CMOS sensor that produces high quality images with fine detail and sharp resolution throughout its sensitivity range of ISO 200 to 3200. The camera's ISO range can be extended using its built-in options of Lo-1 and Hi-1 for the equivalent of ISO 100 and ISO 6400 respectively. The CMOS sensor's integrated A/D converter features the ability to select between 12-bit and 14-bit conversion, making it possible to shoot 14-bit NEF (RAW) format images.

High-speed performance

The D300 offers professional level high-speed performance with a shutter release time lag of only 45 milliseconds, camera start-up time of 0.13 second, and continuous shooting speed of approximately six frames per second. This speed can also be boosted to eight frames per second when using Nikon's optional Multi-Power Battery Pack MB-D10*. The D300 can sustain continuous high-speed shooting for bursts of up to 100 shots** at full 12.3 megapixel resolution, and it supports next generation UDMA high speed memory cards.

New EXPEED Image Processing System

Similar to the Nikon D3, the D300 features the new EXPEED Image Processing System that is central to the speed and processing power of the camera. EXPEED delivers optimized performance for the camera and its features and ensures high-image quality and high-speed image processing.

Versatile new Picture Control System

The D300 features Nikon's versatile Picture Control System that allows photographers to fine-tune and adjust fundamental rendering options for their pictures so they can define the exact tone, sharpening, brightness and saturation they prefer. They can then port these settings to any other Nikon camera featuring the Picture Control System, such as the recently introduced D3, so that even when shooting with different cameras, they can get consistent tones for all their pictures.

New 51-point auto focus system

The D300 features Nikon's Multi-CAM 3500DX auto focus sensor module, with 51 AF points, including 15 cross-type sensors that are located in the center of the frame. These cross-type sensors work with all NIKKOR lenses, including those with apertures as small as f/5.6. The D300's auto focus system is closely linked with the camera's innovative Scene Recognition System to deliver greater accuracy in subject detection and focus tracking performance.

Revolutionary new Scene Recognition System

Nikon's D300 features a revolutionary new Scene Recognition System that greatly enhances the accuracy of, auto exposure, auto white balance detection and auto focus in the camera. The Scene Recognition System uses the camera's built in 1,005-pixel RGB metering sensor to recognize the subject or scene being photographed and detect any movement. This information helps optimize exposure and white balance settings for the recognized subject and also enables the camera to assign appropriate AF points based on any movement of the subject, ensuring highly precise auto focus tracking performance.

Super-density, 3-inch VGA, TFT LCD monitor with 920,000 dot resolution

The D300 features a gorgeous, ultra high-definition 3-inch LCD monitor with 920,000 dot resolution. The monitor provides a 170-degree viewing angle and is very effective in confirming focus on pictures as well as framing a shot using the camera's new LiveView modes.

LiveView shooting with two optimized modes

Two new LiveView modes in the D300 enable photographers to compose their shot using the camera's ultra-high resolution LCD monitor. The Tripod mode is designed for precise focus and accuracy when the camera is on a stable platform and the subject is not moving. In this mode, the camera focuses on the subject using focal-plane contrast and any point on the LCD screen can be selected as the focus point for the picture. The second mode, called Handheld mode, allows photographers to use the camera's conventional TTL focusing system, with all 51-points and 15 cross-type points available. When using this mode, the camera activates focusing immediately when the shutter button is pressed, to ensure accurate focus.

Active D-Lighting

Nikon's D-Lighting feature in its digital SLR cameras has proved to be a popular way for photographers to quickly compensate for dark areas of a picture after it is taken, without adversely affecting its highlights. The D300 features a new Active D-Lighting mode that, when enabled, provides remarkable real-time highlight and shadow correction with optimized image contrast. Active D-Lighting produces broader tone reproduction in both shadows and highlights by controlling highlights and exposure compensation while applying localized tone control technology to achieve a more pleasing level of contrast across the entire image. And because the advantages of Active D-Lighting are applied as images are captured, image editing time can be shortened.

Self-cleaning Sensor Unit for efficient dust reduction

The D300 is the first Nikon digital SLR camera to employ a Self-cleaning Sensor Unit. Four different resonance frequencies vibrate the optical low pass filter in front of the image sensor to shake particles free and reduce the presence of dust in the camera.

Large, bright viewfinder that achieves 100% frame coverage

The D300's new eye-level pentaprism viewfinder offers virtually 100 percent frame coverage and 0.94x magnification for comfortable and precise composition.

Fine-tune adjustment for auto focus

Photographers who need to make small adjustments to correct differences in focusing can do so using the D300's built-in capability to adjust focus specific to a lens. The camera offers the option of either setting compensation for a specific lens so adjustment in focus is only enabled when that particular lens is used, or the camera can apply a uniform level of compensation for any lens used with the camera. Users can store settings for up to 20 different lenses if they prefer to fine-tune the camera's focusing based on specific lenses.

Reliable and durable

The D300 incorporates several features designed to ensure the camera performs reliably and consistently under demanding conditions. The camera's chassis is constructed of highly durable magnesium alloy and the body features numerous seals to protect the camera against dust and moisture. The camera's shutter mechanism is tested to 150,000 cycles, assuring a long life of consistent performance.

Exclusive Wireless Transmitter WT-4A (optional)

The D300 is compatible with Nikon's new WT-4A wireless transmitter that provides support for wired LAN (10BASE-T, 100BASE-TX) and wireless LAN (IEEE 802.11a/b/g,). When using the D300 in LiveView mode, the WT-4A can transmit a remote view from the camera and also support continuous shooting through a wireless or wired connection using Nikon's Camera Control Pro 2 software (optional).

Multi-Power Battery Pack MB-D10 (optional)

The D300 is also compatible with the optional new Multi-Power Battery Pack MB-D10. This battery pack supports three types of batteries and features sequential power supply with auto-switching to the battery installed inside the camera body. When used, the battery pack can boost the D300's high-speed continuous shooting to eight frames per second* for up to 100 consecutive shots**.

[Nikon]

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