The Price: $100

The Verdict: At just $20 more than Apple's In-Ear headset, the Klipsch Image S4i is a no-brainer, assuming Voice Control and VoiceOver are priorities to you. If they don't matter, or if you've got an older iPhone or non-Apple handset, the choice is less clear.

Klipsch's headset is one of the only ones on the market with Apple's VoiceOver-compatible chip—a feature we raised a stink about when it first came out, but which turned out to be alright. As far as 3G Shuffle headphones go, this is about as nice as you're going to get. The sound will suit most tastes, but not all: it's extremely clear, and bass is smooth and deep, but never overpowering. Overall the sound reminds me of the V-Moda Vibe Duos—always a reliable standby for better-than-stock iPhone headsets—except slightly more resolved, and less muddy. What this headset doesn't have, though, is the kind of razor-sharp presence that you'd find in headphones like the Shure SE115, or headsets like the (markedly more expensive) Etymotics hf2, or the powerful percussiveness of some of Altec Lansing's UE rebrands. (More on those here.) Isolation and cable movement noise are better than I expected from tips made from rubbery material like this, as is fit: both are excellent, though fans of foam or foam-rubber tips will have to go aftermarket.

Mic quality is fine, too. The Image S4i's mic sits below your chin, nestled inside the inline controls. It's a natural location, and the headset's buttons, which include volume controls, were easy to find and press, though the whole unit is a little slippery for sweaty exercise fingers. The mic, or its location, probably, gave my voice a boomier sound than I got from the Vibes or the Etymotics, though I remained completely intelligible, and background noises, like the mic bouncing off my shirt, or even a rickety old air conditioner, were very hard to notice on the other end of the line. As a bonus, these headsets work in the headphone jack on Unibody MacBooks, for VoIP use.

With Shuffle and 3GS compatibility comes one pretty massive hitch:
That's Klipsch's official compatibility chart, and they're not kidding. If your device isn't on this list, don't expect much: older iPhones get basic play/pause functionality out of the inline remote, while the 1G Touch doesn't recognize it at all. Phones from other manufacturers, including HTC and Samsung, didn't recognize remote or mic input. The Image S4i isn't just 3GS and Shuffle compatible, it's exclusive. And one last minor quibble: I haven't been carrying these things around for very long, and the Klipsch logo—as you can see in the top image—is already flaking off of the otherwise well-styled and built earbuds. Far from a dealbreaker, but disconcerting, considering how new these things are. [Klipsch]

Excellent sound quality for the price, in both mic and earphones

Work with VoiceOver and Voice Control

Styling and build quality are nice, but the finish is delicate

Compatibility list is severely cropped by Apple's special inline remote chip

The key to the S4i's dynamic music performance is a moving coil micro-speaker with controlled damping, a feature that allows it to deliver smooth, full-bodied sound similar to a more expensive design. A dual neodymium magnet motor structure, in each of the 8.5 mm drivers, establishes the S4i's damping characteristics. It's a quality that allows kick drums to "attack" and Intermodulation distortion, or IMD, to be significantly reduced.

If you are a real audiophile that trusts Klipsch products, these may be worth picking up. As you might expect, loyalty will cost you—the S4i will run you $100 this August while Apple's headset can be had right now for $80.

New Breakthrough Product: Klipsch® Image S4i In-Ear Headset
One of the first third party headphones with integrated microphone and remote

INDIANAPOLIS, IN (July 21, 2009) - Klipsch plans to re-define the music listening experience with its new Image S4i, an in-ear headset that combines the company's acclaimed sound performance and amazing comfort value with a unique in-line microphone and remote.

"Designed for iPhone and iPod users, the Image S4i is a breakthrough product that simplifies on-the-go lifestyles-you can take calls while commuting or exercising, as well as control your music library," said Don Inmon, Klipsch director of marketing and product development for personal audio.

The Image S4i works seamlessly with the iPhone 3GS, third generation iPod shuffle, second generation iPod touch, fourth generation iPod nano and the iPod classic 120GB. The headset features Apple's advanced three-button microphone and remote system that easily handles the voice and/or music control of these Apple products.

Furthermore, the S4i remote is among the first to be fully compatible with the Apple VoiceOver feature on the third generation iPod shuffle, which allows you to hear the name of the playlist, song or artist with just the press of a button.

According to Paul Jacobs, president and COO of Klipsch Group, Inc., when you combine Apple's incredible products with our 63 years of experience in high-performance audio, you can expect one of the coolest, most advanced headset designs out there. "It's definitely a platform that will dynamically change the music experience for our customers."

Unlike most headsets, the S4i positions its in-line microphone and remote at the yoke-where the two cables meet at chest level-to create a more natural feel when answering calls and controlling music. Because the microphone is a highly intelligible 360-degree design, you don't have to talk down into it; you can speak as if you're having a face-to-face conversation. Additionally, the microphone features echo cancellation, which keeps it from picking up the external noise around you.

Because durability is a major concern when it comes to headphone and headset cables, Klipsch has gone to great lengths to ensure the S4i cables are a well-balanced combination of being robust as well as discreet. The company has added appropriate strain relief at every cable connection point to help prevent wire damage, while also putting them through extensive "real world" testing.

The Image S4i utilizes the company's exclusive oval ear tips that provide comfortable long-term wear. Unlike circular-shaped designs that put stress on the pressure points inside the ear, Klipsch's oval ear tips naturally fit the contours of the ear canals. These ear tips also offer superior passive noise-cancellation, blocking out almost all ambient noise and providing excellent bass.

"Once you have the right fit and seal, these headsets are virtually impossible to feel," said Mark Blanchard, senior acoustic design engineer for Klipsch and inventor of the company's oval ear tips. "When we began studying three-dimensional ear impressions, it was discovered that nearly everyone has an oval-shaped ear canal. We couldn't believe that no one else had yet considered the anatomical shape of the ear canal when designing in-ear headphones."

Blanchard also mentioned that when you wear Klipsch headphones or headsets, you don't need to turn up the volume as loud because a good seal dramatically reduces background noise-a feature that could definitely help preserve your hearing.

The key to the S4i's dynamic music performance is a moving coil micro-speaker with controlled damping, a feature that allows it to deliver smooth, full-bodied sound similar to a more expensive design. A dual neodymium magnet motor structure, in each of the 8.5 mm drivers, establishes the S4i's damping characteristics. It's a quality that allows kick drums to "attack" and Intermodulation distortion, or IMD, to be significantly reduced.

Available in a piano black finish with chrome accents, the Image S4i comes with a two-year warranty and includes a premium carrying pouch; small, medium and large ear tips; small/medium dual flange ear tips; an ear tip cleaning tool; and a clothing clip. Priced at $99.99 (U.S. MSRP), the S4i will be available for purchase at klipsch.com, Apple, InMotion and Amazon in August.

[Klipsch]

One trend that seems to be taking place in the land of iPod docks is that companies seem less concerned with the high end, hi-fi iPod docks. Instead, they're gravitating towards smaller, lighter docks that sound nice, but are intended more for casual listening. Both Logitech and Klipsch are putting most of their weight behind these smaller docks. In our testing, we checked out:

• Altec Lansing InMotion Max

• Bose SoundDock II

• iHome iP71

• iLuv i398

• JBL OnStage 400p

• Klipsch iGroove SXT (NOTE: Updated product specs for refreshed iGroove SXT not on Klipsch site yet)

• Logitech Pure-Fi Anywhere 2

• Sony SRSGUI0iP

That said, we still went looking for the iPod dock that sounded really good while sticking as close to the $200 mark. Some were much cheaper, or much more expensive, but most of them all had something interesting to offer. Ultimately, overall audio quality had the most weight in helping to pick our winner, but price, design, and the usefulness of smaller features were also taken into consideration:

The Winner:

JBL On Stage 400p: At $250, the On Stage 400p is a bit more expensive than some of the other docks, but it sounds so nice, it was impossible to give top honors to anyone else. It uses a 30w sub to push out the low end, while delivering another 30w of power to the tweeters for the highs and mids. And though it might not wow anyone with its design, it's nice enough that you don't have to hide it in your living room. Just might want to wait till it goes on sale later on.

The Runners Up:

Bose SoundDock II: It's no huge surprise why the SoundDock II out performs the rest of the field: at $300 , Bose's accessory is outfitted with better hardware. But is the sound quality worth $100 than the rest of the docks? And what's the chance you'll ever find it on sale?

Altec Lansing InMotion Max: What the InMotion Max lacks in booming low end, it makes up for in precision audio tuning and a light, slim design. Two 2-inch drivers are bolstered by two, 2-inch passive radiators which sit directly above. The result are nice mids and highs that offer much better sound than the 14w power rating would suggest. Other nice little touches include song info that appears in the backlit display, capacitive touch buttons (which include <</>> controls), battery power that lasts 3.5 hours, and a spring loaded ipod dock connector that slides out. Well done.

Honorable Mentions:

Klipsch iGroove SXT: The new, revamped iGroove SXT (hitting stores this july) packs a lot of punch into a compact bundle. Enhanced acoustics and a dedicated amplifier for each driver give the SXT a nice, deep sound, but sometimes the high-end clarity suffers. Still it's hard not to like this one, and Klipsch is phasing out its bigger iGroove, so this is it if you love Klipsch.

Logitech Pure-Fi Anywhere 2: Coming in at a lower price point and smaller size than most the other docks here, it's hard to compare it sonically because most the other docks are bigger and more expensive . But the Pure-Fi Anywhere 2 does manage to improve over the original Pure-Fi Anywhere in the sound department and does what few other docks can do: Travel around easily with a 10 hour battery life. Besides, the larger Pure-Fi Dream system may sound better, but its clock-radio interface leaves too much to be desired.

Listening Test: It's music tech week at Gizmodo.

First, some ground rules on the scope and purpose of my testing:

The headphones tested are all what you'd consider "upgrades" rather than "replacements" for the crap headphones that came with your MP3 player. While I capped pricing at $200, my "cheapest" pair started at around $40. The three tiers are under $100, $100-$150, and $150-$200.

The most practical measure of sound quality is to just sit and listen. I focused on in-ear headphones because they are built not just to jam a driver right next to your ear, but to block outside noise. It's simple: less ambient noise = better experience.

In the spirit of cutting out the vaguely scientific marketing jargon, my tests were unscientific, but consistent across the board and based on real-world situations. The methodology was simple: a current-gen iPod, a sonically diverse playlist of music and, for isolation testing, a seat on the 14 bus in San Francisco, then some time next to a white noise machine.

With so much of the earphone inside of your ear, rustling of the cable can cause some serious noise. If the cable isn't properly buffered from the earphone, the deep, annoying shuffling can interfere your music when you try to walk or turn your head. That's why I made note of "cable noise"—this isn't to suggest there was some kind of buzz or white noise from the cable itself.

The Losers: This is a tricky price point, as some stock earbuds (Apple, Sony) are actually pretty good. Slapping a rubber cuff on a half-baked product doesn't justify a price of $50+. In the case of Apple's in-ears and the CX300s, you aren't really experiencing a different class of audio than with stock buds, though there is a marked improvement. The CX500s put on a good show for bass junkies, but that's about it. Creative has a nice product with a great price, but it just can't measure up to the metro.fi on the performance front.

$100-$150
The Winner: Shure SE110 This price point offers the highest price to performance ratio, and the SE110 is the best of the lot. If you can get over the deep penetration and the over-ear looping, you'll find that the SE110s are comfortable, block out plenty of ambient noise and most importantly produce stunning, immersive sound. The tones are wisely balanced, and quality is at the level that you'll be noticing new things about songs that you've heard dozens of times. Decent discounts are available at various online retailers, as is the case with most of this category.

The Losers: Manufacturers know that this is a sweet spot for consumers, so the market is crowded with good options. The hardware starts to look a little more "professional," or more accurately, "weird." Etymotics, always fans of producing earphones that are really good on paper, fails with the ER6 not because of quality issues, but because the buds are awkward and overwhelm with the high and middle tones. The company's new earphone tips, however, are amazing (more on this below, in the more expensive category). Ultimate Ears loses their luster at this level. Creative is yet again a nice runner-up; the Zen Aurvanas are very capable, but couldn't supplant the crystal-clear SE110s.

$150-$200
The Winner: Etymotics hf5 Ostensibly designed with portable music players in mind, the hf5s solve the balance problems of the er6 models and much, much more. They're cool looking (with the right tips, they look like sci-fi laser pistols), have little to no cable movement noise and reproduce sound in a way that is both perfectly clear and highly enjoyable. Everything about these gives the impression of quality, from the brushed aluminum finish to the way that music suddenly sounds distinctly layered in a way that it didn't before, and that it doesn't on many similarly priced units. One caveat, though: the hf5s (and the er6s, for that matter) must be used with the new foam rubber tips, called "Mushrooms." They're a little phallic and sort of a sickly gray, but they are leaps and bounds better than Etymotics' trademark flanged tips. The tighter seal that these offer to most people is conducive to better listening, and the isolation properties are superb. You can't hear anything else with these guys in. Every manufacturer should have something like this. According to the Etymotics people, by the time the hf5s ship these will be standard issue. Good.

The Losers: To sum up the category: Expensive without enough added benefit. Spending $100 will get you a phenomenal listening experience, so it's hard to justify spending more. The $200 cap was intended to filter out the luxury market/audiophile products that tend to show up at about that price, but hints of both are apparent here. The Shure SE210s are a wonderful pair of earphones, but the large premium over the SE110s is a dealbreaker, as side-by-side comparisons expose only the slightest variation in sound quality. The Klipsch Custom-2s are more of a luxury item than the others, with woven cable housing and a case that is ready for you iPod as well. Harman Kardon is just batting out of their league here, and Ultimate Ears doesn't improve on their cheaper models, even introducing some pretty terrible cable noise.

If you're looking to get the most out of your MP3 player, you'll have to spend some money. But as it turns out, the general rule is that once you pass about $100, your audio improvements will become smaller and more expensive. After reviewing all of these earphones, one simple fact is very clear: If I were in the market for a new set of earphones, I would buy the SE110s.

If that remote music doesn't suit you, plug your iPod into the RoomGroove, and separate yourself completely from that CS-700 with your own iPod music playing through its two 2.5 inch ported woofers, rocking out with dual horn-loaded tweeters. Check out a pic of the KlipschCast CS-700 system and a bit of commentary:

We've had nothing but good experiences with other self-contained Klipsch speakers, digging the iGroove with its splendid design and clean sound. If this setup sounds anything like that, it'll be well worth a listen when they're released in April. – Charlie White

Press Release [Klipsch, via iLounge]

Two 8-inch subs with special aluminum cones anodized to give it a ceramic coating. Supposedly second in strength only to diamond. Rigidity = good for nice, taut, bass. Oh, all that room you're saving? You'll need to use to rackmount the 500-watt RSA-500 amp that powers it. $500 for the sub, $750 for the amp. Oh CEDIA, you're sooooo for rich guys.–Brian Lam

Klipsch Wall Subwoofer RW-5802 [audioholics]

iNow, iif iApple ihangers-ion icould icome iout iwith isomething iwithout ian ii iin iit.

Klipsch announces iJam boom box [iLounge]