Can Puerto Rico technically be considered international? They're a part of the U.S. I know, they can't vote, but that's kind of like calling Hawaii international.
@Iggy: Yes, if NASA could somehow have used their wizardry to create a zero gravity bubble around the rover, and the astronaut could have done some slow motion back flips in the air, and that thing they do with catching airborne bubbles of tang in their mouths, it would have been most impressive!
Dudes, this is epic!!! Personally I think that this was the best part of the parade. It's basically demonstrating that we are ready go go back to the moon again.
@Tom Zhang: Yes, because the technical challenges of driving down Pennsylvania Avenue during rush hour replicate the difficulty of landing on the moon. :)
I didn't watch the parades (were they even televised?), but it [the parade] looks pretty lame. Whats with all the empty seats around the Obamas? And how come it doesn't look like there is anything else marching in-front-of or behind the NASA group? And what time is it when this happened? Its dark out... was this in the early morning before the inauguration?
@LastVigilante: Security was very tight and access very limited to the area where Obama sat in his viewing booth. There were millions of people who would have wanted to be on that block, but were kept away by security.
As far as it being dark, you also have to figure in that the parade started late due to Senator Kennedy having a seizure during the pre-parade lunch.
It bugs me that John Williams is taking credit for "composing" the piece when it's little more than an variation of Aaron Copeland's Appalachian Spring. It's the classical equivalent of Vanilla Ice taking the opening from "Under Pressure", adding a single note to make it slightly different, then insisting that it was his creation.
@Jen: I agree. I was stuck watching the C-span feed at work. When I heard Appalachian Spring, I wondered how could Williams take credit?
I chuckled to myself when "upper management" thought it was an original piece of work, and how well it was played. What a bunch of frauds (I'm referring to my co-workers, you can draw your own conclusions about the Yo-Yo and the others).
@taylors_dad: @Jen: Actually, you're both making the same mistake! Aaron Copeland did not write the melody you're referring to in Appalachian Spring. It is a traditional Shaker melody that Copeland incorporated into Appalachian Spring, just as Williams incorporated it into his inaugural piece. Because the melody is so famously linked to Appalachian Spring, it's understandable that you might assume Williams was borrowing from Copeland, or that Copeland actually wrote it.
There's also nothing wrong with what either Copeland or Williams did. Neither composer is pretending to compose something they didn't. Incorporating folk songs into new pieces and making variations on them is a standard compositional technique. Besides, Williams' piece was intentionally called an arrangement not a composition. And that the name of Williams' piece "Air and Simple Gifts" includes the name of the Shaker song on which it's based, "Simple Gifts," also lets you know he's not trying to pull a fast one.
I don't have any problem with recording the safety a day before and playing to that, given the temperatures that might make it impossible to play at that temperature without heat lamps, which they didn't put above them.
My issue is with the John Williams arrangement which I thought was kind of lame. When the string instruments were playing fast scales up and down and the clarinet was playing the famous melody, that sounded pretty cool, but there was too much time at the beginning and the end where the music kind of meandered around like a less important scene in a movie.
The arrangement should have had less of that mercurial introduction, more of the famous "tis a gift to be simple" melody, and driven to a more uplifting, conclusive, virtuosic ending on par with Aretha Franklin's hat instead of somewhat meekly petering out.
@kthxbai: I refrained from correcting you once already above. However, since you continue to rain failure upon everything here, I will point out yours.
@kthxbai: That's fine that you dislike phonies, but how can you call someone a phony that you'll never be half as good as? So they decided to do a prerecording. Who the hell cares. It's a prerecording of them anyway. It's not like you dropped a 100 bucks for a live concert and got a prerecording.
@Rabid Penguin: Hey man, Im good at what i do.... im not going to let your assumtions about my suckage bother me... But if i were a world renowned musician, i wouldnt fucking bitch about the fucking cold and i would play at the ceremony becuase or a million different reasons.
@kthxbai: I never said you weren't good, but the fact is you're not a world renowned musician. These guys are. And although you may be "good" I highly doubt you'll ever be as good as them. So to call them phonies is ridiculous. And it sounds to me like you've just bitched more on this blog than they probably did about the cold.
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The whole walking away on a suit was a tad weird though. I was expecting him to jump really high or something.
Cool rover though. Looks like fun to drive!
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Why did I say again? We only went there once...
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As far as it being dark, you also have to figure in that the parade started late due to Senator Kennedy having a seizure during the pre-parade lunch.
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I chuckled to myself when "upper management" thought it was an original piece of work, and how well it was played. What a bunch of frauds (I'm referring to my co-workers, you can draw your own conclusions about the Yo-Yo and the others).
01/23/09
There's also nothing wrong with what either Copeland or Williams did. Neither composer is pretending to compose something they didn't. Incorporating folk songs into new pieces and making variations on them is a standard compositional technique. Besides, Williams' piece was intentionally called an arrangement not a composition. And that the name of Williams' piece "Air and Simple Gifts" includes the name of the Shaker song on which it's based, "Simple Gifts," also lets you know he's not trying to pull a fast one.
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My issue is with the John Williams arrangement which I thought was kind of lame. When the string instruments were playing fast scales up and down and the clarinet was playing the famous melody, that sounded pretty cool, but there was too much time at the beginning and the end where the music kind of meandered around like a less important scene in a movie.
The arrangement should have had less of that mercurial introduction, more of the famous "tis a gift to be simple" melody, and driven to a more uplifting, conclusive, virtuosic ending on par with Aretha Franklin's hat instead of somewhat meekly petering out.
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They're not their.
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"since you continue to rain failure upon everything here..."