CANON’S NEW EOS REBEL XS CAMERA LOOKS TO INSPIRE A NEW GENERATION OF DIGITAL SLR PHOTOGRAPHERS

Photographers Looking for the Next Step Up From Their Point-and-Shoot Camera Will Enjoy the
High-End Features and Fun-to-Use SLR Technology of Canon’s Newest Rebel Camera

LAKE SUCCESS, N.Y., July 8, 2008 – Canon U.S.A., Inc., a leader in digital imaging, today announced the introduction of the EOS Rebel XS, a new entry-level digital camera that affordably puts Canon SLR technology such as an Optical Imaged Stabilized lens and easy-to-use professional features into the hands of emerging photographers. Consumers looking to take their photography a step further and begin shooting with an SLR will find the transition easier than ever with Canon’s new Rebel XS digital SLR camera. From the parent photographing a little league game, to the tourist shooting a wondrous new city, the Canon Rebel XS camera makes photography easy for everyone. Canon has also introduced the latest model in the EX series of Speedlite flashes: the Canon Speedlite 430EX II.

Ideal for a wide range of photographers from first-time digital SLR users to veteran photo enthusiasts, the new Canon EOS Rebel XS camera was designed to embody what customers have come to expect from the EOS Rebel series — a fast, non-intimidating, lightweight, easy-to-use camera that produces excellent images and starts emerging photographers off on the right foot. Immediately, photographers will take notice of the camera’s Optical Image Stabilized kit lens for crisp focus, compensating for camera shake from unsteady hands or a moving vehicle. The new Rebel model also incorporates Canon’s DIGIC III image processor, 10.1 megapixel CMOS sensor, Live View, Auto Lighting Optimizer, 7-point wide-area autofocus (AF) sensor and 3.0 frames per second continuous JPEG burst rate where the number of consecutive shots in a burst is only limited by the capacity of the flash memory card in the camera[i].

“We are proud to introduce the new EOS Rebel XS camera at a very exciting time in digital imaging. As consumers have fully embraced digital photography, with many consumers purchasing their second or third digital camera models, we see the Rebel XS as the bridge to help photographers cross over from the world of point-and-shoot cameras to digital SLR technology,” said Yuichi Ishizuka, senior vice president and general manager, Consumer Imaging Group, Canon U.S.A.

A first in Canon’s EOS line-up, the Rebel XS camera’s continuous JPEG burst rate allows users to continuously shoot a scene until the memory card is at capacity. This will be particularly helpful for new photographers looking to capture that perfect image of a moving subject.

The Live View function allows users to frame and shoot images in real time via the camera’s 2.5 inch LCD screen, a great feature for users accustomed to framing shots via LCD monitors on point-and-shoot digital cameras. The Camera’s Auto Lighting Optimizer detects dark areas of an image and automatically adjusts brightness and contrast to ensure optimal image results. The Canon Rebel XS allows greater ease of use through large control buttons and easy-to-see operating panel indications such as ISO settings visible through the viewfinder and Canon Speedlite controls through the camera LCD menu.

The Rebel XS incorporates an APS-C size (22.2 x 14.8 mm) CMOS sensor with 10.1 million pixel images and Canon’s exclusive high-performance DIGIC III image processor to help deliver high levels of imaging performance and responsiveness. It also has Canon’s exclusive EOS Integrated Cleaning System, which features both hardware and software-based dust removal technology. Additionally, weighing less than 1 lb./450 grams, this camera is the lightest body in the EOS digital series camera lineup.

The EOS Rebel XS camera is compatible with Canon’s extensive lineup of more than 60 EF and EF-S lenses, including the Image Stabilizer-equipped EF-S18–55mm f/3.5–5.6 IS, which is included in the camera’s standard zoom lens kit package. The Canon Rebel XS will be available in black or silver colored body variations.

Canon Speedlite 430EX II
The new Canon Speedlite 430EX II, which succeeds the 430EX, realizes an approximately 20 percent reduction in recycling time compared with its predecessor. Like the 580EX II, the 430EX II allows users to control flash functions and input settings using the camera’s LCD monitor[ii], and also offers a quick-lock attachment system and a metal mounting foot for improved contact reliability and durability. The new Canon Speedlite 430EX II will carry an estimated retail price of $329.99.

In the Box
Expected to ship in August 2008 the Canon Rebel XS camera is available in a zoom lens kit version, which includes the EF-S18-55mm f/3.5-5.6 IS zoom lens, a rechargeable battery pack and charger, USB and video cables, a neckstrap, an EOS Solutions Disk CD, and a 1-year Canon U.S.A., Inc. limited warranty. The new camera’s estimated retail price is $699.99.

Though standard in the EOS Rebel XS kit, the EF-S 18-55mm f/3.5-5.6 IS lens is also available as a stand-alone purchase and carries an estimated retail price of $199.99.

[Canon]

Here's the tradeoff: The XS's sensor is 10.1 megapixel instead of the XSi's 12.2. The XS's LCD screen size is 2.5", versus the XSi's 3 incher. And the XS has a 7-point AF sensor rather than a 9 point. In other words, nothing that's going to keep an enthusiastic amateur photographer up at night.

Above, I said "what sounds like a $200 price drop" because Canon is acknowledging the XS but can't yet confirm the price. They do concede that it will be taking the place of the Rebel XTi, and by any valuation the XS is a far superior machine. It's got Canon's DigicIII processor for better images and faster speeds, rather than the XTi's DigicIII. More importantly, it has the Live View that I finally figured out, a useful tool on many occasions. It gets 50% more battery life, and weighs 2.5oz lighter than XTi. Not only that, but when you buy the body with kit lens, you get the nicer, image-stabilized 18-55mm lens that currently comes in the XSi's kit.

The funniest thing is, because of the lower megapixelage, the XS is the first of this series able to pull off unlimited consecutive large, fine JPEGs. The XSi can do 53 in a row, but this one can go until the SD card is chock full.

So bottom line, you get most of the XSi's performance enhancements, presumably priced in Canon's $600 (body only) and $700 (with kit lens) XTi slots. We should have official price and availability confirmation next month, but for now, look over the specs and start saving your beans. [Canon]

[Canon EOS]

Canon EOS Digital Rebel XSi - I originally wrote: "Live View is limited, or you might even say crippled. You can't preview autofocus—I'm not even sure the autofocus works very well in this mode." When you activate Live View, you have to enter the custom settings and enable one of two kinds of autofocus, which you then manually trigger with the press of a button. The Live View isn't so much crippled as it is overly complicated, compared to the sexier iterations in the Sony and Olympus.

Sony Alpha a350 - I noted a sluggishness with photo reviewing: once you take a shot, there's an annoying pause. The question was raised whether or not this was due to Sony's D-Range Optimizer, which "delivers suitable tonality and exposures with rich shadow and highlight detail, even under high contrast situations." While the D-RO and D-RO+ modes can add even more time to the turnaround on the a350, taking pics without D-RO still means a turnaround time about twice as long as Canon's.

Nikon D60 - I complained about something I called the "auto-focus lamp" but which Nikon refers to as AF -assist. You can in fact turn it off, but it's not exactly easy. First, you have to go to the Setup menu to enable the "full" Custom Settings Menu, or the option doesn't appear. And then you have to go into the Custom Settings Menu, locate the AF-assist option and turn it off—provided you know that the bright annoying light is even called by that somewhat indirect name. My feeling is that this option should be off as a default, like on some competing DSLRs.

Olympus E-420 - I have said repeatedly that this camera has trouble with autofocus: when shooting with the kit lens, it resets almost every time you point it at an object, even if it's the same object you were focused on a second before. Olympus suggested I update the lens firmware to see if it improved anything. While there was a patch that I successfully installed, the lens' AF behavior is unchanged.

As you can see, when all new information is factored in, my initial ranking still stays the same. It seems you get what you pay for, though it bears repeating that the real dark horse is Sony's a300, a $700 (with lens) 10-megapixel version of the a350.

One final note: Whenever I bring up DSLRs, the debate about automatic shooting modes rages with some vehemence. I love the discussion, but I want to stress two things: Cameras intended for newbies need really good auto modes, and even the $900 kits I write about are targeted at the noob crowd. Don't believe me? Chuck Westfall, head of media and customer relations for Canon USA, told me this the other day: "The Rebel demographic is skewed towards beginners," adding, "We've found that any kind of automation we can give them is a good thing."

Thanks for the lively debate, and by all means keep it rockin'. As always, I am blown away by the depth of knowledge coming from Giz commenters on this popular but often confusing subject. [Entry-Level DSLR Battlemodo]

The Weigh In As you can see, there's a wide range. I'm not saying weight is everything, but being the heaviest (by a lot) doesn't help the Sony.
On Paper Before we get into each camera's capabilities, have a look at their specs. Cameras are arranged in order of price, from cheap to pricey. You can see how it's easy to fall in love with the lower-priced models. But in action, you statt to realize why the pricing is so slanted.
1600 ISO and Auto White Balance In these shots, you can judge two things. First, some cameras have noisier high-ISO results than others (cough*Olympus*cough), and second, that auto white balance isn't the easiest thing to master. (I'm talking about you, Nikon.) Fortunately, two cameras do both reasonably well:
Action Shots in "P" Automatic Mode Some of you have beef with me complaining that some DSLRs have lousy automatic settings, but the truth is, great DSLRs do damn well on auto, so it's a way to separate the good from the bad. Here you can see from a quick session with all four cameras that getting a clean shot of a moving cat in low light isn't always possible:
Note the Nikon's shot: The cat is squinting because of the auto-focus lamp that goes on before the shot—generally annoying when trying to capture kids and pets in their natural states.

Full Manual ShootingHere's what happens when I try to take the same or similar shots with the different cameras, using more or less the same manual settings. (The above shot was from the Sony Alpha a350.)

Daffodils: Low f-stop, medium shutter speed, handheld Dawn: Medium f-stop, fast shutter speed, handheld Creek: High f-stop, slow shutter speed, tripod
THE END RESULTCanon EOS Digital Rebel XSi - First Place
What I Liked It's an all around decent camera, much lighter in weight than the Sony but with most of the same performance. The cheap starter lens, which you may scoff at, gives it an added weight bonus, making it lighter than all but the Olympus.
What I Didn't Like Live View is limited, or you might even say crippled. You can't preview autofocus—I'm not even sure the autofocus works very well in this mode. In the manual, Canon concedes that this is really for still life shooting and other limited applications. Also, for being $150 to $170 more than the Nikon, it's more or less the same class of camera, especially for manual shooting.

Sony Alpha a350 - Second Place
What I Liked All around intuitive camera with impressive automatic modes, a Live View that can demonstrate a lot, and solid control for people who know more. It's got the teaching ability of the Olympus with the picture reliability of the Canon. Although the a350 with 14-megapixel sensor is not as good a buy as the Canon at the same price, I think the nearly identical $700 a300 kit might be the best value of all right now.
What I Didn't Like The thing is giant, especially with the 16-80mm lens I tested. (The a300 is the same size and weight, by the way.) In Live View, I noticed from time to time that white balance on preview was different than what came out in the shot, which was annoying. The worst attribute, though, is the exceptional processing delay after you take each shot.

Nikon D60 - Third Place
What I Liked There's a keep-it-simple design here that works: not many hidden frills, but many nice clear options. I think for the money, this is the best idea for knowledgable, confident shooters, though it's not the best bet for beginners. I like one rare random perk in particular, the stop-motion video maker.
What I Didn't Like Simple means no frills like Live View previewing that the other models have. Though it's very handy when done right, like on the Olympus, it can also be done badly. Judging from Canon's execution, I can see why Nikon didn't bother. I have two particular pet peeves with the Nikon: Low-light autofocus triggers a very bright AF lamp, which makes pets and children go all squinty, and the auto white balance makes things too yellow indoors, and can't be overridden when in automatic modes.

Olympus E-420 - Fourth Place
What I Liked Besides the remarkably low price, I think this camera has the capacity to teach you a lot about manual settings because of the Live View. Like the Sony, this shows you the effects of your WB, exposure, f-stop and shutter settings in a live preview as you make them. Oly has this down, and was the one that started it all.
What I Didn't Like The lightweight camera is missing a lot of strong tech: the ISO 1600 is noisy, autofocus doesn't respond nearly quick enough, and shooting in automatic modes turns up blurry and unfortunate shots.

There you have it, folks. I've tried to include enough of my methodology to let you judge this stuff for yourselves. Surely there's a lot to talk about, including the obligatory "body vs. glass" debate. I agree that lenses make a difference, but with new DSLR advancements, the bodies are starting to have a greater impact on how well people take pictures. You may know it all, but any one of these cameras can help the ignorant noob more than anything that came before. OK, that's my take... you have the floor.

Update: Check out our DSLR Battlemodo follow-up, which answers some of the questions raised in the comments below.

As Bernard entered the pool on his way to making history, Rattay managed to capture one of a kind images and beamed them around the world in minutes thanks to a custom set up that combines a Canon EOS 1D Mark 2N with a 15mm fish-eye lens, waterproof cable and a transmitter sends everything to a waiting laptop. From there, the images were worldwide in minutes, which is far faster than any of Rattay's soggy bottomed competitors. "I don't need to wait for a couple of hours for the competition to end before jumping into the pool to retrieve my CF card, as do the other photographers," he said. What's the fun in that, Rattay? You afraid of a few cannonballs? [Reuters]

Sony isn't about to pop it in one of its Alpha models, at least not as far as we can tell. In fact, Nikon would be a more likely customer for this sucker when it ships this summer, the better to compete with Canon's $8,000 EOS-1Ds Mark III DSLR, which has its own 21.1-megapixel full-frame CMOS. (Those pro guys really like it when their sensors are the same size as the film they used to use.) Now, who ever said the megapixel race was over? Cuz they're wrong. [Sony]

Press Release:

Sony Develops 35mm full size CMOS Image Sensor with 24.81 Effective Mega pixel resolution and extremely high signal conversion speed for use in Digital SLR Cameras

~ All-pixel scan mode of 6.3 frame/s ~

Tokyo, Japan - Sony Corporation today announced the development of a 35mm full size (diagonal:43.3mm/Type 2.7) 24.81 effective megapixel, ultra-high speed high image quality CMOS image sensor designed to meet the increasing requirement for rapid image capture and advanced picture quality within digital SLR cameras.

Development background
In recent years, the demand for digital SLR cameras featuring high resolution and wide graduation ranges capable of capturing every detail of the subject matter has continued to increase, particularly among high-end amateur users. Additionally, the increasing user requirement to shoot from the same focal length and angle as 35mm film cameras using interchangeable lenses has led to significant interest in the development of 35mm, full size CMOS image sensors.

However, there are a number of technical challenges to developing full (large) size image sensors, such as the propagation delay caused by using extended power circuitry and signal lines, and the difficulty of maintaining uniform sensitivity and signal saturation across the surface of the screen.

Furthermore, because current semiconductor exposure systems are unable to cover the entire chip surface of 35mm full size CMOS image sensors, multiple exposures are required. This results in the difficulty of accurately controlling exposure variance and matching circuit patterns.

Advantages of this device
The newly developed CMOS image sensor combines unique circuit design technology with Sony's advanced fabrication expertise, including a system of joining multiple exposed patterns together and advanced planarization for minimizing fluctuation, to realize 35mm, full size, 24.81 effective megapixel resolution. Sony's"Column-Parallel A/D Conversion Technique"also provides each column within the sensor with its own A/D converter, minimizing image degradation caused by the noise that arises during analog processing while at the same time delivering an extremely high signal conversion speed.

The enhanced image quality generated by the sensor's 24.81 effective megapixel resolution, wide range of graduation expression achieved by its full size broad dynamic range, and the low noise, high resolution, ultra-responsive performance provided by Sony's Column-Parallel A/D Conversion technique enable it to meet the ever-increasing requirements within high performance digital SLR cameras.

Sony will target for mass production of this CMOS image sensor within this year.

＜Major features＞
１）High picture quality in 35mm full size image sensor with 24.81M effective pixels
２）"Column-Parallel A/D Conversion method" achieves high S/N and high-speed imaging
・CDS/PGA(24dB)Circuit （PGA: Programmable Gain Amplifier）
・12bit-AD Converter on chip
・Diversified readout mode
・All-pixel scan mode 6.3 frame/s (12bit)
・Window readout
３）High-speed digital output（12 channel parallel LVDS output）

＜Device Structure＞
Image size Diagonal width 43.3mm (Type 2.7)
Total number of pixels 6236(H) x 4124(V) approx. 25.72M pixels
Number of effective pixels 6104(H) x 4064(V) approx.24.81M pixels
Number of active pixels 6096(H) x 4056(V) approx.24.73M pixels
Chip size 41.0mm (H) x 31.9 mm (V)
Unit cell size 5.94μm (H) x 5.94μm (V)

CANON U.S.A.'S NEW EOS REBEL XSi PLACES SUPERIOR OPTICS AND PROFESSIONAL FEATURES INTO THE HANDS OF EMERGING PHOTO ENTHUSIASTS


Canon 'Beefs Up' the New Rebel With Optically Image Stabilized Lens Kit and 'Pro' Features


LAKE SUCCESS, N.Y., January 23, 2008 - Canon U.S.A., Inc.'s EOS Rebel series of digital single lens reflex cameras - the cameras that defined and refined what it means to be an "entry level" digital SLR - have now redefined the gateway prowess and "pro-ness" of the DSLR category with the introduction of the line's new leader, the 12.2-megapixel EOS Rebel XSi camera. Incorporating a number of high-end functions and technology found in Canon's professional SLR models, the EOS Rebel XSi camera boasts an improved autofocus sensor, enhanced 14-bit A/D conversion, an advanced Live View function, and the proprietary DIGIC III image processor. When paired with any of the more than 60 compatible Canon EF and EF-S lenses, including optically image stabilized EF-S lenses like the EF-S18-55mm f/3.5-5.6 IS - now included in the EOS Rebel XSi kit - or the new EF-S55-250mm f/4-5.6 IS, the EOS Rebel XSi DSLR delivers images that will delight and inspire family and friends at an entry level price tag.


"This new EOS Rebel XSi camera is the answer for those who have been waiting to make the leap from digital point-and-shoot to digital SLR or from an older SLR to the latest generation of advanced technology, while still including the creative controls their old camera afforded them," states Yuichi Ishizuka, senior vice president and general manager, Consumer Imaging Group, Canon U.S.A.


Luxury Feel and Function
At first glance, one notices the Rebel XSi's large, 3-inch LCD monitor, enhanced from the 2.5-inch screen on the Digital Rebel XTi model. The larger 230,000 pixel screen makes it easier for users to review images and scroll through the Rebel XSi camera's menus. The larger-sized display provides the ability to use a larger font size for menu text, making it easier than ever to read settings and options. The new screen also features a broadened color gamut, seven brightness settings for easy viewing under a variety of shooting conditions and a wide viewing perspective in all directions.


The EOS Rebel XSi camera features a substantial yet streamlined profile, with curved edges, contoured surfaces, conveniently placed controls and comfortably constructed rubber grip and thumb rest that all contribute to fatigue-reducing hand fit. The camera body is constructed of a rugged yet lightweight combination of stainless steel and polycarbonate embedded with glass fiber. The chassis exterior is enrobed in a durable ABS and Polycarbonate resin and offered in a choice of silver or black finishes.


Improved Image Quality
At the heart of the new EOS Rebel XSi is its newly designed 12.2 megapixel APS-C size Canon CMOS sensor. This new sensor employs large microlenses over each pixel to reduce noise and enhance sensitivity up to ISO 1600, which is ideal for high-quality images in low light. The APS-C size sensor retains a 1.6x focal length conversion factor compared to full-frame digital image sensors or 35mm film format cameras.


Another image quality enhancement is the upgrade of the Analog-to-Digital (A/D) conversion process to a 14-bit A/D processor. The inclusion of the 14-bit A/D process means the Rebel XSi camera records up to 16,384 colors per channel and allows the camera to produce images with finer and more accurate gradations of tones and colors. This is ideal for shooting outdoors where subtle hue changes in sky, water or foliage can really add to an image.


The Canon EOS Rebel XSi DSLR also incorporates the optional Highlight Tone Priority and High-ISO Noise Reduction functions first introduced in 2007 with the EOS-1D Mark III Professional Digital SLR and now available for the first time in an entry level Canon digital SLR camera. Additionally, the new camera is equipped with Canon's Auto Lighting Optimizer technology, which corrects image brightness and contrast automatically. Introduced last year in the EOS 40D camera, this valuable optional feature now works in all exposure modes and utilizes Face Detection technology to prevent underexposure with backlit faces.


DIGIC III Image Processor
If the 12.2-megapixel APS-C size CMOS sensor is the heart of the camera, then Canon's DIGIC III processor is the brain. The latest generation of Canon's proprietary image processing engine, DIGIC III technology ensures that the fine details and natural colors of the images are optimally recorded. The DIGIC III processor also manages the camera's efficient energy consumption and high-speed signal processing performance. The EOS Rebel XSi is the first model in the Rebel series to incorporate DIGIC III.


Enhanced Live View
Introduced in 2007 on the EOS-1D Mark III DSLR, this function makes its debut in an entry level Canon DSLR with the EOS Rebel XSi camera. Live View allows users to frame shots through the LCD screen rather than the viewfinder. Going beyond the manual focus and phase-detection AF capabilities of earlier EOS models with Live View, the EOS Rebel XSi camera adds a new "Live Mode" contrast-detection AF function that allows the camera to focus automatically during Live View without lowering the reflex mirror.


Improved Autofocus and Framing Rate
The EOS Rebel XSi Digital SLR utilizes a precise nine-point Autofocus (AF) system featuring a newly developed AF sensor that improves the camera's subject detection capabilities compared to earlier models. The new Rebel XSi DSLR provides a cross-type AF measurement at the center that's effective with all EF and EF-S lenses, while providing enhanced precision with lenses having maximum apertures of f/2.8 or faster. The cross-type AF measurement reads a wider variety of subject matter than conventional single-axis AF sensors and thus increases the new camera's ability to autofocus quickly and accurately. The EOS Rebel XSi is also the fastest firing Rebel model to date, capable of continuously capturing 3.5 frames per second for bursts of up to 45 images in large/fine JPEG mode and 6 frames in RAW mode. The faster frame rates and finer focusing capabilities of the Rebel XSi together with its impressive image burst rate will help photo enthusiasts preserve family milestones or capture split second sports action at just the right moment.


EOS Integrated Cleaning System
The new Rebel XSi DSLR utilizes Canon's EOS Integrated Cleaning system, first introduced on the EOS Rebel XTi camera. The camera's Self-Cleaning Sensor Unit shakes dust particles off of the low-pass filter in front of the sensor. The dust is then trapped by an adhesive along the base, preventing it from causing further nuisance. Cleaning is engaged each time the camera is powered up or shut down or manually through the "clean now" function.


The second part of the cleaning system involves post processing with a compatible personal computer and the supplied Digital Photo Professional software. Here the camera maps any spots that may remain on the sensor, saving it as Dust Delete Data and subsequently subtracting dust spots from the final image during post processing. A third option includes a manual sensor cleaning function which raises the mirror and allows users to clean dust that may have stuck to the low-pass filter.


Back to the Basics
In keeping with its EOS system heritage, the new Canon EOS Rebel XSi camera is equipped with a host of useful creative controls, including shutter speeds ranging from 1/4000 sec. to 30 sec. plus Bulb, a choice of four metering patterns including 4% spot metering (another first for the Rebel series), a wide range of exposure modes from fully automatic to fully manual, depth of field preview, mirror lock and much more. The new camera is fully compatible with all Canon EF and EF-S lenses, as well as EX-series Speedlites, an optional Battery Grip, and remote control and viewfinder accessories.


A departure from previous EOS Digital Rebel models, which accommodated CF type memory cards, the new EOS Rebel XSi camera utilizes SD and SDHC memory cards including those with capacities higher than 2GB, making it the perfect upgrade for users already equipped with SD cards from point-and-shoot model cameras. Additionally, the EOS Rebel XSi camera utilizes Canon's new high-capacity LP-E5 lithium ion battery pack, which provides 50% more exposures per charge than earlier models with virtually no increase in size or weight.


In the Box
Expected to ship in April 2008 the Canon Rebel XSi camera is available in body-only configuration which includes a rechargeable battery pack and charger, USB and video cables, a neckstrap, an EOS Solutions Disk CD, and a 1-year Canon U.S.A., Inc. limited warranty. The new camera will also be available in a lens kit version which includes everything in the body-only kit plus the EF-S18-55mm f/3.5-5.6 IS zoom lens. The two versions carry estimated retail prices of $799.99 and $899.99, respectively.


EF-S 18-55mm f/3.5-5.6 Image Stabilizer Lens
First introduced in August of 2007, the Canon EF-S 18-55mm f/3.5-5.6 IS zoom lens is Canon's answer to consumer demand for a high-quality yet affordable optically image stabilized lens and is included as the standard lens in the Rebel XSi kit configuration. The lens features the wide-angle to mid-range zoom flexibility of its non-IS predecessor with the significant advantage of Canon's true optical, lens-shift image stabilization system that yields up to a full four stops of image-shake correction. The EF-S 18-55mm f/3.5-55.6 IS zoom lens sells separately for $199.99*, but when customers purchase the lens kit version of the Rebel XSi the difference in price is only $100* from the price of the body-only kit. Canon is offering the lens kit at this discount so that more customers can enjoy the benefit of a lens based image stabilizer system.


The higher performance provided by Canon's lens shift IS system (compared with the in-camera body sensor shift type offered in some competitive SLRs) includes the ability to optimize the lens performance for specific shooting situations such as low light, long-zoom or movement while shooting (or virtually any combination of the three). What's more, the photographer can see the optical image stabilization effect in the viewfinder. As the image already appears steady in the viewfinder or on the screen through the Rebel XSi Live View function, better framing and composition is possible allowing the photographer to concentrate on the best shot more comfortably.


EF-S 55-250mm f/4-5.6 IS Lens
Like the standard kit lens, the optional EF-S 55-250mm f/4-5.6 IS offers users of Canon EOS Digital SLRs with APS-C type CMOS sensors an affordable, lightweight, high-performance lens with tremendous range and flexibility. Given the 1.6x conversion factor inherent in the APS-C sized sensor, the high zoom ratio of this EF-S 55-250mm lens actually achieves the equivalent focal length of 88-400mm (in 35mm format).


Canon's true optical, lens shift image stabilizer offers users an equivalent shutter speed that is approximately 4 settings faster, making hand-held lower light or long zoom photos easier to capture without blurring. What's more, the lens can automatically distinguish between normal shooting and panning shots and select the optimum Image Stabilizer mode for each.


In stores now, both the EF-S 18-55mm f/3.5-5.6 IS and the EF-S 55-250mm f/4-5.6 IS zoom lenses are manufactured by Canon specifically for the EOS Rebel XSi , EOS 40D and every other EOS SLR that takes EF-S lenses including earlier Digital Rebel cameras and the EOS 20D, EOS 20Da, and EOS 30D models. Though standard in the EOS Rebel XSi kit, the EF-S 18-55mm f/3.5-5.6 IS lens is also available as a stand alone purchase and carries an estimated retail price of $199.99. The optional EF-S 55-250mm f/4-5.6 IS lens is available at an estimated retail price of $299.99.


About Canon U.S.A., Inc.
Canon U.S.A., Inc. delivers consumer, business-to-business, and industrial imaging solutions. Its parent company, Canon Inc. (NYSE:CAJ), a top patent holder of technology, ranking third overall in the U.S. in 2007†, with global revenues of $34.9 billion, is listed as one of Fortune's Most Admired Companies in America and is on the 2007 BusinessWeek list of "Top 100 Brands." To keep apprised of the latest news from Canon U.S.A., sign up for the Company's RSS news feed by visiting www.usa.canon.com/pressroom

We might see updates to both at PMA, given that Canon's last freshly baked goods came out dualie style and the veep said Canon would be dropping more stuff next year than they did this year. If you didn't already ask Santa for a new DSLR for Christmas, it might pay off to wait a tick to see what Canon's got up its sleeve. [Kamerabild via Photography Bay via Engadget]

We talked with representatives at Canon USA this morning, who said they hadn't heard anything about this letter, nor did they know if sales of the EOS-1D Mark III would also be halted in the U.S. or if existing units would be recalled. They're looking into it for us, so stay tuned for more info.

UPDATE: Canon tells us all the U.S. models now shipping have already been modified, and no recall is planned. If current EOS-1D Mark III owners are experiencing autofocus problems, they're invited to return the camera to Canon for repairs. [Rob Galbraith DPI]

While this may be quite clever by meerkat standards, Monty still has no grasp of basic composition techniques. [Telegraph]

Check out that Canon rep behind our setup. He doesn't trust us one bit, afraid that we might smuggle the camera into the back and "make it a man." We can't blame him one bit.

The Canon EOS 40D will start shipping in September with a $1,299.00 pricetag for the body and $1,499 for the version with Canon's EF 28-135mm f/3.5-5.6 IS USM zoom lens.

Features

Superb image quality: 10.1 Megapixel CMOS Sensor, extensive noise reduction technology, and 14-bit conversion for outstanding color tones and gradations.

Outstanding performance: 6.5 fps, burst rate up to 75 consecutive JPEGs or 17 RAW images and DIGIC III Image Processor.

Strong, rugged build quality: magnesium-alloy exterior, shutter durability-tested to 100,000 cycles, top speed 1/8000, top x-sync speed 1/250.

New AF system with 9 cross-type sensors, and world's first diagonal high-precision cross-type AF at center point with f/2.8 and faster lenses.

EOS Integrated Cleaning System, Picture Style settings, Spot metering, and Highlight Tone Priority for advanced in-camera image control.

Large 3.0-inch LCD monitor and advanced Live View Function with new options for reduced shutter time lag and quiet operation.

Wide range of accessories, including interchangeable focusing screens, extensive remote control options, and new battery grip BG-E2N.

Specifications
Type
Type
Digital AF/AE SLR
Recording Medium
CF Card Type I and II and external media (USB v.2.0 hard drive, via optional Wireless File Transmitter WFT-E3A)
Image Format
0.87 x 0.58 in./22.2 x 14.8mm (APS-C size sensor)
Compatible Lenses
Canon EF, EF-S, TS-E, and MP-E lenses
Lens Mount
Canon EF mount
Lens Focal Length Conversion Factor*
1.6x

Image Sensor
Type
High-sensitivity, high-resolution, single-plate, CMOS sensor
Pixels
Approx. 10.10 megapixels
Total Pixels
Approx. 10.50 megapixels
Aspect Ratio
3:2 (Horizontal : Vertical)
Color Filter System
RGB primary color filters
Low-pass Filter
Fixed position in front of the CMOS sensor

Recording System
Recording Format
DCF 2.0 (Exif 2.21): JPEG, RAW and RAW+JPEG simultaneous recording possible. Multiple options for recording images on a memory card.
Image Format
JPEG, RAW (Canon CR2)
File Size
JPEG/Large: Approx. 3.5MB (3,888 x 2,592)
JPEG/Medium: Approx. 2.1MB (2,816 x 1,880)
JPEG/Small: Approx. 1.2MB (1,936 x 1,288)
RAW: Approx. 12.4MB (3,888 x 2,592)
sRAW: Approx. 7.1MB (1,936 x 1,288)

Folders
Automatically created by camera; can be user-created with "Manual Reset" file naming setting
File Numbering
Continuous numbering
Auto reset
Manual reset (the image numbering is reset to 0001, a new folder is created automatically)

Color Space
Selectable between sRGB and Adobe RGB
Interface
USB 2.0 Hi-Speed, mini-B port. NTSC/PAL for video output

White Balance
Settings
Auto, Daylight, Shade, Cloudy, Tungsten, White Fluorescent Light, Flash, Custom WB setting, user-set Color Temperature (2,500~10,000K)
Auto White Balance
Auto white balance, taken from imaging sensor
Personal White Balance
White balance bracketing: Three consecutive images written to CF card for each firing of shutter; Up to +/- 3 levels in 1-step increments
White balance shift: blue/amber bias and/or magenta/green bias +/- up to 9 levels; manually set by user

Viewfinder
Type
Eye-level SLR with solid glass pentaprism
Coverage
Approx. 95% horizontally and vertically
Magnification
0.95x (-1 dpt with 50mm lens at infinity)
Eyepoint
Approx. 22mm
Dioptric Adjustment Correction
-3.0 to +1.0 diopter
Mirror
Quick-return half mirror (Transmission: reflection ratio of 40:60)
Viewfinder Information
AF (AF points, focus confirmation light), Exposure (shutter speed, aperture, ISO speed, AE lock, exposure level, spot metering circle, exposure warning), Flash (flash ready, flash exposure compensation, high-speed sync, FE lock, red-eye reduction light), Image (monochrome shooting, maximum burst, white balance correction, CF card information)
Depth-of-Field Preview
Enabled with depth-of-field preview button; possible in Live View Function
Eyepiece Shutter
None

Autofocus
Type
TTL-CT-SIR AF-dedicated CMOS sensor
AF Points
9 cross-type AF points, including center AF point; fully functional with f/5.6 or faster lenses

Additional high-precision, diagonal cross-type sensor at Center AF point, used with lenses f/2.8 or faster
AF Working Range
EV -0.5 ~18 (ISO 100 at 73 F/23 C)
Focusing Modes
Autofocus (One-Shot AF, Predictive AI Servo AF, AI Focus AF), Manual Focus (MF)
AF Point Selection
Automatic selection, Manual AF point selection
Selected AF Point Display
Superimposed red illumination in viewfinder; also visible on top or rear LCD panel when AF point select button is pressed
AF-assist Beam
Intermittent firing of built-in flash

Exposure Control
Metering Modes
35-zone TTL full aperture metering
Evaluative metering (linked to all AF points)
Partial metering (approx. 9% of viewfinder)
Spot metering (approx. 3.8% of viewfinder)
Center-weighted average metering

Metering Range
EV 0-20 (ISO 100 at 73 F/23 C with EF 50mm f/1.4 USM lens, ISO 100)
Exposure Control Systems
Program AE (shiftable), Shutter-priority AE, Aperture-priority AE, Auto Depth-of-field AE (non-shiftable), Full auto (non-shiftable), Programmed image control modes, Manual exposure, E-TTL II autoflash program AE
ISO Speed Range
Equivalent to ISO 100-1600* (in 1/3-stop or whole stop increments), ISO speed can be expanded to ISO 3200

* Standard output sensitivity. Recommended exposure index.
Exposure Compensation
Exposure Compensation (user-set): +/-3 stops in 1/3- or 1/2-half increments
AE Lock
Auto: Applied in One-Shot AF mode with evaluative metering when focus is achieved
Manual (user-set): By AE lock button in all metering modes

Shutter
Type
Vertical-travel, mechanical, focal-plane shutter with all speeds electronically controlled
Shutter Speeds
1/8000 to 30 sec. (1/3-stop increments), X-sync at 1/250 sec.
Shutter Release
Soft-touch electromagnetic release
Self-timer
10 sec. delay, 2 sec. delay
Remote Control
Canon N3 type terminal

Built-in Flash
Type
Auto pop-up, retractable, built-in flash in the pentaprism
Guide Number
13/43 (ISO 100 in meters/feet)
Recycling Time
Approx. 3 sec.
Flash-ready Indicator
Flash-ready indicator lights in viewfinder
Flash Coverage
17mm lens focal length (equivalent to 27mm in 35mm format)
Flash Metering System
E-TTL II autoflash
Flash Exposure Compensation
+/-2 stops in 1/3- and 1/2-stop increments;

Can be set on EOS 40D body or with most EX-series speedlites

LCD Monitor
Type
TFT color, liquid-crystal monitor
Screen Monitor size
3.0 in.
Pixels
Approx. 230,000 pixels
Coverage
Approx. 100%
Brightness Control
7 levels provided

Playback
Image Display Format
Single image, 4-image index, 9-image index, Jump, Magnified zoom (approx. 1.5x to 10x), Histogram, AF point display, Auto rotate, Rotate
Live View: View image before shooting on LCD monitor; live histogram and live simulation of exposure level possible with C.Fn IV-7-1
Highlight Alert
In the single image display and (INFO) display, over-exposed highlight areas will blink

Image Protection and Erase
Protection
Single image or all images in the memory card can be protected or cancel the image protection
Erase
Single image, select images, all images in a CF card or unprotected images
Direct Printing from the Camera
Enabled with the Print/Share button
Compatible Printers
CP and SELPHY Compact Photo Printers, PIXMA Photo Printers and PictBridge compatible printers (via USB Interface Cable IFC-200U, included with camera kit)
Settings
Print quantity, style (image, paper size, paper type, printing effects, layout), trimming, tilt correction (compatibility varies, depending upon printer in use)

Menus
Menu Categories
Shooting
Playback
Setup
Custom function/My Menu

LCD Monitor Language
18 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Simplified/Traditional Chinese, Korean, Japanese)

Power Source
Battery
One dedicated Battery Pack BP-511A
AC power can be supplied via the optional AC Adapter Kit ACK-E2
Number of Shots
Normal shooting, at 73 F/23 C:
No flash: approx. 1100 images
50% flash use: approx. 800 images

at 32 F/0 C:
No flash: approx. 950 images
50% flash use: approx. 700 images

(tests comply with CIPA industry test standards)

The above figures apply when one fully-charged Battery Pack BP-511A is used
Battery Check
Automatic
Power Saving
Provided. Power turns off after 1, 2, 4, 8, 15, 30 min.
Back-up Battery
One CR2016 coin-type lithium battery. Battery life approx. 5 years

Dimensions and Weight
Dimensions (W x H x D)
5.7 x 4.2 x 2.9 in./145.5 x 107.8 x 73.5mm
Weight
26.1 oz./740g

Operating Environment
Operating Temperature Range
32-104 F/0-40 C
Operating Humidity Range
85% or less

[Canon]

The DSLR, (body only), is set to retail at $7,999. Given the spec the price does not seem too extortionate and it will certainly be an improvement on the cheaper, EOS-1D Mark III. The EOS-1Ds will weigh in at a very reasonable 1205g and we are hoping Canon have gone to work on the autofocus problem the EOS-1D Mark III suffered from. Pre-orders are being taken now for delivery by December 10th, 2007. According to the Amazon pages the EOS-1Ds Mark III will include the following:

•21.1-megapixel full-frame CMOS sensor
•Large 3.0-inch LCD display with Live View and seven brightness settings
•5 fps at shutter speeds 1/500 second or faster (for bursts of up to 45 Large/Fine JPEGs or 15 RAW images)
•sRAW mode; 35-zone metering system; 45-point AF; integrated Self-Cleaning Sensor Unit
•Powered by LP-E4 lithium-ion battery pack; stores images on CF, SD, or some SDHC memory cards

Most of the major details we've heard before stand, such as the 10.1MP CMOS sensor, but a couple differ for the better, most notably the 3-inch LCD display (up from 2.5) and 6.5 fps and 75 large JPEG burst. There also appears to be a new 802.11b/g wireless transmitter accessory, the WFT-E3A.

Product Features

• 10.1-megapixel CMOS sensor captures enough detail for photo-quality poster-size prints
• Large 3.0-inch LCD display with enhanced Live View and broadened color gamut
• 6.5 frame-per-second continuous shooting capability (for bursts of up to 75 Large/Fine JPEGs or 17 RAW images)
• sRAW mode; 35-zone metering system; integrated Self-Cleaning Sensor Unit
• Powered by BP-511A, BP-511, or BP-512 lithium-ion battery pack; stores images on CF cards

Technical Details

• Resolution: Approximately 10.1 million effective pixels (total pixels: approximately 10.5 million)
• Recording pixels: 3888 x 2592
• Sensor type: CMOS sensor, with primary R-G-B filtration
• Sensor size: 22.2 x 14.8 millimeters
• Pixel size: 5.7 microns square
• Lens focal length factor: 1.6x
• Sensor dust removal: EOS Integrated Cleaning System; active removal of dust by vibrating front low-pass filter; automatic removal of dust spots, in Canon Digital Photo Professional software (v. 3.1 or higher)
• Maximum frames per second: 6.5 frames per second (fps) at full resolution
• Maximum number of frames / burst: JPEG: 75; RAW: 17
• Shutter speeds: 30 seconds to 1/8000, plus Bulb (1/3 or 1/2-step increments)
• Flash sync speed: Up to 1/250, with EX-series Speedlites
• Anticipated shutter durability: 100,000 exposures, based on Canon test methods
• Computer interface: USB 2.0 (Hi-speed)
• Image recording storage media: CompactFlash (CF) cards (type I or II, including Microdrives)
• Card compatibility: "FAT32" compatible—OK for cards over 2GB
• Image format options: JPEG (choice of "Fine" or "Normal" compression); RAW (Canon .CR2 RAW file format); RAW + JPEG (any JPEG file size available; JPEG file written as separate file)
• Analog to digital conversion: 14 bits per channel (16,382 separate tones from brightest to darkest, for each channel)
• Resolution options: "Large"—3888 x 2592 (approximately 10.1 million pixels); "Medium"—2816 x 1880 (approximately 5.3 million pixels); "Small"—1936 x 1288 (approximately 2.5 million pixels)
• File numbering: sRGB color space: IMG_0001.JPG or IMG_0001.CR2; Adobe 1998 RGB color space: first character is always underscore (_)
• Folders: Automatically created for image storage; new folder can be user-created with "Manual Reset" function; folders cannot be freely selected on memory card by the photographer
• Highlight tone priority: Expands tonal range of bright highlights by about one stop; ISO range limited to 200 to 1600; activated by C.Fn II-3-1
• Data verification: "Original Image Data" can be appended to each image via Custom Function IV-6-1; requires optional Canon Original Data Security Kit OSK-E3 to check authenticity
• Live View viewing options: Camera's LCD monitor; computer monitor, via USB; computer monitor, via wireless transmitter WFT-E3A
• Manual focus: Viewed on LCD monitor, with option to magnify focus area 5x or 10x
• Autofocus: Possible—C.Fn III-6-1 active, press AF On button; mirror drops down temporarily while AF On button is pressed, allowing AF to function
• Silent mode Live View shoot: Mode 1: First shutter curtain remains open; shooting up to 6.5 fps possible; Mode 2: Quieter option; 2nd shutter curtain doesn't close until user's finger is taken off shutter button
• Accessory wireless transmitter: Canon WFT-E3A (optional, dedicated wireless transmitter)
• Attachment to camera: Attaches to base of camera; totally integrated with EOS 40D's design
• Wireless transfer methods: 802.11b or 802.11g; link speed: approximately 11 megabits/second (802.11b) or 54 megabits/second (802.11g)
• Connection method: Infrastructure or Ad Hoc (802.11g functions in Ad Hoc mode)
• Maximum wireless distance: Approximately 490 feet (150 meters), if "receiver" has its own antenna (depends on environment)
• Wireless channels: 11 (in North American market)
• Ethernet (wired) transfer: Yes; Ethernet 100Base-TX (maximum distance approximately 1,000 feet); link speed: approximately 100 megabits/second
• Transfer options: 1. FTP mode (images sent to folder on host computer); 2. PTP mode (remote control of camera possible from computer); 3. HTTP mode (view camera's files using web browser; remote firing of camera possible)
• Security options: Encryption: WEP or TKIP/AES; authentication: open system, WPA-PSK, or WPA2-PSK
• USB "host" capability: Plug compatible USB devices into WFT-E2A, for use with the EOS 40D; GPS devices (write GPS time, coordinates, and altitude info into each file's EXIF info); external hard drive (connect compact external USB hard drive, and write files directly from camera to the hard drive as if it's an additional memory card)
• LCD monitor: 3.0-inch (diagonal) TFT color; approximately 100% coverage; approximately 230,000 pixels on monitor; approximately 140 degrees viewing angle
• LCD monitor brightness: Adjustable in 7 levels (via Menu)
• Video-out: Yes (to standard TV monitor); NTSC or PAL, selectable on Menu
• Number of AF points: Nine, all cross-type AF points
• Center AF point: Unique hybrid cross-type AF point; world's first high-precision AF point with both horizontal and vertical high-precision; additional standard precision, cross-type sensors for lenses from f2.8 to f5.6
• AF point selection: 1. Manual AF point selection via 9-way multi-controller on back of camera; 2. automatic AF point selection
• AF activation: Shutter button, or new AF On button at back of camera
• AF modes: One-Shot AF (for stationary subjects); AI Servo AF (for tracking moving subjects); AI Focus AF (auto selection of One-Shot or AI Servo AF)
• AF sensor: Entirely new Canon CMOS AF sensor
• AF sensitivity range: EV -0.5 to 18 (at 73 degrees F / 23 degrees C, ISO 100)
• Shutter speeds: 30 seconds to 1/8000 second, plus Bulb (1/3 or 1/2-step increments); x-sync at 1/250
• ISO range: 100 to 1600, in 1/3-step or full-stop increments; ISO can be expanded to 3200 via C.Fn I-3-1
• Auto ISO: Can be set in any exposure mode, including P, Tv, Av, and M; ISO usually based at 400; typical auto range is 100 to 800, depending on conditions; manual exposure mode: auto ISO fixed at 400
• Exposure modes: Manual, Aperture-priority (Av), Shutter-priority (Tv), Program AE
• Full-auto modes: Green Zone, Portrait, Landscape, Close-up, Action, Night Portrait, Flash Off
• Metering: 35-zone metering sensor; Evaluative metering (linked to all AF points); Center-weighted metering; Partial metering; Spot metering at center of picture (approximately 3.5% of picture area)
• Metering range: EV 0 to 20 (all patterns, at normal temperatures)
• Exposure compensation: Possible in P, Tv, Av, and A-DEP exposure modes; +/- up to two stops, in 1/2 or 1/3-stop increments (via Quick Control Dial)
• Autoexposure bracketing: Possible in P, Tv, Av, M, and A-DEP exposure modes; +/- up to two stops, in 1/2 or 1/3-stop increments
• Compatible flashes: All Canon EX-series Speedlites, including new Speedlite 580EX II
• Camera menu sets flash: Yes (580EX II only, as of August 2007)
• E-TTL II flash metering: Flash metering not linked to active AF point; distance from compatible EF lenses now used; entire metering area can be averaged using Custom Function 14-1
• Modeling flash: 1-second burst of flash possible at 70Hz when depth-of-field preview button is pressed (580EX/EX II, 550EX, 420EX, MR-14EX, MT-24EX, and Speedlite transmitter only)
• Wireless E-TTL: Fully compatible, including ratio setting over six-stop range
• Flash exposure compensation: Up to +/- 2 stops can be set on camera body (can also be set on compatible Speedlites)
• Built-in flash: Covers lenses as wide as 17mm (27mm equivalent); Guide Number 43 (feet)/13 (meters), ISO 100
• Viewfinder focus screen: New interchangeable "Ef" series focusing screens; standard screen: Ef-A—precision matte screen very similar to EOS 30D; optional Ef-D screen—precision matte with grid lines; optional Ef-S screen—Super precision matte (superior manual focusing with fast lenses, f1.8 to f2.8)
• Viewfinder display: Similar to EOS 30D; new: ISO is always displayed; new: B/W shooting mode icon; new: maximum burst available now two digits
• Dioptric adjustment: User-set from -3.0 to +1.0 (range can be extended using optional Canon dioptric Lens E, plus rubber frame Eb)
• Mirror lock-up: Possible via Custom Function III-6-1
• Eyepiece shutter: None (cover is provided on included strap)
• Color space: Standard sRGB or Adobe 1998 RGB (separate setting on Menu)
• White Balance: Auto; Pre-set (Daylight, Shade, Cloudy, Tungsten, Fluorescent, Flash); color temperature (set by user from 2500K to 10,000K in 100K increments); custom (shoot white object or 18% gray card, base WB on that neutral object)
• White Balance correction: Fine-tuning of overall color, in any white balance mode; amber-blue correction, in 9 steps; magenta-green correction, in 9 steps; set on graph on LCD monitor, using 9-way controller; both types of correction can be combined
• White Balance bracketing: Three separate files written with a single click of the shutter; can be varied in the amber-blue direction, or the magenta-green direction; can be adjusted up to +/- 15 mireds (equivalent to 3 steps on the 9-step adjust scale); can be combined with standard auto exposure bracketing (9 files written to CF card)
• Picture style: Extensive range of settings for user to tailor color, contrast, sharpness, etc. to their preference; same characteristics as previous EOS SLRs with Picture Style control
• Black and white recording: Set via monochrome setting within Picture Styles menu
• Computer connection: USB 2.0 Hi-speed, via small "B"-type USB connection
• Remote control: N3-type push-in terminal (same as EOS 20D, EOS-1D Mark II, etc.)
• Video-out: Single-pin mini-jack
• Direct Printing compatibility: PictBridge printing to compatible Canon and other brand printers
• Compatible images: JPEG, RAW, or sRAW, if they comply with DCF protocol
• Preview effects on camera's LCD: Printing effects can be previewed (includes brightness, levels, contrast, color saturation, color tone, and color balance—face brightener and red-eye correction cannot be viewed)
• Connection to printer: Via USB cable included with camera
• DPOF image marking: Compatible; images can be "tagged" while reviewing on LCD monitor
• Battery: BP-511A, BP-511, or BP-512 (rechargeable lithium-ion, same as EOS 30D) (BP-511/BP-512: 1100mAh; BP-511A: 1390mAh)
• Shooting capacity: Approximately 1100 shots (at 68 degrees F / 20 degrees C); approximately 800 shots (at 32 degrees F / 0 degrees C)
• Charger unit: Canon CB-5L or CG-580 (also can be charged with compact power adapter CA-PS400)
• AC adapter: AC adapter kit ACK-E2 (optional; consists of adapter AC-E2, and "dummy battery" DR-400)
• Battery grip (optional): Battery grip BG-E2N or BG-E2
• Date/time back-up battery: CR2016 lithium battery—coin-type; user-replaceable (estimated life 5 years)
• Body exterior material: Magnesium alloy top, front, and rear covers
• Chassis material: Polycarbonate and stainless steel
• Lens mount: EF lens mount; metal; compatible lenses: all Canon lenses for EOS cameras
• Compatible with EF-S lenses: Yes
• Custom functions: 24 custom functions, in four distinct categories; 9 entirely new custom functions
• Operating temperature range: 32 degrees to 104 degrees F, at 85% or lower humidity (0 degrees to 40 degrees C)
• Dimensions (W x H x D): 5.7 x 4.2 x 2.9 inches (145.5 x 108 x 73.5 millimeters), very slightly larger than EOS 30D
• Weight (without battery or CF card): 26.1 ounces (740 grams), approximately 1.4 ounces (40 grams) heavier than EOS 30D

From this unofficial 40D fanboy site comes this generic prose:

Canon's new EOS 40D brings proven EOS technology to a new level, giving photographers an unbeatable photographic experience. The EOS 40D incorporates a host of new features with Canon's highly acclaimed 8.2 megapixel CMOS sensor and DIGIC II Image Processor. The EOS 40D includes enhanced operational features such as a new 2.5 inch LCD monitor, true spot metering, a durable new shutter mechanism and Canon's Picture Style feature, all in an sturdy, magnesium-clad body. With all these new features the EOS 40D is truly perfection, refined.

Canon 40D Specifications:
*10.2 Megapixel APS-C size CMOS sensor

* 5 fps and 30 large JPEG frame burst

* Integrated Cleaning System

* 2.5", 230K pixel, 170º wide viewing angle LCD screen

* Picture Style image processing parameters

* Spot metering and High Precision 9-point AF system

* DIGIC III image processor with 0.15 sec start-up time

* Digital Photo Professional RAW processing software

* 100,000 cycle shutter durability and rugged magnesium alloy body

* Simultaneous RAW and JPEG recording

* Wide 100-3200 ISO range

* E-TTL II Flash

* PictBridge compatibility

* Complete compatibility with all Canon EF and EF-S lenses and EX-series Speedlites

* USB 2.0 Hi-Speed and Video Out connectivity

Imagician Rob Galbraith has been field testing the machine-gun wondercamera and he has detected a problem with the autofocus.

After that, [autofocus in] our preproduction EOS-1D Mark III is a mess. It can't hold focus on static subjects very well and it can't track moving subjects very well. While Canon didn't provide any details about the autofocus limitations we would encounter in the preproduction body, we hope this is what they were referring to and this is what engineers have been solving since.

The problem apparently happens on warm weather and especially bright situations, but it's there and it affects not only the pre-production but also the final production models. Not only that: he has received more than 200 mails with people experiencing the same problems. – Jesus Diaz

June 21, 2007: More on EOS-1D Mark III autofocus [Rob Galbraith via Crave]

The most extraordinary and downright startling feature is the way this camera can snap off 10 frames per second, taking pictures so quickly it sounds like a machine gun. Later in our coverage, we'll capture some video and audio of this remarkable feature in action so you can experience it for yourself. The crowd gathering around this high-end release from Canon was visibly moved.

Jump for more about one of the other impressive new features for the EOS-1D Mark III:

We also took a look at the camera's live-view capability, where you can see what you're framing up in the viewscreen. Just push the big button next to the screen and after you hear a subtle clunk, you see the image right there in that nice big 3-inch screen. However, when you're actually taking the picture, that live view goes away. Nevertheless, this is a welcome innovation for those who sometimes chase celebrities in a crowd and must hold that camera high to actually get a shot.

Another first impression: the thing is huge and heavy. It's about the size and weight of a brick, so don't hold any illusions that you might want to carry a couple of these around just for some casual shooting. Of course, the professionals who might pick up this $4000 camera are already well aware of that. – Charlie White

The Mark III also has Canon's first live-view LCD screen on a digital SLR. This will give users the ability to compose shots in the camera's 3-inch LCD viewscreen as well as the optical eyepiece. Plus, the camera can connect to a PC via USB 2.0 to enable viewing of the shots on a computer screen as well. The camera will also include the EOS Integrated Cleaning System which vibrates for 3.5 seconds to clean off dust, just like its lower-cost brandmate the Canon Digital Rebel XTi.

More pics, higher rez:

Canon wasn't quoting pricing for the EOS-1D Mark III yet, but did say the camera would be shipping sometime this spring. – Charlie White

Press Release [Canon USA, Inc.]

Don't be planning any of those high-end shoots of yours around this highly capable shooter just yet, because those in the know say the camera won't be announced until PhotoPlus Expo 2007 in October. – Charlie White

Canon 1DS Mark III Camera? [Image Acquire]

A few tantalizing details were leaked last September about the upcoming Canon EOS 40D, foreseeing the company's next DSLR using a 10.1 megapixel image sensor, 2.5 inch viewscreen, an anti-dust feature, and using CompactFlash cards. It won't be long before we find out how accurate this prediction was. – Charlie White

Canon EOS 40D [Digital Photography Blog]

The EOS system will be released in March. For $300 you get the base docking station/transmitter and one additional wireless speakers. Each additional speaker can be picked up for $129 and there is also an outdoor amplifier to boost signal for outdoor usage also for $129. – Travis Hudson

Eos [via Gadgetell]