CITY OF INDUSTRY, CA—(Marketwire - June 26, 2008 ) - DXG USA (www.dxgusa.com), one of the fastest growing digital camera manufacturers in the U.S., today unveiled the new DXG-567V high-definition (HD) camcorder with direct uploading capabilities for sites such as YouTube™. The DXG-567V is not much bigger than an average mobile phone, is available now at retailers nationwide in 4 eye-popping colors including black, red, pink and sky blue, and is priced at just $179 (MSRP.)

The DXG-567V HD camcorder is perfect for anyone looking for a fun, pocket-sized, easy and reasonably priced way to capture high-quality video and quickly upload and post it online. The DXG-567V also ships with all of the required cables including S-video for connecting the camcorder directly to a TV as well as composite video and rechargeable AA batteries, making it the ultimate multi-function video camera for the entire family.

"Rapid Blog Manager" Software Offers Fast Video Upload

The DXG-567V camcorder comes with Rapid Blog Manager software, which allows users to upload and share videos on the Internet. Simply connect the DXG-567V's retractable USB connector to a computer to automatically launch its menu and instantly upload videos from the camera to YouTube, a blog or other Web video site.

Experience HD at an Affordable Price

With the DXG-567V, it's never been easier to capture and share high-definition video, up to 1280 x 720 at 30 frames-per-second (FPS). The camcorder's buttons are all within reach, eliminating complex menus and making it easier to record spontaneous moments in high-definition video. When back at home, consumers can easily connect the DXG-567V to any plasma or HDTV with the included cables to experience the videos they've shot in HD.

Out of the box, the DXG-567V includes the ArcSoft TotalMedia™ Extreme software (a $99 retail value,) to create, edit and watch videos. The software features two unique applications that enhance the movie-watching experience with features and options right and a separate program that allows consumers to make amazing customized movies.

[Akihabaranews]

The subwoofer itself is the receiver/amplifier unit—there is no video source, but adding a DVD or game console wouldn't be hard or cumbersome. The speakers themselves are ridiculously tiny, but if you were wondering, they actually are the same as the ones from the HT10 introduced last year. The sound is very beefy, frankly way louder than we thought. The center channel has an IR receiver, so that you can stash everything else except for those itty bitty speakers, and still run everything. Not bad if you're going for the hidden home-theater thing.

The unit has three 1080p HDMI inputs to keep sources in their hi-def glory, and the system can be extended to multiple rooms by using S-Air wireless speakers. The set has an optional kit to make the included rear speakers wireless too. The HT-IS100 is out in July for $700, press release after the jump. [Sony]

SONY DELIVERS STYLISH SURROUND SOUND SYSTEM FOR HIGH-DEFINITION HOME THEATERS

NEW YORK, June 5, 2008 - Offering a stylish solution for the modern high-definition home theater, Sony today introduced the HT-IS100 BRAVIA Theatre Micro System.

Designed with five incredibly small speakers roughly the size of a golf ball, the new audio/video system delivers a rich surround sound experience that can be easily integrated into a home theater.

The system includes three 1080p HDMI inputs with repeater functionality and support for eight channels of uncompressed audio. It is an ideal complement for Blu-ray Disc players, PlayStation 3 consoles and other high-definition sources. With the ability to add optional wireless rear surround speakers and multi-room wireless speakers that configure automatically, the HT-IS100 system can be set up with fewer wires and without complicated wireless IP settings.

"Consumers want a cinema-like surround sound experience in their homes, but are hesitant to add large equipment that overpowers the d cor," said Tyler Ishida, director of marketing for Sony Electronics' Digital Imaging and Audio Division. "The HT-IS100 packs all the power of a conventional home theater system in five discrete speakers that practically disappear in your living room."

The 5.1 channel system, with 450 watts (RMS) of power, includes a subwoofer with integrated 32-bit S-Master digital amplifier for superb audio performance.
Featuring Sony's S-AIR technology, you can add wireless multi-room listening throughout the home using Sony S-AIR Air Station speakers, which are sold separately. Television audio and music can be transmitted from the main system to multiple rooms throughout the home by connecting the Air Station into a power outlet. An optional speaker kit (WAHT-SA10 sold separately) delivers audio wirelessly to rear speakers, eliminating the need to run speaker wire from the front to the back of the room.

The system features Sony's Digital Media Port, which adds control, networking and connectivity options for music playback through various accessories, including a Cradle for iPod (TDM-iP10), a Network Walkman cradle, a PC client device and a Bluetooth adapter (each is sold separately).

Sony's Digital Cinema Auto Calibration (DCAC) simplifies surround sound setup with the push of a button by automatically adjusting speaker frequency, distance and level.
The system also features BRAVIA Sync for Theater, which integrates its operation with select BRAVIA televisions and home theater products for one-touch play. With the touch of a button, you can automatically turn on and switch inputs, synchronizing connected devices to make operation easier.

Equipped with a Dialogue Audio Enhancer with night mode, the system can adjust audio levels for dialogue when the receiver volume is turned low. Additionally, the updated Portable Audio Enhancer feature improves the clarity and depth of digital audio devices connected to the system by adding information to the audio signal that had been removed during compression.

The HT-IS100 system will be available in July for about $700 at Sony Style stores, online through www.sonystyle.com, at military base exchanges and at authorized dealers nationwide. Digital Media Port accessories and thin antenna speaker stands are also available at Sony Style stores and online at www.sonystyle.com.

The camera also has increased low light sensitivity, decreasing noise compared to previous Xactis (a weakness of theirs.) They're pushing the bitrate from 12 to 14Mbps, too, to help picture quality. There's a 10x optical zoom with an impressive f/1.8-2.5 lens (more light never hurts) with a 35mm equivalent range of 38-380mm. It's also got image stabilization, a 2.7 inch LCD, HDMI out, and in camera editing. I have to say I've always been a fan of the line, and it's nice to see the Sanyo line keep evolving with new features while fixing previous flaws.

SANYO FULL HD CAMCORDER HAS “FACE CHASER” TECHNOLOGY FOR VIDEO AND STILLS; FEATURES SLOW-MOTION VIDEO MODE AND 7-FPS SEQUENTIAL SHOOTING

Compact, Lightweight Xacti HD1010 Offers Improved Image Processing and Simplified Operation

CHATSWORTH, CA, June 5, 2008 – SANYO, a world leading digital camera manufacturer, debuts the Xacti HD1010, an ultra-compact, full 1920 x 1080 (1080i) high-definition digital camcorder featuring “Face Chaser” face detection technology for both video and stills, plus a new slow-motion video mode and seven frames-per-second sequential shooting for superb action photography. The sleek and simple-to-use HD1010 takes 4-megapixel digital still images and records video and stills to convenient SD memory cards or SDHC cards (sold separately) up to 32GB.

The SANYO Xacti HD1010 will be available in the U.S.A. in July 2008 at an MSRP of $799.99*1.

“The SANYO Xacti HD1010 is our second-generation Full HD camcorder and offers a full complement of innovative features such as automatic ‘Face Chaser’ face detection for both video and stills, along with improved image processing for even better image quality*2,” said Tom Van Voy, Vice President and General Manager of SANYO’s Audio Video Division. “The HD1010 offers advanced, high-definition video performance and high-quality stills in one small, lightweight device.”

FACE DETECTION/FACE CHASER TECHNOLOGY
The latest in digital still photography – Face Detection and Face Chaser technology actually monitor the subject’s face and adjust brightness and focus to incredibly clear photos. This technology can be used to recognize up to 12 faces at a time in both video and still photos.

SLOW-MOTION VIDEO MODE
For great sports videos and many other fast-action video projects, the HD1010 can record video at 300 frames-per-second*3 to produce smooth, super slow-motion 60fps video playback.

7 FRAMES-PER-SECOND SEQUENTIAL SHOOTING
Shoot digital still images like the pros with up to seven photos in a single second. Ideal for special effects or action photography.

-more-

SMALL AND LIGHT FULL HD CAMCORDER
The HD1010 weighs only 9.9 ounces (with battery and SD card). It incorporates advanced MPEG-4 AVC/H.264 video compression, enabling up to approximately 87 minutes of Full HD (1920 x 1080) video recording on an 8GB SDHC memory card (sold separately).

WIDE DYNAMIC RANGE MODE
Wide Dynamic Range Mode allows improved images in varying degrees of light and shade.

FOUR MEGAPIXEL DIGITAL IMAGES
The Xacti HD1010 enables simultaneous shooting of 4-megapixel still images and HD movie clips, with a simple press of the shutter button during the recording of a video clip. Users need never miss another precious photo opportunity. (Depending on the mode used to take still images, simultaneous video clip shooting may be interrupted. While shooting video clips, using the digital image stabilizer may change the angle of view for still images.)

COMFORTABLE, ERGONOMIC DESIGN
The HD1010 is designed for easy, one-handed operation with “one thumb” operation of all key functions. The camcorder is comfortable to hold, even for extended periods.

FULL 1080i HD SENSOR
Incorporating the latest high-definition CMOS sensor, the SANYO Xacti HD1010 captures full 1080i high-definition video (1920x1080) at 60 frames-per-second. Designed to record the rich and vibrant colors of real life, the HD1010 also captures subtle tones to provide a natural-looking result. SANYO’s latest high-speed image processing engine capably handles the high capacity demands of Full HD data. Signal processing has been optimized for gamma correction and noise reduction, improving lens color-sensitivity and image quality when filming in darker locations. In addition, the video codec algorithm has been adjusted from 12 to 14 Mbps to allow more data per second, for improved imaging.

10X OPTICAL HD ZOOM LENS
At the front of the HD1010 is a commanding 10x all-glass HD lens. The camcorder’s fast f/1.8-2.5 lens is capable of allowing almost four times more light through to assist in lower light venues. Consisting of eight groups and eleven total lenses with a built-in neutral density filter, the HD1010's lens provides a spectacular field-of-view with a 38-380 mm range (35 mm equivalent).

IMAGE STABILIZATION
High-definition can't hide shaky or erratic camera movement. So, SANYO's HD1010 comes with a sophisticated image stabilizer for both stills and video. This handy feature operates in both wide-angle and telephoto modes, giving every shot a solid, professional-looking feel. Image stabilization allows for clear pictures of the subject even when moving or rotation occurs.

LARGE 2.7 INCH WIDESCREEN DISPLAY
The HD1010 features a large 2.7 inch widescreen Liquid Crystal Display (LCD). The display flips out from the camera and rotates up to 285 degrees on axis, allowing you to take great video or still images even from difficult-to-view positions, which is especially useful when shooting in large crowds or in small rooms.

more-
HDMI HIGH-DEFINITION OUTPUT
It’s easy to view and share high-definition video on your HD television with the HD1010. Using the HDMI (High-Definition Multimedia Interface) terminal built into the base station, just one cable connects your camcorder to your TV for a totally digital output. HDMI carries both the video and audio signals in digital form for the highest quality playback.

EASY CAMERA TO PC CONNECTION
Sanyo's HD1010 streamlines the confusing and complicated component connection process with an innovative docking station. This dock provides instant connectivity via HDMI cable (sold separately), component, composite or S-video connection to a TV, DVD player and computer. The HD1010 even recharges its internal battery when nested in the docking station.

RECORDS TO CONVENIENT SD/SDHC MEMORY CARDS
The SANYO Xacti HD1010 records high-definition and photos directly to a standard SD or SDHC Memory Card. The camcorder is capable of recording up to 87 minutes of 1080i high-definition video on a single 8GB card (sold separately). When connected to a computer via the USB cable, the HD1010 acts as a standard card reader. Transferring images and videos to your computer has never been easier.

ADDITIONAL HD1010 FEATURES:

Random Access: Each video is recorded as an individual MPEG-4 and each still as a JPEG so you can have true random access allowing you to review a specific image or video quickly and easily, without waiting for tape rewinding or fast forwarding.

Super-fast Startup: With its tapeless design, the HD1010 eliminates the need to queue up a tape deck or get a DVD or hard drive spinning, allowing the camcorder to begin shooting in as little as two seconds! When the HD1010 is powered on, closing the LCD display puts the HD1010 in standby mode. Simply open the display and the camcorder automatically powers up and can begin recording virtually instantaneously.

Equipped with ‘SIMPLE’ mode so even beginners can create high quality, beautiful high definition movies

New 1920 x 1080, 30 fps mode allows further possibilities with Full HD and computers (when in Full-SHQ 30 fps/12 Mbps mode)

Features 2.7 inch 230,000 pixel, widescreen TFT-LCD monitor, ideal for viewing HD footage

Wind Roar and Red Eye Reduction

Web Cam function

Built-in, pop-up flash

-more-

A variety of manual controls are available for versatile, advanced shooting. These include manual focus adjustment (16 settings); aperture adjustment (6 stops); exposure compensation (1.8 EV, 0.3 EV steps); shutter speed (13 settings); and image-quality adjustment (for sharpness and color saturation)

Bundled with “Nero 8 Essentials for SANYO” for easy playback and editing

Uses included, long-lasting 1900 mAh Lithium-ion battery (DB-L50)

Compatible with a variety of optional accessories using cold shoe mount, such as external strobe, video light, microphone, etc.

Optional adapter lenses available: telephoto, wide-angle and semi-fisheye

Continuous Still Image Shooting function – 7 frames per second*4

Able to take still pictures while in the middle of Full HD movie recording*5

9-image quick display function

In-camera editing

48 kHz, 16-bit, 2-channel sound

PictBridge compatible

Headphone Jack

And only 9 percent of HDTV owners plan to buy Blu-ray. Nine percent of a minority, for 4 million "potential buyers." That's not the makings of a dominant format. The survey results are from March, so things might be slightly better now, but given the past rate of growth—10 percent over the last year—likely not too much. Also this does conflict with an earlier poll stating that 60 percent of US consumers are "aware" of Blu-ray, but recognizing the name and knowing what it is are two different things.

Still, no wonder the Blu camp put off that victory party—they've still got a lot of work to do. I think I'm going to go sip gin and tonics with DVD by the pool.

Jun 03, 2008 09:15

The NPD Group: Consumer Awareness and Potential for Blu-ray Disc Devices Rising

Challenges Still Remain for Consumer Adoption of Next-Generation DVD Players and Content
PORT WASHINGTON, N.Y. —(Business Wire)— Jun. 3, 2008 According to The NPD Group, a leading market research company, 45 percent of HDTV owners in the U.S. now claim to be familiar with Blu-ray Disc (BD), up from 35 percent in June 2007. And, while only 6 percent of all consumers surveyed said they plan to purchase a BD device, NPD found purchase intent to be higher among the growing population of HDTV owners, boding well for the future of the format.

NPD's "2008 Blu-ray Disc Report" reveals that 9 percent of HDTV owners plan to buy a BD-capable player in the next six months. "With HDTVs now in approximately 40 million US households, that percentage translates to a pool of almost 4 million potential BD player buyers," according to Russ Crupnick, entertainment industry analyst for NPD.

Nevertheless, manufacturers still face challenges. Although HD-DVD is no longer a competitive threat, many consumers are content with standard-definition DVD players and content. The leading reasons cited as barriers to purchase were a perceived high cost of BD players and a belief that standard-definition DVD is "good enough."

Blu-ray Content Opportunities

Consumers who purchased a BD set-top player cited "leading-edge technology" and a "superior viewing experience" as primary reasons for making the purchase. And they indicated a clear preference for BD content. In fact current BD set-top player owners expect that 80 percent of their upcoming purchases will be in BD rather than standard DVD. By comparison, 43 percent of PS3 owners use the BD capability in their consoles at least once a month; however, they do not view BD movies as often as set-top device owners do.

"The door is open for studios to feed the consumer's appetite for Blu-ray content, and we expect sales to increase, as prices for hardware and software moderate in the coming months," Crupnick said. "Even so it will take a concerted effort by manufacturers and retailers to ratchet awareness even further and convince all of those potential buyers of the superiority of Blu-ray Disc versus standard DVD."

Data note: Data was collected via online survey, which was fielded between March 10 and March 20, 2008. Final data for the nationally representative sample was weighted to represent the U.S. population of individuals age 18 and older.

About The NPD Group, Inc.

The NPD Group is the leading provider of reliable and comprehensive consumer and retail information for a wide range of industries. Today, more than 1,600 manufacturers, retailers, and service companies rely on NPD to help them drive critical business decisions at the global, national, and local market levels. NPD helps our clients to identify new business opportunities and guide product development, marketing, sales, merchandising, and other functions. Information is available for the following industry sectors: automotive, beauty, commercial technology, consumer technology, entertainment, fashion, food and beverage, food service, home, office supplies, software, sports, toys, and wireless. For more information, contact us or visit http://www.npd.com/.

[VPO]

Before, according to IDG, they were using four 8.3 megapixel sensors—two for green and one each for red and blue. But that data only yielded only a black-and-white image at full resolution. Now they can shoot in full color and reproduce the picture in color too.

Needless to say, a special lens was required, as was a new cable system: instead of 16 separate coax cables, they've narrowed it down to a "single" 12-core line. One step closer to that TV wall in Total Recall, baby. [IDG]

How? I mean, I've always known that McCain played with dinosaurs, and so have most people, and we've all seen him on newscasts (mostly standard-def) and YouTube. On SNL over the weekend, though, his face was in full HD unglory, as recounted by Timothy Noah:

As someone who'd pooh-poohed the age issue, I found myself gasping at McCain's mug as transmitted in glorious HDTV. Wrinkles, blotches, liver spots, scarry tissue—none of these were hidden by McCain's makeup...I found myself thinking, Jeez, he doesn't look like a guy who'll turn 72 this August. He looks like a guy who'll turn 82.

The ironic part? McCain was a big proponent of HDTV (in his actual maverick days), hating on broadcasters for not switching to digital spectrum fast enough, and calling the Feb. 17 2009 switchover date "too late." Noah goes so far as to say McCain is the reason HDTV has the penetration that it does. So he might have actually doomed himself. The first high-def election, that has a nice ring to it. [Slate]

NCTA and TiVo Announce Progress on Switched Digital Adapter for TiVo DVRs SDV solutions from TiVo, Motorola and Cisco currently undergoing CableLabs(R) testing Cisco and Motorola tuning adapters on display at the 2008 Cable Show TiVo HD DVRs with tuning adapter support on display at the CableNET and Motorola booths at the 2008 Cable Show

NEW ORLEANS, May 19, 2008 /PRNewswire-FirstCall via COMTEX News Network/ — The National Cable & Telecommunications Association (NCTA) and TiVo Inc. (Nasdaq: TIVO), today announced that after a series of successful informal interoperability tests TiVo and several manufacturers of switched digital external tuning adapters have submitted products for formal testing at CableLabs. The tuning adapter will enable TiVo Series3(TM), TiVo HD DVRs, and certain other one-way digital cable ready consumer electronic devices that utilize CableCARDs(TM) to access digital cable channels delivered using switched digital technology.

"The ability to turn concept into reality this quickly is a testament to how closely cable operators, CableLabs, TiVo and other cable vendors have worked over the last several months to develop this first-of-its-kind marketplace solution," said Kyle McSlarrow, NCTA President & CEO. "We are extremely grateful to TiVo for the critical role it has played throughout and are confident that customers will benefit from this solution enabling full access to switched digital channels."

Motorola and Cisco have both developed external tuning adapters and are seeking qualification by CableLabs(R) before being delivered to cable operators for deployment. The tuning adapters are expected to be offered in the coming months by cable operators including Comcast, Time Warner, Cox, and Cablevision in areas where switched digital technology is being deployed. The cable operators and TiVo plan to work cooperatively to alert TiVo subscribers about the availability or need of the new external adapter and to ensure that installation of the adapter and CableCARDs will be easy and seamless for the consumer.

TiVo has modified its software for its TiVo Series3 and TiVo HD DVRs to communicate with the external Tuning Adapter. TiVo announced that the modified software has been submitted to CableLabs for verification testing. Upon verification, the software upgrade will be made available to TiVo subscribers via a regularly scheduled update.

Switched digital technology enables cable operators to transmit individual channels to customers on an as-needed basis rather than broadcasting all channels to all subscribers all the time. Switched digital technology provides more flexibility for cable operators to utilize network capacity to deliver interactive digital services, high-definition (HD) channels, broadband Internet and digital phone service. The Tuning Adapter is intended to work on any Unidirectional Digital Cable Ready Product (UDCP) that has a USB connector and necessary firmware.

"We are pleased with the focus and cooperation that CableLabs and the cable industry has exhibited from the outset and are eager to see this solution through to fruition so that customers can enjoy access to all switched digital cable channels," said TiVo CEO & President Tom Rogers. "This undertaking is a significant step forward in our ongoing relationship with the cable industry to develop technology and provide solutions that improve the television experience of cable subscribers."

"Cisco continues to develop innovative video technology that allows cable operators to provide a broad range of video entertainment options, including high definition and niche content," said Michael Harney, senior vice president, Cisco, Service Provider Video Technology Group. "As part of our portfolio of advanced technology, Cisco will have on display the STA1520 Switched Tuning Adapter, which was developed in conjunction with CableLabs, our cable operator customers and TiVo."

"Motorola is committed to accelerating the delivery of personalized media experiences," commented John Burke, senior vice president and general manager for Motorola's Digital Video Solutions group. "Working collaboratively, we have developed a solution that extends the reach of innovative interactive services to TiVo users and we are pleased to be able to showcase this solution at the Cable Show."

TiVo HD DVRs attached to Motorola external adapters are currently on display in both the CableNET and Motorola booths at the 2008 Cable Show in New Orleans. The 2008 Cable Show, which runs May 18 - 20, is the largest cable and telecommunications exhibition in the United States.

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Okay, first, Ballmer has said Microsoft will "support Blu-ray in ways that make sense," and even the hardest blow wasn't a straight-up denial it would never happen. It's still pretty unlikely, but let's say there's a small window of chance. Would it make sense?

If they could do it for cheap enough, it might help extend the life of the Xbox 360 and negate one of the major advantages the PS3 has now—it's one of the cheapest (and best) delivery vehicles for the HD format victor, and that could be a crucial edge going into the holidays, since it's the first holiday season people can feel safe in picking up Blu-ray. HDTVs will be cheaper than ever to boot, so people will want pretty pictures plastered on them. So it does make a certain kind of sense (also why they wouldn't bother with a new attachment but go with a whole new box). But, we're not holding our breath for a Blu 360, by any means. If you are, please buy a salt lick to keep you company, 'cause it might get lonely. [Economic Daily News via Kotaku]

However, there are still plenty of pitfalls that the novice consumer needs to avoid before making the commitment to drop a serious amount of cash on a new HDTV. The list summary is as follows:

•Fake HD and Cable Satellite Channels: Did you know that a number of HD channels broadcast a lot of "fake HD?" Anyone who has ever watched some of TNT's HD broadcasts can attest to that.

•Dynamic Contrast Ratio Measurement Specification: The contrast ratio number is basically meaningless.

•Line Conditioners: They do nothing to improve the HDTV image.

•Deep Color: No deep color sources makes this a worthless feature.

•x.v.Color: Until Laser TVs and xv Color HD discs appear on the scene, this feature is not truly useful.

•1080p HDTVs below 42" (diagonal): If you own a HDTV under 42", chances are you won't recognize the quality difference over 720p—unless you are standing really close to the TV.

•Flat LCD HDTVs 26" and Smaller: The image quality of LCD HDTVs in the 26" inch range or lower is generally poor.

•120Hz HDMI Cables: As mentioned before, expensive HDMI cables are a huge ripoff. Case in point, decent HDMI cable for less than $2. I bought a few myself and they work fine.

•Off Brand Model HDTVs: No-name brands may cost you more down the line.

•HDMI: Horrible connector design can prove problematic. Always pretest your connections.

So there you have it. If you do your homework, you can save yourself a lot of problems (and money) down the line. For a full explanation on the items in this list, check out the HD Guru link. [HD Guru]

DXG ANNOUNCES LOW COST STYLISH HD CAMCORDER

DXG-569V HD 5 Megapixel Ultra-Slim Digital Camcorder Features Sexy Vertical Design in Black & Silver
Available Now at Radio Shack & Other Stores

City of Industry, CA, April 28, 2008 - DXG USA (www.dxgusa.com), one of the fastest growing digital camera manufacturers, announced today the new low priced DXG-569V HD High-Definition camcorder with a sexy vertical design for an ultra-slim form factor that consumers prefer. Available immediately at Radio Shack and other stores for $169 in glossy black and silver, the DXG-569V HD camcorder records real HD video up to 1280 x 720 at 30 fps for videos that are crystal-clear, crisp and colorful.

The DXG-569V HD is a high-definition video camcorder that is well within your reach, letting you capture and record it all — in high-definition video. Sporting a 5 Megapixel CMOS sensor for still image resolution up to 8 Megapixels; a light-weight slim design; large rotational 3" TFT screen; and other advanced camera features, the DXG-569V is the perfect size to bring everywhere to capture real life — from birthdays to baseball games, school performances, vacations and picnics.

In addition, the DXG-569V HD also features a digital voice recorder, so you can record and make notes anywhere you go. And the camcorder also can be used as a mass storage device by connecting it to a PC to easily copy and back-up documents, music files, pictures, and videos from a computer to the camcorder's SD Card.

View High-Quality Videos on Your HDTV

Home videos can be shared with friends and family by connecting the DXG-569V HD to a TV. Since the camcorder lets you view videos in 4:3 or 16:9 (panoramic) aspect ratios, it's perfect for your plasma or HDTV. You can also connect the DXG-569V HD to your PC and upload videos online to video sites, like YouTube and others, to share your videos with friends, family — and the world.

The DXG-569V HD comes complete with the ArcSoft Total Media Extreme software that lets you create, edit and watch videos. The software (normally a $99 retail value) features two unique applications:

· TotalMedia Theatre: a high-quality video playback application that enhances your movie-watching experience with cool features and options right from your PC.

· TotalMedia Studio: a fun and easy-to-use program that lets you make amazing and customized movies. You just need to follow a few simple steps, and in no time, you'll be able to burn and share your homemade videos.

DXG-569V HD Features:

* Digital Camcorder
o Records full-motion video in High-Definition
+ HD Resolution: 1280 x 720 at 30fps
o Records video in H.264, MOV file format
o 2X Digital Zoom
o 3-inch TFT Screen
o Displays video on TV with A/V Out port

# Digital Still Camera

* 5 Megapixel CMOS sensor
* Captures still images in JPEG format up to 8MP image resolution
* Built-in LED Flash
* Self-timer
* White-Balance Adjustment

* Digital Voice Recorder
o Records voice notations and reminders

* Mass Storage Device
o Comes with 32MB onboard memory
o SD Card slot, supports High-Capacity SD Cards
o Connects to your PC to store and transfer data files
o USB2.0 interface for fast transfer of files

The DXG-569V HD is available immediately in two colors: silver and black, with a retail price of $169.99 from RadioShack and other leading retailers. For more information, see www.dxgusa.com .

About DXG USA

DXG USA "The Digital Camera Company" is one of the fastest growing digital camera manufacturers in the United States, selling attractively-designed digital cameras for the youth and mainstream markets. Compact, fashionable and affordably priced, DXG digital cameras are setting trends for quality and utility. DXG USA is a fully-owned subsidiary of DXG Technology Corporation, one of the world's leading manufacturers and designers (OEM/ODM) of digital cameras and camcorders. With over 20 years of experience manufacturing digital technology products under other brand names, DXG now designs and manufactures cameras under its own name. DXG Technology has won numerous design and innovation awards and employs over 4,000 people worldwide.

For more information on DXG USA, please visit www.dxgusa.com .

Unfortunately for Adam, Addy, and David Bowie, however, it won't be a 24/7 Live Earth channel, but an hour-long broadcast that is going to be repeated from April 18. The film has been edited from high quality HD footage taken from the International Space Station and the shuttle.

NASA to Broadcast Earth Views in High Definition Television HOUSTON — Since humans first flew in space, nothing has captivated astronauts more than the view of home out the window of their spacecraft. In honor of Earth Day, April 22, NASA will make those views available to people here on Earth with an event highlighting imagery taken by astronauts and the science behind it.

For the first time ever, NASA Television will air a special hour-long broadcast of views of Earth taken in High Definition, or HD, by astronauts on past space shuttle and International Space Station missions.

The special HD broadcast will air between 6 a.m. and 8 a.m. EDT on Friday, April 18, and replay at the same time on Monday, April 21. It will air every hour from 6 a.m. to 8 p.m. on Tuesday, April 22.

The Friday HD broadcast will feature a silent version of the Earth views. The broadcasts on Monday and Tuesday will include a discussion of the views by Dr. Justin Wilkinson, a scientist with the Crew Earth Observations Office at NASA's Johnson Space Center in Houston.

The footage also will air on standard NASA TV during regularly scheduled Video File broadcasts. For technical information on how to receive the special broadcast in high definition, and for NASA TV streaming video, downlink and scheduling information, visit NASA TV.

Until that day, you will have to keep smoking your astroturf watching Flight of the Conchords reruns:

[NASA TV]

• "Content available on cable networks is changing all the time. New services are added, some are redesigned and others are removed."

• "SDV technology is designed to expand the range of services offered by cable operators, not reduce them."

• "Many CE companies chose to implement receivers that lack the necessary circuitry to provide a full two-way cable experience with the CableCard."

• "No product was ever originally designed to work with this new Tuning Adaptor including the existing Tivo UDPC products...Since consumer products don't use Microsoft Windows, they don't have plug-in drivers. Instead a new firmware update is needed to include the necessary driver controls to interact with this new external device. Makers of any existing UDCPs that already have a USB port (there are many) are just as able to provide new firmware as Tivo, if they chose to do so."

• "Consumers should look for products identified as tru2way to ensure they will be able to get all the new and advanced services their digital cable systems can deliver."

Last we checked, Panasonic was the only one with a tru2way TV pegged to an actual shipdate, and Comcast was the only cable company even talking about implementing it this year, but again, hopefully we'll hear a lot more about this come the NCTA's Cable Show on May 18-20. We certainly look forward to hearing good news from CableLabs (and we're sure they look forward to sharing some). [CableLabs; Original HD Guru Story]

Cablevision and Time Warner Cable say that there is a CableLabs fix, a USB-based dongle that will enable the upstream communication required for SDV. But Merson says makers of CableCard TV sets (fewer and farther between these days) can't make use of any USB dongles. TiVo, on the other hand, said in December it would release the SDV-compatible dongle at an unspecified time this year, though they're not talking any more about it at the current time.

It's a lot of cable-tech mumbo jumbo, but if it means losing channels (and not getting any kind of payback for the loss, says Merson), well, it's a crisis. Fortunately, the big industry Cable Show will be happening soon, so let's make sure they have something to talk about. Check with your provider, and let us know if you're experiencing any SDV-related shafting on your end. [HD Guru]

Updates look to be disappointingly minor, with more studio output options, expanded image control, Speedlite shoe mount, and the ability to record external in XLR mics at the same time. The spec-similar 20X HD zoom lens has also seen an update for improved manual controls/ergonomics. But the biggest component, the three 1/3 inch, 1.67 Megapixel CCD Image Sensors along with Canon's proprietary DIGIC DVII HD Image Processor—seems to be a complete rehash of the XL H1—a camera that's now over two years old.

Oh, and the bonus for forking over $3,000 more for the XL H1S?
"The XL H1S model provides expanded connectivity by incorporating HD-SDI (SMPTE 299M)/SD-SDI (SMPTE272M) output with embedded audio and time code, providing a raw, uncompressed 1.485 Gbps signal for demanding live production environments, SMPTE Time Code input and output terminals, and a Genlock output terminal for multi-camera shooting situations."

Outputs and Genlock.

Here are the full details:

CANON'S NEW XL H1S AND XL H1A HD CAMCORDERS PROVIDE ADVANCED FEATURES

FOR ENHANCED CONTROL AND OPERATION
New 20x HD Video Lens, Enhanced Image Control and Other User-Requested Refinements Serve the Needs of Event Video, Documentary Filmmaking and Pro Markets

LAKE SUCCESS, N.Y., April 10, 2008 - Building on the success of its acclaimed XL H1 High Definition (HD) camcorder, Canon U.S.A., Inc., a leader in digital imaging technology, has introduced the new shoulder mount XL H1S and XL H1A HD camcorders, which include new advanced features requested by professional users for improved operation and image control.

Canon's new XL H1S and XL H1A camcorders, which will be on display at the 2008 NAB Show (Booth #SU3020), feature an updated Canon 20x HD Video Lens with three independent manual adjustment rings (focus, zoom and iris), as well as enhanced manual focus and zoom control. Additionally, the XL H1S and XL H1A incorporate an expanded array of controls for customizing the image, display, and operation to match individual needs. Utilizing the industry's most affordable digital video recording media - HDV tapes - both models are ideal for such long-form production applications as wedding and event videography, digital filmmaking, documentary production and media education.

Both the new XL H1S and XL H1A deliver superior HD image quality with their Genuine Canon XL interchangeable lens system, three 1/3 inch, 1.67 Megapixel CCD Image Sensors, and Canon's proprietary DIGIC DVII HD Image Processor. Both models also feature a durable six-pin IEEE 1394 terminal, providing a more robust connection to external hardware.

The XL H1S model provides expanded connectivity by incorporating HD-SDI (SMPTE 299M)/SD-SDI (SMPTE272M) output with embedded audio and time code, providing a raw, uncompressed 1.485 Gbps signal for demanding live production environments, SMPTE Time Code input and output terminals, and a Genlock output terminal for multi-camera shooting situations.

"The new XL H1S and XL H1A HD camcorders continue to meet the needs of producers, event videographers, and digital cinematographers with superior Canon optical and imaging technology, and with the most cost-effective medium for high-quality HD video capture and storage, which is HDV tape," noted Yuichi Ishizuka, senior vice president and general manager, Consumer Imaging Group, Canon U.S.A. "Canon's unsurpassed quality is seen in our broadcast HDTV lenses and the Canon EOS digital photography cameras. This know-how directly benefits the quality of Canon professional and consumer HD camcorders. Recently, our consumer camcorders claimed the number-one position in total high definition camcorder unit sales above $200 in both January and February of 2008, according to The NPD Group's Retail Tracking Service."

New Genuine Canon 20x HD Video Zoom Lens III
Leveraging Canon's expertise as a worldwide leader in optics, the XL H1S and XL H1A feature a redesigned Genuine Canon 20x HD Video Zoom Lens equipped with Canon's XL lens mount. The XL lens mount enables users to interchange lenses, such as Canon's optional 6x wide-angle lens, Canon EF photographic lenses, and many other lenses for specialized image capture. The XL H1S and XL H1A HD camcorders' new Genuine Canon 20x HD Video Zoom Lens III offers independent manual zoom, focus and iris rings, which can operate simultaneously. These rings have been redesigned for easy access and comfortable operation. Other innovations of the lens include: three sensitivity settings for the manual focus ring; fast and slow zoom speeds; smooth movement when starting or stopping zooms; and selectable rotational angles between the tele and wide ends of the lens zoom. Simultaneous zoom and focus control are also possible in either Manual or Auto Focus mode. The new Genuine Canon 20x HD Video Zoom Lens III incorporates aspherical lenses to reduce flare and fluorite lens elements to minimize chromatic aberration. Additionally, the lens features Canon's SuperRange Optical Image Stabilization (OIS) system, which corrects camera shake instantly on hand-held shots at full telephoto, shots taken from a moving vehicle, or other challenging situations.

User-Definable Operation
The new camcorders provide users with an unprecedented range of image/color settings, camera-control functions, and viewfinder display choices. Video can be captured and output in multiple frame rates to meet the demands of diverse production assignments. These frame rates include: 60i for mainstream production; 30F for perfect frame grabs or Web delivery; and 24F for emulating the look of motion-picture film. Canon's Factory Service Center can also provide an optional upgrade to add 50i and 25F frame rates. The camcorders can be switched in all frame rates between 1080-line 16:9 aspect ratio HD video and 480-line 4:3 aspect ratio SD video (or 576 lines in 50i or 25F mode).

Both the XL H1S and XL H1A HD camcorders provide Total Image Control for customizing image and color settings, with a total of 23 custom presets available for image-quality adjustment, with the range of image color presets extended from +/-9 to +/-50 steps for fine-tuning the picture (an important feature for achieving the visual subtleties favored by cinematographers). Custom image pre-set files can be stored to an onboard SD/SDHC Memory Card and shared with another Canon XL H1S, XL H1A, or with Canon XH G1 and XH A1 HD camcorders for seamless multi-camera production work.

Custom camera functions and operation settings total 21 items and 33 sub-items for achieving creative "looks" for footage. Among these new functions are: "shockless" white balance for smooth, color-accurate dissolves between two pre-set white balance values (adjustable from 2000K to 15000K); the ability to increase gain in 0.5dB increments from 0dB up to +18dB, and there is also additional -3dB and +36dB settings. A selective noise-reduction function is available for reducing the noise in targeted color areas, which is important for blue/green chroma-key applications in special effects work and for shooting insufficiently illuminated backgrounds.

Using the custom display settings feature, a camera operator can tailor the display to their shooting style. These include 22 items and 40 sub-items for selection of status information that can be shown in the XL H1S and XL H1A HD camcorders' 2.4" combination EVF/LCD monitor.

Audio Capture and A/V Connectivity
User-requested refinements in the XL H1S and XL H1A audio capabilities include: two-channel audio performance; two built-in XLR terminals with separate audio-input sensitivity settings; the ability to simultaneously record sound from an external microphone and the supplied internal microphone; line output level switching; an audio (manual) limiter; a new metal headphone jack for reliable connectivity. Another important new feature is embedded audio (and SMPTE time code) in the XL H1S HD camcorder's uncompressed HD-SDI/SD-SDI digital output via an industry-standard BNC connector.

Other improved connections on the XL H1S and XL H1A HD camcorders include an external LCD monitor output for critical focus confirmation on an optional larger monitor simultaneous RCA and BNC video output for added monitoring and dubbing convenience, and a photo-flash accessory shoe to support use of Canon EX Series Speedlites.

The new Canon XL H1S HD camcorder is scheduled to be available in early June for an estimated retail price of $8,999, and the XL H1A, which will have an estimated retail price of $5,999, is scheduled to be available in mid-July.

DVice has a side-by-side of the FiOS vs. Comcast comparison as well, and things look pretty damn ugly.

The forum poster says that the compression isn't too horrible with still images, but gets really bad when stuff moves around.

The greatest differences are seen with movement. With slow movement on Comcast, the first thing you notice is added noise and a softer image, as fine detail is filtered from the picture signal. The greater the rate of movement, the more detail you lose and the more noise you see. With intense movement, you see more blocking and skipped frames. In VideoRedo, I noticed that a number of frames in the FiOS signal simply did not exist in the Comcast signal during motion intensive scenes. This may be responsible for the stutter and excessive motion blur seen with some video sequences on Comcast.

To Comcast's credit, I saw little to no difference on movie channels such as HBO, Cinemax, and Starz. I did see some blurring and reduced detail during fast movement on Starz, but the recordings from Cinemax and HBO were virtually identical, even on action movies such as 300 and Gladiator. When there was blocking on the Comcast feed of Cinemax, that blocking was also on the FiOS feed.

[AVSforum via DVice]

Note: this is not a parody. Sometimes the world just feels like one. [Seen On TV]

But the neatest thing from a production standpoint? Apparently elephants move so smoothly that the improvised footage resembles that shot with a Steadicam rig. Look for the show on BBC One this Sunday, March 30th. [BBC and dailymail via bbgadgets]

In 2010, they'll have to have full HD carriage—"carry one, carry all in HD"—in 15 percent of markets where they offer HD, creeping to 30 percent the next year, 60 the next, and finally 100 percent of their HD markets in 2013. Since the FCC didn't tell them which markets the rollout would have to hit, people out in the sticks are going to be stuck with sub-HD signals on some channels for the longest, since the competition out there is softer than stiff.

Suckier still, if a digital station "demands HD carriage," then Dish and DirecTV don't have to offer it in standard def to people without HD boxes. Cable on the other hand, got none of these concessions from the FCC, so while it might be harder on them, it's better for us, at least on the surface. [Multichannel, Image via Flickr]

PANASONIC UNVEILS COMPANY'S FIRST TOUCH-SCREEN LUMIX DIGITAL CAMERA, COMPLETE WITH 25MM ULTRA-WIDE- ANGLE LENS AND HD VIDEO CAPABILITIES

New LUMIX FX500 Packs 3-inch LCD with Touch-Screen Operation, 5x Optical Zoom and 10.1 megapixels in Slim and Compact Design

SECAUCUS, NJ (March 18, 2008) - Panasonic today announces the LUMIX DMC-FX500, the company's first digital camera with a 3-inch touch-screen LCD - also featuring a 25mm ultra-wide-angle Leica DC lens, 5x optical zoom and 10.1 megapixels. With a dual control system using both touch-screen and joystick operation, the ability to record High Definition (HD) video and advanced Intelligent Auto technologies, the FX500 packs innovative features and intuitive design, helping consumers enrich the digital photography experience and take better photos.

"With the FX500's touch-screen operation, we are giving our consumers a new interface that we think will prove extremely intuitive during playback, photo organization and of course - helping to take high-quality photos," said Alex Fried, National Marketing Manager, Imaging, Panasonic Consumer Electronics Company. "The FX500 represents a new flagship model for Panasonic, as we add brand-new capabilities to our already popular, slim and stylish FX-Series of LUMIX digital cameras and we introduce another model that features a 25mm ultra-wide-angle lens."

The FX500 has a hybrid control system that combines joystick control with touch-screen operation, so users can make fine adjustments by touch, using their finger, or the LUMIX stylus-pen that comes with the FX500. In manual exposure mode, adjustments can be made using the on-screen sliders to adjust aperture and shutter speeds. Users can also set the auto focus and exposure in frames by simply touching the subject, on screen, while recording. In playback mode, a new Easy Organization menu allows for photos to be selected and viewed by scrolling through the thumbnails located below the main window. Then, users can edit the titles using an on-screen keyboard.

The FX500 expands Panasonic's family of wide-angle LUMIX digital cameras and joins the Panasonic LUMIX DMC-FX35 as an ultra-wide-angle lens with a 25mm wide-angle lens, which can capture almost double the photo area at the same shooting distance compared with a conventional 35mm lens*. Also new to the FX500 is Auto Focus (AF) tracking, a feature that tracks the photo subject even if it moves after the AF is set - especially helpful for catching active children or pets.

Panasonic's iA (Intelligent Auto) mode is an advanced system of technologies that engage automatically, so the user does not have to change any settings. Maximizing the iA mode, users can go a step further and easily set auto focus and exposure by simply touching the screen. This kind of quick, easy operation is made possible with the touch-screen technology.

* Intelligent Exposure - To help correct photos from being under- or over-exposed, the FX500 instantly analyzes the framed image and adjusts the brightness in areas that are too dark because of dim lighting, backlighting or the use of the flash.
* Digital Red-eye Correction - Helps eliminate the red-eye problem that sometimes results when taking flash shots at the night. Incorporated into the built-in flash, the camera emits a small preliminary flash before the main flash, detects red-eye and digitally corrects it.
* MEGA O.I.S. - Gyrosensors detect hand-shake and the lens system shifts to compensate, helping to prevent hand-shake from creating a blurry image.
* Intelligent ISO - Determines if the photo subject is moving and changes the ISO setting and shutter speed accordingly.
* Intelligent Scene Selector - Senses the ambient conditions, recognizes the shooting environment and automatically selects the appropriate scene mode from: Scenery, Portrait, Macro, Night Portrait or Night Scenery mode.
* Face Detection - Detects faces anywhere in the frame and automatically chooses the optimal focus and exposure settings so portraits come out clear and crisp. Detecting up to 15 faces, Panasonic's Face Detection can even track a face if the subject is moving.
* Continuous AF - Maintains focus on the subject even without the user pressing a shutter button halfway, thus minimizing the AF time.

Other features include its ability to take1280 x 720p HD video content and still photos with a 16:9 aspect ratio, perfect for viewing on an HDTV. In addition, the FX500 incorporates the Venus Engine IV processor, featuring more advanced digital signal processing technology for taking even higher-quality images. The fdsa proprietary Venus Engine IV also heightens the detection accuracy and corrective features in both MEGA O.I.S. and Intelligent ISO Control.

The Panasonic LUMIX DMC-FX500 will be available in black and silver models for a manufacturer's suggested retail price of $399.95 in May 2008.

*35mm film camera equivalent: 25-125mm

The newest feature for the IN83 is its ability to project a 2.35:1 Cinemascope/widescreen aspect ratio, which allows the project to hook up to any video source since no external scaler is needed. Aside form the new aspect ratio, the following specs are a nice upgrade. The contrast ratio has been bumped up to 5,000:1, from 4,000:1, and can produce a maximum contrast ratio of 15,000:1. And the IN83 now has a max of 1,600 ANSI lumens, up from 1,500. The unit also packs Pixelworks DNX 10-bit video processing.

WIth a $500 price increase over its older sibling, the IN83 will be available later this month for $5999. If you have been interested in the IN82 and don't mind layin' down a few extra hundreds for a slight increase in performance, the InFocus IN83 is right up your alley. (Although 1080p projectors have been dipping below $3000 lately.) [InFocus via Electronic House]