<![CDATA[Gizmodo: mpeg-4]]> http://tags.gizmodo.com/assets/base/img/thumbs140x140/gizmodo.com.png <![CDATA[Gizmodo: mpeg-4]]> http://gizmodo.com/tag/mpeg4 http://gizmodo.com/tag/mpeg4 <![CDATA[iLuv i1166: When Not Making a Choice Becomes a Choice In Itself]]> Most portable electronics make functional sacrifices in the name of portability. The iLuv i1166 is not such a device.

The "portable" media player features a (16x9) 9-inch screen, DVD player, and an iPod dock. It simultaneously supports MPEG4 and VCD, iTunes libraries and DVD collections.

It will run off AC Power, a car adapter or built-in lithium ion battery. And, just in case it's too big to actually lug around, you can use it in your home theater thanks to its video out (format unspecified).

There's no price or release date set for the iLuv i1166. But like the Hardee's Monster Burger, I may have no interest in actually consuming the iLuv i1166, but I'm glad it's out there all the same. [iLuv via PMP Today]

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<![CDATA[Giz Explains: Every Video Format You Need to Know]]>

Once upon time, video codecs and formats were really only the concern of AV nerds, anime freaks and hardcore not-so-legal movie downloaders. Now, even the most part-time of geeks has to deal with them, whether they're trying to stream a flick across their house with an Apple TV, dump some video onto their phone or just trying to grab last night's episode of Dexter because they, uh, forgot to renew their Showtime subscription. It's messy and annoying, but we're here to clean it up. Take a deep breath.

You might recall our discussion about video bitrates earlier, or how much data is packed into a file. As a general rule, more bits per second translates into more betterer quality audio and video. The variable in that—the other part of the equation—is how the content is compressed and de-compressed. Better compression techniques—the zen of knowing what bits of data to pull out to make big data chunks smaller—make for better quality video while taking up less space on your hard drive. Basically, the part you need to know is that codecs are the software that make that magic happen.

Standard Standards
H.261 is not a term you have to worry about, but it's the technology that most video standards and codecs were originally based on. Originating in 1990, it's the first major digital video compression standard, and like other "H" standards, it was developed by the International Telecommunication Union. This one was primarily for teleconferencing over ISDN lines, and as such, it looks like ass.

MPEG-1 Part 2 is another oldie, developed by the Movie Picture Experts Group and approved in 1991. (BTW, the whole "part" thing is because video is just one "part" of each MPEG standard.) Based quite a bit on H.261, MPEG-1 was designed to take VHS quality video and squeeze it down to a bit rate of about 1.5Mbps, optimized for CD transfers. No surprise, it's the standard used for all VCDs (which can play in most DVD players), but not a standard you would see hanging around today.

• With MPEG-2 Part 2, approved in 1994, we're finally talking decent vid. Also known as H.262, since it was developed jointly by the ITU-T and ISO, MPEG-2 is an extension of MPEG-1 that delivers better resolution and higher bit rates (3-15Mbps for standard def and 15-30Mbps for HD, though the spec allows for up to 100Mbps). It's the video codec used by DVD and digital television, though now it's slowly being replaced by the more efficient MPEG-4, except on DVDs, where it'll ride out that disc format's lifetime.

H.263 is designed for sending video over crappy connections. So it's used to encode most Flash video and to send video over mobile networks.

MPEG-4 is where we really stand right now. It has a much broader scope than past MPEG standards, aiming to tackle both the low end (crappy cellphones on a crappy network) and the high end (Blu-ray). It's still developing, so it's not-so-coincidentally where this whole story gets messier. There are two relevant parts of the MPEG-4 standard for our myopic video purposes: There's Part 2. And there's Part 10—which is also known as H.264 or Advanced Video Coding (AVC). To be clear though, even though they're both part of the MPEG-4 standard, they're totally different formats. Nevertheless, both are more efficient at compression than past MPEG codecs, delivering better quality using less space.

• Okay, so if you've ever frequented a Torrent site, you've actually watched tons of videos that use MPEG-4 Part 2, though it's not like they would've had a flashing sign telling you so. MPEG-4 Part 2 actually has different "profiles"—the two that matter being Simple Profile, for low bitrate, low-res stuff, and Advanced Simple Profile. The latter profile is what's used by movies you would download in formats like DivX or XviD or 3ivx—which are all codecs that are essentially just differing implementations of the MPEG-4 Part 2 standard.

MPEG-4 Part 10, the other part, was actually co-devopled by MPEG and the ITU-T, so it's also known—in fact, more commonly known—as H.264. It's more efficient than MPEG-2 and MPEG-4 Part 2, delivering the same quality video in as little as half the space, making it suitable for the low and high-end. Because of this, it's quickly becoming the standardest standard. It's part of the HD DVD and Blu-ray spec, replacing MPEG-2 in digital TV (like with satellite services and AT&T's U-Verse IPTV) and supported by pretty much every portable video player on the planet from the iPod to the PSP. Apple has a decent, if Kool-Aid flavored, FAQ about H.264.

VC-1 is essentially a Microsoft developed alternative video codec to H.264 released as a standard by the Society of Motion Picture and Television Engineers, though it descends from the same H.26X/MPEG family. (It essentially started life as WMV9, but then Microsoft shopped it to the SMPTE to make it an industry standard, and now it is.) It too, is part of the mandatory Blu-ray and HD DVD spec, and is the official video codec of the Xbox 360. It's pitch is the same as H.264's—trying to deliver better quality using less space, like HD video in 6-8Mbps.

Free-Floating Codecs
Okay, so all that stuff up there are industry-wide standard video codecs. On top of all of those, various entities love putting out their own spin on those standards. As we mentioned before, DivX (proprietary) and XviD (open source), for instance, use MPEG-4 Part 2 (more specifically, MPEG-4 ASP) compression, meaning stuff that'll natively play back MPEG-4 ASP will also play back DivX. Like the Xbox 360, for instance. There are a ton of MPEG-4 ASP-based codecs, actually, like FFmpeg, 3ivx and others, but DivX and XviD are the most common. Same deal with H.264: Some well known codecs that use it are Apple's Quicktime H.264, x264 and Nero Digital. You've also got Windows Media Video (WMV) codecs, which are Microsoft's proprietary twists on industry standards.

Containers aka Wrappers
Alright, well you've probably noticed that none of your video files have the extension .h264 or .vc1 or the like. That's because videos are packaged in containers or wrappers that stuff things like the audio, navigational info, etc. along with the video in a single pretty file. Naturally, there are about as many of them as there are codecs. To be clear, you would take a video encoded with, say, H.264, and wrap it up as a .mp4 or .avi file.

The majors ones are:
• AVI (Audio Video Interleave) is Windows' standard multimedia container
• MPEG-4 Part 14 (known to you as .mp4) is the standardized container for MPEG-4
• FLV (Flash Video) is the format used to deliver MPEG video through Flash Player
• MOV is Apple's QuickTime container format
• OGG, OGM and OGV are open-standard containers
• MKV (Mastroska) is another open-specification container that you've seen if you've ever downloaded anime
• VOB means DVD Video Object. Guess what? It's DVD's standard container, and what you get when you rip a DVD.
• ASF is a Microsoft format designed for WMV and WMA—files can end in .wmv or .asf

So, in order to play a video file, your setup has to be able to handle both the actual video codec and the container. It's why you can try to play an AVI file and Windows Media Player laughs at you, even though it totally played one a minute ago— the container was no problem, but it didn't have the right codec. Or conversely, even though an iPod could play back an H.264 encoded video, if it was wrapped up in MKV, it won't be able to read it.

Okay, my brain hurts. Hopefully this will make yours hurt less when it comes to dealing with pesky videos. If you'd like to do even more homework, Wikipedia, as always, has a more in-depth discussion. And Doom9 is always an amazing resource for all things digital video.

Something you still wanna know? Send any questions about codecs, kitties or pad thai (but not RealMedia) to tips@gizmodo.com, with "Giz Explains" in the subject line.

[Image: ME@Flickr]

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<![CDATA[Starz Transitions to MPEG4 (For More HD)]]> Starz is upgrading their infrastructure, transitioning from their MPEG2 systems of old (old, fat DVD codec technology) to sweet MPEG4 (efficiently-packed video that can be scaled more easily to HD). So why am I telling you this? Well, it's totally geektastic knowledge and sometimes I can't help myself. And also, these MPEG4 systems are being installed to offer customers more HD content by clearing bandwidth. The catch? Like many content providers, Starz' transmissions will peak at 1080i/720p. No 1080p for you, guy who apparently spent too much on his television. Just remember this when 4K TVs are all the rage. [CNN]

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<![CDATA[SanDisk Sansa TakeTV and Fanfare Video Service Beta Reviewed (Verdict: Wait and See)]]> Over the weekend, Buy.com blabbed on SanDisk's Sansa TakeTV, formerly previewed as USB TV. Now available, the TakeTV mobile video player will cost $100 for 4GB and $150 for 8GB. Buy.com also mentioned the Fanfare video service, now in beta. It just so happens we got to play around with both, shoot some galleries and formulate some early opinions:

It's a funny little system, consisting of a video-capable USB flash drive, a dock with S-video, AV composite connectors and a power cord, and a remote that the flash drive can hug when not in use. You dock the USB drive to a Windows PC to load videos from the Fanfare service, but you can also dock it in any computer, Mac or PC, and load DivX, xVid and MPEG-4 videos onto it as a mass storage drive.Fanfare setup is extremely straightforward: you sign up for a free Fanfare account, download the Windows-only client software, browse the collections from CBS, Showtime and others (slated for heavy growth in the content-partner area, says SanDisk), and click the "plus" sign when you see something you like. If the TakeTV is plugged in, the video will begin loading. If not, you will be prompted to insert it.At the moment you can't download to hard drive, and need a TakeTV. In the future, SanDisk promises that other flash devices using the TrustedFlash DRM technology would be compatible with Fanfare downloads.

Downloads are encoded in DivX, and an hour of programming takes up just under 1GB of memory. Download time can be slow if your connection isn't up to it, but the experience wasn't unusually sluggish. A 4GB TakeTV can hold up to 5 hours of 720x480 programming.

Once your TakeTV is filled with good stuff—for now, most of it is free—you take it to your TV (like the name implies) and place it in the dock, which you connect to your TV via S-Video or composite, plus stereo audio.SanDisk_Sansa_TakeTV_Setup.jpgImmediately a rudimentary menu pops up, and shows you your content:SanDisk_Sansa_TakeTV_Screen.jpgYou select a video and after a potentially long "loading..." period, it starts to play. I'm not going to lie, the video doesn't look great on a big 1080p TV. I know that's being harsh, since it's just 480i, but the Vudu box with 480p upscaled content looked damn fine, and SanDisk's Fanfare content is nowhere near that quality. Shows look blurry (as you can plainly see in the shot below), though the sound (128 Kbps) is just fine.
SanDisk_Sansa_TakeTV_Video_Sample.jpgI had a bit of trouble with a few of the videos downloaded, but let me say that since this is a beta, I'm willing to let that slide. Of course the content on the site was sparse, and I'm willing to let that go for now, too, because I fully expect SanDisk to keep its promise of expanding options.

The beef I have now is with the hardware: the remote sucked—it was non-responsive and not terribly intuitive, and fastforwarding and rewinding were exercises in frustration. While I like the simple USB-drive technique for loading video, either with Fanfare or on your own, I think that the collection of pieces is a bit of a mess: despite the fact that the drive fits snugly in both the dock and the remote, there's no real clear way to hold all of it together in a tidy package. And if you lose the remote or leave the dock at home when you're at a friend's, you are screwed.

I branded this with a "wait and see" verdict because there's so much promise, but not enough delivered yet for a full-on gavel-banging judgment. My advice to you is to join Fanfare as a lurker, before you buy the TakeTV. If you start seeing content you want, you may consider TakeTV as it is currently the only way to make use of Fanfare video. Also, if you have loads of DivX vids and are constantly yearning for a way to shuttle them to your living room, here's your chance. But my early sense is, you'll have to put up with some growing pains before TakeTV is a mature, worthwhile product. [SanDisk's TakeTV Site]

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<![CDATA[New Toshiba HD DVD Recorders Also Write HD to Regular DVDs]]> Panasonic isn't the only one showing off high-def recording at CEATEC. Toshiba announced three new HD DVD recorders, including the new flagship Vardia RD-X7. All of them can convert MPEG-2 to AVCHD MPEG-4 on the fly, and can store high-def video on DVD-R (2 hrs) and single-layer HD DVD-R (6 hrs) discs. Pricing and availability are not yet announced. [IDG/PC World - Image from Phile-web]

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<![CDATA[Onkyo VR-1000J MPEG-4 Recorder: Video Alchemy for Your PSP]]> Onkyo wants to make it easy for you to record video from a TV or any other video source onto an SD card with its VR-1000J MPEG-4 Recorder, magically turning it into that MPEG-4 format of the Sony PSP or many mobile phones. No PC required, just plug the video in and out comes the PSP-playable video at 30fps at 320x240 in its superfine mode.

Sure, you can compress video for the PSP and transfer it to SD cards with your PC, and this is not the first MPEG-4 recorder, either—a Neuros MPEG-4 recorder beat this Onkyo unit to market by about two years—but this one looks way cooler with its pyramid-shaped design and greatly simplifies that whole pain-in-the-ass PSP video transfer process. If they ever to bring onto the United States, it'll cost around $171.

VR-1000J, the Onkyo media recorder for PSP [Akihabara News]

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<![CDATA[Rollei dt6 Tribute: Small, Not Much Else]]> Achtung! Germany-based Rollei's about to release the dt6 Tribute, a consumer-grade 6.36-megapixel digital camera that's "compact and stylish." (You know a camera has nothing to offer when the best thing that it's got going for it is that it's "compact and stylish.") Other stats include a 4.8x optical zoom that complements its 8x digital zoom, a 2.5-inch LCD and the inclusion of a microphone to record audio that accompanies the MPEG-4 video that it can record. Rollei only includes 32MB of internal memory, not exactly surprising given their track record of releasing cameras with very little memory, but the standard SD card support is here to save the day.

The dt6 Tribute does offer video output, so you can bore your relatives with slideshows from vacations past until the end of time. Look for it this month for around $360 on the Old Continent.

Rollei dt6 Tribute [Let's Go Digital]

Rollei Home Page [Rollei]

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<![CDATA[Samsung Intros Digimax S700 and S1000 Cameras]]> Samsung announced its 7-megapixel Digimax S700 (pictured here) and 10-megapixel Digimax S1000 digital cameras, both with a 2.4-inch LCD and a 3x optical zoom that functions in both still and movie modes.

The two models are similar except for that megapixel count and the S1000's ability to record MPEG-4 video, with the S700 supporting motion JPEG (MJPEG) video recording. That MPEG-4 video recording capability allows the S1000 to fit an hour of 640x480 video at 30fps on a 256MB memory card.

It's nice to see Samsung beefing up the video section of its cameras; let's hope the other camera makers follow suit. Both of these cameras will be available in August, with the Digimax S700 retailing for $250, and the Digimax S1000 at $350.

Samsung Website

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<![CDATA[Minox DMP-3 Mini Media Player/Recorder]]>

Minox is usually a nameplate we see on cameras around here, but now the company dives into the media player/recorder business with its DMP-3, whose distinctive look is the result of a collaboration between Minox and Volkswagen-Design. This is one small unit with its largest dimension at a mere 3.5 inches, but even the eagle-eyed might have to squint to enjoy video on its 2.5-inch screen.

It packs the usual slate of features found inside most media players these days, including MPEG-4 video playback, 640x480/30fps video recording via NTSC or PAL inputs, a digital photo album from which you can print, voice recorder and of course, an audio player that can handle MP3 and WMA as long as there's none of that loathsome digital rights management attached. Plus, it will accept a 2GB SD card on which to store all that video. Nobody's talking about when we might see this on the market or at what price.

Minox DMP-3 Media Player [PhotographyBlog]

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<![CDATA[Archos Reveals Road Map, Includes 700 TV Portable PVR]]>

Archos launched its 404, 504 and 604 players a month ago, and now here's a bit of information about its upcoming 700 TV model, a fine-looking porto-player that promises over-the-air digital television using the Freeview format. It's equipped with a 4.3-inch screen, WiFi, GPS and a cellular modem. Maybe all that connectivity is why the thing needs four ugly antennas sticking out the back; we're hoping that's just a preproduction model.

In the company's "Investor Kit", there are some intriguing technologies, including a digital video recording docking station into which you can place this 700 TV player, resulting in an MPEG-4 TV recorder for your time shifting enjoyment. The docking station can also record video from a satellite-based PVR-equipped set-top box. However, talk is cheap. These products aren't available yet, and the company didn't say when they would be.

Q2 Investor Kit [Archos]

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<![CDATA[Cavalry CAPP06 Pocket Multimedia Player]]>

The Cavalry Pocket Player Multimedia Device is probably not a media player you'll be showing off to those you would like to impress, but even though it only costs $120 it looks like it might be able to get the job done anyway. It plays back MPEG-2 and MPEG-4 movies as well as MP3, it's a mini DVR that can record audio and video, and it has an FM tuner on board as well as 512MB of storage. If that's not enough, you can add up to 4GB removable storage.

Just 16mm thick, its 2.5-inch LCD packs in 960x240 pixels, and its AV recorder can lay down 30 frames per second at 640x480. It even has a little kickstand in the back for easy viewing, and you can add a couple of mini-speakers as well. Looks like a lot of player for $120 but the pics have us a bit concerned—some have a logo, some don't and some even look like there's a different logo on the front. Proceed with caution; you usually get what you pay for.

Product Page [Cavalry Storage, via eHomeUpgrade]

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<![CDATA[LG MFJM53 8GB Music Player]]> LG shows that black is the new black with the MFJM53 portable music player. Shipping with an 8GB hard drive—like the iPod mini that Apple forgot—the MFJM53 has a slick finish but substandard features.

MP3, WAV, WMA and OGG support for audio, and MPEG4 support for video makes this passable. It does get 30 hours of music playback and 4 hours of video playback, which is more than Apple's newest video iPods.

No pricing information yet.

LG quietly launches 8GB music player [Reg Hardware]

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