Like all Edgar Wright films, The World’s End is a good movie to start with, and it gets even better on subsequent viewings. A lot of that is because of the care the director puts into setting up things that pay off subtly later in the movie.
Though we know funny movie maestro Edgar Wright uses a ginormous arsenal of visual tools and tricks when he's directing a movie, one of his trademarks is his use of close up shots. They're quick, they're snappy and they're so fun to see on the screen. James R. Lloret stitched all of them together in this fun supercut.