<![CDATA[Gizmodo: nielsen]]> http://tags.gizmodo.com/assets/base/img/thumbs140x140/gizmodo.com.png <![CDATA[Gizmodo: nielsen]]> http://gizmodo.com/tag/nielsen http://gizmodo.com/tag/nielsen <![CDATA[DVR List Provides a Who's Who of Underrated TV Shows]]> Nielsen's list of the top ten "time-shifted" prime time TV shows takes stock of whose ratings benefited the most from DVR in 2009. What do they have in common? They're all the shows you keep begging your friends to watch.

1. "Battlestar Galactica" (59.4)
2. "Mad Men" (57.7)
3. "Damages" (56.3)
4. "Rescue Me" (53.2)
5.(tie) "True Blood" (46.9)
5.(tie) "Stargate Universe" (46.9)
7.(tie) "Sanctuary" (45.9)
7.(tie) "Heroes" (45.9)
9. "Terminator: The Sarah Connor Chronicles" (45.5)
10.(tie) "10 Things I Hate About You" (44.9)
10.(tie) "Dollhouse" (44.9)
10.(tie) "Melrose Place" (44.9)

Other than a couple of tween-driven clunkers at the bottom of the list—and the people who forgot to take "Heroes" off their DVR in 2007—this is a comprehensive list of some of the best, least watched TV of the year. Which makes sense, given the way the ratings are structured. A million people DVRing "Mad Men" is going to make a much bigger difference to that show's time-shifted rating than a million people DVRing "American Idol." So what you're left with is essentially ten shows with passionate, technologically savvy fan bases. Though it looks like in a couple of these cases, not quite passionate enough to save the show from extinction. Sorry, "Dollhouse." I should've done more to spread the word. [NY Times]

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<![CDATA[No One Really Knows How Many Albums Michael Jackson Sold]]> Some earth-shattering sleuthing from the WSJ: No one really knows how many albums Michael Jackson sold—certainly not 750 million. See, in the barbaric days before album sales were electronically reported to Nielsen SoundScan—1991—it was all guesswork.

Here's how messed up the Billboard rankings were in the pre-electronic days: It used rankings, not actual sales numbers, assumed all albums on the chart had equal spacing between them, no matter how big the gap really was. So, whether a number one album sold just 10 or 10,000 more copies than the number two album, it showed up the same. And on top of only tracking the US and Canada—so not worldwide figures—SoundScan has no data pre-1991.

For what it's worth, Sony and the RIAA peg Jackson's Thriller's sales at 55 million, though Jackson's management says it's more like 100 million. The RIAA says he's sold 61.5 million albums through his career. And those numbers don't include the digital explosion over the last couple weeks. (He held 9 out of the top 10 albums on iTunes after his death.) Other mythical albums sales figures are a lie too, conflating songs and albums: The Beatles haven't sold a billion albums, AC/DC hasn't topped 200 million.

What a far cry from iTunes today: It not only tracks every song and album you buy, it tells you songs you might like based on what you buy after comparing it to what everybody else is buying, and songs you might wanna listen to based on what you already have. We have far too many numbers now. [WSJ]

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<![CDATA[Nielsen To Police Web With Anti-Piracy Watermarking Scheme]]> Nielsen has teamed up with Digimarc to create Nielsen Digital Media Manager, earnest-sounding software that will "use digital watermarking and fingerprinting to establish an industry-wide rules-based solution to copyright security and to assure copyright compliance." While much of this pertains to Nielsen's core business, tracking the popularity of shows, it is very much a security system:

Content owners can leverage the popularity of new media distribution channels by identifying what content is being shared, viewed, mashed up or accessed. This intelligence enables content owners to make meaningful decisions on what content to allow or disallow on such sites.
I guess this means Nielsen no longer needs our explicit participation in order to see what's popular. Makes me feel a bit scared and a bit used. [DigiMarc/Nielsen via Reuters]
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<![CDATA[Tivo PowerWatch Program Sells Detailed User Info to Advertisers]]> Tivo's been selling data about people's viewing habits—what shows and commercials they watch (or skip), when they pause, fast-forward, rewind and so on—to advertisers for around a year. Now they're adding personal info to the Chex Mix of ratings data they sell: age, income, marital status and ethnicity.

The sample size will be 20,000 homes, which for now is comprised of volunteers enticed into letting loose their persona details by a raffle offering the chance to win a free Tivo. The group is six times larger than Nielsen's sample of 3,000. It's also one-upping Nielsen in that it "will offer marketers the opportunity to survey some of its users via an online poll to ask deeper questions about their viewing habits and their feelings about both the ads and the marketers."

Though the info brigade is all-volunteer for now, Tivo's considering allowing advertisers to compare their customer database's with Tivo's, "which would help the advertisers see in greater detail how people's viewing habits affect their purchases." It's increasingly looking like your lifetime subscription might guarantee you Tivo for life, but it's sure not going to guarantee your privacy for that long. [WSJ (sub req'd)]

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<![CDATA[It Doesn't Take a TARDIS To Time Shift]]> You read the post about DVRs screwing with Nielsen ratings, right? I'm gonna take a wild guess that most Giz readers never watch regularly scheduled programming. Here's a quick way for all of us to find out:

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<![CDATA[DVRs Screw Up Nielsen; Commercials Now Rated Too]]> You knew it would happen: DVRs are finally breaking down the TV ratings system.

Because DVRs make skipping over commercials so easy, Nielsen is now rating commercials themselves, based in part on how often people stop fast-forwarding and watch them. According to a New York Times report, DVRs have also affected show ratings themselves: after a single night, a show like How I Met Your Mother might have a 2.7, but by the end of the week, when everyone with a DVR has watched it, the rating might be much higher, at 4.1. The trouble is, both of these new ratings take weeks to process.

There here are some issues that the article didn't mention, though.

1) What about dual-tuner DVRs? On a Sunday night, I can watch Family Guy and Cold Case, even though they are on opposite one another. Since DVRs in general only make up about 20 percent of the viewing audience, it may not be significant yet, but that's going to really screw up ratings as we know it.

2) What about the DVR providers? TiVo and the like must have ridiculous realtime information about who watches what and which commercials are funny enough to stop for. Nielsen has a pretty elaborate system that has worked for networks and advertisers for many years, but TiVo or the cable co's could walk in with a few realtime charts and shut that thing down quick, right?

Maybe part of the reason TiVo has lasted so long through thick and thin is that it gets serious Nielsen consulting fees. [NYT]

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<![CDATA[For the Next Five Minutes, Blu-ray Is Winning]]>
The argument continues to rage, with no end in sight. HD DVD was winning last week, with rumors of cheap HD DVD players flooding the market via Wal-Mart (who else?). Augmenting that was a sales spike in HD DVD discs, though one that was caused by an artificial (or at least, unsustainable) sales spike caused by fervent fanboys.

This week, the Blu-ray camp is reclaiming some lost ground on the battlefield of public opinion.

Reporters are citing research by Home Media Magazine that says Blu-ray movies outsold HD DVD movies 70% to 30% in the first quarter of this year. (The research was apparently backed up by Nielsen VideoScan data.)

In addition, Wired's Gadget Lab ran an article with this fairly jingoistic headline: "Let the Price War Begin: Pioneer Announces $300 Blu-Ray Player". It turns out, the "player" is actually a BD read-only PC drive that's available in China and, they suggest, assorted gray-market vendors.

Highlighting the ambiguity was last Friday's coverage by TG Daily's Mark Raby. At around noon, Raby posted a news story entitled "Blu-ray edges out HD DVD yet again". By 5:30, however, he went with an opinion piece, "Blu-ray not even close to winning format war". Is this bet-hedging doublespeak? Not at all. If you think about it, there's no contradiction at all, just understandable confusion.

I say we find out the winner of this mess right around the time that we learn who will be the next US president. What do you say?

Blu-ray vs. HD DVD [Gizmodo]

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<![CDATA[Nielsen Survey Exposes Cell Phone Stereotypes]]> The kind of cell phone you own may say a lot about your personality. At least that's what the folks at Nielsen think. They just competed a study that picks out your personality type based on what mobile you own.

Motorola users, for example, were deemed stylish, fun seekers whereas Nokia folks were healthy and middle-aged. What did the rest of the survey say, hit the jump for the full results. Let's just say I'm glad I don't own an LG phone.

Nokia Family-minded Middle aged managers Health conscious

Motorola
Fashion conscious
Under 24
Fun seekers

Sony Ericsson
Ambitious young men
Professionals
Success driven

Samsung
Young women
Career focused
Success drivers

LG
Stay at home parents
Moms

The question now is: what personality would iPhone owners have?

Mobiles Maketh the Man and Woman [Sydney Morning Herald via Crave]

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<![CDATA[Blu-ray Gaining Ground on HD DVD]]> If you've been wondering what the scoreboard looks like in the Blu-ray vs HD DVD format war, Nielsen VideoScan has just released the official sales numbers for both sides of the camp. According to the Nielsen stats, Blu-ray is quickly catching up to HD DVD. Since the inception of both formats (April 2006) for every 92 Blu-ray discs sold there were 100 HD DVD units sold. (Score 1 HD DVD). But for the first two weeks of January 2007...

Blu-ray has outsold HD DVD by more than 2 to 1. (Score 1 Blu-ray). It's not sure whether the Blu-ray boost came via the PS3 or if it was simply a lack of new HD DVD titles—either way, it looks like Blu-ray fans have reason to celebrate cause at this rate it shouldn't be difficult to keep the lead.

Nielsen/VideoScan Sales Ratios [AVS Forum]

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<![CDATA[iPod Video a Flop? Plus, Our Field Test on Tiny Video Watching]]> Nielsen Media Research, that company that watches the TV watchers, did a study last month about Apple's iPod and the amount of video that people are actually watching on it. The result? People are listening to a whole lot more music than they are watching videos on the portable players. Less than 1% of content played on iTunes or iPods were videos, and even among those who own a video iPod, only 2.2% of the content consumed was video. What does this all mean? According to the Hollywood Reporter:

Worst-case scenario: The panel is an early indication that TV and movies have limited appeal on iPods. Best-case scenario: While adoption of video may be proceeding more slowly than the hype suggests, there is tremendous upside ahead.
We're thinking that people are using iPods so much, 2.2% of the huge amount of time spent with the things is still a significant number. But then, isn't watching video on such a tiny screen a huge pain in the ass? I just spent over 50 hours in various airplanes watching all kinds of video on tiny screens, so let me tell you what I think, after the jump.

My impression of watching video on a small screen? It depends on how small that screen is and how desperate you are to be entertained. I've noticed that I have a personal threshold for the smallness of video that I can still enjoy. I tried a few different screen sizes in my informal field test, traveling half-way around the world and watching a lot of video. Along for the ride I had a Motorola Q which has a 2.25-inch 4x3 screen, an Archos 404 with a 3.5-inch 4x3 screen, and a Sony PSP with a 4.25-inch widescreen.

moto_q_aaa.jpgOn a screen the size of the Motorola Q's, it's extremely hard to enjoy any sort of cinematic content, because it's just too damn small. Trying to watch a football game in Los Angeles that I was receiving via EVDO using SlingPlayer Mobile was an exercise in futility, where the players all looked like tiny ants running around on the screen. About the only thing a screen that size is useful for is getting some talking-heads news information or something very simple. Either way, it's hardly worth the trouble.

archos_404aaa.jpgMoving up to the next larger-size screen, the Archos 404's 3.5-inch 4x3 screen was almost big enough for watching 4x3 content, but still leaves me wanting when watching letterboxed movies. It just seems like a waste of perfectly good video content to watch it on a screen that's just 3.5 inches diagonal. The Archos screen had an unusually shallow viewing angle, not good if you want to watch a video with a friend. But this could have an upside, too—you won't bother your prudish seatmate if you want to pull out that porn vid you've been meaning to watch but just haven't gotten around to.

sony_pspaaa.jpgThe Sony PSP is a different story. Its 16x9 screen is exceedingly sharp and is just big enough to enjoy movies. Of course, if you get suckered into buying a movie on the brain-dead UMD format, there is an upside to that: its video is exceedingly crispy-sharp. Even ripped movies from DVDs look like HDTV on this beautiful little screen. Watching movies on the PSP was far more pleasurable than with the other two examples I tried, and the audio sounds great with a decent pair of earphones, making me almost forget I was flying in a pressurized tin can six miles above the planet.

I did notice that the more desperate I got to be entertained on these interminably long flights (one was 18 hours long), the easier it was to tolerate the smaller screens. Plus, if the movie I was watching was really good, I could get so absorbed in the content that it didn't matter much that I was only watching on a small screen. But this is only true with the PSP. Anything smaller than 4 inches, in my opinion, gets to be annoying to watch after a while, no matter what.

One other note: I found myself constantly wishing for some sort of stand or easel that could hold up each of these players on the tray table, because it gets tiresome to hold a player in your hand for hours on end while watching long movies.

Plus, when loading up the players with video, it's quite an arduous process to convert a DVD into a movie that can be viewed on them, but that's getting easier all the time, too.

Summing up, I believe there is a big market for location-shifting using portable video players, because people are sometimes desperate for entertainment. Plus, the threshold of pain varies from user to user; your mileage may vary.

Study: iPod video yet to play big [Hollywood Reporter]

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<![CDATA[Nielsen to Begin Mobile and Online TV Ratings]]> tv.grx.gifNielsen, usually known for being a little behind the times, has shocked the world by announcing a program that will begin to track TV viewership online and on mobile devices. This will be the first comprehensive study of the link between television and broadband internet. The system will track video delivered through the Internet and played on portable devices. The first panel will include 400 iPod users.

In related news of Nielsen joining the 21st century, they also announced a plan to end the paper diaries that they are still used in select markets with their television rankings during sweeps. Good for you, Nielsen. Welcome to the world.

Nielsen to gauge TV viewing on Web, mobile devices [Reuters]

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