The art detail is also pretty amazing (and reeks of authenticity), with body work and fake damage consistent with the landspeeder in the film. And it shouldn't be huge shock that Deutsch has no intention of selling his magnum opus. But when I see this thing, I have delusions of rounding up Han, Obi-Wan, Lando and a whole lotta Colt 45, cruising past the Cantina, and looking for chicks with tentacles on their heads. Hmmm...that sounded a lot cooler in my head. [Skywalker Landspeeder via Neatorama]

(This is just a spectacular photo)

Disney DVDs have a history of top-notch A/V transfer, and Tim Burton's masterpiece of stop-motion animation should take full advantage of Blu-ray's higher resolution. On top of that, you get a slew of bonus features—everything from the original DVD set along with a few more, including a feature-length commentary by directors Tim Burton and Henry Selick and composer Danny Elfman. Also, you can (legally) transfer the film to your iPod via the bundled DisneyFile Digital Copy—you know, for if you need to watch the movie at all times and all places.

Here are the rest of this week's Blu-ray releases:

• Action Starter Pack (Universal)
• The Adventures of Robin Hood (1938) (Warner)
• Afro Samurai: Season One (FUNimation)
• Blue Man Group: How to Be a Megastar Live! (Rhino)
• Dude, Where's My Car? (MGM)
• End of Days (Universal)
• Heroes: Season One (Universal)
• Heroes: Season Two (Universal)
• Miami Vice (2006) (Universal)
• Pale Rider (Warner)
• Postal (UMVD)
• Redbelt (Sony)
• U-571 (Universal)
• What Happens in Vegas (Fox)

Anything you'll be picking up? [hidefdigest]

Yeah I think they are. I think that if you went in and could see what's going on in their minds, though they may never say that stuff and I'm not saying there's some conspiracy or something like that—but I think the thing is they realize that trading content, copyrighted or not, is an expected benefit of owning a computer.

That's a very interesting point, albeit a bit one-sided seeing as it comes from a content (in this case games) maker. There's the trusted computing push, which has resulted in manufacturers shipping systems with "Trusted Platform Modules" which includes BIOS support at the root level. But will manufacturers use this to lock down their systems so people won't be able to pirate games or watch episodes of Burn Notice they torrented? It's unlikely, because of the huge user revolt that would follow. [GamesIndustry.biz via Wired - Image Credit]

Our own account looks fine—we were shipped something on Monday and Tuesday of this week—but that's just anecdotal. Our own call to Blockbuster communications to check on the situation went unanswered. How does yours look? Keep in mind that you not getting something shipped in a timely manner could also mean they're throttling your account, which is especially true if you've been shipping stuff in and out really fast lately. [Thanks Michael!]

I wanted to get the cars to drive into the cameras at high speeds, so we built one of my favorite rigs. We built a rig that had a camera and was completely ringed with basketballs. So it was this big giant ball. We stick it in the middle of the road, and the cars would drive at it. There is a shot in the very first race, when the original Frankenstein drives, where the car slides around the corner, and it looks like it hits the camera, and it does. And then the continuation of that is really funny because the camera just rolls away, bounces away, and it hits the wall.

I don't know about you, but I just got a lot more interested in the movie. Read the full interview with Anderson over at io9. [io9][Image]

Apparently the outage affects 1/3 of their customers, to whom Netflix is trying to figure out the best way to refund some cash. They're still not sure what the root of the problems are, so in essence, they have no idea how to fix it. Be prepared for a few more days of outages, unless it turns out that it's a super easy fix that's much harder to diagnose than to repair. Your Bernie Mac marathon will have to wait. :( [CNBC via Valleywag - Image Credit]

Assemblyman Charles Calderon argued that people who make or watch it should pays for its "harms." Happily, his proposal just died in committee. It does raise an interesting question though, since it could obviously only tax actual transactions: How many of you DO pay for porn? [The Blowfish Blog via Valleywag]

We were unable to translate the source text clearly enough to get the full story—this unit spotted in Taipei will probably never see wide commercial release—but we're stomping the shit out of our current system just in case our dreams come true, The Dark Knight 360 is released and it does come packaged with trace amounts of Bale's musk. [Gamer via Maxconsole]

Essentially the MPAA wants to stop you from analog-copying stuff that is transmitted to your home, perhaps as pay-per-view, before it is released on (the proven as insecure) digital DVD format.

Some bodies argue that this is a fear that has no grounds in reality: "in the complete absence of evidence, there is no reason to believe that additional, costly, restrictive technologies are needed." TiVo and the Digital Transition Licensing Administrator also think SOC places too much control in the studio's hands, and messes with already in-place industry standards.

But the MPAA's position is clear, designed to protect revenue of the studios: "Distribution over insecure outputs would facilitate the illegal copying and redistribution of this high value content, causing untold damage to the DVD and other 'downstream' markets." The MPAA also makes an interesting twist in the argument, alleging that the fact that currently very few movies are released to broadcast before hitting DVD is "convincing evidence that the analog hole is an impediment to the early window release of high-value content."

So the people who are trying to protect the studios from piracy are saying the threat of analog copying is preventing movies getting to the TV fast... when as soon as a DVD is released, pirated copies hit the intertubes almost straight away. I am confused: does the movie exist for the audience, or the audience exist for the movie? The MPAA's not sure either, but seems to want even more control over the films we all watch. [Ars Technica via CrunchGear]

• Eight extra minutes of footage in the unrated version of Conquest of the Planet of the Apes
• Beyond the Forbidden Zone Adventure Game
• Science of the Apes: scientists, anthropologists and sociologists discuss the first film
• Evolution of the Apes: HD featurette that traces how the Planet of the Apes went from book to screen
• Impact of the Apes: HD featurette about how the story became a pop culture phenomenon
• HD “Making of” features for each sequel
• Commentary by composers, actors and make up artists.
• A Behind the Planet of the Apes documentary
• The original theatrical trailers
• Behind the scenes galleries

... and much much more! The five disk set will retail for roughly $160. [The HD Room]

If you missed this the first time around, here's the teaser trailer:

After adding flicks to your instant queue, you can access them directly from the player, just like with the Roku box. Basically, the BD-300 is a BD-Live Blu-ray player with an invisible bolted-on Roku box—and that's totally awesome, since it chops the number of boxes you need down by at least one (and shows why Netflix's strategy to win the set-top box war is brilliant). If you're a Netflix subscriber, this is three levels of win. We'll see this baby later tonight, but here's all the details we got in the meantime.

LG BD300 Network Blu-ray Disc Player to be Unveiled Tonight

NEW YORK, July 31, 2008 /PRNewswire-FirstCall via COMTEX/ — Building on a groundbreaking technology partnership announced earlier this year, LG Electronics and Netflix, Inc. today announced plans for the first Blu-ray disc player that will have the added benefit of being able to instantly stream a growing library of movies and TV episodes from Netflix directly to the TV.

Available this fall, the LG BD300 Network Blu-ray Disc Player will play high definition Blu-ray discs, up-convert standard DVDs to 1080p and allow Netflix subscribers to instantly stream more than 12,000 choices of movies and TV episodes from Netflix to the TV for no additional charge.

LG Electronics and Netflix will demonstrate the BD300 Network Blu-ray Disc Player for the first time tonight at LG's 2008 Summer Line Show at Morgan Library and Museum in New York City. (The event is open to invited media only.)

Instantly streaming content from Netflix to the TV via the LG BD300 Network Blu-ray Disc Player will rely on a wired broadband connection and Queue-based user interface. Netflix members will use the Netflix Web site to add movies and TV episodes to their individual instant Queues. Those choices will automatically be displayed on members' TVs and available to watch instantly through the LG player. Once selected, movies will begin playing in as little as 30 seconds. With the BD300's accompanying remote control, Netflix members will be able to browse and make selections right on the TV screen and also have the ability to read synopses and rate movies. In addition, they will have the option of fast-forwarding and rewinding the video stream.

"As Blu-ray player sales are expected to triple in three years, consumers are craving content and seeking a premium home entertainment experience," said LG Electronics USA President Teddy Hwang. "The BD300 is another LG industry first and provides consumers with an advanced high-def disc player with unparalleled flexibility and networked access for services such as Netflix."

Consumers craving more content will appreciate the BD Live feature, which provides real-time interactivity for movie enthusiasts seeking extras, new previews or special content while BonusView provides picture-in-picture access to Blu-ray disc special features. To further personalize and simplify the home theater experience, the BD300 includes
LG's SimpLink(TM) technology, which allows users to control similarly equipped LG TV and AV products via convenient on-screen menus or directly from the product itself.

In January, prior to the 2008 International CES(R), LG Electronics and Netflix announced their technology partnership to provide a set-top box for consumers to stream movies and TV episodes from the Internet to the TV beginning in the second half of the year.

"LG Electronics is establishing itself as the innovation leader in consumer electronics, combining the best of broadband and Blu-ray connectivity," said Netflix Co-Founder, Chairman and CEO Reed Hastings. "LG Electronics was the first of our technology partners to publicly embrace our strategy for getting the Internet to the TV, and is the first to introduce a Blu-ray player that will instantly stream movies and TV episodes from Netflix to the TV."

[Market Watch, Reuters, Engadget]

The hero of the film is a 78-year-old man named Carl Fredricksen, who walks around hunched over with a tripod cane. When he was a kid he met a girl named Ellie, who grew up in small midwestern town. The two fell in love and eventually got married. Her dream was always to explore the world and visit paradise falls, but as usually happens, life got in the way. They were never able to make good on their promise, and Ellie eventually passed away. Now Carl is a widower living alone in his small home. Developers are threatening to move him into an old folks home.

Seems risky for an animated movie, but also has the potential to become one incredible story. We can only hope that Carl learns how to use his GPS before taking off. [The HDR Room]

957. Michael J. Fox “Marty Mcfly” hero Mattel hoverboard from Back to the Future Part II & Part III. (Universal Pictures, 1989, 1990) This is one of the hero Mattel Hoverboards used by Michael J. Fox in his most famous role as “Marty McFly” in the Robert Zemeckis classic 80s trilogy, Back to the Future. Two styles of Hoverboard were made for and employed in the film – lightweight boards of styrofoam construction and thick and durable wood-based props – this example is the latter, and is recognized as the best example of all wood Hoverboards to have survived the rigors of filming. The illusion of Michael J. Fox as “Marty McFly” hovering through the air was achieved with practical effects, with actors in rigged harnesses being “flown” via cranes, with special effects taking care of the rest.

Of the two styles of props used in the film, the styrofoam examples in collections today have not held up as well, given the more fragile nature of the material and the abuse they endured in production. Few wood examples have survived, and the collector who obtained this specimen from the prop master chose this for his personal collection as the premiere example of those preserved following the film. It is in used but outstanding condition, and is very rare in that it is entirely complete and intact. Given the wood build and use of metal components, it looks and feels like a “real” prop. This piece has the complete fully functional and rear ballbearing-mounted footpad that rotates 360 degrees, as well as the bottom “magnet plates”. Of the two styles of stickers used for the effects, this prop has the “photoboard”-style sticker affixed. In addition, there is other textured styling and hand painting. This Hoverboard also features the hole in the top, representing where the handlebars were that “Marty” pulled off after borrowing the “toy” from the little girl in the film. $30000 - $50000

Seriously, I know Back to Future forwards and backwards after seeing it too many times to count, but paying $30,000 to $50,000 for this, which is not even one of a kind? I mean, if it were Marilyn Monroe's used underpants I would understand, but a piece of wood that doesn't fly? What kind of crazy-bordering-the-retarded fanboy would actually waste such an stupidly high amount of money in a pink non-flying Mattel hoverboard?

OK, I admit it. I don't have the money. [eBay Live Auctions — Thanks Michael]

Apparently, the cost of converting a traditional 2-D movie into 3D is between $50,000 and $100,000 per minute. I'm sure that Lucasfilm will make their money back and then some, but is it really worth it? Does anyone care to see this or is it just another case of Lucas screwing around too much with the franchise? [Comingsoon via io9 via Wired]

Wired has published a particularly enjoyable series of interviews in celebration of Wargames' anniversary, which includes those who wrote and directed the film as well as those inventing all the hacks back in 1983. But our favorite moment that can't be missed from the article was a too-weird-to-be-made-up story from co-screenwriter Lawrence Lasker about visiting Norad and meeting its quirky commander:

As we're walking back to the bus that's going to take us to the hotel, James Hartinger [then commander in chief of Norad] walks up between me and Walter and plants a hand on the back of our necks: "I understand you boys are writing a movie about me!" he says. "Let's go to the bar." Walter says: "Well, we have to get on the bus to go back to our hotel." And Hartinger replies: "Are you insane? I've got 50,000 men under my command. You think I can't get you back to your hotel? Plus, I can't drink off the base. So c'mon." He was all for the message in our script. We kind of simplified it to "machines are taking over." He said, "God damn, you're right! I sleep well at night knowing I'm in charge."

Hit the link for the rest of Wired's oral history of Wargames. It's worth the read. [Wired]

IMAX cameras, which use 70mm film, are much larger and heavier than a traditional 35mm machines. Among the plethora of changes to accommodate IMAX, technicians reinforced gyrostabled remote control camera cranes, crafted sturdier rigs to be mounted on cars, and forced one poor cameraman to actually carry the damn thing on his shoulders in an especially tense S.W.A.T. Team sequence.

When you're done checking the video out, head over to Wired (if you haven't already) for even more information on Christopher Nolan's methods and madness. Helicopters, wrangling with the Chinese government; the making of this movie could be its own movie. [Popular Mechanics]

There aren't a lot of bargains, as you might expect. Top-shelf merchandise like this is expected to fetch big collector prices. But the catalog is almost too good to be true—check out 34 highlights in the gallery below, and a few extra special favorites here:

Forget any exercise you could possible think of—it won't come close to the strength of using Bruce Lee's own actual forearm strengthener. Possibly some Dragon sweat still on it.

No, It doesn't hover but I couldn't give less of a damn. If I can't have the shoes, I want this. Too bad it's expected to fetch $30-$50k.

I love scotch. But I'm pretty certain I would love it even more if I was drinking it out of this ultra-dystopian Blade Runner tumbler. Plus this one's one of the few sub-$1,000 items.

Just one of the countless things the originals have on Lucas's new films, the costumes in the original Star Wars were incredible. Especially the Imperial dudes—stylish in only the way a space fascist can be.

More highlights from this incredible trove, including C3PO's feet, Ahnold's sawed-off from T2, the rabbit mask from Donnie Darko and more:

[Profiles in History Auction House via Tech Digest]

(I'm going to try and get through this review without spoilers.)

First off, the gadgets. The Batmobile is back, and so is Batman's upgraded fighting suit. He's not residing in Wayne Manor anymore after the events of the Batman Begins, so he has to make do with hiding his Bat-gear inside Wayne Towers and various locales around the city. Batman makes do. He's a hero in exile, a thread that continues through to the end of the movie and on to the next.

There's a very good minor plot device that centers around cellphones that would be pretty damn awesome if it we could get our hands on it in real life. Who knows...maybe the government's already using it now. Plus there's are great scenes in the air, both with a plane and "without". He's really earning that "Bat" part of his name.

As good as Christian Bale is as Bats, the real stars of THIS movie are the Joker and Harvey Dent. If there is ever a character that is the complete opposite of the Dark Detective—cold, calculating, and completely logical—it's the Joker. He's simultaneously insane and extremely insane, taking apart bit by bit the fragile peace that Batman has strived to build since the first movie. There is so little logic to the joker that he's probably the one person whose moves Batman can't predict.

What's great about this movie isn't just the writing and the special effects (though they both are still stellar), it's that everything FEELS exactly like you'd imagine Batman and his villains to be in real life. There's even traces of realistic crime flicks like Heat going on throughout, which lends more to making guys as ludicrous on paper as Batman and the Joker believable. How would you portray a man whose sole intent, as Alfred says, is to watch the world burn? This is how. Gone is affable clownish uncle figure that Jack Nicholson played in the 1989 Batman, and in his place is a character that if you saw on the street, you should run away from as fast as you fucking can. Us gadget fans relate more towards with Batman's logic than Joker's lunacy, which is why he's going to be the best villain you'll ever seen in a superhero flick.

See this movie. Go buy this ticket right now and print it out at your office. We didn't get to see it in IMAX, but a good 20 minutes of the film was shot in the format, so we're definitely going to go back and catch it again. In fact, we've been trying to wrap our heads around all the different themes and nuances that Chris Nolan crammed in; ideas that are even more subtle than they were in the first. A second viewing would do us good.

(You'll notice we didn't mention much about Harvey Dent/Two Face in this review. We'll leave that bit of plot for you to discover yourselves.)

For more Batman news, check out our review and iPhone App.

[io9]