Pocket camcorders (AKA mini cams or budget cams, or sometimes Flip cams after the pioneer of the category) are simple gadgets. They've got one job to do: Shoot watchable video, often for uploading to streaming video sites. They're also very close to the end of their lifespan, with perhaps only a year or so left before smartphones make them obsolete, but right now they're the easiest and cheapest way to take quick and dirty video. I tested seven of these diminutive camcorders, or more accurately six camcorders and one capable PMP, in five categories: Outdoor, indoor, low light, macro, and sound.

The criteria for judging fell mostly to smoothness of video during motion, image sharpness, noise, and color reproduction. Specs like storage capacity, screen size and battery life are mostly the same across the board, although overall, compared to last year, this crop of mini cams are faster and stronger, with beefed up memory and HD sensors. All save the iPod Nano take 720p video (or better) and add HDMI ports and more memory to accommodate the higher-quality footage. Yet I wasn't really all that thrilled with any of the camcorders—the bar for these cams is so low you could trip over it, and several of them actually did. Battery life was disappointing across the board, as none could break two hours of filming. Anyway, on to the results!

Results

Choosing between the Kodak Zi8, Flip Mino HD and Flip Ultra HD is tricky. The Zi8 is unreliable, but when it's good it's unbelievably good; the Mino HD is diminutive, solid and stylish, but overpriced and with lousy touch controls; and the Ultra HD is a reliably good shooter with a low price and the best controls of all, but physically unappealing (read: fat as hell). In my opinion, you should never judge a book by its obese cover, so the champion is...the Flip Ultra HD!

Flip Ultra HD: First Place

Flip's Ultra HD is the best overall choice. It's one of the cheapest cams around (at $150, it's $70 less than it's younger brother, the Mino HD), but it tied for the highest score in our lineup, and it features nice tactile controls that I much prefer to the sleeker Mino HD's touch-sensitive exercise in frustration. Unfortunately, the Dom DeLuise HD is upsettingly fat—about twice as thick as the Mino HD, but even that doesn't really get across how truly large it feels in the hand. It's not particularly heavy, but it is by a long shot the thickest pocket cam here. On the plus side, that girth hides a useful battery—Flip includes a rechargeable pack, but the John Candy HD can also use two AA batteries, which is great since pocket cams have generally abysmal battery life (usually about an hour, though of course they're often rated for double or triple that). Replaceable, cheap batteries are really nice, but some will have to decide whether the William Howard Taft HD's girth is worth that feature. Given its price, I think it is.

Video quality is just fine, above average if not particularly impressive on every test, and it, like the Mino HD, is extremely user-friendly. Although that simplicity yields less flexibility and a barebones feature set compared to the Kodak Zi8, it's a good distillation of the aims of pocket camcorders, and its 100% tactile controls are a welcome change from the Mino HD. If you're not superficial, it's a very smart buy.

Flip Mino HD: Second Place

Flip's Mino HD is the best-looking and best-feeling camcorder I tried. Its aluminum body feels solid and expensive, which might be because it is—at $230, it's the priciest camcorder I tested. But I wouldn't be surprised if it sells the best, even though it's not the greatest deal, because it looks (and is) simple, cute, and functional. I won't rehash my review, except to say that I hate those goddamn touch buttons more and more every time I use the Mino HD. They're incredibly sensitive and I guarantee that you will accidentally trigger the playback function more times than you can count.

Besides that, it's totally serviceable: It did well on all of my tests, it's thoughtfully designed and stupid-easy to use. But it's definitely overpriced, and I have a hard time recommending it over its physically awkward yet substantially cheaper older brother, the Ultra HD, just for its looks.

Kodak Zi8: Third Place

Wider and taller than the Flip Ultra HD, though not nearly as fat, the Zi8 packs a 1080p sensor and the largest and best screen of the bunch. The controls are easy and tactile and aside from flimsy-feeling plastic covers over the ports (one of mine already fell off), the hardware is high-quality. The Zi8 snagged the bronze medal, because while its highs were higher than either of the Flips, its lows were lower—and given how focused and simple this type of gadget is, reliability is worth more than flashing moments of greatness.

The Zi8 absolutely rocked in two of my tests, outdoor and macro, with perfect color reproduction and excellent clarity, and it even takes pretty decent still photos (think point-and-shoot circa 2006 quality). But the conditions need to be just right to get the most out of this guy—I first tried it in 1080p mode (neither of the Flips can break 720p) and while picture quality was amazing, scenes with lots of motion were pretty jerky to the point of being distracting. But even in 720p, it was still head-and-shoulders above the competition—but only in outdoor and macro testing. In the indoor test it proved to have difficulty focusing on objects closer than 10 feet but farther than 2 feet away, and low light shooting was distinctly tinted red and a bit dark. It wasn't unusable in any test (unlike the similarly uneven Creative Vado HD) and at $180 it's fairly priced, so I'd still recommend it—but you and I are likely to be more forgiving of the Zi8's flaws than, say, your mom, who just wants a camera that works pretty well all the time. For her, go for a Flip.

The Rest

The Creative Vado HD scored pretty high, only a point lower than the bronze medalist Kodak Zi8, but while its design is fairly middle-of-the-road (albeit nice and teeny), its abilities were all over the place. It was one of the worst in standard daytime shooting (it has a hard time with sunlight, a serious problem for a pocket cam) and macro, but was the best at indoor, and while its low light video was a little dark, it was the clearest and smoothest of the lot. It also, likely due to Creative's background in stellar-sounding PMPs and sound cards, boasts excellent sound quality. At $150, it's very fairly priced, but I can't recommend a camcorder that mangles sunlight the way the Vado does.

Apple's iPod Nano is the only "camcorder" in this roundup to peak at VGA resolution, and aside from a surprisingly strong macro performance, it shows. It turned vibrant colors dull and lifeless, washed out detail and made everything seem darker than it was. It can't compete with the Zi8s and Flips of the world, but it's still usable and incredibly priced at $150/$180 for 8GB/16GB—if you've got a Nano already, you probably won't need a dedicated cam. Convergence killed the video star, I guess.

The JVC Picsio GC-FM1 sucked. It's spectacularly ugly (think Ed Hardy-inspired) and cheap-feeling, with a confusing button layout (unforgivable in a pocket cam) and a high price ($200, or $178 at Amazon). Besides all that, it scored poorly in every one of our tests. Avoid.

And finally, the worst—Aiptek's PenCam HD. I wanted to like it, I really did—it's got a tongue-depressor-like design and came with a sweet tripod that attaches to a bicycle's handlebars—but it bombed in almost every one of my tests. The 1.1-inch screen is nearly unusable and battery life barely topped 40 minutes, so it's definitely the loser here.

Here's a giant gallery of all 28 videos I took.

Don Nguyen assisted with this Battlemodo.

The original Mino HD was one of the simplest, easiest-to-use pocket cams out there. Its video quality was nothing to write home about (and paled in comparison to, say, the Kodak Zi8), but it sold boatloads based on its good looks and respectable performance. So what does the new Mino HD bring to the table?

What's New

The new Mino HD definitely feels better in the hand than its predecessor. It's only marginally smaller (about 1.5 millimeters thinner, same width and height) but the upgrade to aluminum from glossy plastic makes it feel much more solid and expensive. The other improvements are welcome as well—the new screen is both larger (2 inches compared to 1.5) and significantly sharper, and it's now packing 8GB of internal memory, twice that of the first Mino HD. That 8GB of memory allows for about two hours of 720p recording. Also new is an HDMI-out jack for sharing videos on HD screens, and it also boasts a faster processor (I didn't see a difference in performance, but Flip says battery life is improved).

What's Unchanged, but Shouldn't Be

As it's packing the same sensor as the first Mino HD, this new version shares the same strengths and suffers from the same flaws: Good in solid lighting and close-ups, but noisy in low-light and choppy while panning. It still can't take stills, there's no optical zoom, and there's no image stabilizer. Also unchanged are those damn touch-sensitive buttons. I accidentally hit the "Play" touch-button several times because you don't have to depress an actual, tactile button to make commands, which is super annoying. Tactile buttons would be a lot more accurate and result in less accidental presses.

As always, we should mention that the days of dedicated pocket cams like the Mino HD are numbered. They're surrounded on all sides, with the iPod Nano hitting them from the low-end and smartphones hitting them from the high. Since convergence is already killing PMPs, we don't see this kind of gadget lasting all that much longer. That being said...

The Flip Mino HD is a solid choice for a pocket cam, since it's sort of the distillation of what the pocket cam category aims for: It's dead simple, to a fault sometimes, takes decent but not amazing video, and is sleek and pocketable. We'd really have liked to see some improvements to the Mino HD's sensor (as well as the merciless execution of those touch-buttons), but overall it's still a pretty decent cam. This new version sells for $230, while the older 4GB model drops to $200—and we'd say the improvements are worth the extra $30 if you're torn between the two. The Flip Mino HD is available now.

Solid-feeling aluminum case

Doubled memory, bigger and better screen, and HDMI-out are welcome additions

Dead simple UI, but it lacks more advanced features

Video quality is okay, but unchanged from last-gen

Touch-sensitive buttons seem designed purely to infuriate

It's been upgraded to 8GB of memory, up from 4GB, which gives it about two hours of 720p video recording. The aluminum shell feels great: Much more solid and smaller in the hand than the previous plastic version. The screen is also significantly bigger, feeling much less puny at 2-inches. The Flip software has also seen an update, with some nice minor editing and trimming features, and features automatic uploading to Facebook, Myspace and Youtube.

I haven't gotten the chance to play around with it too much, but video quality seems okay—about the same as past MinoHDs, and not as good as the Kodak zi8. The new MinoHD will sell for $230, while the original MinoHD will remain at $199 for 4GB. [Flip]

Flip MinoHD, 2nd Generation Camcorder Features:

* SRP: $229.99
* Now Available at leading retailers and online retailers
* Colors: Brushed Metal or personalized at theflip.com
* Video Resolution: High Definition, 1280 x 720
* Records: 2 hours (8 GB built-in memory)
* Screen: 2 inch – transflective (anti-glare); 960 x 240 pixels
* Audio: Built-in wide-range, omni-directional microphone; built-in speaker with software volume control
* Battery: Built-in rechargeable (Lithium Ion); up to 2 hours use
* TV Output: Widescreen with HDMITM output
* Zoom: 2 x Digital

The back of the gadget is rounded and its symmetrical form makes it comfortable for both righties and lefties. Doubt this will be hitting anytime soon, but I'll be dreaming of it in my hands while my poor Flip looks for a lens pump. [Yanko Design via Ubergizmo]

Update: Despite the logo, this is simply an idea created by a designer, and not a Pioneer product or Pioneer-endorsed concept.

First it was Beats by Dre headphones in the locker room, now it's Flip Minos awkwardly distributed onstage at the MVP crowning. By the looks of it, Delonte West is pretty used to the Santa LeBron treatment—he's still waiting for the Range. [Sporting News]

Short answer: Just like the Ultra, but um, HD. The Flip UltraHD is actually not the first HD Flip camcorder—the runt of the litter, the Mino went high def first, and we thought for a while the fattie Flip Ultra was going to rot and die.

But it hasn't. It's been reincarnated with HD—720P shot in H.264 at 30FPS. I mean that fairly literally—if you were to take an Ultra and an UltraHD side by side, the only giveaway besides the branding is the Mini HDMI port on the side of the UltraHD. It's got the same 2X digital zoom, the same fat ass. It's like the MinoHD's guts and soul inside of the Ultra's body. Which is actually what annoys me the most about it. Its bigger, brighter, better screen is the antidote to my biggest problem with the MinoHD, but it's so goddamn thick you can't comfortably shove it in your pocket like the Mino. Keep the the width and height, but it should be thinner, even considering the depth needed for the little zoom lens. This is also pretty much the last camera Pure Digital can make like this—it feels like they've exhausted everything this particular package of camera and features can do. Whatever comes next needs to be actually different.

These comparison videos were filmed holding the MinoHD and UltraHD side-by-side—outside in the afternoon, and then outside at night, with crappy lighting to test and compare how well they handle low-lighting. (Sorry, in GA, I had nothing more interesting to shoot than my dog.) To me, the footage virtually looks the same coming out both from a quality standpoint. Clear with good lighting, visible but noisy as balls in low-lighting. Though, the UltraHD's zoom lens does give you appreciated flexibility. (Update: It's just digital zoom, my bad.) Overall, compared to the rest of the cheap camcorder market, if you consider the UltraHD's quality equivalent to the MinoHD's it looks like it's still about tops, though not the best.

Our model's got 8GB of storage and promises 120 minute of video out of it. If you don't use the HDMI cable to plug it into your TV, you interface with it the same as always, via the pop-out USB jack. It comes with a rechargeable pair of batteries, but you can pop in some standard AA if you want.

At $200 retail it's not the cheapest cheapcam in the pack by any means—you can pick up the slightly older Kodak Zi6, another pocket HD camcorder that we like a bunch and shoots slightly cleaner video for $140 or its weatherproof cousin for $150, though you have to add in the cost of additional SDHC storage. That said, compared to the MinoHD, you get twice the recording capacity and bigger, brighter screen for about the same price, with the cost being the fatass. So it really depends what part of the triangle is most important to you: Size, storage and video quality. But you can't go too wrong with the UltraHD. [Flip]

HDMI out is the biggest differentiation from the Flip MinoHD; the Vado also doubles the onboard memory to 8GB over the MinoHD's 4GB. Both have the same $230 MSRP, and same general $200 street price. We'll have a more in-depth look at the Vado all in due time, but for now, recall that the original Vado did not blow us away. [Product Page]

Flip Mino HD
Details
•Sleek, pocket-sized camcorder shoots breathtaking HD video
•Available in black or whatever you want
•4GB of on-board memory records up to 60 minutes of video
•Dimensions: 4” x 2” x 0.6”; weighs just 3.3 oz.
•HD 720p resolution (1280 x 720) in16:9 cinematic widescreen
•No glare display (1.5”)
•Sealed, rechargeable lithium ion battery (up to 2 hours of battery life)
•Flat back-panel with touch-sensitive buttons
•Instant playback, pause, fast forward/rewind, and delete features
•Connects to TV for instant viewing
•New built-in FlipShare™ software works on any PC or Mac:
•Save, organize, and edit videos with ease
•Email videos and video greeting cards
•Upload videos directly to AOL Video, MySpace, and YouTube
•Capture HD snapshots from your videos
•Create custom movies with your own music
•Order DVDs and have them shipped anywhere in the world
Suggested Retail Pricing: $229.99