JVC TO OFFER WORLD'S THINNEST TUNER-EQUIPPED LCD TV WITH SLEEK, THIN-BEZEL DESIGN AND REDUCED POWER CONSUMPTION

Technology to be offered in two screen sizes

WAYNE, NJ, June 17, 2008 -Establishing a new benchmark in flat panel TV design, JVC in July will market the world's thinnest LCD TVs with built-in tuners*. The new line of super-slim Full HD TVs also weigh less and consume less power than conventional LCD TVs.

JVC's new slim LCD TVs, part of the company's Procision series, feature a cabinet that across most of its width measures a mere 1.5 inches (39mm) deep, with a maximum depth of just 2.9-inches (74mm) at the panel's center. The design ensures that from nearly any angle, the sets present a super-slim appearance. Complementing the slim design is a thinner bezel, further minimizing the presence of the cabinet.

The new super-slim design will be available in two screen sizes in the U.S., the 42-inch LT-42SL89 and the 46-inch LT-46SL89. Both offer 1920 x 1080p resolution.

The slim design was made possible through the use of a new JVC-developed slim panel backlight unit and power supply substrate, or chassis. The new slim LCD panel backlight unit is 40 percent smaller in depth and bezel width compared to a conventional LCD backlight, measuring just 0.79 inches (20mm) deep and 0.51 inches (13mm) wide. In addition, the unit weighs only 26.4 lbs (12kg) and consumes a mere 145W (see diagram 1).

*with built-in tuners as of January 6, 2008, according to a JVC survey

Efforts to reduce the depth of an LCD panel backlight result in uneven hot spots appearing on the LCD screen surfaces because CCFL light sources are brought closer to the liquid crystal panel (see diagram 2). To overcome this problem, either light-diffusing plates are applied or more CCFL tubes are used. But the former approach can result in lower brightness, while the latter approach can be costly and increases power consumption.

JVC's display engineering team succeeded in developing a new, slimmer backlight unit by optimizing the light-diffusing plates and light-reflection sheets, as well as improving its overall composition. This provided uniform light-diffusion at all the corners and edges without the addition of more CCFL tubes, while maintaining adequate luminance to ensure that the screen always remains bright (see diagrams 3 and 4).

JVC also developed a slimmer yet efficient power-supply substrate and employed a direct-mount configuration for it on the LCD panel backlight unit with a fan-less heat dissipation system to further reduce power consumption.

Both models will be VESA compliant for easy wall mounting, but JVC will also offer its own mounting solution - a wall mount designed to position the slim TV closer to the wall than does a standard mount.

Both sets include a full complement of connections, including three HDMI inputs, two component inputs, one S-Video in and a PC input. Other features include front touch sensor controls, a headphone jack, USB picture viewer and an illuminated universal remote control.

The new JVC super-slim LT-42SL89 and LT-46SL89 will be available in July with approximate retail prices of $1,899.99 and $2,399.99, respectively.

New JVC HD Everio Line Includes World’s First 50-Hour AVCHD Camcorder And Dual-Format Models

Two new HD models offer both AVCHD and MPEG-2 recording

WAYNE, NJ, June 17, 2008 – JVC has added three new high definition camcorders to its HD Everio line,
including a pair of dual-format models, one of which records up to 50 hours of AVCHD Full HD video.

Two new models, the GZ-HD40 and GZ-HD30, are the world’s first
AVCHD / MPEG-2 dual-format camcorders, allowing access to the
superior long time compression afforded by AVCHD, as well as
MPEG-2’s superior editing and post-production environment. Both
offer 1920 x 1080 Full HD recording in both formats to a 120GB (GZ-
HD40) or 80GB (GZ-HD30) internal hard disk drive. The third new
model, the GZ-HD10, offers 1440 x 1080 recording in the AVCHD
format to a 40GB hard drive.

Technologies behind the scenes include new CMOS imaging chips
with interpolation technology, the HD Gigabrid Duo chip that includes codecs for AVCHD in all
camcorders and MPEG-2 in the GZ-HD40 and GZ-HD30 as well as noise reduction technology, and 1920
x 1080/60P output for all camcorders via HDMI™ (V.1.3 with x.v.Color). Ease of use innovations include
Intelligent Grouping, which sorts and groups together similar themed scenes for easier access, and
Digest Playback, which creates a video montage of scenes, much like a “coming attractions” clip, when
they’re burned to a DVD.

JVC designed the GZ-HD30 to meet the needs of a broad segment of people who shoot video, including
family users. More compact than the GZ-HD40, it offers all of the performance and nearly all of the
features of that model, except it has a slim 80GB internal hard disk for a maximum 33 hours of Full HD
recording, and does not come with a docking station. As of June 2008, it is the world’s smallest Full HD
camcorder with 1.8” HDD.

JVC provided the GZ-HD40 with a 120GB hard disk drive for up to 50 hours of AVCHD Full HD video
recording, and a docking station to meet the requirements of the prosumer or high-end enthusiast.

JVC designed the small sized HD Everio GZ-HD10 thinking of the needs of budget-conscious users, yet it
offers a high quality KONICA MINOLTA HD LENS and a 40GB hard disk that provides up to 16 hours of
high-definition recording. The GZ-HD10’s 1440x1080 AVCHD recordings are also up converted for
playback at 1920 x 1080/60P via HDMI.

All three of the new HD Everio camcorders can connect to the optionally available CU-VD50 Everio
SHARE STATION with stand alone playback. The new HD Everios can also connect to the JVC CU-VD3
SHARE STATION to offer an even more cost-efficient archiving and playback solution. The combinations
offer the world’s first PC-less solution for AVCHD and MPEG-2 burning and playback, with AVCHD DVD
discs that can be shared with commonly available AVCHD compatible Blu-Ray players.

1920 x 1080 Full HD Recording
The GZ-HD40 and GZ-HD30 both have three AVCHD recording modes that all record Full HD 1920 x
1080 video. The only difference among modes is the bit rate, and while using the highest bit rate yields
the highest quality results, the image quality is remarkable even using the lowest bit rate EP mode. And
since 1920 x 1080 is truly native HDTV resolution, it requires no conversion on the part of the display
device to show high definition images.

The GZ-HD40 and GZ-HD30 also have the FHD mode for recording Full HD 1920 x 1080 MPEG-2
Transport Stream video with MPEG-1 Layer 2 audio. The GZ-HD10 records solely in 1440 x 1080
AVCHD format.

AVCHD MPEG-2 TS
1920x1080 1920x1080 1440x1080
Model / Record Mode XP SP EP FHD 1440CBR*
GZ-HD40 (120 GB) 15hr. 21 hr. 50 hr. 10 hr. 10 hr.
GZ-HD30 (80 GB) 10 hr. 14 hr. 33 hr. 6 hr. 6 hr.
1440x1080
GZ-HD10 (40 GB) 5 hr. 7 hr. 16 hr. - -

For all camcorders
Micro SDHC Card (8GB) 1hr 1hr 28 min. 3hr 20min - -
System Bit Rate (VBR) Ave. (CBR) Ave.
17 Mbps 12 Mbps. 5 Mbps 26.6 Mbps 27 Mbps

*For HDV compatible stream via i.LINK
Continuous shooting time and typical shooting time are approximate. To record video, a microSDHC card with Class 4 or higher performance is required. microSD memory cards (256MB to 2GB) and microSDHC memory cards (4GB and 8GB) have been tested for the following brands: Panasonic, Toshiba, SanDisk, ATP. Note that using other media may result in recording failure or data loss.

New CMOS Chips with Interpolation Technology
The image sensors used in the new HD Everio line are newly developed small size but high resolution
1/3” and 1/4.5” CMOS chips. This CMOS uses proprietary interpolation technology based on what JVC
developed for its 3CCD cameras. This algorithm makes it possible to generate virtual pixel data (orange
diamond area shown in illustration below) from the red, green and blue physical pixels, thereby providing
image information that actually surpasses what’s required for 1920 x 1080 Full HD imaging, or for 1440 x 1080 imaging in the GZ-HD10.

*GZ-HD10 pixels are not diagonal

HD Gigabrid Duo Engine
JVC’s HD Gigabrid video engine, which processes in full 1920 x 1080 progressive video, was the result of
years of experience in signal-processing technology, and uses five digital noise-reduction algorithms as
well as signal processing to improve horizontal scan resolution by approximately 20 percent over JVC’s
previous interlace technology, for an extremely clear and sharp image.

New this year with the HD Gigabrid Duo engine is its further advanced integration, adding the AVCHD
codec (GZ-HD40/30/10), and incorporating all functions of the previous HD Gigabrid engine (including
MPEG-2 codec for GZ-HD40/30), as well as the USB Host controller function for use with an Everio
SHARE STATION.

1080p 60 Frame per second Progressive Output Function
Enabling output of a 1080p 60 fps progressive signal on all three models allows recordings to be enjoyed
on high-end displays. Using the same high power Genessa technology as in JVC advanced displays,
conversion to 1920 x 1080p at 60 fps provides seamless natural video, free of motion judder during fast
action activities, jaggy lines on angles, and moiré patterns on fine detail when zooming. 1920 x 1080 HD
discs played back from CU-VD50 SHARE STATION or via the camera from CU-VD3 SHARE STATION
are also converted to 60 fps progressive.

HDMI™ (V.1.3. with x.v.Color™)
The new JVC HD Everio camcorders record using x.v.Color™ technology. The universal standard xvYCC,
known as x.v.Color, provides more accurate color reproduction with more detail and shades that look
more natural to the human eye. It can display 100 percent of the colors that the human eye is capable of
perceiving, whereas the traditional sRGB system can only display approximately 55 percent. The
difference in color reproduction performance is especially noticeable in greens and yellows. These new
HD Everio camcorders output to televisions directly using HDMI™ (V.1.3. with x.v.Color).

Extremely Quick Response, Designed for High Quality Shooting
JVC’s new HD Everio models minimize the risk of missing an important shot with faster response time for
many operations. For instance, the time lag from pressing the trigger to the start of recording is only 0.08
seconds (trigger sound set to off). That is nearly instantaneous, and a great improvement over the more
common 0.6 second delay. Likewise, the time it takes to power-on the unit has been reduced to 0.6
seconds, whereas competitive models may take over 1.5 seconds. And to play footage, it takes only 3.5
seconds to display the playback picture, which is about half the time required for other manufacturers’
products. These improvements can mean the difference between capturing a crucial shot or missing it.

In addition, JVC HD Everio camcorders include other functions that enhance convenience and quality:
* Hybrid HDD and MicroSD Recording;
* Auto Light;
* Focus Assist and Manual settings;
* Simultaneous to Video Progressive Still Shooting;
* Quick power off;
* 2.8”/ (2.7” for GZ-HD10) Clear wide LCD with Auto Backlight Brightness;
* Mic input and Accessory Shoe;
* Direct Backup button;
* In Camera File Editing (AVCHD).

Innovations in Ease of Use
JVC has equipped its new HD Everio models with new functions to enhance usability. First is the
“Intelligent Grouping” function that at the touch of a button rapidly sorts through and categorizes the
recordings stored on the camcorder’s hard disk into different groups. Up to 1,000 scenes can be grouped
in three seconds or less. With scenes categorized, users will have faster and easier access to desired
scenes, a real convenience as the hard drive fills up.

As an extension of this technology, “Digest Playback” automatically generates a video montage of just the
highlight scenes when HD Everio recordings are copied to a DVD. This digest version of the disc contents,
looking much like a coming-attractions clip, will help the viewer get a general idea of what the disc is
about, saving precious time.

PC-less Archiving Using Exclusive DVD Burners
By connecting the GZ-HD40/HD30/HD10 directly to an optional CU-VD50 or CU-VD3 HD Everio SHARE
STATION via USB, the user can burn 12cm AVCHD discs from all cameras, or MPEG-2 data discs from
the GZ-HD40 and 30 to make backups and permanent
archives of selected scenes in any desired order with
just a few simple steps.

There are several options for selecting clips to be burned
to disc — all clips, manually specified clips, clip files not
yet copied, by date, video playlists created in-camera
and comprised of multiple user-selected clips, or by
event type for those clips that have been tagged with an
icon representing an event category (e.g. birthday, baby,
graduation, vacation, etc.).

Created AVCHD discs can be played on AVCHD
compatible Blu-ray players. The CU-VD50 can also be used as an external DVD drive/burner when
connected to a PC. The CU-VD50 plays back on a TV via HDMI in 1920 x 1080 60p and with x.v.Color,
analog component and as well in standard definition video. The slim CU-VD3 offers the same burning
features, but with playback via the camcorder.

Full Complement of Interfaces
All three models are equipped with USB2.0 and HDMI digital interfaces on the camcorder. The Docking
Station supplied with the GZ-HD40 is equipped with USB2.0 and i.LINK (IEEE 1394).

USB is primarily for file saving, HDMI for digital viewing on large screen displays, and i.LINK streams high
definition video in full resolution or the 1440CBR mode. High definition video streamed by i.LINK in the
1440CBR mode is HDV-compatible and allows footage to be edited using HDV-compatible software
(functionality might be limited with some applications). HD recorded material is down-converted for output
in DV over i.LINK, or in standard definition via the analog component/ composite output.

High Value Software Supplied
For editing and archiving via PC, the new HD Everio models come with the CyberLink BD Solution
software suite for Windows. This includes “PowerDirector™ 6 NE” for HD video editing,
“PowerProducer™ 4 NE” for authoring high definition Blu-ray discs, AVCHD discs and DVD-Video discs,
“PowerCinema™ NE for Everio” for HD file management and playback, and “PowerDVD™ 7 NE” for
playback of AVCHD discs.

The GZ-HD40/HD30 also come with a plug-in that allows HD Everio’s MPEG-2 files to be used with Apple
iMovie HD 6 and Final Cut Pro 5 or 6 video software for the Macintosh. For all camcorders, AVCHD files
can be used with Apple's AVCHD applicable software without a plug-in for the Macintosh.

Model National Ad Value Available
GZ-HD40 $1,299.95 August
GZ-HD30 $999.95 August
GZ-HD10 $799.95 August

[JVC and ]

Essentially a high-end SD card video recorder, the $350 GZ-MS100 records MPEG-2 and features a 35x optical zoom, 2.7-inch LCD screen, about 2 hours of stock battery life, various shooting modes, and an optional (YouTube-friendly) 10-minute recording limit. It'll run $350 this June.

New JVC Camcorder Offers One-Touch Uploading To YouTube™

WAYNE, NJ, May 19, 2008 - Sharing videos over the Internet is now easier than ever with the launch of a new JVC camcorder that provides one-button uploading to YouTube™, the leading online video community that allows people to discover, watch and share originally created videos.
The new JVC Everio S Series memory camcorder, the GZ-MS100, was designed to make sharing simple for the millions of people who enjoy sharing their videos with the world over the Internet. And unlike many of the other camcorders that target Internet users, JVC's GZ-MS100 provides an impressive array of full-fledged camcorder features that give it the versatility to do more than shoot short Internet videos.
It looks strikingly similar to the popular Everio G Series camcorders, but is smaller and weighs only 0.60 lbs. including battery, because it records to an SD Card (user provided) instead of a built-in hard disk drive. The ever-increasing capacity and affordability of new SD Cards appearing on the market means that over time Everio S will be able to offer expanded recording time at a lower per minute cost.

Once the provided CyberLink software is installed on a Windows® PC, uploading video clips to YouTube™ is quick and easy. The camcorder has an UPLOAD button that works in two ways. In the camera mode, press UPLOAD and then the trigger, and this limits recordings to 10 minutes in length, which matches the YouTube™ file size limit. This eliminates the need to manually time recordings or go back to edit and shorten footage. After recording is done, connect the GZ-MS100 to a PC via a USB cable and press the UPLOAD button. This automatically launches the supplied application for uploading to YouTube™. After just a few mouse clicks the video will be up on the Internet for everybody to see. The original video quality is maintained in the camera, so it can be used for any other purpose.

For storage and cataloging, recorded videos can easily be transferred to a PC via USB2.0 or directly using the SD Card. The provided CyberLink application also allows easy burning to DVD using the computer's optical disc drive. Or, to create DVDs without using a computer JVC offers the CU-VD3 Everio SHARE STATION as an option. Since it was designed as an Everio companion, this DVD burner accommodates Everio's USB Host function that allows scene playback order to be rearranged within the camera before transfer.

The GZ-MS100 features Laser Touch Operation, first offered in the Everio G Series camcorders released earlier this year. The feature's scroll bar and buttons are touch-sensitive so the user just glides a finger up or down the bar to choose menu items while its blue light follows the movements. The LCD screen itself is never touched, so it won't get dirty, smudged or covered in fingerprints. The 2.7-inch LCD screen, the same one used on Everio G series models, has Auto Backlight Control to automatically adjust brightness for comfortable viewing indoors or outdoors. And with Auto Power ON/OFF, the user simply opens up the LCD to power-on and start shooting (takes only about one second if Quick Restart mode is engaged), and closes the LCD to shut the power off and avoid draining the battery.
The shape of the camcorder itself facilitates ease of use, with a contoured grip that snugly and securely fits the palm of the hand.

In addition to the supplied BN-VF808 rechargeable battery that provides 2 hr. 5 minutes of operation per charge, higher capacity batteries are available: BN-VF815 for 4 hr. 15 minutes and BN-VF823 for 6 hr. 25 minutes of continuous operation per charge.

Up front, the GZ-MS100 is equipped with a KONICA MINOLTA LENS that provides a 35x optical zoom with excellent picture quality. JVC's proprietary Gigabrid Engine also contributes to quality by incorporating six digital noise reduction systems to improve the S/N ratio by about 30 percent (3dB) over previous models, and integrating the MPEG-2 encoder to help reduce block noise and mosquito noise. Other full-fledged camera functions include Program AE with shooting modes to accommodate a variety of situations (Night, Twilight, Portrait, Sports, Snow, Spotlight), Digital Image Stabilizer to minimize camera-shake, and much more.

The JVC GZ-MS100 will be available in June for $349.99.

The projector demo was cool, because it's the first product Pioneer branded Kuro but didn't build itself. It was pretty impressive, though to be honest, there was no immediate comparison. Still, see for yourself: [Pioneer 2008 Kuro Launch on Giz]

More Kuro Than Kuro
On the plasma front, Pioneer's new Kuros fit midway on the contrast gamut between the previous generation and the "Extreme Contrast" panel shown at CES. The five-times-deeper blacks don't show up on the brightly lit sales floor as well as they do in a dimly lit home, but Pioneer's Russ Johnson says they will blow away videophiles, particularly with respect to color purity and gradations of shadow. The idea is that you will see more without colors being blown out, and without "hotspots" that make whites too bright. There will be two 1080p plasma TVs out next month, the 50" PDP-5020FD for $4,000 and the 60" PDP-6020FD for $5,500. They're both about 20% thinner than the previous Kuro models, now measuring 3.7" thick. Besides the features that it shares with the previous generation, these Kuros have a new remote control and new HD GUI for better ease-of-use. We're also told they have some networking capabilities—Home Media Gallery plus DLNA compatibility with PCs and other network devices. More on that when we check them out.In the Elite line, Pioneer is rolling out souped-up versions of the above TVs at $1,000 premiums—the 50" PRO-111FD and 60" PRO-151FD. The bigger news from a gadget perspective is that there will be two plasma monitors that are even thinner. They will be 50% as thick as the original Kuro, measuring just 2.5". As monitors, there have no ATSC tuners or speakers, but they will be highly customizable thanks to some serious connectivity and remote access tools. It's a rich man's product, for sure, but worth knowing it's hitting the market, since the tech will eventually trickle down.That Projector Rings a Bell
As for the KRF-9000FD projector that snuck out at the European launch, some were smart enough to spot it as a re-branded JVC RS2 or HD100, the two so similar they're referred to as "twins". Johnson tells us that the company chose the LCOS projector because its performance was "consistent with the deep black levels" of the Kuro line. Pioneer added some tuning options to jive with Kuro deep-black benchmarks, but at this time the company did not do too much to make it a product distinct from JVC's. It will be branded simply as the Pioneer Elite Kuro Projector, and it will sell for $9,000, as early as June via the Elite dealer network.

Why No LCDs???
Johnson was good enough to shed some light on the missing LCDs. It turns out, Pioneer Europe has a different LCD supplier than Pioneer USA. Pioneer's European supplier—Philips?—has Pioneer's global LCD partner—Sharp—supplies different product to Europe than it does to the US. Sharp supplies 1080p LCDs in 32", 37" and 46" sizes with 100Hz frame mode to Pioneer Europe, but can't bring them to the US—even for itself. Of course in the US, it would be 120Hz, not 100Hz, a PAL spec. Those are the baseline requirements for Pioneer to work its Kuro magic. These requirements can't be met by the US LCD affiliate, says Johnson, "not even in their own line-up", but he does expect them to come eventually. Since Philips is no longer in the US TV biz, and since Sharp appears to be Pioneer's other LCD partner, I guess we'll have to wait until Sharp catches up.

That Kuro Secret Sauce
All this hullabaloo about Pioneer quitting panel manufacturing and instead buying panels from Panasonic made us ask Johnson exactly how Kuro will stay alive, and he surprised us with some factoids:
• The second-gen Kuros gets the 5X deeper black with the same panel, plus better filtering and video processing.
• Even the "Extreme Contrast" CES panel, the one that freaked us out, was based on "current glass," and not some futuristic laboratory panel. "It's how you fire the pixel," says Johnson. We don't know exactly what that means, but it's strangely reassuring. [Pioneer USA]

Despite recording in MPEG 2 1080i, the camera uses a conversion engine to fire out a 1080/60p signal through HDMI to your HDTV. This is, according to JVC, a world first. To find out whether this improves your video viewing quality, you'll have to wait until mid-February to buy it in Japan and spend ¥170,000 ($1,600) on the HD6 or ¥150,000 ($1,400) on its 60GB sibling, the HD5. [Impress AV Watch]

Anyone who's ever tried to "install" a 50 inch plasma or LCD all by themselves (GUILTY!!) knows that this here is wonderful news, and not too far off. Many of these TVs will be shipping in 2008 and some in 2009. By and large, the buzz is that, before we get to the next wave of TV technology, there will be some nice improvements in the current stuff. TV manufacturers, my back and my little pinky finger thank you!

All three have new Konica-Minolta lenses with a 35mm equivalent zoom of 44-440mm, record video in the highest Fine mode at 720 x 480 pixels and have 2.7 inch 122,000 pixel LCD monitors. The ISO1000 mode will appeal to shooters who often find themselves in low light. Somewhat confusingly the blurb tells us that you can also record to microSD(HC) cards, but what the heck: this may be useful to augment the 30GB hard drive on the entry level version (40GB on the upper end). Around 2.7 x 4.7 x 2.7 inches and 0.84 pounds with battery, they will come with a dock and be available first in Japan for between ¥90,000 and ¥100,000, which is about $850 to $950 once they make their way over the Atlantic.

[AVWatch]

You're not going to get any grime on that screen with this slim guideway for your finger, situated just to the left of the 2.7-inch widescreen. All the adjustments are available with a quick slide up or down, and your screen stays clean. This highest-end GZ-MG730 camcorder comes with a docking station, from which it's easily removed.

We like its sharp f/1.8 Konica Minolta lens, which snapped into focus quickly, and takes some great-looking stills, too, with its separate engines for stills and video. Definitely a coolCam, the $800 pocket shooter rolls out for sale in February.

The price: $150

The details: It's easy to swap between your two iDevices, complete with programmable color coordination. And this JVC dual dock features all the amenities you'd expect from an iPod dock: an alarm, video out, audio in, but most impressively, the neatest little remote we've seen in a dock yet. The thing has a real scroll wheel. Seriously, you don't see this in iPod docks, so I wonder if JVC is paying an arm and a leg for the convenience (though I'd bet that they are just a little more generous with their patent interpretations).

DUAL iPod® MODEL AMONG NEW DOCKING STATIONS FROM JVC

New NX-PN7 plays and charges two iPod players; new iPod-docking clock radio also debuts.

LAS VEGAS, January 6, 2008 - iPod® users can double their listening pleasure with the new JVC NX-PN7, an iPod dock that holds two of the ubiquitous music players. The new dual dock is joined by another new JVC iPod dock, the RA-P31, a clock radio-style model.

The new dual dock NX-PN7 accommodates two iPod players side-by side, charging them simultaneously and offering playback from each through the dock's speaker system. Supplementing iPod playback is an AM/FM tuner, and adding to the unit's versatility is a clock and timer. In addition, there's an analog audio input for connecting other devices for playback.

Though the NX-PN7 handles two iPod players, it measures a mere 13 inches wide. It features sleek and sophisticated styling, with a black cabinet and speaker grille, and controls arrayed clearly and logically in a band along the bottom. Adding a bit of flair are two illuminated strips, one under each docked iPod. These can display one of nine colors - including white, blue, red and others. The included remote features dedicated iPod control keys that simulate the iPod control wheel layout and users are able to easily shuffle, repeat, scroll and select songs from the iPod menu.

For those searching for a portable iPod-playing replacement for the standard clock radio, JVC offers RA-P31. This low-profile unit features an iPod dock on top, FM tuner, calendar, dual alarm, white backlit display, two-inch built-in stereo speakers and a surround mode to produce a wider sound field. There's also an auxiliary input for connecting another playback device, and an included remote control. What's more, the RA-P31 can be AC- or battery-powered (six AA batteries). The RA-P31, measures just over one-foot long, stands less than three inches tall and weighs 1.6 lbs. (without batteries).

Model
Availability
National Ad Value
NX-PN7
April 2008
$149.95
RA-P31
April 2008
$99.95

The slim design was made possible through the use of a new JVC-developed slim panel backlight unit and power supply substrate, or chassis. The new slim LCD panel backlight unit is 40 percent smaller in depth and bezel width compared to a conventional LCD backlight, measuring just 0.79 inches (20mm) deep and 0.51 inches (13mm) wide. In addition, the unit weighs only 26.4 lbs (12kg) and consumes a mere 145W (see diagram 1).

Efforts to reduce the depth of an LCD panel backlight result in uneven hot spots appearing on the LCD screen surfaces because CCFL light sources are brought closer to the liquid crystal panel (see diagram 2). To overcome this problem, either light-diffusing plates are applied or more CCFL tubes are used. But the former approach can result in lower brightness, while the latter approach can be costly and increases power consumption.

JVC's display engineering team succeeded in developing a new, slimmer backlight unit by optimizing the light-diffusing plates and light-reflection sheets, as well as improving its overall composition. This provided uniform light-diffusion at all the corners and edges without the addition of more CCFL tubes, while maintaining adequate luminance to ensure that the screen always remains bright (see diagrams 3 and 4).

JVC also developed a slimmer yet efficient power-supply substrate and employed a direct-mount configuration for it on the LCD panel backlight unit with a fan-less heat dissipation system to further reduce power consumption.

Both models will be VESA compliant for easy wall mounting, but JVC will also offer its own mounting solution - a wall mount designed to position the slim TV closer to the wall than does a standard mount.

The new JVC super-slim LT-42SL89 and LT-46SL89 will be available in early summer. Prices will be announced at that time.

JVC EVERIO HARD DISK CAMCORDERS OFFER ENHANCED USABILITY IN A COLORFUL LINEUP FOR 2008

New line features new touch-sensitive scroll bar, super-slim design
and a selection of elegant body colors.

LAS VEGAS, January 6, 2008 - A new line of JVC Everio Hard Disk Camcorders features a new, super-slim design that makes them the world's smallest hard drive camcorders* on the market. The new Everio line, unveiled today, also offers new functions that make operation simpler and more intuitive, and models available in four different colors.

For 2008, there will be Everio camcorders available in sapphire blue, ruby red, diamond silver and onyx black, allowing consumers to choose a model based on features, budget and style. Also new is Laser Touch, a touch-sensitive scroll bar that simplifies operation, both 30GB and 60GB models, and a new design that's some 20 percent smaller than last year's entry-level model. In addition, a higher-end model offers higher-resolution digital stills by virtue of a 7 Megapixel CCD, making it unnecessary for people to carry both a camcorder and a digital still camera. This model is the first in the world to have an embedded 1.3" hard disk drive (30GB), which allowed JVC to integrate a large 1/2.5" CCD and its accompanying large optical lens section, without getting bulky — thereby providing the quality benefits of a large lens while maintaining a small body and offering large capacity.

A new innovation found on all 2008 Everio G Series models is the Laser Touch Operation user interface - a touch-sensitive illuminated scroll bar just to the left of the LCD monitor screen. Simply moving a finger up or down along the scroll bar allows the user to browse through and select video clips to view or edit, and operate menus for camera set-up. The 2.7-inch widescreen LCD's high-resolution GUI is linked to
Laser Touch movements, but the feature eliminates the risk of smudging or damaging the screen that users face with a touch-screen interface. And to provide better LCD visibility when shooting outdoors, the display features a new Auto LCD Backlight Control.

The Everio G Series offers a triple advantage of easy shooting, easy editing and easy archiving. Archiving is made especially convenient with the optional SHARE STATION DVD burner (CU-VD3), which for 2008 sports a new dramatically slimmed-down design that makes it much easier to carry along when traveling. One touch of the camcorder's Direct DVD button transfers footage from the camcorder to a SHARE STATION DVD burner or PC to automatically burn a DVD containing all the footage, selected footage or new footage only. The Direct Back-up button backs-up recordings to a PC through a USB 2.0 high-speed interface to free-up camcorder hard disk space. A DV (IEEE 1394: i.LINK, firewire) output is on the Everio dock (included with some models) to allow easy dubbing to DVD or hard drive recorders, and enables footage to be imported using many third-party NLE (non-linear editing) applications. But some basic editing can be done without a PC. Scene playback order can be rearranged within the camera, and 20 preset title screens can be inserted into the footage while viewing it or burning it to a DVD. These colorfully designed title screens are linked to the menu language setting, so they can be displayed in English, Spanish or French.

Picture quality is maximized by the use of an F1.8 KONICA MINOLTA LENS on most 2008 Everio G Series camcorders. This high-performance lens, developed by the renowned camera specialist, captures precise, bright images, yet is small enough to have allowed JVC to develop a compact camcorder. Also adding to the picture quality is JVC's proprietary Gigabrid Engine that integrates various noise reduction technologies to improve the signal-to-noise ratio by about 30 percent (3dB) over previous models without that technology.

Comprising the five-model Everio G lineup for 2008 are four 680K-pixel models and one 7 Megapixel model. The four 680K-pixel camcorders include two 30GB models and two 60GB models. The 30GB GZ-MG330 offers a 35x optical zoom, integrated Auto Illumi. Light and is available in three "gem" colors: sapphire blue, ruby red or diamond silver. The GZ-MG335 (available in diamond silver) offers the same functions as the MG330 and comes with an Everio Dock for easy connection and charging. The GZ-MG360 (onyx black) doubles storage capacity with its 60GB internal hard disk drive. The GZ-MG365 (onyx black) offers the same functions as the MG360 and comes with the Everio Dock. The 30GB models and the 60GB model each weigh just 0.7 lbs (315g) or 0.8 lbs. (360g) including the battery.

Capping the 2008 Everio G lineup is the 30GB GZ-MG730, which features a higher-performance camera section with a 1/2.5-inch 7.38 Megapixel CCD with Primary Color Filter. It features a more rounded design that shows off the F3.5 KONICA MINOLTA LENS. With the ability to shoot high resolution digital stills up to 3072 x 1728 (16:9 mode) or 3072 x 2304 (4:3 mode) in size, the GZ-MG730 is an ideal dual-use camera. Serious enthusiasts will enjoy the additional pro-style shooting features, including Auto Flash, Program AE dial with Shutter Priority and Aperture Priority, Auto Exposure Bracketing, Backlight and Spotlight compensation, Natural and Vivid color settings, and Histogram Display.

All models also feature PictBridge compatibility for direct printing, microSD card slot and USB mass storage compatibility, and come with a convenient remote control. The JVC Data Battery allows remaining recording time to be displayed on the LCD even when the camera is off. Power-Linked Operation powers up the camcorder and engages the standby mode simply by opening the LCD, while Quick Restart starts recording just about one second after the LCD is re-opened.

For use with PCs, Everio G Series camcorders come with CyberLink's PowerProducer™ 3 NE for authoring DVDs, PowerDirector™ 5 NE Express for editing, and PowerCinema™ NE for Everio to browse camera contents and enable the Direct DVD/Direct Backup functions. Macintosh users will have an easy time importing Everio's video files using iMovie '08.

An enhanced lineup of optional accessories also serves to increase the appeal of the Everio G Series. Among the most noteworthy is the CU-VD3, the super-slim Everio SHARE STATION DVD burner, which can be placed upright or horizontally. For the aquatically adventurous, there is the WR-MG100 Marine Case that allows waterproof operation of Everio camcorders down to 131ft/40m under water. Colorful camcorders deserve colorful carrying bags, and the compact CB-VM60 which carries the Everio camcorder with attached battery is available in black, blue and red. The larger CB-VM70 offered in black is also available to carry a full system. And a nice way to kick-start a wonderful relationship with Everio is the VU-VM90K Starter Kit, which includes the CB-VM70 carrying bag and one BN-VF808 data battery.

Feature Comparison
GZ-MG330 GZ-MG335 GZ-MG360 GZ-MG365 GZ-MG730
Hard Disk Drive 30GB / 1.8" 30GB / 1.8" 60GB / 1.8" 60GB / 1.8" 30GB / 1.3"
CCD 1/6" 680K 1/6" 680K 1/6" 680K 1/6" 680K 1/2.5" 7.38M
Optical Zoom 35x 35x 35x 35x 10x
Max. Digital Still 640x480 640x480 640x480 640 x 480 3072x2304
Auto Flash No No No No Yes
Auto Illumi. Light Yes Yes Yes Yes No
Everio Dock No Yes No Yes Yes
Body Colors Silver / Blue / Red Silver Black Black Black
Shooting Time
Mode 30GB Model 60GB Model Average Bit Rate (Mbps*)
Ultra (DVD Movie) 7 hr 10 min 14 hr 20 min 9
Fine (DVD Cam) 10 hr 40 min 21 hr 20 min 6
Norm (TV) 14 hr 10 min 28 hr 20 min 4.5
Eco (Internet) 37 hr 30 min 75 hr 1.7

* Combined A/V rates; video bit rate is variable for all modes.

Pricing and availability:
Model National Ad Value Available
GZ-MG330 $449.99 January
GZ-MG335 $499.99 January
GZ-MG360 $549.99 February
GZ-MG365 $599.99 January
GZ-MG730 $799.99 February

JVC LAUNCHES LCD TVs WITH INTEGRATED iPod® DOCK

Four-model series offers flip-down iPod dock for convenient video and music playback.

LAS VEGAS, January 6, 2008 - TV playback of iPod® video content is more convenient than ever with the announcement of new JVC LCD TVs with a built-in iPod dock. Each of the four new models, including three full HD 1080p sets, features JVC's new TeleDock®, a flip-down iPod dock at the base of the set, providing a direct connection for playback through the TV.

The new JVC P-Series includes the 32-inch LT-32P679, 42-inch LT-42P789, 47-inch LT-47P789 and the 52-inch LT-52P789. The LT-32P679 is a 768p model, while the others offer 1080p resolution.

When an iPod is docked, a menu appears on the TV screen for selecting music, music shuffle or video playback. iPod can be controlled from the TV's remote, which includes a circular keypad with a control scheme that mimics the iPod's control wheel. Photos can also be displayed as a slide show along with music. During music playback, song title and artist name are displayed on the TV screen. During video playback, low resolution files, such as internet videos, can be displayed in a small screen mode. Higher resolution video can be shown in nine aspect modes at full screen. There's also the option to play music files while the TV displays television programming. In addition, the iPod will charge while docked wheter the TV's power is on or off.

Besides the iPod dock and playback features, JVC's new P-Series LCD TVs are full featured high definition displays with a cabinet design that conveys the sets' focus on both audio and video performance. Each features a new universal remote with direct input access, a new on-screen menu system, a side-mounted USB photo viewer, and ATSC/QAM tuning.

Connections include three HDMI inputs, two component inputs, one S-video input, SPDIF input and an analog audio output for sending sound from an iPod or the TV through a home theater system.

The sound package delivers 10 watts per channel to a pair of JVC's exclusive oblique cone speakers. And JVC's new Omni Surround package with equalizer offers four listening modes - movie, music, news (for news or talk show programming) and mono (for simulated stereo from mono programming).

Availability and pricing:

Model
Availability
LT-32P679 March 2008
LT-42P789 March 2008
LT-47P789 April 2008
LT-52P789 Summer 2008

Thanks, Virtual Press Office!

Measuring just 2.7 x 4.6 x 2.9 inches, and weighing just over a pound, the GR D850's 35x zoom beats the 34x of its predecessor, the D750. It can shoot in brightnesses down to 12 lux and the supplied battery can shoot for about 2 hours continuously, which isn't too bad. It seems like it's aimed at beginners, with a good Auto mode that should make life easy if you do use it to capture those precious moments when Junior chucks food around your dining room at feeding time grins for grandma.

The GR D850 will be available in Japan in January 2008 for 45,000 (around $400), and should make its way across the Pacific before too long. [Impress through Google Translate]

You clap your hands 3 times to bring up a round menu screen. A set top camera then tracks your hand, transforming it into a cursor. To click a button, the user just hooks their finger (ala signaling someone has a tiny wiener). Easy!

Users can also control functions like the volume just by clapping in set sequences. The convenience here is lost on us, save maybe for...we can't think of any handicap that favors clapping over a basic remote control, even with your gross imaginations.

So we're not sure if this EyeToyesque technology is really any better than a standard remote control. Actually, we're pretty sure it's not. But we love superfluous features, if only to scare the neighbors into thinking we don't mow our lawn regularly because, in the future, plants have overtaken Earth and to harm them is a crime punishable by death. [techon via bgr]

Next, the demo showed the Sony panel in Game Mode, but then its color didn't look nearly as good and still couldn't quite keep up. Yeah, the JVC clearly beat the other three, but only by a couple of frames. But still, when you're hard-core gaming, every frame counts.

JVC showed a second demo (which is impossible to see on this 30fps video) that was also impressive, demonstrating how its 120Hz interpolation can smooth out artifacts in an image. JVC's now in its second generation of this double-framed 120Hz goodness, where they actually create extra frames in between each of the normal 60 frames, estimating where objects would be in between and literally creating something out of nothing.

In person, there was a noticeable difference between the brands, all of which were running 120Hz frames, especially in scenes with lots of movement. Of course, in this demo JVC's TV looked the smoothest by far. Whether this demo is rigged or not (and that wouldn't be that hard to do), this 120Hz capability is getting to be a must-have feature.

[le journal de geek and avwatch]

The GZ-HD3 won't be using the HD7's pixel-shifted full 1920x1080i resolution, instead laying down its MPEG2 footage at 1440x1080 using its three CCDs. Not to worry, that should still offer up some fine-looking HD footage. We're also hearing that this latest camcorder will be able to record its video on those high-capacity SDHC flash memory cards, giving the camcorder even more storage space.

We're happiest to see this latest Everio has a similar widescreen viewfinder to its big brother's, which we liked a lot, and carries on that easy, ergonomic form factor (albeit a lot smaller) that made the HD7 a standout. Also, that $1200 price may be an educated guess by overzealous journalists, and if that's indeed close to the camera's final retail price, might we overzealously add that it could end up being a formidable sub-$1000 competitor after a few months on the market? JVC didn't announce any official ship date just yet. [Digital Camcorder News]

In the style of Bose, JVC used squishy memory foam for the pads. The extra isolation is great, since the JVCs can be used when the active noise canceling is off, or when its AAA battery runs stone dead. These benefits do come at a price, namely $200, the same price as a raft of would-be Bose killers. But as you all know, Bose ain't dead yet.

Press release:

JVC ANNOUNCES NEW TOP-OF-THE-LINE NOISE CANCELING HEADPHONES

WAYNE, NJ, July 13, 2007 - JVC today announced the addition of a new top-end model to its line of noise canceling headphones. The new JVC HA-NC250 combines outstanding sound quality with advanced noise-canceling and isolation technologies to provide a superior listening experience.

The HA-NC250's noise cancellation circuitry includes feedback technology that constantly monitors the noise cancellation process. As a result, the headphones eliminate up to 85 percent of extraneous background noise. To further block noise, the HA-NC250 offers two JVC innovations that help isolate the listener from outside sounds. First, each earpiece employs a double housing structure for an extra sound insulation layer. Second, JVC developed a new technique for attaching the headphone's smooth memory foam cushioned ear pads to the housing that helps isolate background noise. The smooth pads also enhance comfort. These sound isolation features, for which patents have been applied, are especially important since the HA-NC250 can be used with the active noise cancellation switched off.

For the best possible sound quality, the new headphone uses a 40mm neodymium driver in each earpiece. For comfort and portability, the JVC HA-NC250 is one of the lightest headphones in its class, weighing just 5.3 ounces. It folds flat, and when folded is slimmer than most competing models. Included with the HA-NC250 are a slim carrying case, a four-foot detachable cord, airline dual plug adapter, and ¼-inch plug adapter for use with many home audio and video components. The headphones use a single 1.5-volt AAA battery for powering the noise cancellation circuitry. Battery life is rated at about 50 hours.

The JVC HA-NC250 noise canceling headphone will be available in early August for $199.95.

Sure, $53,000 is an insane amount to spend on a TV, but think of how sick Gears of War would look on this thing. –Adam Frucci

Product Page [via Gadget Lab]

The company says the motion interpolation in CMD II is five times better than its 720p predecessor. The new technique was designed specifically for 1080p displays. JVC plans to use CMD II in its High Speed 2 series, with the first three LCD displays to be rolled out this fall, including a 37-inch, a 42-inch, and a 47-inch LCD, all with three HDMI 1.3 inputs.

How does this CMD II stuff work, anyway, and will it actually do any good?

JVC cranks up the frame rate to 120Hz using a two-pronged approach. First, each of the 60Hz frames is doubled, and then motion interpolation is applied to each doubled frame, automagically finding a compromise between one frame and the next.

Wow, it's actually "tweening" those missing frames, and doing a better job of it than before, too. With JVC's previous technology, the interpolation detected only horizontal motion, but this latest CMD II technique detects movement in all directions and interpolates the frames accordingly. JVC says the result is less blurring of moving images.

Since Sharp's frame interpolation didn't do much, we're skeptical. This we gotta see. Also, JVC tells us there's no 24p input support on these new TVs, so they won't be able to take advantage of that spiffy new 24p output on some Pioneer and Samsung Blu-ray players. While the difference is theoretical, it seems like a good idea to take those 24 frames per second and multiply by 5: 24 x 5 = 120Hz. In theory. – Charlie White

Holding the camcorder is a delight. It feels like the designers of this device have carefully considered the user, because this little camcorder fits perfectly in the hand. Nice usability touches such as powering the camcorder on when you open its 16x9 widescreen display, a little focus assist button up front right where you need it, and our favorite, an easy-to-use focus ring, add a lot to this overall user-friendly package.

Navigating the menus is easy, too, where you can either control them with little buttons beside the viewscreen, or use buttons located on the camera body. A slight distraction is the red pilot light on the camcorder itself, making you think at first that you're recording. But there's a red REC indicator on the viewscreen that shows you when you're actually recording onto the unit's 60GB hard drive.

And yeah, there's the big plus with this camcorder: There's no tape involved. All your footage is recorded on that 60GB hard disk. The hard drive can store nearly five hours of footage at its highest- quality setting, gathering video with three CCDs and laying it down at a full 1920x1080i. It uses electronic pixel shifting to spread out the pixels, but the result is ultra-high quality. No, it's not up to the standard of professional-level 3-CCD camcorders such as the Panasonic HVX200, which uses similar raster-stretching techniques, but then you can buy three of these JVC HD Everios for the price of one of those.

Looking at its picture in a 720p monitor, we realized that yes, this is the real thing: tack-sharp HDTV with a camera small enough to fit in the palm of your hand. Never have we seen such great video coming out of a camera so small and so cheap. It doesn't feel cheap, though, and we were also highly impressed with its f/1.8 - 1.9 Fujinon zoom lens, 10x optical glass that's plenty fast and crispy-critter sharp.

There is image stabilization on board, too, but we didn't get as much benefit from that as we have in Sony and Canon camcorders in the past. Since we like to use a tripod as often as possible anyway, that's not a huge factor for us, especially when the lens zoomed all the way out. But still, trying to zoom all the way into its full 10x length made for some really shaky looking shots. We agree with David Pogue that this Everio's image stabilization leaves much to be desired.

Upon close examination, the camcorder's image quality does contain compression artifacts, but they weren't glaringly obvious to the uninitiated. The picture doesn't look as buttery smooth as uncompressed HD, nor is it quite as good as HDV video. Even so, we found the colors to be vibrant and true without being overbearing, and the overall impression is that this is definitely HD we're dealing with, and its sharpness is impressive. It's not quite up to professional standards, but for amateur work, it's good enough to be considered overkill. The most significant flaw we could see was its low-light performance, which looked a bit too grainy for our taste. We had hoped for better in that department, especially with three CCDs.

What about editing this footage? It outputs regular MPEG-2 in a wrapper called .tod that can be edited far and wide using the included Cyberlink software, iMovie and most HDV editing apps. but you'll need to use conversion software to make that happen. In addition to that mpeg format, its star format is the new AVCHD, a flavor of MPEG-4 that uses the vaunted H.264 codec. As a stopgap, JVC offers its VD40 burner it calls a "Sharestation" that can let you offload HD footage onto a garden-variety DVD, and then play back those videos directly to a TV without using a computer at all, an innovative approach. But the problem there is, those discs won't play back in a DVD player—you must use the Sharestation. We'd rather just see a capture/edit/output workflow like we've become accustomed to with DV.

For the DV-like workflow, the camcorder lets you record in a format called "1440 Constant Bit Rate" mode, and then output that video using the FireWire interface. The resulting video is an HDV compatible format, and can be easily edited by many editing software applications. That adds a lot of versatility.

Summing up, this is a great camera for your $1700 (and it can already be found for less than $1500 and falling), far surpassing any cameras that were available in the past for this price. However, we haven't tested its competitors, but one thing's for sure, the quality of these HD camcorders, recording on hard disks without tape, is astounding. The JVC Everio GZ-HD7 gets a qualified cheer from us here, and we can't wait to see what its competitors can do. – Charlie White

Update: The JVC Everio GZ-HD7 camcorder doesn't use the AVCHD format as originally written. The article has been corrected to reflect that fact. We regret the error. - CW

Do you want to know how?

I'm not going to try to translate every little nuance of the showdown. All you really need to know going in, if you don't already, is that the Sony and the Canon record to tape, and use HDV MPEG-2 compression. The Panasonic relies strictly on AVCHD, an MPEG-4 based option, and stores video only on SD cards. The Everio records to at 60GB hard drive with both AVCHD and "a new flavor of MPEG-2".

[The Canon HV20] shares an advantage over the Panasonic HDC-SD1 and JVC GZ-HD7 because it uses tried and true HDV MPEG-2 compression, and our tests show that HDV remains the best consumer HD format. Both the Canon and Sony HDR-HC7—the other HDV camcorder in this shootout—scored higher than the others in our video performance tests. In the lab, the Canon and Sony raced to a virtual dead heat, both displaying sharper images with less noise than the Panasonic and JVC.

The crispness of the HV20's image was most notable in close-up shots of our model, where we could literally count every hair on our model's face. [Remember him?] The Sony was visibly less crisp (though still quite sharp), followed by the Panasonic. The JVC GZ-HD7 trailed the pack, with the lowest tested video resolution, and the softest images of the field. The Canon also turned in a stellar low light score, thanks to a 24p mode that more than doubles the light gathering ability of its imager. In low light, it beat out the others in the same order as above. The 24p capability in and of itself is a great extra feature on the HV20, yet another reason to consider it.

The bottom line went something like this:

The Sony HDR-HC7 was most feature-packed but absence of a focus assist feature was a liability. Cam Control multifunction dial was not as easy to use as its predecessors Cam Control rings.

The Panasonic HDC-SD1 is too specialized, though it is good for close quarters shooting, situations that demand silent operation, or a rock-solid optical image stabilizer. There's no headphone jack and no accessory shoe. It also records AVCHD video which does not yet pose a threat to HDV.

The JVC GZ-HD7 had great handling with nice prosumer traits like a focus ring and dedicated buttons for image control. lack of a headphone jack or any means of monitoring and adjusting audio levels. The biggest disappointment with the HD7, however, was video performance: again, it doesn't stand up to the quality of HDV video.

The Canon HV20 had cheap-feeling construction and an awful zoom lever, but delivered best bang for the buck.

From the sound of it, the boys are still looking for that perfect camcorder:

We'd love to see a camcorder that really brings it all together: the handling of the HD7, the functionality of the HC7, the OIS and compactness of the SD1, and the performance of the HV20. Until that happens, smart buyers would be advised to consider the strengths and weaknesses of all of these camcorders, and choose the one that is the best overall match for their shooting style and goals.

The Great HD Shoot-Out - Canon HV20, Sony HDR-HC7, Panasonic HDC-SD1, JVC GZ