While Radiohead basked in adulation for dipping its toe into the digital future with the pay-what-you-will
In Rainbows pre-release, it wasn't the first major act to toy with the internet model, and certainly wasn't making a genuine move toward disruption. Had it truly boldly gone where a few have gone before, it
potentially stood to
lose boatloads of revenues the traditional distribution model guarantees an A-list act. On the other hand, Saul Williams, someone with a lot less to lose, took a
dive into the deep end with his release of the Trent-Reznor-produced
Inevitable Rise and Liberation of Niggy Tardust.
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