<![CDATA[Gizmodo: dslr, pma 2008]]> http://tags.gizmodo.com/assets/base/img/thumbs140x140/gizmodo.com.png <![CDATA[Gizmodo: dslr, pma 2008]]> http://gizmodo.com/tag/dslr/pma2008 http://gizmodo.com/tag/dslr/pma2008 <![CDATA[Sony's Next Gen Alpha A900 DSLR: 25 Megapixels, Due By September]]> Sony's Alpha A900 practically blew us away when we first had an opportunity to grope it, which was way back during PMA '08 in January. Well, it looks like the Sony lads are again showing off their 25MP full-frame pro sensor toting DSLR in Japan, along with a launch date of August/September. Our pals at Master Chong were able to grab a whole slew of new images of the device, as well as shots of the neat looking, clear-bodied iteration pictured above. [Master Chong; Thanks, Felix]

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<![CDATA[PMA Round Up: The Lean, No BS Version]]> Megapixels, ISO, live view, DSLRs and point-and-shoots, oh my! It was cold, wintry and brutal in Vegas—I actually needed a coat, plus I think I caught a cold. Relive the best (and worst) of my glories, plus a sweet video treat.

DSLRs
First Canon EOS Digital Rebel XSi Hands On: Your XTi Is Now Junk
A Word About the Canon EOS 5D Successor
Shifty Eyes on Sony Alpha 350: Shooting From the Hip
Hands On Nikon D60 With Stop Motion Movie Walkthrough

Point-and-Shoots
Hands On Olympus Stylus 1030 SW Indestructo-Point-and-Shoots
Hands On Panasonic Lumix TZ5 10X Zoomer and HD Camcorder
Fujifilm S1000fd and S8100fd Ultra-Zoom Pro-sumer Camers have 12x and 18x Zoom
Sony DSC-T300 Sony's Top Line Slim Cam
Poll: Is HD Video the Next Must-Have Point-and-Shoot Feature?

Other cool stuff
Sony's 25-Megapixel Full-frame Sensor Lands in Massive Sony DSLR
Leica M8: A Camera for Life
Korean Engineers Develop Miraculous 20,000 Year Photo
Panasonic's Wannabe Ninjas

Okay, some BS
An Unfortunate Grope of SmartParts' Fugly Digital Photo Frame/Printer
Hands On Fujifilm S100FS Faux DSLR: Why?

If you want absolutely everything, here's your ticket.

And now, what you've really been waiting for, from the crazy dudes at DigitalCameraInfo:

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<![CDATA[Sony's 25-Megapixel Full-Frame Sensor Lands in Massive Sony DSLR]]> This is something of a surprise. We sorta didn't expect Sony's 25-megapixel full-frame serious pro sensor to land in a Sony DSLR. The cam's details are scant as hell—it doesn't even have a name, just "flagship model system." All we could squeeze out of recalcitrant reps, other than what we already know about that sweet sensor, is that it's definitely an '08 release and has a 3.5-inch LCD that's got at least a megapixel of resolution (the a700's screen was name-checked), plus it has built-in image stabilization. Since it's so prelim, no other specs, price or more definitive release date. Looks like the D3 and EOS-1Ds Mark III might have some new competition.

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<![CDATA[Hands On Fujifilm S100FS Faux DSLR: Why?]]> Okay, I get prosumer cams like Canon's G9 or even Fuji's other big-zoom shooters. The S100FS, I do not get. It's the same size as a DSLR. It costs the same as a DSLR ($799). But it's not a DSLR. And not in a good way.

Its showstopper feature, the ridonkulous ISO ratings, fell way short, though you should keep in mind this is a pre-production model, and it could get much better before it ships: A few snaps shot at 6400 had mad noise, evident even in playback on its LCD screen. That aside, I still can't really feel for this camera. The only feature I can say is neat is the tilting screen but Sony has it too on their new alphas. Maybe some more extensive testing would reveal otherwise, but my based on initial impressions, if you're going to pick up a camera that weighs, feels and is priced like a DSLR, just get a DSLR. [Giz @ PMA]

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<![CDATA[First Canon EOS Digital Rebel XSi Hands On: Your XTi Is Now Junk]]> Unlike Nikon's D40x update, the D60, I'm pretty sure the Canon guy would've noticed if I swapped out my XTi with the XSi Indiana Jones style, and not just because it's tied to the table (I really wanted to). It feels more solid, both in the material (not as toy-like) and in the grip, which now uses the same kind of rubber roughage as the 40D to feel more manly.

Its interface is sexier, with subtle shading and color options, which look even better thanks to the great LCD screen (a necessity with live view, which well, worked). Shooting produced a more satisfying click than than the XTi as well and the autofocus was definitely snappy. We obviously couldn't subject it to lotsa photo tests right here, but if the specs and our bit of time add up correctly, this is the new entry-level DSLR king. [Giz @ PMA]

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<![CDATA[A Word About the Canon EOS 5D Successor]]> Interesting bit just tossed our way by the Canon rep when we asked about a 5D follow-up, slightly paraphrased: The EOS-1Ds line (their full-frame pro DSLRs) is on a three-year upgrade cycle. The 1Ds Mark II came out in 2004, and the Mark III dropped in 2007. The EOS 5D came out in 2005.

Draw your own conclusions.

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<![CDATA[Shifty Eyes On Sony Alpha 350: Shooting from the Hip]]> Confirmed: The Sony Alpha 350 is perfect for crotch-shots, limited only by the LCD's viewing angle, which is good, but not great. They weirdly didn't have the A300, but the A350 is the exact same, except for MP count—even the Sony rep said so. I'm honestly not too big on the body otherwise—too many buttons on maybe?—so I'm not sure the up-and-down LCD is going to sway me. Fujifilms' S100FS has one too, plus the awesome ISO performance, so it might be better suited to "dark" purposes. I'm gonna Battlemodo 'em later tonight.

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<![CDATA[Hands On Nikon D60 With Stop-Motion Movie Walkthrough]]> Pop quiz: Which one of these is the D60, and which one is a D40? You can't tell, can you? Ha! That's because it really is pretty much the same chassis (and guts) so if you know the D40x, you know the D60. The best new thing is the stop-motion movie stringer, which is quick, if simple—here's the whole process:

[PMA 2008 Coverage @ Giz]

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<![CDATA[Sony A300 and A350 DSLRs Have Two-Way Tilting Live View]]> Sony is officially the last one to the PMA DSLR party, getting real with the A300 and A350 DSLRs we glimpsed earlier. The entry-level 10.2MP A300 (same CCD sensor as the A200, $800 w/lens) snaps away at "about 3fps," 100-3200 ISO, built-in image stabilization (vs. Nikon and Canon's lens approach) and indeed sports that oddball 2-way tilt screen for live view—good for semi-discretely shooting from your crotch, Chen-style. The A350 has the same features, but packs in 14.2MP (hey Sony, not the highest in its class), fires at 2.5fps in continuous shooting and will run $800 for the body.

SONY INTRODUCES TWO MAINSTREAM DSLR CAMERAS WITH
UNIQUE "QUICK AF LIVE" VIEW SYSTEM

SAN DIEGO, Jan. 30, 2008 - Sony is bringing live-view shooting to its digital SLR camera line with today's introduction of a 14.2-megapixel  (alpha) DSLR-A350 camera and 10.2-megapixel α (alpha) DSLR-A300 model. Both cameras feature new technologies that make picture taking faster, easier, and more familiar for first-time DSLR users.

Quick AF Live View System

They both offer Sony's new "Quick AF Live View" technology so you can frame photos on the camera's LCD without sacrificing auto-focusing speed common to other live-view systems.

Sony's innovative Pentamirror Tilt mechanism directs light to a dedicated live view image sensor, enabling fast and responsive TTL phase-detection auto-focusing, even during live view. Eliminating the focus delay of other systems, the new models are equally responsive whether using live view or optical viewfinder.

With its two sensor design, Quick AF Live View can even continuously focus-track the subject and provide live view during burst shooting, helping you capture that special moment.

Taking further advantage of Quick AF Live View is the models' variable angle 2.7-inch Clear Photo LCD ™ screen. This makes it easy to frame scenes from high or low positions difficult to reach when using an eye-level viewfinder.
With Live View and an adjustable LCD, the cameras do not need to be in front of the user's face, allowing parents, for example, to maintain eye-contact when photographing their children.

"Mainstream users stepping up to DSLRs are looking for a similar experience to their point and shoot cameras, but without compromise in speed or performance" said Phil Lubell, director of marketing for digital cameras at Sony Electronics. "Quick AF Live View gives these new models a familiar shooting style without compromising speed - ideal for the growing market of first-time SLR users."
Exceptional Image Quality

The new models produce images with fine detail, rich tonality and vibrant color due to their APS-C CCD image sensors and BIONZ® processing engine. To aid shooting in low light, Super SteadyShot® image stabilization enables shutter speeds 2.5 to 3.5 steps slower than otherwise possible, with every compatible Minolta Maxxum® and Sony α (alpha) lens (sold separately) attached to the camera.

High sensitivity operation at ISO 1600 and 3200 and very low noise are made possible by the user-selectable high-ISO noise reduction features. Sony's D-Range Optimizer delivers suitable tonality and exposures with rich shadow and highlight detail, even under high contrast situations.
Powerful Performance, Easy to Use

The DSLR-A300 model can shoot about three continuous frames per second and the DSLR-A350 model can shoot up to two-and-a-half continuous frames per second, when using the optical viewfinder. Both are powered by the Bionz processing engine and supplied InfoLITHIUMTM battery for fast start-up times, quick response and long battery life - up to 730 shots per full charge when using the optical viewfinder and up to 410 shots per full charge in live-view mode.

Both models feature lighter, slimmer bodies for easy handling; an improved user interface; an automatic pop-up flash; a comfortable camera grip with an easily accessible mode dial; an anti-dust system to keep the CCD image sensor clean for spot-free pictures; and JPEG and RAW file format support. Both have a slot for CompactFlash™ Type I/II media cards.

An adaptor for Memory Stick Duo™ media cards is also available for the cameras and sold separately.
The new DSLR-A300 and DSLR-A350 cameras are compatible with a range of accessories, including the ergonomic Sony VG-B30AM vertical grip. Also available as an option is the new Sony HVL-F42AM flash unit. It offers advanced features such as automatic white balance adjustment with color temperature information, adjustable bounce angles, ADI metering and wireless remote operation to suit the needs of most photographers.
Price and Availability

The DSLR-A300 kit with a DT 18-70mm f3.5-5.6 standard zoom lens will ship in April for about $800. The DSLR-A350 camera body will be available in March for about $800, and the DSLR-A350 kit with a DT 18-70mm f3.5-5.6 3.9x zoom lens will be available for about $900 at the same time. Both models will be available at sonystyle.com, Sony Style® retail stores (www.sonystyle.com/retail), military base exchanges, and authorized dealers nationwide. Pre-orders begin online today at www.sonystyle.com/dslr.

[Sony]


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<![CDATA[PMA 2008: We're Here and...Hey, Are Those Sony Alpha DSLRs Leaked On the Front Door?]]> We're I'm at here PMA 2008. Not quite the megashow of CES (the tradeshow, in which the relative deadness is comforting. Hey, are those new yet-unannounced Sony DSLRs? A closer look at the A300 and A350 teasers below.

a300tease.jpga350tease.jpg

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<![CDATA[Nikon D60 to Sell For $750, Hits Stores in February]]> Nikon's D60, the minor upgrade to the D40, will be in stores by the end of February for $750, shipping with an 18-55mm lens. [Crave]

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<![CDATA[Sony's 25-Megapixel 35mm Image Sensor Is Up For Grabs]]> Today Sony researchers in Tokyo unveiled a digital SLR component that's actually drool-worthy: a CMOS sensor the size of 35mm film that registers 24.81 effective megapixels—close to 26 million total. It's also built for speed with an all-pixel scan time of 6 frames per second, in 12-bit color. The question is, who will use it to pimp up their cameras?

Sony isn't about to pop it in one of its Alpha models, at least not as far as we can tell. In fact, Nikon would be a more likely customer for this sucker when it ships this summer, the better to compete with Canon's $8,000 EOS-1Ds Mark III DSLR, which has its own 21.1-megapixel full-frame CMOS. (Those pro guys really like it when their sensors are the same size as the film they used to use.) Now, who ever said the megapixel race was over? Cuz they're wrong. [Sony]

Press Release:

Sony Develops 35mm full size CMOS Image Sensor with 24.81 Effective Mega pixel resolution and extremely high signal conversion speed for use in Digital SLR Cameras

~ All-pixel scan mode of 6.3 frame/s ~

Tokyo, Japan - Sony Corporation today announced the development of a 35mm full size (diagonal:43.3mm/Type 2.7) 24.81 effective megapixel, ultra-high speed high image quality CMOS image sensor designed to meet the increasing requirement for rapid image capture and advanced picture quality within digital SLR cameras.

Development background
In recent years, the demand for digital SLR cameras featuring high resolution and wide graduation ranges capable of capturing every detail of the subject matter has continued to increase, particularly among high-end amateur users. Additionally, the increasing user requirement to shoot from the same focal length and angle as 35mm film cameras using interchangeable lenses has led to significant interest in the development of 35mm, full size CMOS image sensors.

However, there are a number of technical challenges to developing full (large) size image sensors, such as the propagation delay caused by using extended power circuitry and signal lines, and the difficulty of maintaining uniform sensitivity and signal saturation across the surface of the screen.

Furthermore, because current semiconductor exposure systems are unable to cover the entire chip surface of 35mm full size CMOS image sensors, multiple exposures are required. This results in the difficulty of accurately controlling exposure variance and matching circuit patterns.

Advantages of this device
The newly developed CMOS image sensor combines unique circuit design technology with Sony's advanced fabrication expertise, including a system of joining multiple exposed patterns together and advanced planarization for minimizing fluctuation, to realize 35mm, full size, 24.81 effective megapixel resolution. Sony's"Column-Parallel A/D Conversion Technique"also provides each column within the sensor with its own A/D converter, minimizing image degradation caused by the noise that arises during analog processing while at the same time delivering an extremely high signal conversion speed.

The enhanced image quality generated by the sensor's 24.81 effective megapixel resolution, wide range of graduation expression achieved by its full size broad dynamic range, and the low noise, high resolution, ultra-responsive performance provided by Sony's Column-Parallel A/D Conversion technique enable it to meet the ever-increasing requirements within high performance digital SLR cameras.

Sony will target for mass production of this CMOS image sensor within this year.

<Major features>
1)High picture quality in 35mm full size image sensor with 24.81M effective pixels
2)"Column-Parallel A/D Conversion method" achieves high S/N and high-speed imaging
・CDS/PGA(24dB)Circuit (PGA: Programmable Gain Amplifier)
・12bit-AD Converter on chip
・Diversified readout mode
・All-pixel scan mode 6.3 frame/s (12bit)
・Window readout
3)High-speed digital output(12 channel parallel LVDS output)

<Device Structure>
Image size Diagonal width 43.3mm (Type 2.7)
Total number of pixels 6236(H) x 4124(V) approx. 25.72M pixels
Number of effective pixels 6104(H) x 4064(V) approx.24.81M pixels
Number of active pixels 6096(H) x 4056(V) approx.24.73M pixels
Chip size 41.0mm (H) x 31.9 mm (V)
Unit cell size 5.94μm (H) x 5.94μm (V)


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<![CDATA[Nikon D60 Basically a D40x Plus Stop Motion and a Few New Tricks]]> Nikon obviously couldn't let PMA pass without its own fresh volley into the cutthroat consumer-level DSLR market: Enter the D60. It's a D40X refresh, not a whole new cam built from scratch—it still has the same 10.2-megapixel image processor and body, but Nikon has added some spicy new potatoes to the meat to keep it competitive with Canon's latest EOS Rebel, like a schnazzy stop-motion moviemaker.

Even though the guts of the camera are essentially a year old at this point, we still walked away from our brief time with it pretty satisfied, actually, thanks to small improvements that add up to a lot, like the new image-stabilizing kit lens, auto-orienting screen (horizontal or vertical) and built-in stop-motion moviemaker for quickly stringing together Robot Chicken-style clips on the go (which we adore, just wish the 100 pic limit was higher).

But, there are a couple of things that don't quite stack up to the EOS 450D XSi, live view being the most glaringly absent feature. The XSi also has a bigger screen, packs in more megapixels (even though it has a slightly smaller sensor than the D60) and shoots faster in continuous shooting (3.5 fps to the D60's 3). But enough paper football—we'll be putting these two head-to-head, flesh-to-the-floor soon enough.

NEW NIKON D60 DIGITAL SLR CAMERA MAKES CAPTURING BEAUTIFUL PICTURES FUN AND EASY

MELVILLE, N.Y. (Jan. 28, 2008) - Nikon, Inc., today introduced the new D60 digital SLR camera, which provides consumers with stunning picture quality and versatility in an easy-to-use, compact camera design. The D60 joins Nikon's award-winning line of D-series digital SLR cameras and shares a form factor similar to the D40 - Nikon's smallest D-SLR camera ever. With 10.2 effective megapixels and a wealth of innovative and user-friendly features, the D60 enables both photo enthusiasts and those new to digital SLR photography to capture incredible images like never before.

"The Nikon D60 makes stepping up to digital SLR photography easy for anyone, but is also a wonderful choice for photo enthusiasts looking for remarkable performance in a compact package," said Edward Fasano, general manager for marketing, SLR System Products at Nikon, Inc. "This model, like the wildly popular Nikon D40, greatly simplifies use and builds confidence in the user. With a host of innovative features, such as a visually intuitive LCD information display, Nikon's highly regarded EXPEED image processing concept, new dual dust reduction countermeasures, in-camera editing tools and exciting creative options, the D60 enhances the picture-taking experience for picture-takers of all skill levels."

Users will immediately appreciate the D60's fast 0.18-second start-up time and split-second shutter response, which combine to eliminate the frustration of shooting lag - a common issue with many point-and-shoot digital cameras. With a fast and accurate autofocus and the ability to shoot continuously at up to three pictures-per-second, the D60 faithfully captures pictures that other cameras often miss. The D60 does all this while delivering extraordinarily vivid and detailed pictures, ensuring that fleeting expressions, special moments and memorable events are captured beautifully.

Packaged with Nikon's new AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR image stabilization lens, the D60 camera and lens outfit delivers striking image sharpness. What's more, Nikon's proprietary VR (Vibration Reduction) image stabilization technology also dramatically reduces blur caused when shooting handheld pictures, especially in low light.

The camera's 10.2 megapixel CCD sensor delivers crisp, high-resolution images with astounding color and clarity, while Nikon's advanced 3-D Color Matrix Metering II ensures that images are exposed beautifully and automatically, even in challenging lighting conditions. Additionally, Nikon's new digital image processing concept, EXPEED, delivers smooth tones and accurate color for vibrant pictures and flattering portraits.

The D60 also offers consumers comprehensive in-camera functionality, such as Active D-lighting. Through this innovative Nikon feature, the camera can, with the option selected, further optimize shadow and highlight detail—as pictures are taken. Shots that once required adjustment with photo editing software can now go straight to the printer, bypassing the computer altogether.

For added fun and creativity while reducing or helping to eliminate time spent manipulating pictures later, the D60's In-camera Retouch Menu enables users to accomplish a wide variety of tasks without a computer. The D60 offers new in-camera editing capabilities, including adjustable cross-screen star effects, color-intensifying filters as well as D-lighting, Red-eye correction, Image Trim and more. The D60's Stop-Motion Movie mode is a D-SLR first that enables users to create stop-animation movie clips from a series of as many as 100 consecutive JPEG picture files. More experienced photographers will also enjoy shooting in the lossless NEF (RAW) format, and then adjusting image parameters, such as size, format, and white balance, all within the camera.

While many cameras now feature a dust cleaning function, the D60 takes this idea one step further. In addition to offering an Image Sensor Cleaning function that quickly and silently shakes off specks of image degrading dust, the camera also minimizes the dust that can come into contact with the sensor through a unique Airflow Control System. This design works to channel particles away from the sensor with every click of the shutter, resulting in even further reduction of dust particles and the spots they can leave on pictures.

Ergonomically designed with intuitively placed controls, the D60 is a camera that's compact and ready to go wherever life leads. It also features a new power conserving Eye Sensor that turns the big 2.5-inch color LCD monitor on and off automatically when the user alternates between taking pictures and reviewing camera settings.

A customizable LCD monitor user interface rounds out the D60's convenient features, as users can create their own wallpapers and adjust color settings to adapt to their preferences. The D60's design also supports Eye-Fi memory card functionality, enabling the convenient wireless transfer of images from the D60 to a computer, when using Eye-Fi memory cards.* Additionally, photos can be securely written to readily available SD cards, high-capacity SDHC cards and Eye-Fi memory cards, offering users a range of data storage options.
The D60 will be packaged with the 3x zoom AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR lens and will be available throughout the United States beginning in February 2008. Pricing information will be available approximately 30 days prior to sales availability.

The D60, along with Nikon's entire line of photography, optics and digital imaging solutions, will be on display at the PMA 2008 International Convention and Trade Show in Las Vegas, from Jan. 31 to Feb. 2 at exhibitor booth # G220. For more information, please visit www.nikonusa.com.

[Nikon]]]>
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<![CDATA[Leaked Pictures of Sony A300 and A350 DSLRs Materialize]]> PMA 2008 DSLR leaks abound today. In addition to the cluster bomb of point-and-shoots dropped on us earlier this week, a Dyxum forum member turns up supposed full frontals of a pair of yet-to-officially exist Sony DSLRs, the A300 (previously peaked with its twisty, turny LCD for live view) and A350 from SonyStyle.

a350.jpg Tingling our spider sense a bit, however, is the fact that the pics look almost exactly alike, except for the A300 bearing "10.2" on its underside, while the A350 is marked "14.2," which also happen to be the only "known" specs. 10.2 megapixels for the A300, 14.2 for the A350. Stack 'em up against PMA's other new (or rumored) DSLRs right here. [Dyxum via Photography Bay]

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<![CDATA[Nikon's New SLR Leaked, the D60]]> Ooh, it looks like someone has snuck up behind Nikon and lifted her skirt before she was set to show off her goodies at PMA. (Was that opening sexist? Yeah, it was. But imagine if we used a male metaphor. There would be vomit and tears).

The big news? Nikon is releasing the new D60 DSLR. It's got the same body design as the existing D40 (pictured here), features 10.2MP, Nikon's 3D Color Matrix Metering II system, Active D-Lighting for adjustable shadow detail, other integrated retouch settings and some pretty extreme dust prevention. In addition to a sensor cleaner, the D60 includes a Integrated Dust Reduction System that constantly chambers air away from the imaging sensor. It's like having a tiny maid in your camera. And hopefully we'll have a hands-on later this week (of the camera). [photographybay]

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<![CDATA[Samsung GX-20 Gets Official US Price, Date]]> We've got the US date and price on Samsung's GX-20 DSLR: $1400 in March. Why Samsung internationally staggered the official announcement by over a day given the whole world wide aspect of web is beyond us. [Photography Bay]

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<![CDATA[Canon Expands Rebel Alliance With Live View 12-Megapixel EOS XSi]]> The rumors are true. Canon's took power features from the high-end EOS models and creature comforts from the PowerShot line, and merged them into the 12.2-megapixel EOS Rebel XSi DSLR, with Live View LCD view-finding (previously only seen on EOS-1D Mark III and 40D), a 3" LCD screen with 230,000 pixels, and the Digic III processor found in nearly every new Canon model. There will be two kits, body only for $800 and one with a starter 18-55mm lens for $900. Jump for full details and more pics.

CANON U.S.A.'S NEW EOS REBEL XSi PLACES SUPERIOR OPTICS AND PROFESSIONAL FEATURES INTO THE HANDS OF EMERGING PHOTO ENTHUSIASTS


Canon 'Beefs Up' the New Rebel With Optically Image Stabilized Lens Kit and 'Pro' Features


LAKE SUCCESS, N.Y., January 23, 2008 - Canon U.S.A., Inc.'s EOS Rebel series of digital single lens reflex cameras - the cameras that defined and refined what it means to be an "entry level" digital SLR - have now redefined the gateway prowess and "pro-ness" of the DSLR category with the introduction of the line's new leader, the 12.2-megapixel EOS Rebel XSi camera. Incorporating a number of high-end functions and technology found in Canon's professional SLR models, the EOS Rebel XSi camera boasts an improved autofocus sensor, enhanced 14-bit A/D conversion, an advanced Live View function, and the proprietary DIGIC III image processor. When paired with any of the more than 60 compatible Canon EF and EF-S lenses, including optically image stabilized EF-S lenses like the EF-S18-55mm f/3.5-5.6 IS - now included in the EOS Rebel XSi kit - or the new EF-S55-250mm f/4-5.6 IS, the EOS Rebel XSi DSLR delivers images that will delight and inspire family and friends at an entry level price tag.


"This new EOS Rebel XSi camera is the answer for those who have been waiting to make the leap from digital point-and-shoot to digital SLR or from an older SLR to the latest generation of advanced technology, while still including the creative controls their old camera afforded them," states Yuichi Ishizuka, senior vice president and general manager, Consumer Imaging Group, Canon U.S.A.


Luxury Feel and Function
At first glance, one notices the Rebel XSi's large, 3-inch LCD monitor, enhanced from the 2.5-inch screen on the Digital Rebel XTi model. The larger 230,000 pixel screen makes it easier for users to review images and scroll through the Rebel XSi camera's menus. The larger-sized display provides the ability to use a larger font size for menu text, making it easier than ever to read settings and options. The new screen also features a broadened color gamut, seven brightness settings for easy viewing under a variety of shooting conditions and a wide viewing perspective in all directions.


The EOS Rebel XSi camera features a substantial yet streamlined profile, with curved edges, contoured surfaces, conveniently placed controls and comfortably constructed rubber grip and thumb rest that all contribute to fatigue-reducing hand fit. The camera body is constructed of a rugged yet lightweight combination of stainless steel and polycarbonate embedded with glass fiber. The chassis exterior is enrobed in a durable ABS and Polycarbonate resin and offered in a choice of silver or black finishes.


Improved Image Quality
At the heart of the new EOS Rebel XSi is its newly designed 12.2 megapixel APS-C size Canon CMOS sensor. This new sensor employs large microlenses over each pixel to reduce noise and enhance sensitivity up to ISO 1600, which is ideal for high-quality images in low light. The APS-C size sensor retains a 1.6x focal length conversion factor compared to full-frame digital image sensors or 35mm film format cameras.


Another image quality enhancement is the upgrade of the Analog-to-Digital (A/D) conversion process to a 14-bit A/D processor. The inclusion of the 14-bit A/D process means the Rebel XSi camera records up to 16,384 colors per channel and allows the camera to produce images with finer and more accurate gradations of tones and colors. This is ideal for shooting outdoors where subtle hue changes in sky, water or foliage can really add to an image.


The Canon EOS Rebel XSi DSLR also incorporates the optional Highlight Tone Priority and High-ISO Noise Reduction functions first introduced in 2007 with the EOS-1D Mark III Professional Digital SLR and now available for the first time in an entry level Canon digital SLR camera. Additionally, the new camera is equipped with Canon's Auto Lighting Optimizer technology, which corrects image brightness and contrast automatically. Introduced last year in the EOS 40D camera, this valuable optional feature now works in all exposure modes and utilizes Face Detection technology to prevent underexposure with backlit faces.


DIGIC III Image Processor
If the 12.2-megapixel APS-C size CMOS sensor is the heart of the camera, then Canon's DIGIC III processor is the brain. The latest generation of Canon's proprietary image processing engine, DIGIC III technology ensures that the fine details and natural colors of the images are optimally recorded. The DIGIC III processor also manages the camera's efficient energy consumption and high-speed signal processing performance. The EOS Rebel XSi is the first model in the Rebel series to incorporate DIGIC III.


Enhanced Live View
Introduced in 2007 on the EOS-1D Mark III DSLR, this function makes its debut in an entry level Canon DSLR with the EOS Rebel XSi camera. Live View allows users to frame shots through the LCD screen rather than the viewfinder. Going beyond the manual focus and phase-detection AF capabilities of earlier EOS models with Live View, the EOS Rebel XSi camera adds a new "Live Mode" contrast-detection AF function that allows the camera to focus automatically during Live View without lowering the reflex mirror.


Improved Autofocus and Framing Rate
The EOS Rebel XSi Digital SLR utilizes a precise nine-point Autofocus (AF) system featuring a newly developed AF sensor that improves the camera's subject detection capabilities compared to earlier models. The new Rebel XSi DSLR provides a cross-type AF measurement at the center that's effective with all EF and EF-S lenses, while providing enhanced precision with lenses having maximum apertures of f/2.8 or faster. The cross-type AF measurement reads a wider variety of subject matter than conventional single-axis AF sensors and thus increases the new camera's ability to autofocus quickly and accurately. The EOS Rebel XSi is also the fastest firing Rebel model to date, capable of continuously capturing 3.5 frames per second for bursts of up to 45 images in large/fine JPEG mode and 6 frames in RAW mode. The faster frame rates and finer focusing capabilities of the Rebel XSi together with its impressive image burst rate will help photo enthusiasts preserve family milestones or capture split second sports action at just the right moment.


EOS Integrated Cleaning System
The new Rebel XSi DSLR utilizes Canon's EOS Integrated Cleaning system, first introduced on the EOS Rebel XTi camera. The camera's Self-Cleaning Sensor Unit shakes dust particles off of the low-pass filter in front of the sensor. The dust is then trapped by an adhesive along the base, preventing it from causing further nuisance. Cleaning is engaged each time the camera is powered up or shut down or manually through the "clean now" function.


The second part of the cleaning system involves post processing with a compatible personal computer and the supplied Digital Photo Professional software. Here the camera maps any spots that may remain on the sensor, saving it as Dust Delete Data and subsequently subtracting dust spots from the final image during post processing. A third option includes a manual sensor cleaning function which raises the mirror and allows users to clean dust that may have stuck to the low-pass filter.


Back to the Basics
In keeping with its EOS system heritage, the new Canon EOS Rebel XSi camera is equipped with a host of useful creative controls, including shutter speeds ranging from 1/4000 sec. to 30 sec. plus Bulb, a choice of four metering patterns including 4% spot metering (another first for the Rebel series), a wide range of exposure modes from fully automatic to fully manual, depth of field preview, mirror lock and much more. The new camera is fully compatible with all Canon EF and EF-S lenses, as well as EX-series Speedlites, an optional Battery Grip, and remote control and viewfinder accessories.


A departure from previous EOS Digital Rebel models, which accommodated CF type memory cards, the new EOS Rebel XSi camera utilizes SD and SDHC memory cards including those with capacities higher than 2GB, making it the perfect upgrade for users already equipped with SD cards from point-and-shoot model cameras. Additionally, the EOS Rebel XSi camera utilizes Canon's new high-capacity LP-E5 lithium ion battery pack, which provides 50% more exposures per charge than earlier models with virtually no increase in size or weight.


In the Box
Expected to ship in April 2008 the Canon Rebel XSi camera is available in body-only configuration which includes a rechargeable battery pack and charger, USB and video cables, a neckstrap, an EOS Solutions Disk CD, and a 1-year Canon U.S.A., Inc. limited warranty. The new camera will also be available in a lens kit version which includes everything in the body-only kit plus the EF-S18-55mm f/3.5-5.6 IS zoom lens. The two versions carry estimated retail prices of $799.99 and $899.99, respectively.


EF-S 18-55mm f/3.5-5.6 Image Stabilizer Lens
First introduced in August of 2007, the Canon EF-S 18-55mm f/3.5-5.6 IS zoom lens is Canon's answer to consumer demand for a high-quality yet affordable optically image stabilized lens and is included as the standard lens in the Rebel XSi kit configuration. The lens features the wide-angle to mid-range zoom flexibility of its non-IS predecessor with the significant advantage of Canon's true optical, lens-shift image stabilization system that yields up to a full four stops of image-shake correction. The EF-S 18-55mm f/3.5-55.6 IS zoom lens sells separately for $199.99*, but when customers purchase the lens kit version of the Rebel XSi the difference in price is only $100* from the price of the body-only kit. Canon is offering the lens kit at this discount so that more customers can enjoy the benefit of a lens based image stabilizer system.


The higher performance provided by Canon's lens shift IS system (compared with the in-camera body sensor shift type offered in some competitive SLRs) includes the ability to optimize the lens performance for specific shooting situations such as low light, long-zoom or movement while shooting (or virtually any combination of the three). What's more, the photographer can see the optical image stabilization effect in the viewfinder. As the image already appears steady in the viewfinder or on the screen through the Rebel XSi Live View function, better framing and composition is possible allowing the photographer to concentrate on the best shot more comfortably.


EF-S 55-250mm f/4-5.6 IS Lens
Like the standard kit lens, the optional EF-S 55-250mm f/4-5.6 IS offers users of Canon EOS Digital SLRs with APS-C type CMOS sensors an affordable, lightweight, high-performance lens with tremendous range and flexibility. Given the 1.6x conversion factor inherent in the APS-C sized sensor, the high zoom ratio of this EF-S 55-250mm lens actually achieves the equivalent focal length of 88-400mm (in 35mm format).


Canon's true optical, lens shift image stabilizer offers users an equivalent shutter speed that is approximately 4 settings faster, making hand-held lower light or long zoom photos easier to capture without blurring. What's more, the lens can automatically distinguish between normal shooting and panning shots and select the optimum Image Stabilizer mode for each.


In stores now, both the EF-S 18-55mm f/3.5-5.6 IS and the EF-S 55-250mm f/4-5.6 IS zoom lenses are manufactured by Canon specifically for the EOS Rebel XSi , EOS 40D and every other EOS SLR that takes EF-S lenses including earlier Digital Rebel cameras and the EOS 20D, EOS 20Da, and EOS 30D models. Though standard in the EOS Rebel XSi kit, the EF-S 18-55mm f/3.5-5.6 IS lens is also available as a stand alone purchase and carries an estimated retail price of $199.99. The optional EF-S 55-250mm f/4-5.6 IS lens is available at an estimated retail price of $299.99.


About Canon U.S.A., Inc.
Canon U.S.A., Inc. delivers consumer, business-to-business, and industrial imaging solutions. Its parent company, Canon Inc. (NYSE:CAJ), a top patent holder of technology, ranking third overall in the U.S. in 2007†, with global revenues of $34.9 billion, is listed as one of Fortune's Most Admired Companies in America and is on the 2007 BusinessWeek list of "Top 100 Brands." To keep apprised of the latest news from Canon U.S.A., sign up for the Company's RSS news feed by visiting www.usa.canon.com/pressroom
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<![CDATA[Pentax K20D DSLR Gets Official With 14.6 Megapixels, Live View and Expanded Dynamic Range]]> Pentax's long-rumored $1299 K20D is a shot square at Canon's 40D and the Nikon D300. Besides price, it bests both in pure megapixel count—14.6 effective, with a new CMOS sensor developed w/ Samsung—and rocks the same top 3200 ISO (6400 expanded) as the D300. (Is it as impressively noiseless though?) Expanded Dynamic Range promises more contrast-y shots, plus image stabilization is built into the camera's body. Like the 40D and D300 it adds a live viewfinder, but it's a bit tinier, 2.7 inches to their 3, with less than a third of the D300's resolution, so the screen won't be nearly as gorgeous. It comes up a little short against the competition in a couple of other ways, too. Update: If you're really drooling over the K20D, have a look at the new Pentax-produced walkthrough video below.

For one, its continuous shooting mode tops out at 3 FPS at full quality, half of either the 40D or D300. Also, unlike what was rumored, its RAW A/D processor only 12-bit, coming in a smidge below their 14-bit processors. Still, it looks like a solid camera for the price. All of the dirty details for photo fiends below.

MODEL: K20D
TYPE: Digital SLR
PRODUCT CODE:
Body Kit: 19381, UPC: 027075130814

SENSOR
Type: CMOS with primary color filter and integrated Shake/Dust Reduction sensor movement system
Size: 23.4 x 15.6mm
Color depth: 8 bits/channel JPG, 12 bits/channel RAW
Effective pixels: 14.6 MP
Total pixels: 15.1 MP
Recorded resolutions: 4672x3104 (14.6M), 3872x2592 (10M), 3008x2000 (6M), 1824x1216 (2M)
Quality levels:  Premium,  Best,  Better,  Good
Dust Removal: Image sensor movement combined with SP coating

LENS MOUNT
Type/construction: Pentax KAF2 bayonet stainless steel mount
Usable lenses: Pentax KAF2, KAF, and KA (K mount, 35mm screwmount, 645/67 med format useable w/ adapter and/or restrictions)
SDM function: YES
Power zoom function: YES

FOCUS SYSTEM
Type: TTL phase-matching 11 point wide autofocus system (SAFOX VIII)
Focus modes: AF Single (w/ focus lock), AF Continuous, Manual
Focus point adjustment: Auto, User-selectable, Center
AF assist: YES, via built-in flash

VIEWFINDER
Type: Pentaprism
Coverage (field of view): 95%
Magnification: 0.95x (w/ 50mm f/1.4 at infinity)
Standard focusing screen: Natural-Bright-Matte II
Diopter adjustment: -2.5 to 1.5
Depth of field preview: Optical diaphragm stop down, Digital, Live View (FOV 100%, magnification 4x/8x available, grid pattern available)
LCD MONITOR
Type: 2.7" TFT color LCD monitor, adjustable brightness/color, Live View available (TTL by image sensor, 100% FOV)
Resolution: Approx 230,000 dots
Wide angle viewable: YES, approx 160° horizontal/vertical

BUILT-IN FLASH
Type: Retractable P-TTL popup flash
Guide number: 13 (100/m)
Coverage: 28mm wide angle (equivalent to 35mm)
Flash modes: on, redeye, slow sync, slow sync + redeye, trailing curtain sync, wireless
Flash exposure compensation: -2 to +1 EV in 1/2 steps
EXTERNAL FLASH
Type: Hot Shoe (P-TTL, high speed sync available), Wireless with PENTAX dedicated flash, X-Sync socket
Synchronization speed: 1/180s

STORAGE MEDIA
Internal memory: n/a
Removable memory: SD, SDHC

INTERFACES
Ports: USB 2.0 hi-speed, video out, DC input, cable switch, X-Sync socket
Video out: NTSC, PAL
Printer interfaces: PictBridge

POWER SUPPLY
Power source: Rechargeable Li-Ion battery D-LI50, BG2 Battery Grip (optional) for second D-LI50 battery
Recordable images: Approx 740 (approx 530 with 50% flash)
Playback time: Approx 330 min
AC adapter available: YES (optional)

PHYSICAL SPECIFICATIONS
Body dimensions (W x H x D): 5.6 x 4.0 x 2.76"
Body weight
Without battery or removable memory: 25.2 oz
Loaded and ready: 28.2 oz
Construction material(s): Reinforced plastic polymer shell surrounding a rugged stainless steel chassis
Operating temperature: 32-104°F

IMAGE STABILIZATION
Type: Body-based, sensor shift Shake Reduction (4 stops maximum)

METERING SYSTEM
Type: TTL open-aperture, 16 segment metering
Sensitivity range: EV 0-21 (ISO 100, 50mm f/1.4)
Multi-segment: YES, 16 segments
Center weighted: YES
Spot: YES
Exposure compensation: +/- 3EV (1/2 steps), +/- 2EV (1/3 steps)
Exposure lock: YES
Exposure bracketing: YES, 3 or 5 frames, up to +/- 2EV (1/2 or 1/3 steps)

ISO SENSITIVITY
Auto: 100-3200 ISO (1, 1/2, 1/3 steps), Bulb mode up to ISO 1600, expanded range ISO available to ISO 6400
Manual: 100-3200 ISO (1, 1/2, 1/3 steps), Bulb mode up to ISO 1600, expanded range ISO available to ISO 6400

WHITE BALANCE*
Auto preset modes: Auto, Daylight, Shade, Cloudy, Tungsten, Fluorescent (W, D, N), Flash, Color Temperature
Manual mode(s): YES
* WB fine adjustment available

SHUTTER
Type: Electronically controlled, vertical run, focal plane shutter
Shutter speed: 1/4000 to 30 sec, bulb available

CAPTURE MODES
Mode selection: Green, Program, Sensitivity Priority, Shutter Priority, Aperture Priority, Shutter and Aperture Priority, Metered Manual, X Speed, Bulb, USER
Green simplified mode available: YES
P/A/S/M/B: P, A, S, M, B (extended modes include Sv, TAv)
Date stamp: n/a
Digital filters (capture): Custom Image Function includes Bright, Natural, Portrait, Landscape, and Vibrant modes, each with gamut radar and fine adjustment of saturation, hue, contrast, and sharpness. Monochrome includes adjustment for filter effects (green, yellow, orange, red, magenta, blue, cyan, infrared), toning (sepia warm/cool), contrast, and sharpness (regular and fine adjustment scales).
Data record: Folder Name (standard, date), File Name (standard, customizable)

DRIVE MODES
Mode selection: Single, Continuous (Hi, Lo), Burst (1.6M, JPG), Self-Timer (12s, 2s), Remote (0s, 3s), Remote Continuous, Auto Bracket, Extended Bracket, Multi-Exposure, Interval
Continuous FPS:
- 3.0 FPS (38 JPG and Continuous Hi, 14 RAW PEF, 16 RAW DNG)
- 2.3 FPS (unlimited JPG and Continuous Lo, 14 RAW PEF, 16 RAW DNG)
- 20 FPS in Burst mode (115 at 1.6M, , JPG)
Self-timer: YES (12s, 2s)
Remote control: YES, infrared (0s, 3s, continuous) and cable switch supported

PLAYBACK MODES
Mode selection: One shot, two shots, index (4, 9, or 16 thumbnails), magnification, image rotation, folder view, slideshow, histogram, bright/dark indicators, RAW to JPG
Magnification: Up to 32x, scrollable
Digital filters (playback): B&W (4), Sepia (3), Color (18), Color Extract (6), Soft (3), Illustration, HDR (3), Slim (+/- 8), Brightness (+/- 8)

FILE FORMATS
Still: RAW PEF/DNG, JPG (EXIF 2.21), DCF 2.0 (design rule for camera file system), DPOF, Print Image Matching III
CUSTOM FUNCTIONS
Functions available: 36

FILE STORAGE MATRIX (BASED ON 1GB MEMORY)
JPG **** *** ** *
4672x3104 (14.6M) 68 117 212 411
3872x2592 (10M) 101 168 296 616
3008x2000 (6M) 176 285 491 915
1824x1216 (2M) 461 737 1233 2238
RAW
4672x3120 (14.6M) 40

COMPUTER SYSTEM REQUIREMENTS*
*For device connectivity. Bundled software requirements may vary.
Windows: Windows XP/Vista, USB port
Mac: MacOS 10.2 or later, USB 2.0 port

KIT INCLUSIONS
K20D body, USB Cable I-USB17, Video Cable I-VC28, Rechargeable Li-Ion Battery D-LI50, Battery Charge Cradle D-BC50, AC Plug Cord, Strap O-ST53, Hotshoe Cover FK, Eyecup FP, Body Mount Cover, Finder Cap for ME, Focusing Screen LF-80 Frame Matte, Bottom Cap K10D, Software CD-ROM S-SW74/75

OPTIONAL ACCESSORIES
AC Adapter Kit D-AC50, Battery Charger Kit K-BC50, Battery Grip BG2, Cap D-BG2 (for battery grip), Focusing Screen LL-80 AF Divided Matte, Focusing Screen LI-80 AF Scale Matte, Remote Control F, Cable Switch CS-205, Magnifying Eyepiece O-ME53, DSLR Gadget Bag, DSLR Sling Bag

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<![CDATA[Pentax K200D Swipes K10D's 10.2-Megapixel Imager for Hot Entry-Level DSLR]]> Pentax's previously peeked and rumored K200D also officially exists today, bringing with it a 10.2MP hand-me-down sensor from the K10D, Pentax's now-outdated prosumer model. It's on the same strata as Nikon's D80, with same MP count (its sensor is a smidge smaller, 23.5 x 15.7mm to the D80's 23.6 x 15.8mm), 12 bits/channel RAW and 100-1600 ISO range, though the K200D is a bit cheaper ($800 w/ lens), has a bigger screen (2.7 inches) and shoots a slightly slower continuously (2.8FPS to 3). Like the K20D, it has Expand Dynamic Range for poppier images, and image stabilization ("shake reduction" in Pentax-speak) built into the camera's body. Update: If all of this has raised an eyebrow, take a look at the K200D video walkthrough we just got, down below.

Interestingly, they chose not to trickle down live view as a differentiator, which could hurt depending on whether or not Canon puts it in their rumored EOS 400D successor. Of course, this could indicate makers writ large are leaning against doing so for now to keep some distance between entry-level and pricier models.

MODEL: K200D
TYPE: Digital SLR
PRODUCT CODE:
Body Kit: 19541, UPC: 027075138131
Lens Kit: 19554, UPC: 027075139855

SENSOR
Type: Interline interlace CCD with primary color filter and integrated Shake/Dust Reduction sensor movement system
Size: 23.5 x 15.7mm
Color depth: 8 bits/channel JPG, 12 bits/channel RAW
Effective pixels: 10.2 MP
Total pixels: 10.75 MP
Recorded resolutions: 3872x2592 (10M), 3008x2000 (6M), 1824x1216 (2M)
Quality levels:  Best,  Better,  Good
Dust removal: Image sensor movement combined with SP coating

LENS MOUNT
Type/construction: Pentax KAF2 bayonet stainless steel mount
Usable lenses: Pentax KAF2, KAF, and KA (K mount, 35mm screwmount, 645/67 med format useable w/ adapter and/or restrictions)
SDM function: YES
Power zoom function: n/a

FOCUS SYSTEM
Type: TTL phase-matching 11 point wide autofocus system (SAFOX VIII)
Focus modes: AF Single (w/ focus lock), Manual, AF Continuous available in Action mode (including Auto Pict Action), Kids mode, Pet mode, P/A/S/M/B/Sv
Focus point adjustment: Auto, User-Selectable, Center
AF assist: YES, via built-in flash

VIEWFINDER
Type: Penta-Mirror
Coverage (field of view): 96%
Magnification: 0.85x (w/ 50mm f/1.4 at infinity)
Standard focusing screen: Natural-Bright-Matte II
Diopter adjustment: -2.5 to 1.5
Depth of field preview: Optical diaphragm stop down, Digital

LCD MONITOR
Type: 2.7" TFT color LCD monitor, adjustable brightness
Resolution: Approx 230,000 dots
Wide angle viewable: YES, approx 160° horizontal/vertical

BUILT-IN FLASH
Type: Retractable P-TTL popup flash
Guide number: 13 (100/m)
Coverage: 28mm wide angle (equivalent to 35mm)
Flash modes: TBA
Flash exposure compensation: -2 to 1 EV in 1/2 steps

EXTERNAL FLASH
Type: Hot Shoe (P-TTL, high speed sync available), Wireless with PENTAX dedicated flash
Synchronization speed: 1/180s

STORAGE MEDIA
Internal memory: n/a
Removable memory: SD, SDHC

INTERFACES
Ports: USB 2.0 hi-speed, video out, DC input, cable switch
Video out: NTSC, PAL
Printer interfaces: PictBridge

POWER SUPPLY
Power source: 4* AA (lithium, alkaline, NiMH rechargeable)
Recordable images: Approx 1100 w/ lithium (approx 550 w/ 50% flash use)
Playback time: Approx 700 min
AC adapter available: YES (optional)

PHYSICAL SPECIFICATIONS
Body dimensions (W x H x D): 5.2 x 3.7 x 2.9"
Body weight
Without battery or removable memory: 22.2 oz
Loaded and ready: 24.3 oz w/ lithium batteries (25.6 oz w/ alkaline batteries)
Construction material(s): Reinforced plastic polymer shell around a rugged stainless steel chassis
Operating temperature: 32-104°F

IMAGE STABILIZATION
Type: Body-based, sensor shift Shake Reduction (4 stops maximum)

METERING SYSTEM
Type: TTL open aperture, 16 segment metering
Sensitivity range: EV 0-21 (ISO 100, 50mm f/1.4)
Multi-segment: YES, 16 segments
Center weighted: YES
Spot: YES
Exposure compensation: +/- 2 EV (1/2 or 1/3 steps)
Exposure lock: YES
Exposure bracketing: YES, 3 frames, up to +/- 1.5 (1/2 steps) or +/- 1.0 (1/3 steps)

ISO SENSITIVITY
Auto: 100-1600 ISO (1, 1/2, 1/3 steps)
Manual: 100-1600 ISO (1, 1/2, 1/3 steps)

WHITE BALANCE*
Auto preset modes: Auto, Daylight, Shade, Cloudy, Tungsten, Fluorescent (W, D, N), Flash, Color Temperature
Manual mode(s): YES
* WB fine adjustment available

SHUTTER
Type: Electronically controlled, vertical run, focal plane shutter
Shutter speed: 1/4000 to 30 sec, bulb available

CAPTURE MODES
Mode selection: Auto Picture, Picture (Portrait, Landscape, Macro, Action, Night Scene Portrait, Standard Flash-Off), Scene (Night Scene, Surf & Snow, Food, Sunset, Kids, Pet, Candlelight, Museum), Program, Sensitivity Priority, Shutter Priority, Aperture Priority, Metered Manual, Bulb
Green simplified mode available: n/a
P/A/S/M/B: P, A, S, M, B (extended modes include Sv)
Date stamp: n/a
Digital filters (capture): TBA
Data record: Folder Name (standard, date)

DRIVE MODES
Mode selection: Single, Continuous (Hi, Lo), Self-Timer (12s, 2s), Remote (0s, 3s), Auto Bracket
Continuous FPS:
- 2.8 FPS (4 JPG and Continuous Hi, 4 RAW)
- 1.1 FPS (unlimited JPG and Continuous Lo, 4 RAW)
Self-timer: YES (12s, 2s)
Remote control: YES, infrared (0s, 3s) and cable switch supported

PLAYBACK MODES
Mode selection: One shot, two shots, index (4, 9, or 16 thumbnails), magnification, image rotation, folder view, slideshow, histogram, bright/dark indicators, RAW to JPG
Magnification: Up to 16x, scrollable
Digital filters (playback): B&W, Sepia, Color (18), Soft (3), Illustration, HDR (3), Slim (+/- 8), Brightness (+/- 8)

FILE FORMATS
Still: RAW PEF/DNG, JPG (EXIF 2.21), DCF 2.0 (design rule for camera file system), DPOF, Print Image Matching III

CUSTOM FUNCTIONS
Functions available: 23

FILE STORAGE MATRIX (BASED ON 1GB MEMORY)
JPG *** ** *
3872x2592 (10M) 202 343 586
3008x2000 (6M) 335 570 974
1824x1216 (2M) 902 1549 2627
RAW
3872x2592 (10M) 58

COMPUTER SYSTEM REQUIREMENTS*
*For device connectivity. Bundled software requirements may vary.
Windows: Windows XP/Vista, USB port
Mac: MacOS 10.2 or later, USB 2.0 port

KIT INCLUSIONS
K200D body (18-55 lens with lens kit), USB Cable I-USB17, Video Cable I-VC28, Strap O-ST53, Hotshoe Cover FK, Eyecup FO, Body Mount Cover, Finder Cap for ME, Software CD-ROM S-SW74, AA Lithium Batteries (*4)

OPTIONAL ACCESSORIES
AC Adapter Kit K-AC76U, Battery Grip BG3, Remote Control F, Cable Switch CS-205, Magnifying Eyepiece O-ME53 (1.2x), DSLR Gadget Bag, DSLR Sling Bag

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