PANASONIC ANNOUNCES MUCH-ANTICIPATED ADDITION TO ITS LX-SERIES OF LUMIX DIGITAL CAMERAS

New LUMIX DMC-LX3 Combines Enhanced CCD Technology, LEICA Lens, and a Wide-Range of Manual Shooting Controls For Increased Creativity

SECAUCUS, N.J. (July 21, 2008) – Panasonic today introduced the LUMIX DMC-LX3 digital camera, the successor to the highly-regarded and popular DMC-LX2. Designed for easy, creative shooting, and high-performance in low-light conditions, the DMC-LX3 features a F2.0 24mm LEICA DC VARIO-SUMMICRON lens, 10.1 megapixels and an ultra-sensitive 1/1.63-inch CCD developed specifically for this model. By combining a high-quality lens and sensor ready for a variety of shooting conditions with a wide-range of accessories and manual controls, the DMC-LX3 is ideal for professional photographers and serious amateurs looking for a compact digital camera that furthers their creative photography.

At the heart of the DMC-LX3, is its 1/1.63-inch CCD. Making the intentional choice to limit the number of megapixels to 10.1 on its CCD, Panasonic was able to give more space for each pixel and also redesigned the peripheral circuits and other components to further minimize noise generation. As a result, sensitivity is almost 40 percent higher and saturation is increased by 35 percent, when compared to Panasonic’s 10 MP digital cameras*, giving the DMC-LX3 outstanding image quality and a wide dynamic range, and meeting the demand for a camera that works optimally in low-light environments. The CCD is also capable of reproducing images in three aspect ratios – 4:3, 3:2 or 16:9. The new Multi Aspect mode allows the camera to take an image in all three aspect ratios simultaneously, allowing users to choose the version that best suits their needs.

“With the strong response towards the DMC-LX2, Panasonic has taken its technology a step further by upgrading several key components that we think will make the LX3 another win,” said David Briganti, National Marketing Manager, Imaging, Panasonic Consumer Electronics Company. “With the enhanced CCD and extensive manual and automatic functions, the DMC-LX3 is ideal for photographers looking for a full-featured compact digital camera with some DSLR-like characteristics and a wide-range of optional accessories.”

Another major upgrade to the LX3 is the F2.0 24mm ultra wide-angle LEICA DC VARIO-SUMMICRON lens. The F2.0 is about twice as bright as a F2.8 lens and can shoot at higher shutter speeds to capture clear, blur-free images in dimly lit environments. In addition, the 24mm lens captures approximately a 213% larger viewing angle than a normal 35mm camera and 136% larger compared to a 28mm wide-angle lens. The lens unit consists of eight elements in six groups with four aspherical lenses with four aspherical surfaces. As a result of the F2.0 lens, the LX3 produces high resolution and minimal distortion and artifacts – such as chromatic aberrations, ghosting and flaring.

The LX3 also incorporates the Venus Engine IV, which provides more advanced signal processing technology for producing higher-quality images with reduced noise in both luminance signal and chromatic signal processing – as compared to the Venus Engine III.
The Venus Engine IV supports high sensitivity recording enabling the DMC-LX3 to record at up to ISO 3200 at full resolution and even up to ISO 6400 when using high sensitivity mode, enough to capture subjects in low lighting without using a flash**. The Venus Engine IV also supports a faster response time, allowing the camera to shoot 2.5 shots per second at full resolution and six shots per second in High-Speed Burst mode.

The easy-to-use joystick operation which was featured in its predecessor continues with the LX3, as its intuitive design makes selecting different settings on the camera, including focus, aperture and shutter speed – easy and quick. Other convenient design elements include a switch on the side of the lens barrel that allows the user to quickly change the focus modes between Manual Focus, Auto Focus and Macro Auto Focus. When choosing Manual Focus, the focus distance and the depth of field according to the zoom range and aperture is also displayed. For setting white balance, the LX3 provides a new color temperature display function, and still includes the Two-Axis white balance adjustment settings offered in previous models. Users can also customize and store their own personal settings of up to four unique functions and instantly recall them later using the mode dial.

Furthering its creative options, the LX3 also features a Film mode with six color types and three types of monochrome selections. Much like selecting from different film types, this function gives the user the flexibility and creative freedom to take more expressive digital photos. Also, when using the Multi-film mode, the LX3 produces a maximum of three images from a RAW file for the user to compare the different textures. Another new feature is the multiple-exposure feature, which lets the user create artistic photos by overlaying up to three consecutive images; while still viewing the last image on the 3.0-inch LCD screen. The LCD on the LX3 is new and improved with a 460,000-dot high resolution.

While the LX3 allows full manual control for more advanced photography, it also includes Panasonic’s Intelligent Auto mode (iA), including the new feature, AF (auto focus) Tracking. AF Tracking automatically tracks the image subject and locks it into focus, making it easier for anyone to capture sharp, well-focused photos. The AF Tracking technology also improves face detection accuracy, allowing for crisp, sharp-focused shots even if the subject moves or turns their face. Other iA technologies include Intelligent Exposure, Digital Red-eye Correction, MEGA O.I.S, Intelligent ISO, Intelligent Scene Selector, Face Detection (up to 15 faces) and Quick AF.

The DMC-LX3 has the ability to record High Definition (HD) video in 1280 x 720p at 24fps. With the newly added HD component output capability, still and moving pictures can be viewed by connecting the camera to a TV via an optional component cable (DMW-HDC2). In addition, the LX3 features Image Leveling, so when a captured image “leans” to the right or left because the camera was held at a slight angle when the photo was taken, this feature rotates the image to straighten it and crops the unnecessary edges.

A number of accessories are also available to further expand the flexibility of the LX3 as more than just a typical point-and-shoot camera. The optional Wide Conversion Lens (DMW-LW46) brings the maximum wide angle to 18mm. Other optional accessories include: ND Filter (DMW-LND46)***, the new PL Filter (DMW-LPL46), the high-end aluminum External Optical Viewfinder (DMW-VF1); the GN22 Compact Flash mounts to the LX3’s hot shoe – a new feature for the LX-Series.

The Panasonic LUMIX DMC-LX3 will be available in silver and black in August 2008 for a manufacturer’s suggested retail price of $499.95. For more information and to download the full specs, please visit www.panasonic.com/pressroom.

*Compared with Panasonic LUMIX DMC-FX35 with 1/2.33” CCD.
** In 3-megapixel (4:3), 2.5-megapixel (3:2), 2-megapixel (16:9( recording.
*** Requires a lens adapter DMW-LA4.

[Panasonic]

PANASONIC ADDS ULTIMATE ACTION LUMIX DIGITAL CAMERA WITH LONG ZOOM AND 27MM WIDE-ANGLE LENS

LUMIX DMC-FZ28 Features AF Tracking, Latest Addition to
Intelligent Auto Mode, Helping to Capture Moving Subjects With Clarity

SECAUCUS, N.J. (July 21, 2008) – Panasonic today unveiled the LUMIX DMC-FZ28 digital camera, which boasts a premium 27mm wide-angle LEICA lens with an 18x optical zoom, ideal for tight indoor shots and long-distance action photos. The 10.1 megapixel digital camera also features an enhanced Intelligent Auto Mode (iA), with the new AF (auto focus) Tracking function, making it easier for photographers at any level to shoot sharp, well-focused photos, even when the subject is moving – making it ideal for action shots.

The AF Tracking function, the latest component to be added to Panasonic’s iA system, allows users to lock focus on a moving subject. The camera then automatically tracks the subject as it moves, keeping it in focus without the need to hold the shutter halfway down. AF Tracking makes it easier to capture moving subjects and spur-of-the-moment action shots. The AF Tracking technology also improves Face Detection (up to 15 faces), by providing continuous adjustment of the focus and exposure, even if the face is turned away from the camera.*

“The FZ28 packs a wide-angle lens and a high-powered zoom, so shooting outdoor events or vacation adventures is easy with this powerful camera,” said David Briganti, National Marketing Manager, Imaging, Panasonic Consumer Electronics Company. “Without sacrificing Panasonic’s reputation for high-quality lenses and innovative technologies, the FZ28 expands the Intelligent Auto Mode, allowing a user at any level to take high-quality photos.”

In addition to the AF Tracking functionality, Panasonic’s other iA technologies include:

• Intelligent Exposure – Helps prevents photos from being under- or over-exposed by instantly analyzing the framed image and adjusting the brightness in areas that are too dark because of dim lighting, backlighting or the use of the flash. The camera will automatically adjust the brightness accordingly.
• Digital Red-eye Correction– This feature helps to eliminate the red-eye problem that sometimes results when taking flash shots at night. Incorporated into the camera, the built-in flash emits a small preliminary flash before the main flash, detects red-eye and will digitally correct it.
• MEGA O.I.S. – Gyrosensors detect hand-shake and the lens system shifts to compensate, helping to prevent hand-shake from creating a blurry image.
• Intelligent ISO – Determines if the photo subject is moving and changes the ISO setting and shutter speed accordingly, thus giving a blur-free photo.
• Intelligent Scene Selector – Senses the ambient conditions, recognizes the shooting environment and will automatically select the appropriate scene mode from: Scenery, Portrait, Macro, Night Portrait or Night Scenery mode. This intuitive technology, helps the consumer use the most common scene modes that are built into the camera, but often go unused, without making any manual adjustments.
• Face Detection – Detects faces in the frame (up to 15 faces), even if they are moving, and selects optimal focus and exposure settings so portraits come out clear.
• Quick AF (Auto Focus) – Starts focus on the subject by just pointing the camera at the subject, thus minimizing the AF time.

The high-quality, high-performance Venus Engine IV supports a faster response time, allowing the camera to shoot 2.5 shots per second at full resolution and 13 shots per second in High-Speed Burst mode. In High Sensitivity mode, the FZ28 can shoot up to ISO 6400 in extremely low-lit situations. The LUMIX DMC-FZ28 also is equipped with a 2.7-inch large, high resolution LCD with 230,000 pixels, and a high resolution electric viewfinder equivalent to 201,600 pixels.

The DMC-FZ28 also features High Defintion (HD) video capabilities with a resolution of 1280 x 720p at 30fps. Still photos can also be shot in a 16:9 aspect ratio for optimal full-screen viewing on a HDTV. Panasonic VIERA Plasma or LCD HDTVs also feature an integrated SD Memory Card slot, allowing users to easily view photos by simply inserting the SD Memory Card into the convenient SD Card slot built into the TV. Consumer can also enjoy watching videos in HD quality and view still images by connecting the DMC-FXZ28 via an optional Panasonic component cable (DMW-HDC2).

Additional features of the Panasonic LUMIX DMC-FZ28 include:

• Image Leveling – When a captured image “leans” to the right or left because the camera was held at a slight angle when the photo was taken, the Image Leveling function rotates the image to straighten it and crops the unnecessary edges. No computer needed!
Scene Modes – The DMC-FZ28 offers a total of 37 scene modes to respond easily to any shooting situation. The new Pin Hole and Film Grain modes add unique, film camera-like effects and ambiences to images. Additionally, the actual effects of the scene mode can be viewed on the LCD before taking the shot.
• Flash – Reaches a distance of 8.5 meters at the wide setting and 5.4 meters at the telephoto setting (ISO AUTO).
• SILKYPIX Developer Studio 3.0 SE – Software application comes bundled with the DMC-FZ28 for editing and developing images in the RAW file format.

The Panasonic LUMIX DMC-FZ28 will be available in silver and black in August 2008 for a suggested retail price of $399.95. For more information and to download the full specs, please visit www.panasonic.com/pressroom.

PANASONIC INTRODUCES NEW ADDITION TO FX-SERIES, COMPLETE WITH 14.7 MEGAPIXELS AND 28MM WIDE-ANGLE LENS

New LUMIX FX150 Features Manual Controls to Help Creative Photography

SECAUCUS, N.J. (July 21, 2008) – Panasonic today announced its newest addition to its FX-Series of LUMIX digital cameras with the unveiling of the stylish and feature-rich DMC-FX150. Equipped with 14.7 megapixels, the FX150 also boasts a 28mm wide-angle LEICA DC VARIO-ELMARIT lens with F2.8 brightness and 3.6x optical zoom.

The FX150’s manual controls and creative-shooting features distinguish it from many of its ultra-compact competitors. For instance, the Manual Exposure mode lets users choose the shutter speed, giving the freedom to render artistic images of ordinary scenes. The multi-exposure function superimposes up to three consecutively shot images together while the user views the previous image on the LCD, creating a surrealistic effect that cannot be achieved with a single image alone. Furthermore, the manual bracketing function includes typical exposure and adds new color bracketing to capture color, monochromatic and sepia shots of an image simultaneously.

The FX150 also records original photos in the RAW file format and comes bundled with the SILKYPIX Developer Studio 3.0SE software application, enabling the user to freely adjust RAW data settings such as exposure bias and white balance even after shooting for greater editing and image development.

“With the FX150, Panasonic brings a unique type of ultra-compact camera to the market,” said David Briganti, National Marketing Manager, Imaging, Panasonic Consumer Electronics Company. “The combination of 14.7 megapixels, numerous manual controls and Intelligent Auto mode in a stylish, pocket-sized body creates an ideal camera for photo enthusiasts.”

In addition to manual controls, the FX150 also offers Panasonic’s Intelligent Auto (iA) mode that provides the user with automatic settings adjustments depending on the shooting environment. A new technology, called AF (auto focus) Tracking, has been added to the iA roster of features. AF tracking enables the camera to lock focus on a moving object. Additionally, AF Tracking increases Face Detection accuracy, allowing for crisp, sharp-focused shots even if the subject moves while shooting the image*.

When the FX150 is set to iA mode, the following technologies engage automatically, no settings need to be made:

• Intelligent Exposure – Helps prevents photos from being under- or over-exposed by instantly analyzing the framed image and adjusting the brightness in areas that are too dark because of dim lighting, backlighting or the use of the flash. The camera will automatically adjust the brightness accordingly.
• Digital Red-eye Correction– Helps to eliminate the red-eye problem that sometimes results when taking flash shots at night. Incorporated into the camera, the built-in flash emits a small preliminary flash before the main flash, detects red-eye and will digitally correct it.
• MEGA O.I.S. – Gyrosensors detect hand-shake and the lens system shifts to compensate, helping to prevent hand-shake from creating a blurry image.
• Intelligent ISO – Determines if the photo subject is moving and changes the ISO setting and shutter speed accordingly, thus giving a blur-free photo.
• Intelligent Scene Selector – Senses the ambient conditions, recognizes the shooting environment and will automatically select the appropriate scene mode from: Scenery, Portrait, Macro, Night Portrait or Night Scenery mode. This intuitive technology, helps the consumer use the most common scene modes that are built into the camera, but often go unused, without making any manual adjustments.
• Face Detection – Detects faces in the frame (up to 15 faces), even if they are moving, and selects optimal focus and exposure settings so portraits come out clear.
• Quick AF (Auto Focus) – Starts focus on the subject by just pointing the camera at the subject, thus minimizing the AF time.

The FX150 boasts the high-speed image processing system, the Venus Engine IV, which supports a faster response time, allowing the camera to shoot 2.5 shots per second at full resolution and six shots per second in High-Speed Burst mode. The FX150 can also record dynamic High Definition video in 1280 x 720p at 24fps. Other advanced features of the LUMIX FX150 include:

• Image Leveling – When a captured image “leans” to the right or left because the camera was held at a slight angle when the photo was taken, the Image Leveling function rotates the image to straighten it and crops the unnecessary edges. No computer needed!
• Scene Modes – The FX150 offers 24 different scene modes to respond easily to any shooting situation. The new Pin Hole and Film Grain modes add unique, film-camera-like effects and ambiences to images and the Transform mode trims and stretches images to virtually transform the subject.

The Panasonic LUMIX DMC-FX150 will be available in silver and black and will begin shipping in August 2008 with a suggested retail price of $399.95. For more information and to download the full specs, please visit www.panasonic.com/pressroom.

PANASONIC ANNOUNCES NEW SLIM LUMIX MODEL WITH ULTRA WIDE-ANGLE LENS AND POWERFUL 5X OPTICAL ZOOM

New LUMIX FX37 Offers Enhanced Intelligent Auto Technology, 10.1 MP and HD Video Recording Capabilities With a 25mm Ultra-Wide-Angle Leica Lens

SECAUCUS, N.J. (July 21, 2008) – Panasonic today introduced the new LUMIX DMC-FX37 digital camera with a 25mm ultra wide-angle LEICA DC lens, enabling users to capture almost double the viewing space at the same shooting distance as compared to 35mm cameras. The 10.1 megapixel FX37, capable of High Definition video recording, also includes a powerful 5x optical zoom while maintaining a sleek, ultra-compact body and expands Intelligent Auto Mode (iA), Panasonic’s system of intuitive technologies that help consumers take better photos.

“Panasonic is committed to manufacturing innovative, high-performance LUMIX digital cameras that offer technologies that are advanced, yet easy to use,” said David Briganti, National Marketing Manager, Imaging, Panasonic Consumer Electronics Company. “The FX37 gives users big features – an ultra-wide angle lens, 5x optical zoom, and the enhanced Intelligent Auto technologies – while still packing all this into ultra-sleek body easy enough to slip into a pocket or small purse. With wide-angles, consumers are able to fit more into their frame, giving them increased flexibility when taking photos.”

Joining the LUMIX family, the FX37 comes with several of Panasonic’s proprietary features, including the new AF (auto focus) Tracking function, which expands the iA system. AF Tracking automatically tracks the subject in the frame by locking it into focus, making it easier to capture sharp, well-focused photos. With AF Tracking, the FX37 continually monitors the light source and automatically activates the backlight compensation function if it detects that the light source is behind the subject. AF Tracking also increases Face Detection accuracy, allowing for crisp, sharp-focused shots even if the subject’s face moves – or turns to a profile.*

When the FX37 is set to iA mode, the following technologies engage automatically; no settings need to be made:

• Intelligent Exposure – Helps prevents photos from being under- or over-exposed by instantly analyzing the framed image and adjusting the brightness in areas that are too dark because of dim lighting, backlighting or the use of the flash. The camera will automatically adjust the brightness accordingly.
• Digital Red-eye Correction– This feature helps to eliminate the red-eye problem that sometimes results when taking flash shots at night. Incorporated into the camera, the built-in flash emits a small preliminary flash before the main flash, detects red-eye and will digitally correct it.
• MEGA O.I.S. – Gyrosensors detect hand-shake and the lens system shifts to compensate, helping to prevent hand-shake from creating a blurry image.
• Intelligent ISO – Determines if the photo subject is moving and changes the ISO setting and shutter speed accordingly, thus giving a blur-free photo.
• Intelligent Scene Selector – Senses the ambient conditions, recognizes the shooting environment and will automatically select the appropriate scene mode from: Scenery, Portrait, Macro, Night Portrait or Night Scenery mode. This intuitive technology helps the consumer use the most common scene modes that are built into the camera, but often go unused, without making any manual adjustments.
• Face Detection – Detects faces in the frame (up to 15 faces), even if they are moving, and selects optimal focus and exposure settings so portraits come out clear.
• Quick AF (Auto Focus) – Starts focus on the subject by just pointing the camera at the subject, thus minimizing the AF time.

The LUMIX FX37, which includes 50 MB** of internal memory, also features High Definition (HD) video recording capabilities, shooting with a resolution of 1280 x 720p at 30fps. Still photos can also be shot in a 16:9 aspect ratio for optimal viewing on an HDTV. Panasonic VIERA Plasma and LCD HDTVs also feature an integrated SD Memory Card slot, allowing users to easily view photos by simply inserting the SD Memory Card into the convenient SD Card slot built into the TV. Consumers can also enjoy watching videos in HD quality and view still images by connecting the DMC-FX37 via an optional Panasonic component cable (DMW-HDC2).

The new Venus Engine IV supports a faster response time, allowing the LUMIX FX37 to shoot 2.5 shots per second at full resolution and six shots per second in High-Speed Burst mode. The shutter release time lag is as short as 0.005 second, making it easier to capture spur-of-the-moment photo opportunities. The high-performance engine enables the camera to shoot up to 310 photos on a single battery charge.

Additional features of the Panasonic LUMIX DMC-FX37 include:

• Image Leveling – When a captured image “leans” to the right or left because the camera was held at a slight angle when the photo was taken, the Image Leveling function rotates the image to straighten it and crops the unnecessary edges. No computer needed!
• Scene Modes – The DMC-FX37 offers 25 scene modes to address the unique needs of a variety of shooting situations. The new Pin Hole and Film Grain modes add unique, film camera-like effects and ambiences. Additionally, the Transform mode trims and stretches the image to virtually transform the subject to appear slimmer or stretched wider.

The Panasonic LUMIX DMC-FX37 will be available in silver, black, blue, pink, white and brown in September 2008 for a suggested retail price of $349.95. For more information and to download the full specs, please visit www.panasonic.com/pressroom.

Besides that unique design feature, it also has a 2.7 inch LCD, internal 5x optical zoom as well as Dual Image Stabilization. Sure, the gauges are kind of gimmicky, but hey—it's easy to access when your on the go and it reels in the geeks. Samsung’s TL9 will be available in September for around $280. A press release outlining the entire series:

SAMSUNG UNVEILS 2008 SECOND-HALF DIGITAL CAMERA LINE UP

RIDGEFIELD PARK, N.J., July 16, 2008 – Samsung today unveiled its 2008 second-half digital camera line up with the launch of four new models – the TL34HD, TL9, SL310W and SL201. Joining the company's growing array of advanced digital imaging solutions, these four new digital cameras bring new technologies to the industry and will be on retail shelves nationwide in time for the upcoming holiday shopping season.

TL34HD
Boasting an impressive resolution of 14.7 megapixels and renowned Schneider lens yielding a 28mm wide-angle focal length with 3.6x optical zoom, the TL34HD promises sharp, clear and detailed images with every shot. The most advanced point-and-shoot digital camera in Samsung's history, the TL34HD builds upon the success of its predecessor, the NV24HD, with the ability to capture high-definition video at a resolution of 720P along with Dual Image Stabilization.

Featuring an all-metal build, the TL34HD is pocket-sized with dimensions of 3.68" x 2.34" x 0.80". Available in all-black, or silver with a red accent adding to the camera's elegance, the TL34HD takes camera design to a new level. Although compact, a large three inch touch-screen hVGA LCD dominates the back of the camera and is sure to turn heads no matter where the TL34HD may be used.

The TL34HD also pioneers Samsung's next generation Smart Touch 2.0 user interface, which further simplifies the way users navigate through the camera's comprehensive feature set. By incorporating touch-screen technology, users can now select and control various camera functions by interacting with the TL34HD's large three-inch touch screen LCD. Not only does this enhance the experience for the shooter and the operation of the Smart Touch interface, but it also provides for a much sleeker and attractive design.

TL9
Samsung's TL9 is an ultra compact, 10.0 megapixel digital camera highlighted by a large 2.7 inch LCD, internal 5x optical zoom as well as Dual Image Stabilization. The latest digital camera in Samsung's digital camera arsenal to feature MP3 and PMP capability, the TL9 sets itself apart from the crowd as a multimedia powerhouse.

The TL9 is encased in a silver, metal body, measuring 3.74" x 2.36" x 0.84", and incorporates a unique design element which graces the top of the camera's body - dual analog gauges. The small gauges, located next to the power button, display remaining battery life and memory capacity in a way that's easy for the shooter to access while on the go. Thanks to the enhanced sensitivity of the TL9's CCD sensor, which features a maximum ISO of 1600, and the camera's Dual Image Stabilization, users can rest assured that they'll be able to capture images in low-light situations, especially when the use of a flash is not desired.

Shooters can also benefit from a comprehensive suite of automatic controls designed to help them capture better images, specifically portraits and group shots of family and friends. The TL9's Face Detection technology makes taking pictures of family and friends a snap, as it detects up to nine faces and automatically adjusts focus and exposure to ensure better composition and image quality. Furthermore, Smile Shot automatically triggers the TL9 to take a photo only when the camera detects smiles on the subjects' faces, and Blink Detection will prevent a photo from being taken if the camera recognizes that a subject's eyes are closed – a useful feature as it's often difficult to distinguish closed eyes when composing a shot on an LCD screen.

SL310W
Ideal for the step-up shooter, the SL310W is highlighted by features commonly found on higher-end, more expensive digital cameras, including an impressive resolution of 13.6 megapixels, Dual Image Stabilization, 2.7 inch LCD, and a 3.6x, 28mm wide-angle optical zoom lens which significantly improves the user's ability to photograph more of a desired scene.

Unlike a standard 35mm lens which is commonly found on compact digital cameras, the SL310W's 28mm wide-angle lens gives consumers the ability to expand their creativity and take even more moving and emotional images. Ideal for a variety of scenarios, users can easily leverage the increased viewing angle of the SL310W's wide-angle lens, especially when shooting landscapes or groups of family or friends.

The SL310W offers a number of user-friendly features, including 11 scene modes, auto red eye fix and MPEG-4 video recording. The camera also features Self Portrait, Face Detection, Blink Detection, and Smile Shot technology, all which help enhance the digital imaging experience for the shooter.

The SL310W also offers Function Description and a Photo Help Guide. Function Description automatically provides a brief and easy to understand description of each setting when scrolling through the camera's menus, helping the end-user determine which setting is appropriate for their current shooting scenario. The camera's Photo Help Guide is another intuitive component incorporated into the digital camera. Photo Help Guide offers the end-user a guided tour of how to take better images as well as easy-to-follow tips instructing them how to obtain excellent results.

SL201
The Samsung SL201 is an ultra-slim, compact point-and-shoot digital camera featuring a resolution of 10.2 megapixels, a 3x optical zoom lens and large 2.7-inch intelligent LCD which will automatically brighten or dim based on available lighting.
For added versatility, the new SL201 features Face Detection, Self Portrait, and Digital Image Stabilization technology. Face Detection makes taking pictures of family and friends a snap as it automatically detects up to nine faces and automatically adjusts focus and exposure to ensure better composition and image quality. Self Portrait mode is a unique function that takes the guessing out of taking a self portrait. When in Self Portrait mode, the SL201 automatically detects the user's face, adjusts focus and exposure, and will only allow a photo to be taken if the subject is centered in the frame. Samsung's improved Digital Image Stabilization (DIS) helps the user capture blur-free images.

With 11 scene modes to choose from, including Night, Children, Landscape, Text, Close Up, Sunset, Dawn, Backlight, Fireworks, and Beach & Snow, shooters can effortlessly adjust the camera to capture the most superb image possible in any setting. Additionally, the SL201 features Function Description and a Photo Help Guide. Function Description provides a brief and easy-to-understand description of each setting when scrolling through the camera's menus, helping the end-user determine which setting is appropriate for their current shooting scenario. The Photo Help Guide is another intuitive component incorporated into the digital camera. It offers the end-user a guided tour of how to take better images as well as easy-to-follow tips instructing them how to obtain excellent results.

Samsung’s TL34HD, TL9, SL310W and the SL201 will be available in September priced at around $330, $280, $230 and $170 respectively.

SAMSUNG LAUNCHES ITS SECOND POINT-AND-SHOOT DIGITAL CAMERA FEATURING HIGH-DEFINITION VIDEO CAPABILITY

New TL34HD Stands Out With Broad Range of Impressive Features and Resolution

RIDGEFIELD PARK, N.J., July 16, 2008 – Samsung today introduced the new TL34HD, a powerful, sleek and compact digital camera featuring high-definition video capability. TL34HD boasts an impressive resolution of 14.7 megapixels and renowned Schneider lens yielding a 28mm wide-angle focal length with 3.6x optical zoom. The most advanced point‑and-shoot digital camera in Samsung’s history, the TL34HD builds upon the success of its predecessor, the NV24HD, taking many of the camera’s advanced features to a whole new level.

Featuring an all-metal build, the TL34HD is pocket-sized with dimensions of 3.68” x 2.34” x 0.80”. Available in all-black, or silver with a red accent adding to the camera’s elegance, the TL34HD takes camera design to a new level. Although compact, a large three‑inch touch-screen hVGA LCD dominates the back of the camera and is sure to turn heads no matter where the TL34HD may be used.

The TL34HD gives shooters the ability to record video in 720p high-definition resolution, at a maximum frame rate of 30fps. Shooters can also take advantage of a movie stabilizer and optical zoom while recording video, as well as Samsung’s Successive Recording mode, which allows the user to pause and then resume filming without having to save the clips as individual files. Additionally, the TL34HD utilizes H.264 compression, a codec for high‑definition video that has become an industry standard and which yields three times the recording length than of MPEG4.

To enjoy the TL34HD’s high-definition video on an HDTV television, consumers simply dock the camera into a proprietary Samsung HDMI CEC (Consumer Electronics Control) cradle (sold separately). For added versatility, when the HDMI CEC cradle is connected to a high-definition Samsung digital television, end‑users can navigate the TL34HD’s menu using their TV’s remote control. The HDMI CEC cradle also gives shooters the ability to display their images in high-definition clarity, further enhancing the digital imaging experience. The TL34HD is also DLNA Compatible™ allowing users to maximize the way they view and share their digital content over their wireless home network.

“The TL34HD is truly a remarkable digital camera,” said Tony Sorice, vice president of Sales and Marketing for Digital Imaging, at Samsung Electronics America. “From its physical features and design, to the revolutionary technology embedded within, consumers will be impressed by how the TL34HD can enhance their own individual digital imaging experience.”

The TL34HD also pioneers Samsung’s next generation Smart Touch 2.0 user interface. With the Smart Touch 2.0 interface found on the TL34HD, Samsung further simplifies the way users navigate through the camera’s comprehensive feature set by incorporating touch-screen LCD technology. The Smart Touch interface has now been re‑engineered to be selectable options within the TL34HD’s large three-inch touch‑screen hVGA LCD. Not only does this enhance the experience for the shooter and the operation of the Smart Touch interface, but it also provides for a much sleeker and attractive design.

Besides serving as the portal to access the Smart Touch 2.0 user interface, the TL34HD’s three-inch hVGA LCD screen can be used to compose one’s shots and review images in stunning resolution with 460K pixels. To help cut down on glare and enhance viewing outdoors and in direct sunlight, Samsung has also designed the TL34HD’s hVGA LCD screen with a drastically improved anti-reflection coating.

Adding to the camera’s already impressive feature set, Samsung gives shooters the ability to capture more of a desired scene and fit it into the frame by including a high-quality 28mm wide-angle Schneider lens. Unlike a standard 35mm lens which is commonly found on compact digital cameras, the TL34HD’s 28mm wide-angle lens gives consumers the ability to expand their creativity and take even more moving and emotional images. Ideal for a variety of scenarios, users can easily leverage the increased viewing angle of the TL34HD’s wide-angle lens, especially when shooting landscapes or groups of family or friends.

Users can also utilize the 3.6x optical zoom for close up shots and the camera’s Dual Image Stabilization to reduce blur. Dual Image Stabilization combines both Samsung’s improved Optical Image Stabilization and Digital Image Stabilization which work simultaneously to provide blur-free images no matter how shaky the user’s hand may be. Along with the camera’s new DRIM Engine image processor, which yields outstanding image quality, enhanced sensitivity with the ability to shoot at ISO 4800 (at three mega-pixels), and blazing speed, the TL34HD redefines the advanced digital point-and-shoot category.

The new TL34HD also features an embedded contents management program called Digital Contents Management (DCM). DCM is a useful tool that significantly reduces the time to find a photo. The program automatically organizes photos based on the date that they were taken, their contents, color, and themes. Users can search through their images by month or by using a timeline. Based upon the theme of the image they’re looking for, users can also search by whether it’s a portrait, couple, or group photo and can even search for those images that are either city or landscape shots. Additionally, the DCM program also automatically sorts images based upon color tones as well as whether it’s a photo, video, or voice/memo note.

Shooters can also benefit from a comprehensive suite of automatic controls designed to help them capture better images, specifically portraits and group shots of family and friends. The TL34HD’s Face Detection technology makes taking pictures of family and friends a snap, as it detects up to nine faces and automatically adjusts focus and exposure to ensure better composition and image quality. Furthermore, Smile Shot automatically triggers the TL34HD to take a photo only when the camera detects smiles on the subjects’ faces, and Blink Detection will prevent a photo from being taken if the camera recognizes that a subject’s eyes are closed – a useful feature as it’s often difficult to distinguish closed eyes when composing a shot on an LCD screen. The TL34HD also offers 13 scene modes to choose from, allowing shooters the ability to effortlessly adjust the camera and capture the best image possible in any setting.

The TL34HD also puts an end to inadvertently lost images with a new feature called the Recycle Bin - a unique functionality that allows consumers to retrieve images which were deleted by mistake. When the Recycle Bin function is in use, the TL34HD automatically creates a “trash” folder on the memory card which stores any image deleted from the camera. This special feature allows users to shoot, delete and restore images without the fear that they will be lost forever.

From what i understand, it went through my left hand holding the camera, crossed my back and exited out of my right hand holding onto the metal railing. No entry or exit wounds, just a really good zap!

And obviously the camera wasn't damaged so badly that the footage couldn't be extracted. Talk about some luck. Good lord, what an incredible video. [Flickr via Kottke]

Zi6 Pocket Video Camera Unveiled, Boasting HD Video Capture and Instant Uploading to YouTube™

ROCHESTER, NY, July 10 — Eastman Kodak Company (NYSE:EK) today announced its entry into the fast-growing pocket digital video camera market with the KODAK Zi6 Pocket Video Camera. This stylish HD video camera makes it fun and simple to shoot and share high-quality videos in moments, thanks to 720p HD video capture, a large 2.4-inch LCD screen, and easy-to-use software.

“Today’s connected consumers increasingly turn to video to express themselves and connect with others. The KODAK Zi6 Pocket Video Camera satisfies their thirst for an HD video camera that is simple to use and can go anywhere life takes them,” said John Blake, General Manager Digital Capture and Devices, Vice President, Eastman Kodak Company. “With the launch of the Zi6 Pocket Video Camera, consumers now have a high-quality solution from the trusted brand in digital imaging.”

With the exploding popularity of video sharing sites such as YouTube, the demand for easy to use video devices is also growing rapidly. At the same time, the expanding penetration of HDTVs is driving consumer demand for HD quality personal content.

The KODAK Zi6 Pocket Video Camera is designed to meet these needs at the touch of a button — no lens cap, dials to turn or settings to adjust.

A range of advanced features enables consumers to:

Capture video in HD quality on this fun and super simple pocket video camera (720p at 60 fps with 16:9 aspect ratio).
Upload your videos to YouTube quickly and easily using the built-in USB and software.
Record hours of video with the expandable SD/SDHC card slot that can hold up to 32 GB.
Experience your videos on HDTV in stunning HD quality with included cables.
Edit videos, add pictures and music, and share your creation anywhere with the included video software CD.
Go green with included pre-charged AA Ni-MH rechargeable batteries and battery charger.
Watch videos on the vibrant 2.4” LCD screen.
Catch the highlights with slow motion playback right in the palm of your hand.

Uploading to YouTube
YouTube is the world’s most popular online video community. The Kodak and YouTube relationship will enable consumers to quickly and easily upload videos to YouTube directly from the Zi6 Pocket Video Camera, or from the included simple and powerful video editing software (ARCSOFT MEDIAIMPRESSIONS for Kodak).

Accessories
A range of accessories will be available for the KODAK Zi6 Pocket Video Camera:

KODAK 2GB and 4GB High Performance memory cards
1-hour battery charger with 4 AA pre-charged Ni-MH batteries
KODAK tripods
KODAK camera bags

Pricing and Availability
The KODAK Zi6 Pocket Video Camera will be available from late September 2008, retailing for US$179.95 MSRP.

CANON’S NEW EOS REBEL XS CAMERA LOOKS TO INSPIRE A NEW GENERATION OF DIGITAL SLR PHOTOGRAPHERS

Photographers Looking for the Next Step Up From Their Point-and-Shoot Camera Will Enjoy the
High-End Features and Fun-to-Use SLR Technology of Canon’s Newest Rebel Camera

LAKE SUCCESS, N.Y., July 8, 2008 – Canon U.S.A., Inc., a leader in digital imaging, today announced the introduction of the EOS Rebel XS, a new entry-level digital camera that affordably puts Canon SLR technology such as an Optical Imaged Stabilized lens and easy-to-use professional features into the hands of emerging photographers. Consumers looking to take their photography a step further and begin shooting with an SLR will find the transition easier than ever with Canon’s new Rebel XS digital SLR camera. From the parent photographing a little league game, to the tourist shooting a wondrous new city, the Canon Rebel XS camera makes photography easy for everyone. Canon has also introduced the latest model in the EX series of Speedlite flashes: the Canon Speedlite 430EX II.

Ideal for a wide range of photographers from first-time digital SLR users to veteran photo enthusiasts, the new Canon EOS Rebel XS camera was designed to embody what customers have come to expect from the EOS Rebel series — a fast, non-intimidating, lightweight, easy-to-use camera that produces excellent images and starts emerging photographers off on the right foot. Immediately, photographers will take notice of the camera’s Optical Image Stabilized kit lens for crisp focus, compensating for camera shake from unsteady hands or a moving vehicle. The new Rebel model also incorporates Canon’s DIGIC III image processor, 10.1 megapixel CMOS sensor, Live View, Auto Lighting Optimizer, 7-point wide-area autofocus (AF) sensor and 3.0 frames per second continuous JPEG burst rate where the number of consecutive shots in a burst is only limited by the capacity of the flash memory card in the camera[i].

“We are proud to introduce the new EOS Rebel XS camera at a very exciting time in digital imaging. As consumers have fully embraced digital photography, with many consumers purchasing their second or third digital camera models, we see the Rebel XS as the bridge to help photographers cross over from the world of point-and-shoot cameras to digital SLR technology,” said Yuichi Ishizuka, senior vice president and general manager, Consumer Imaging Group, Canon U.S.A.

A first in Canon’s EOS line-up, the Rebel XS camera’s continuous JPEG burst rate allows users to continuously shoot a scene until the memory card is at capacity. This will be particularly helpful for new photographers looking to capture that perfect image of a moving subject.

The Live View function allows users to frame and shoot images in real time via the camera’s 2.5 inch LCD screen, a great feature for users accustomed to framing shots via LCD monitors on point-and-shoot digital cameras. The Camera’s Auto Lighting Optimizer detects dark areas of an image and automatically adjusts brightness and contrast to ensure optimal image results. The Canon Rebel XS allows greater ease of use through large control buttons and easy-to-see operating panel indications such as ISO settings visible through the viewfinder and Canon Speedlite controls through the camera LCD menu.

The Rebel XS incorporates an APS-C size (22.2 x 14.8 mm) CMOS sensor with 10.1 million pixel images and Canon’s exclusive high-performance DIGIC III image processor to help deliver high levels of imaging performance and responsiveness. It also has Canon’s exclusive EOS Integrated Cleaning System, which features both hardware and software-based dust removal technology. Additionally, weighing less than 1 lb./450 grams, this camera is the lightest body in the EOS digital series camera lineup.

The EOS Rebel XS camera is compatible with Canon’s extensive lineup of more than 60 EF and EF-S lenses, including the Image Stabilizer-equipped EF-S18–55mm f/3.5–5.6 IS, which is included in the camera’s standard zoom lens kit package. The Canon Rebel XS will be available in black or silver colored body variations.

Canon Speedlite 430EX II
The new Canon Speedlite 430EX II, which succeeds the 430EX, realizes an approximately 20 percent reduction in recycling time compared with its predecessor. Like the 580EX II, the 430EX II allows users to control flash functions and input settings using the camera’s LCD monitor[ii], and also offers a quick-lock attachment system and a metal mounting foot for improved contact reliability and durability. The new Canon Speedlite 430EX II will carry an estimated retail price of $329.99.

In the Box
Expected to ship in August 2008 the Canon Rebel XS camera is available in a zoom lens kit version, which includes the EF-S18-55mm f/3.5-5.6 IS zoom lens, a rechargeable battery pack and charger, USB and video cables, a neckstrap, an EOS Solutions Disk CD, and a 1-year Canon U.S.A., Inc. limited warranty. The new camera’s estimated retail price is $699.99.

Though standard in the EOS Rebel XS kit, the EF-S 18-55mm f/3.5-5.6 IS lens is also available as a stand-alone purchase and carries an estimated retail price of $199.99.

[Canon]

CASIO RELEASES FIRMWARE UPDATE FOR EXILIM PRO EX-F1 ULTRA-HIGH SPEED BURST SHOOTING DIGITAL CAMERA

Update Adds New “Prerecord Movie” Function That Permits Movie Capture to Commence 5 Seconds before the User Actually Presses the Movie Button

DOVER, NJ, JULY 7, 2008 – Casio America, Inc. and its parent company, Casio Computer Co., Ltd., announced a firmware update for the EXILIM® Pro EX-F1 digital camera today. The update will add Casio’s unique “Prerecord movie” function to the camera, helping to ensure that users will never miss another once-in-a-lifetime scene when shooting movies. Firmware Ver. 1.10 for the EX-F1 will be available on Casio’s English website starting July 8, and thereafter on websites in other languages.

Released in March this year, the EXILIM Pro EX-F1 features ultra-high speed burst shooting, enabling users to capture every instant of each priceless memory at 60 still images per second in high resolution, 6.0-megapixel quality. It also comes with a High Speed movie mode that records up to 1,200 frames per second, permitting ultra-slow motion playback of movement that is too fast for the human eye to perceive. The EX-F1 has won great acclaim and popularity as the first of an entirely new genre of digital cameras that is totally changing the nature of photography.

Casio introduced Firmware Ver. 1.02 in April 2008 to improve the camera’s ease of use. That release offered a greatly reduced start-up time and enabled high speed zooming when recording Full High-Definition movies. The new Firmware Ver. 1.10 adds the Prerecord Movie function, which, when turned on, permits movie capture to commence 5 seconds before the user actually presses the Movie Button. Prerecord Movie works with all movie modes, including 30 fps Standard movie mode, the 300 fps, 600 fps and 1200 fps High Speed movie modes, and the Full High-Definition movie mode. This firmware update will help users get the most out of their EXILIM Pro EX-F1 digital cameras. The days of shooting movies but missing the best part of the moment are gone.

Firmware Ver. 1.10 for the EXILIM Pro EX-F1 will be available for download free of charge from Casio’s website.

New Features in Firmware Ver. 1.10

Prerecord Movie function added, allowing recording to commence 5 seconds before the user presses the Movie Button

• Compatible with 300 fps, 600 fps, 1200 fps, and 30-300 fps High Speed movie modes

• Compatible with 1920x1080 pixel Full High-Definition movie mode

• Compatible with 1280x720 pixel High-Definition movie mode

• Compatible with 30 fps Standard movie mode

This way you can know exactly what the speed limit is at all times, even when you've just transitioned from a high speed area to a low speed one that cops like to ticket in. In fact, if this system is good enough, it could be a decent excuse to tell the popos that their speed limit signs were too obscured that even a 30FPS camera couldn't make it out. [Kicking Tires via Oh Gizmo]

•No rear info panel (now on main LCD)
•95 percent coverage, 0.72x viewfinder (to D3's 100 percent, 0.7x)
•Smaller battery, plus uses D300's MB-D10 battery pack
•Expanded Function button options (macro for any camera menu item)
•Less robust shutter (150,000 cycles, like D300)
•Single CF slot
•Minor menu and control differences

To save $2000, some heft and bulk, they're all little sacrifices I'd gladly take. [DP Review]

The only thing you really sacrifice is a smidge of burst speed (down to 5FPS, or 8 with the battery pack) and the 5:4 cropping options. Otherwise, it actually has a bunch of improvements all around: The 51-point autofocus-system has gotten an IQ boost with 3D focus tracking (which apparently made Nikon's test-shooting at Belmont the other week a crispy clear breeze). Active D-Lighting for more contrast-y highlights and shadows is more automagical than before. The virtual horizon can now be displayed with live view. Plus, it has the sensor auto-cleaning from the D300 that was strangely absent from the D3, along with GPS support and HDMI port. The ISO can still be cranked to 25,600 or dropped to 100. It really is the D3 in body barely bigger than the D300.

Drooling yet? It'll be available later this month. I think Nikon has a hit here—Canon better have their 5D Mark II ready to go.

THE AGILE NEW NIKON D700 FX-FORMAT D-SLR CAMERA DELIVERS PERFORMANCE INSPIRED BY THE NIKON D3 IN A SMALLER, LIGHTER DESIGN

Nikon’s Second FX-Format Camera Delivers Peak Pro Performance in a Versatile Form-Factor

MELVILLE, N.Y. (July 1, 2008) – Nikon, Inc. today introduced the new D700 digital SLR camera featuring a 12.1-effective megapixel Nikon FX-format sensor that measures 23.9 x 36mm, which is nearly identical to the size of 35mm film. Benefiting from Nikon’s legacy of imaging technology innovation, the D700 offers both advanced and professional photographers stunning image quality, accurate color reproduction and revolutionary low light performance.

Building on the immense success of the Nikon D3 professional D-SLR camera, the D700 offers pro-level performance and an extensive array of features and innovations in a comfortably nimble platform. In addition to the Nikon-original FX-format CMOS sensor, the D700 incorporates Nikon's EXPEED Image Processing System, Nikon’s renowned 51-point auto focus system with 3D Focus Tracking and two Live View shooting modes that allow photographers to frame a shot using the camera's three-inch high-resolution LCD monitor. The D700 also features Nikon’s sophisticated Scene Recognition System and a new active dust reduction system.

Nikon’s flagship FX and DX-format cameras, the D3 and D300 respectively, established new benchmarks for digital image quality, speed, and unmatched ISO performance. The D700 maintains this new measure with exceptional overall image quality, broad tonal range and depth, and extremely low-noise throughout its native ISO range of 200 to 6400.

“Nikon FX-format cameras have teamed with our strong lineup of DX-format models to offer photographers unprecedented advancements in performance and versatility along with the freedom to choose the format that best serves their needs. Today’s introduction of the D700 offers an important new option to photographers who need the overall performance and imaging perspective Nikon FX-format cameras offer,” said Edward Fasano, general manager for marketing, SLR System Products at Nikon, Inc. “Nikon has developed a host of innovative technologies such as the Scene Recognition System and Picture Control, incorporating them into both FX and DX-format digital SLRs to ensure that photographers can leverage the advantages of both formats seamlessly, and achieve the end-results that best fulfill their photographic vision.”

The legendary Nikon FX-Format CMOS sensor

The D700’s 12.1-megapixel FX-format CMOS image sensor provides exceptional image quality throughout its remarkable ISO sensitivity range. A large pixel size of 8.45 µm allows for an extremely low signal-to-noise ratio and a wide dynamic range. The 12-channel readout enables accelerated information transfer, allowing the D700 to shoot at speeds of up to eight frames per second at full resolution (using the optional MB-D10 Multi Power Battery Pack) and quickly write image data onto the CompactFlash™ card.

The D700 offers a versatile base ISO range from 200-6400 but can be expanded to range from ISO 100 (Lo-1) to 25,600 (Hi-2) affording photographers the new-found confidence to shoot in the widest variety of lighting conditions from the brightest midday sun to dim interiors. Images previously thought to be impossible to create without complex lighting set-ups or lengthy post-processing are now captured easily and faithfully with the D700, unleashing new and diverse shooting possibilities.

Also new to the D700 is Nikon’s first self-cleaning system designed for the FX-format sensor. Utilizing four distinct vibration frequencies, the D700 frees image degrading dust particles from the sensor’s optical low-pass filter at start-up, shut-down or on demand. As an added benefit, the mirror box and entire shutter mechanism are constructed of materials that resist creating debris that can affect image purity.

Fastest speed and autofocus in its class

The D700 starts up in a mere 0.12 seconds and has a nearly imperceptible shutter-lag response time of 0.40 milliseconds, making this an extraordinarily responsive tool for the demanding photographer. The D700 can record full-resolution JPEG images at an astounding five frames per second (fps), or eight fps with the optional MB-D10 battery pack for up to 100 images, or up to 17 lossless 14-bit Nikon NEF (RAW) files. To write images efficiently, the Nikon D700 is also compliant with the next-generation of high-speed UDMA CompactFlash™ cards that will enable recording speeds up to 35 megabytes/second.

The D700 offers one of the fastest and most accurate advanced AF systems on the market today. Nikon’s Multi-CAM 3500FX autofocus sensor module features 51 AF points and the ability to use 3D tracking to focus and lock-on a moving subject. The 15 cross-type sensors and 36 horizontal sensors can be used individually or in groups, with the option for Single Area AF mode and Dynamic AF modes using groups of either 9, 21 or all 51 focus points. The system also features 3D Focus Tracking with automatic focus point switching that takes advantage of all 51 AF points as it uses scene color content and light information to accurately track the subject.

Intelligent features for sophisticated performance

The D700 relies on a wealth of innovative Nikon technologies to help photographers create superb images. Nikon’s Scene Recognition System analyzes information from the 1,005-pixel RGB light sensor for use in auto exposure, auto white balance and autofocus calculations. The Scene Recognition System also assists autofocus by tracking subject position and automatically shifts the AF points used to match the subject’s movement within the frame. This system also contributes to higher accuracy of auto exposure and auto white balance detection, resulting in sharp landscapes, flattering portraits and engaging action shots.

Photographers also have the option to enhance their pictures during or after capture with the Picture Control System and Active D-Lighting. Nikon’s Picture Control System enables users to adjust their images to pre-set parameters such as Standard, Neutral, Vivid and Monochrome that apply tweaks to image sharpening, tone compensation, brightness, overall tone and saturation. D-Lighting uses localized tone control technology to further optimize highlight and shadow detail while also maintaining natural contrast, giving photographers the ability to capture more perfectly exposed images, even in unusual lighting conditions. Active D-Lighting lets photographers choose from various intensities during capture, while a new Automatic mode also applies varying levels of D-Lighting as, and when needed, to enhance photos while shooting.

Enhanced Live View modes and viewfinder

Ideal for studio, remote applications and more, Nikon’s Live View allows the photographer to compose the subject on the bright three-inch, TFT LCD monitor. In Handheld mode, the user is able to recompose the frame prior to actual shooting; familiar TTL phase-detection AF is activated, using all 51 AF points. Tripod mode is designed for precise focus accuracy with still subjects and tripod stabilization. It enables focal-plane contrast-detect AF on a desired point within a specific area. Remote view, focusing and shooting can also be controlled from a PC (via connection or wireless) using the optional Nikon Camera Control Pro 2 software. Additionally, the Virtual horizon feature on the D700 can now be superimposed over the Live View monitor image to aid composition.

While using Live View to compose or review images and settings, users will appreciate the ultra-high resolution 920,000-dot VGA, three-inch TFT LCD monitor with tempered glass that provides a wide 170-degree viewing angle. The large monitor is remarkably effective when confirming the focus with enlarged playback images. The camera also outputs a video signal to an HD television using the new smaller HDMI-C standard, which is an excellent solution for workshop demonstrations or shooting tethered for clients.

Photographers will also be able to compose images easily using the wide and bright viewfinder that features an eye-level pentaprism with high refraction index and provides a 95 percent frame coverage with 0.72x magnification. Each of the 51-AF points, as well as a framing grid can also be superimposed on the finder screen to suit the photographer’s personal preferences.

Rugged construction and durability

High-strength magnesium alloy is used for the construction of the camera body, rear body and mirror box to create a precision platform, reduce weight and provide rugged durability. The camera is tested to stand up to the rigors of the globetrotting photographer and is weather sealed using precision O-rings where connections are made to effectively combat dust and moisture.

The shutter unit employs an assembly made of a new composite carbon fiber and Kevlar hybrid material. Tested on fully assembled cameras, the D700’s shutter unit has been proven through 150,000 cycles under demanding conditions. The self-diagnostic shutter constantly monitors and maintains shutter precision to ensure peak performance.

Price and availability

The new FX-format Nikon D700 D-SLR camera will be available late July 2008, and will have an estimated selling price of $2,999.95* (body only).

[Nikon]

[Flickr via NikonD700.com]

[Nikon Rumors Shot 1 and Shot 2]

Ricoh GX200

The Ricoh GX200 compact digital camera for professionals is the 12 megapixel successor to last year’s GX100 model. Other significant improvements offered by the GX200 include better noise reduction thanks to the new Smooth Imaging Engine III processing engine, a larger 2.7-inch, 460,000 pixel HVGA LCD screen, 5fps continuous RAW mode and an electronic level function for horizontal and vertical shooting. It also offers the same 24-72mm zoom lens, 25mm thick body and removable tilting electronic viewfinder (optional accessory). The Ricoh GX200 costs £349.99, or £399.99 as a kit with the VF-1 electronic viewfinder. We’ve got some exclusive Ricoh GX200 sample photos, and our full review will follow later this week.

Ricoh UK Press Release

London, 24th of June 2008

New: RICOH GX200

A high-end, 24 mm super-wide-angle, optical zoom, digital compact featuring high resolution 12 megapixel CCD coupled with the latest imaging engine SIE III

Tokyo, Japan June, 24, 2008 Ricoh Co., Ltd. (president and CEO: Shiro Kondo) has announced today the development and release of the GX200. The GX200 is able to reproduce high quality images from edge-to-edge with low noise and natural gradation. This camera succeeds the award winning Caplio GX100 compact digital camera introduced in April 2007.

The GX200 inherits the popular features of the GX100 such as a 24 to 72 mm (35 mm film equivalent focal length) high-performance wide-angle optical zoom lens on a 25 mm thin pocketable compact body, a wide variety of manual shooting functions, and a removable tilting electronic viewfinder. The new GX200 achieves increased resolution via its 12 megapixel CCD and dramatic noise reduction with the addition of the new image processing engine Smooth Imaging Engine III.

Already a popular part of the Caplio GX100, the high-resolution wide-angle lens unit has been further configured to enable picture taking at an even higher resolution.

With a large wide-viewing angle 2.7-inch 460,000 dots HVGA LCD and an electronic level function, for horizontal and vertical shooting, the GX200 contains extensive shooting functions to enable camera lovers to enjoy and create stunning photographs.

This model comes in two package types with different accessories. The GX200 package contains: rechargeable lithium ion battery, battery charger, AV cable, USB cable, CD-ROM, strap, and lens cap. The GX200 VF KIT package contains all the above accessories plus the electronic viewfinder.

*The lens focal lengths used in this document are the equivalent focal length for a 35 mm camera.

Main features of the new Ricoh GX200

1. Greater image quality through use of a 12 megapixel CCD, a new image processing engine and continuous RAW mode capture.
• An effective 12 megapixel high-performance 1/1.7-inch CCD has been newly installed, with each pixel comes increased resolution.
• The adoption of a new image processing engine Smooth Imaging Engine III allows for greater control over the noise reduction process by the photographer without sacrificing resolution or saturation.
• High image quality combined with a lens with greater backlight capability*.
• *This is the 24 to 72 mm equivalent wide-angle zoom lens mounted on the previous model (Caplio GX100). It features a generous configuration of 11 elements in 7 groups, including superior aspheric surface lenses and high-refractive-index, low-dispersion lenses. This optimal configuration restricts distortion, chromatic aberration, and light falloff at edges for wide-angle operation while delivering aperture light settings from F2.5 (wide) to F4.4 (tele-photo). In addition, ghosting has been further reduced through the improvements made to the lens unit.

2. Large, high-resolution 2.7-inch, 460,000-dots HVGA LCD.
• The new 2.7-inch, 460,000-dots high-resolution LCD has a wide viewing angle and high contrast for distinct, easy viewing even outdoors. When thumbnail images are displayed, even the small 1/20 size images are clearly reproduced.
3. Electronic level utilizing an acceleration sensor to help keep the camera body horizontally or vertically
level.
• If the level setting is set on, when the camera is level, the level indicator becomes green in the picture display. Being able to check whether the image is level while looking at the display can be useful for keeping the camera level when composing pictures of landscapes, buildings, and other scenes where the horizon is visible.
• It is possible to check whether the camera is level using the level sound setting.
• The electronic level can also be utilized while using the viewfinder.

4. Extensive shooting functions and high operability.
• Expanding buffer memory has made continuous shooting of up to five images possible in RAW mode, and it is also now possible to use the bracketing function to automatically change exposure settings when shooting in RAW mode. Other expanded RAW shooting capabilities include the ability to shoot 1:1 aspect ratio (vertical/horizontal ratio) format photography in RAW mode.
• The number of mode dial “My Settings” options for defining your own shooting settings has increased to three. (There were two on the Caplio GX100.)
• There are now one-push mode change function buttons both on the top surface and as one of the rear-surface cross keys. These buttons can be used for customized settings to, for example, to switch from JPEG to RAW or from colour to B&W. You can switch quickly to your preferred shooting mode when confronted with a sudden photo opportunity.
• The AF target shift function, which before could only be used in macro shooting, is now also available in normal shooting. Without moving the camera, it is possible to shift the target for AF or AE or both.
• The flash is manually raised by sliding the open switch. Flash functions on the GX200 have been further expanded with a light intensity adjustment function (-2.0 EV to +2.0 EV), a manual flash function in which intensity can be set, and a flash synchro setting where flash timing can be set as „1st Curtain“ or „2nd Curtain.“
• An auto rotate function makes it easier to view images on the picture display.
• Even when shooting in high-contrast situations, the camera can use an auto level correction function to achieve an appropriate level of brightness while reducing areas that are overly bright or dark.
• There is a distortion correction function (on/off selection possible) to automatically correct image distortion during shooting also usable with 19 mm conversion lens.
• When in aperture priority mode, an auto aperture shift function will automatically adjust the aperture setting to prevent overexposure.

5. Enhanced image editing functions enable images to be manipulated in the camera.
(1) Image colour tone correction (white balance compensation).
• By adjusting green, magenta, blue, and amber tones, still image colour tone can be corrected, with the corrected image being recorded in the camera.
(2) Image brightness and contrast correction (level compensation).
• Still image brightness and contrast can be corrected with either auto or manual modes, with the corrected image being recorded in the camera. With manual correction, the image is corrected by adjusting the histogram.
(3) Wide range of creative monochrome possibilities.
• Colour, colour density, contrast, and sharpness can each be defined on a five-level scale.
• Sepia, red, green, blue, and purple colour selections are possible.

6. Additional options further expand possibilities for camera use.
• Lens cap (LC-1) opens and closes automatically in sync with lens movement.
• 135 mm equivalent tele conversion lens (TC-1) with built-in hood. Filter attachment possible.
When the tele conversion lens is attached, vignetting will occur when the zoom is not set to full telephoto. *The above two options can also be used on the Caplio GX100.

7. Removable electronic viewfinder can be attached.
• A removable and tiltable electronic viewfinder can be attached (included in GX200 VF KIT).
• The field of view provides 100% coverage without parallax and can display the same information as on the LCD picture display.
• It is convenient for shooting in bright outdoor environments and enables shooting to be done in a conventional film camera style.

List of GX200 Options

Ricoh code Description RRP
TC-1 Teleconverter lens £99.99
DW-6 19 mm Wide angle lens £99.99
LC-1 Tri-Lens Cap £19.99
HA-2 Hood and Adapter set for DW-6 and TC-1 £34.99
VF-1 Electronic Viewfinder £79.99
SC-45 Soft Leather case £29.99
ST-2 Ricoh GX Neck strap £14.99
AC-4c Mains adaptor £34.99
CA-1 Cable release £29.99

*1 The VF-1 LCD view finder is included in „GX200 VF KIT“.
*2 The HA-2 hood and adapter is required when using the wide conversion lens or the tele conversion lens. When the
wide conversion lens or the tele conversion lens is attached; the internal flash cannot be used because vignetting may occur.
*3 The ST-1 neck strap for the GX/GX8 cannot be used.

GX200 with electronic viewfinder included, will be available in the beginning of July 2008 at £399.99 inc vat.,
GX200 Standard is available at £349.99.

Ricoh GX200 – Major Specifications

CCD:
Effective 12.1 million pixels (total 12.4 million pixels), 1/1.7-inch primary-colour CCD

Lens:
Focal length: f=5.1 to 15.3 mm (35 mm film equivalent focal length 24 to 72 mm. With Step Zoom set,
the following fixed focal lengths possible: 24 mm, 28 mm, 35 mm, 50 mm, 72 mm)
Aperture (F value): F2.5 (wide) to F4.4 (telephoto)

Shooting Distance:
Normal shooting: Approx. 30 cm to infinity (wide-angle), approx. 30 cm to infinity (telephoto) (from the front of the lens) / Macro shooting: Approx. 1.0 cm to infinity (wide-angle), approx. 4.0 cm to infinity (telephoto), approx. 1.0 cm to infinity (zoom macro) (from the front of the lens)

Lens Construction:
11 glass elements in 7 groups

Zoom Magnification:
Optical zoom: 3x (35mm film equivalent focal length 24 to 72 mm)
Digital zoom: 4x, up to 12x (288 mm equivalent) in combination with optical zoom
Auto resize zoom: 6.3x, up to 18.9x (450 mm equivalent) in combination with optical zoom (VGA
image)

Focus Mode:
Multi AF (CCD method) / Spot AF (CCD method) / Manual Focus / Snap / Infinity (with focus lock and AF aux. light)

Motion Blur Reduction:
CCD shift method image stabilizer

Shutter Speed:*1
Still image: 180, 120, 60, 30, 15, 8, 4, 2, 1 to 1/2000 sec. / Movie: 1/30 - 1/2000 sec.

Exposure Adjustment:
Exposure Metering Mode: Multi Light Metering (256 segments) / Centre-weighted / Spot (TTL-CCD metering, AE lock available) Exposure mode: Program AE / Aperture Priority AE / Manual Exposure Exposure compensation: Manual Exposure Compensation (+2.0 to -2.0 EV in 1/3 EV steps) / Auto Bracket Function (-0.5 EV, ±0, +0.5 EV /-0.3 EV, ±0, +0.3 EV)

ISO Sensitivity (Standard Output Sensitivity):
AUTO / AUTO-HI / ISO64 / 100 / 200 / 400 / 800 / 1600

White Balance Mode:
Auto / Outdoors / Cloudy / Incandescent Lamp / Fluorescent Lamp / Manual Settings / Detail White balance bracket function

Flash:
Built-in Flash Mode: Auto (during low light and when subject is backlit) / Red-eye Flash / Flash On / Flash Synchro / Manual Flash (Full, 1/1.4, 1/2, 1/2.8, 1/4, 1/5.6, 1/8, 1/11, 1/16, 1/22, 1/32) / Flash Off / Built-in Flash Range: Approx. 20 cm to 5.0 m (wide-angle), approx. 15 cm to 3.0 m (telephoto) (ISO AUTO / ISO 400, from the front of the lens) Flash Compensation: ±2.0 EV (1/3 EV steps)

Picture Display:
2.7“ Transparent Amorphous Silicon TFT LCD, approx. 460,000 dots

Shooting Mode:
Auto Shooting Mode / Program Shift Mode / Aperture Priority Mode / Manual Exposure Mode /
Scene Mode (Movie / Portrait / Sports / Landscape / Nightscape / Zoom Macro / Skew Correct Mode /
Text Mode) / My Settings Mode

Picture Quality Mode:*2 F (Fine) / N (Normal) / RAW (DNG file format)*3

Number of Recorded Pixels:
Still image: [4:3] 4000×3000, 3264×2448, 2592×1944, 2048×1536, 1280×960, 640×480
[3:2] 3984×2656 / [1:1] 2992×2992 / Movie: 640×480, 320×240 / Text: 4000×3000, 2048×1536

Recording Media:
SD memory card, SDHC memory card (up to 16 GB), Internal Memory (approx. 54 MB)
Storage Capacity*4 (No. of Pictures) (Internal 54 MB Memory):
Still image: 4000x3000 (RAW: 2 / F: 11 / N: 20), 3984x2656 (RAW: 2 / F: 13 / N: 23)
2992x2992 (RAW: 3 / (F: 15) / N: 27 3264x2448 (N: 30) / 2592x1944 (N: 48)
2048x1536 (N: 74) / 1280x960 (N: 133), 640x480 (N: 497)

Storage Capacity (Time) (Internal 54 MB Memory):
Movie:*5 640x480 / 30 frames/sec. (41 sec.), 640x480 / 15 frames/sec. (1 min. 22 sec.),
320×240 / 30 frames/sec. (1 min. 22 sec.), 320x240 / 15 frames/sec (2 min. 40 sec.)

Recording File Format:
Still image: JPEG (Exif Ver. 2.21)DCF*6, RAW (DNG) Movie: AVI (Open DML Motion JPEG Format Compliant)

Other Major Shooting Functions:
CONT. / S-CONT / M-CONT / Self-timer (operation time: approx. 10 sec. / 2 sec.), Interval Shooting (shooting interval: 5 sec. to 3 hr., in increments of 5 sec.)*7, Colour Bracket, B&W (TE), Noise Reduction, Histogram, Grid Guide, Electronic Level, Hot Shoe

Other Major Playback Functions:
Auto Rotate, Grid View, Enlarged View (maximum 16x), Resize

Interface:
USB 2.0 High-Speed (mini B cable), Mass Storage*8 / Audio Output 1.0Vp-p (75Ω) / Video OUT

Video Signal Format:
NTSC /PAL

Power Source:
Rechargeable Battery (DB60) ×1 / AAA Dry Alkaline Battery ×2 / AAA Nickel-Metal Hydride Battery ×2 / AC Adapter (AC-4c Optional) 3.8V

Battery Consumption:*9
Based on CIPA Standard: DB-60 usage: approx. 350 pictures / AAA alkaline battery usage: approx. 30 pictures*10

Dimensions:
111.6 mm (W) × 58.0 mm (H) × 25.0 mm (D) excluding projecting parts

Weight:
Approx. 208 g (excluding battery, SD memory card, and strap) Accessories: approx. 30 g (battery and strap)

Operating Temperature:
0ºC-40ºC

[PhotographyBLOG via Engadget]

Motorola and Kodak Redefine the Mobile Imaging Experience with MOTOZINE™ ZN5

BEIJING, CHINA — 23 June 2008 – Motorola (NYSE: MOT), a leader in wireless communications, and Kodak (NYSE: EK), the world’s foremost imaging innovator, today announced MOTOZINE™ ZN5, the first product combining world-class innovation from both companies. The MOTOZINE ZN5 combines a high-quality phone and camera experience to help content-craving consumers seize inspiration and share the content they create and love with the world.

Unveiled today in Beijing at a gallery-inspired event, ZINE ZN5 delivers an easy and immersive mobile imaging experience. ZN5 is the first mobile phone to combine Motorola’s ModeShift Technology and KODAK Imaging Technology. Together, they redefine the quality, convenience and connectivity of mobile imaging devices. With KODAK EASYSHARE Software and easy access to KODAK Gallery1 or other web sharing sites,2 pictures are easily moved off the device, allowing consumers to print, share and enjoy their favorite photos whenever they want.

“Today’s creative consumers not only want to be the photographer, but also the retoucher, the exhibitor and the critic,” said Jeremy Dale, corporate vice president, mobile devices marketing, Motorola, Inc. “The MOTOZINE ZN5 lets them be all the things they want to be.”

Built to Shoot
ZN5 puts image capture first, with a high-resolution landscape screen and one of the fastest click-to-click times available. To launch the camera, simply slide open the Kodak lens cover to transform the phone into an ultra-fast 5 megapixel camera with auto-focus, a Xenon flash, 4GB of optional external memory3 and optimized settings for low-light environments.

Built-in KODAK Imaging Technology ensures that every picture taken with ZN5 looks its best. When KODAK Imaging Technology is combined with KODAK PERFECT TOUCH Technology, images become brighter and more vivid on the spot. Multiple capture modes, like multi-shot and panorama, which automatically stitches together continuous shots taken on the horizon line into a single, extended image1, makes taking photos fun.

“KODAK Imaging Technology combines Kodak’s unparalleled experience in imaging science with easy connectivity to the company’s vast portfolio of products and services,” said John Blake, general manager digital capture and imaging devices group, vice president Eastman Kodak Company. “We have redefined the quality, convenience and connectivity of mobile imaging devices. We have worked closely with Motorola to create a device that not only delivers Kodak-quality pictures, but allows consumers to explore a wide range of options for sharing their photos with friends and family around the world.”

Built to Share
With one touch, photos can be viewed right from the home screen; no menus, no searching. This multimedia device provides a fun, quick and easy way to share favorite photos. Pictures can be uploaded via Gallery Link in one simple click and instantly shared to the KODAK Gallery (www.kodakgallery.com)1 to be viewed, stored and shared with friends and family. ShoZu can be used to upload photos to a variety of social networking sites1. ZN5 comes with KODAK EASYSHARE Software, the world’s most used photo software, making it easy to organize, edit, share, store and find mobile pictures1. Consumers can transfer pictures to a computer via USB, Wi-Fi1 or Bluetooth® wireless technology4 and print wirelessly on Bluetooth-compatible KODAK All-in-One Printers and at KODAK Picture Kiosks.

Built to Talk
In phone mode, ZN5 features Motorola’s patented CrystalTalkTM technology to help callers hear and be heard, even in noisy environments. With dual compatibility for GSM and Wireless Local Area Network (WLAN), users can connect in more areas around the world2 and enjoy high-speed wireless connections to surf the Web via a full HTML browser2. To complete the communications experience, ZN5 also supports SMS, MMS, IM and personal e-mail2.

The MOTOZINE Multimedia Experience
MOTOZINE ZN5 is the first device to carry the MOTOZINE franchise name, Motorola’s new label for its multimedia-optimized devices. For the consumer who thrives on content consumption and creation, products in the ZINE portfolio give them the freedom to shape pop culture, on their terms.

MOTOZINE ZN5 will be first available in China in July 2008 and is expected to roll out around the globe throughout the remainder of the year. For more information regarding pricing and product availability in your region, please contact your local Motorola representative.

About Kodak
As the world's foremost imaging innovator, Kodak helps consumers, businesses, and creative professionals unleash the power of pictures and printing to enrich their lives.

To learn more, visit http://www.kodak.com/, and our blogs: 1000words.kodak.com, PluggedIn.kodak.com, and GrowYourBiz.kodak.com.

Editor’s Note: Kodak corporate news releases are now offered via RSS feeds. To subscribe, visit www.kodak.com/go/RSS and look for the RSS symbol. In addition, Kodak podcasts are viewable at www.kodak.com/go/podcasts. Our podcasts may be downloaded for viewing on iTunes, Quicktime, or other PC-based media players. Users may also subscribe to Kodak podcasts via the iTunes application if already installed on your computer. From the iTunes store, type “Kodak podcast” in the search field to view all of our podcast offerings.

Kodak, EasyShare and Perfect Touch are trademarks of Kodak.

[Motorola]

Price (body only) :US $ 2999(2999美元)

Sensor(感光原件) :
• 36 x 23.9 mm CMOS sensor
• FX format
• RGB Color Filter Array
• Built-in fixed low-pass filter
• 12.9 million total pixels
• 12.1 million effective pixels
• 3:2 aspect ratio

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