<![CDATA[Gizmodo: panasonic lumix]]> http://tags.gizmodo.com/assets/base/img/thumbs140x140/gizmodo.com.png <![CDATA[Gizmodo: panasonic lumix]]> http://gizmodo.com/tag/panasoniclumix http://gizmodo.com/tag/panasoniclumix <![CDATA[Panasonic Lumix DMC-GH1 Micro Four Thirds Sequel Shoots Full 1080p Video]]> Panasonic has just gotten around to releasing their next Micro Four Thirds camera, and it looks awfully familiar! That's because the GH1 is, more or less, the G1, with added 1080p HD video capabilities.

In fact, it looks as though allthe GH1's changes revolve around that single new feature, which was sorely missed in the G1. But first, about that HD: the camera will record full, 1080p video at 24fps in the relatively common AVCHD format, or 720p content at an buttery 60fps, framed through either the new digital viewfinder or a flip-out, 3-inch LCD screen.

Checking out some of the video they're demoing, it's definitely impressive and—other than the depth of field control for sharp subjects and soft backgrounds—indistinguishable from any other 1080p camcorder, at least in daylight—they're not showing any night footage though.To bolster video performance, Panasonic is bundling the GH1 with a video-optimized 14-140mm/F4.0-5.8 lens. What qualifies the lens as "optimized", apparently, is the autofocus system: the smooth, continuous AF is driven by a silenced motor to minimize sound pollution during video sessions. To round out the video capabilities, Panasonic has included a "Creative Mode", which provides aperture and exposure control during video recording—a capability that is conspicuously absent from some pricier video-enabled DSLRs.

As far as still shooting goes, the GH1 isn't meaningfully differentiated from its predecessor, so you can get an idea of what to expect in our G1 review. Check the presser below for full details.

PMA is an annual show where we get to see tomorrow's digital cameras—the ones that'll be populating pockets and purses for the rest of the year. We'll be here for the next couple of days. [Panasonic]

The Panasonic LUMIX DMC-GH1, a Creative HD Hybrid, Offers Professional-Level Still Photos and HD Video Performance Yet is Easy Enough for Entry-Level DSLR Consumers

Las Vegas, NV (March 3, 2009) – Panasonic today introduced the DMC-GH1, the newest member of the company's revolutionary LUMIX G Micro System – a new digital interchangeable lens camera system that delivers professional-level features and performance in a compact and easy-to-use camera body.

Compatible with the Micro Four Thirds System standard, the new LUMIX GH1 features advanced video photography functions, such as the ability to record High Definition (HD) AVCHD 1080p/24p video.* In addition, the new LUMIX GH1 comes with a newly developed long-zoom interchangeable lens – the LUMIX G VARIO HD 14-140mm/F4.0-5.8 ASPH./MEGA O.I.S. This lens was specifically designed to support HD movie recording and features a silent motor and continuous auto focusing (AF) capability; two features which distinguish the LUMIX GH1 from DSLRs that offer HD video recording capabilities.

"Photographers of all levels – professionals, amateurs and beginners – will be stunned by the range of creative possibilities that the LUMIX GH1 creates in the world of high-quality photography and HD video. Users will be equally amazed by the camera's easy-to-use design and small size," said David Briganti, National Marketing Manager, Imaging, Panasonic Consumer Electronics Company. "Beyond its creative potential, the LUMIX GH1, a sister product to the award-winning LUMIX G1, is also innovative and differentiates itself from the pack by recording High Definition video with continuous AF, an indispensable feature for practical video recording."

In late 2008, Panasonic redefined the traditional DSLR category with its launch of the Panasonic LUMIX G1 – a digital, interchangeable lens camera system that takes the radical step of eliminating the large, internal mirror structure that is currently contained in all traditional DSLR cameras. This innovation allows for dramatically smaller camera body and lens sizes and permits many new, advanced consumer features such as LUMIX G1 "Live View Finder". With its 2008 launch, the LUMIX G1 achieved several honors, including:
World's first entry into the Micro Four Thirds Standard system camera segment
World's first interchangeable lens camera to offer colored body options to consumers
Winner, 2008 Camera of the Year (Popular Photography & Imaging magazine)

The new LUMIX GH1 provides cutting-edge video recording features, including the ability to record high-resolution full HD (1920 x 1080) video at 24 fps or smooth HD video (1280 x 720) movie at 60 fps using an AVCHD format (MPEG-4/H.264). The AVCHD format provides the important benefit of doubling the HD quality recording time compared with Motion JPEG. The LUMIX GH1 hosts a dedicated video record button on the back of the camera which lets users instantly start recording videos, even while shooting still photos – removing the fear of potentially missing a must-see video moment. The LUMIX GH1 also records video in high-quality stereo sound via Dolby Digital Stereo Creator, the global standard of audio recording. An optional stereo microphone (DMW-MS1) is also available to achieve a more intensive sound recording experience. Finally, a convenient Wind Cut function is provided to help to block out distracting video background noise.

Like the LUMIX G1, the LUMIX GH1 features the Live View Finder system which enables something that simply is not possible with conventional DSLR cameras – the ability to preview the effects of camera settings (e.g., exposure, aperture, shutter speed) before taking the photo. This helps take the guesswork out of the camera setting process and helps users ensure that every photo they capture comes out exactly as they envisioned.

The brilliant 1,440,000-dot equivalent Live View Finder system can also display information settings that a user can see without removing their eyes from the subject. Furthermore, a built-in eye sensor automatically switches on the viewfinder when the user looks into it, then switches it off and turns on the swivel 3.0-inch large 460,000-dot high-resolution LCD when the user looks away from the viewfinder. The 60-frames-per-second Live View is made possible by the Live MOS sensor, which takes real-time signals directly from the image sensor and sends them continuously to the LCD. Both the Live View Finder and LCD provide a 100% field of view – allowing the user to accurately frame and compose a shot from most any position.

The LUMIX GH1 kit lens – the LUMIX G VARIO HD 14-140mm/F4.0-5.8 ASPH./MEGA O.I.S. –provides a broad focal length range of 28-280mm (35mm camera equivalent) and supports continuous AF using the contrast AF system for both photo and movie capture. The low-noise lens design also seamlessly supports video recording by minimizing the mechanical sound generated by AF/AE actions.

At the core of the LUMIX GH1 lies a newly developed 12.1-megapixel high speed Live MOS sensor and Venus Engine HD, which features twin CPUs for outstanding processing capabilities. The Live MOS sensor is capable of high-speed readout over four channels to be compatible with full-HD movie recording. This sensor is also advantageous for photo recording with a high signal-to-noise ratio thanks to the new circuit structure that is unaffected by the noise generated in each of the circuits. This results in crisp photos – even those taken at high ISO levels. The multi-aspect type sensor allows users to take photos in 4:3, 3:2 or 16:9 aspect ratios with the same angle of view. The Venus Engine HD is also energy efficient, supporting long periods of AVCHD video recording on a single battery charge.

In addition to the digital camera's HD video recording capability, the DMC-GH1 features the LUMIX Creative Movie mode which lets the user manually set the shutter speed and aperture, making their videos more creative and representative of their own personal video style preference. Changing the shutter speed gives the videos a special look, particularly suitable for shooting fast-moving subjects. Controlling the aperture is convenient when there are several subjects at varying distances, so the user can focus on the foreground and blur the background – or vice versa.

While the LUMIX DMC-GH1 has cutting-edge still image and video capture features, the LUMIX GH1 is also incredibly easy-to-use, thanks to Panasonic's iA (Intelligent Auto) mode** – a user-friendly setting made popular in the LUMIX line of digital point-and-shoot camera products. Panasonic's iA mode is a suite of technologies which engage automatically (no settings needed). The latest addition to the iA suite of features is Face Recognition, a feature that directs the camera to prioritize focus and exposure on a specific face that that the user had previously registered in the camera.*** This invaluable function makes it especially easy to take sharp and beautifully exposed images of things the user values most in their photos – the user's friends and family.

Panasonic's iA mode offers other innovative features which help deliver consistently outstanding photos: O.I.S. (Optical Image Stabilization) to help reduce blurring from hand-shake; Intelligent ISO Control to help limit motion blur by adjusting the ISO sensitivity if the subject moves as the shot is taken; AF Tracking that lets the camera lock onto any subject and keep it in focus even if it moves; Intelligent Exposure which optimizes the exposure for each part of an image, preventing blocked shadows and blown highlights, and helps ensure that gradation and details are reproduced beautifully; and Intelligent Scene Selector which automatically detects the five most common shooting situations - Portrait, Night Portrait, Scenery, Night Scenery and Close-up - and switches to the appropriate Scene mode.

Best of all, the benefits of Panasonic's iA mode extend to motion image recording on the DMC-GH1. For example, the LUMIX GH1 motion iA includes O.I.S. and Face Detection, which automatically detects a face in the frame and adjusts focus, exposure, contrast, and skin complexion. Intelligent Exposure continually checks the ambient light level and adjusts the exposure setting as conditions change to prevent blown highlights and blocked shadows. Intelligent Scene Selector automatically switches between Normal, Portrait, Close-up, Scenery, and Low Light modes according to the environment.

The Contrast AF system adopted by the LUMIX GH1 is accurate, easy-to-use and fast. Users can choose from a wide range of AF modes, including multiple-area AF with up to 23 focus areas, 1-area AF with a selectable focus area, Face Detection, and AF Tracking. To help keep the images free of spots from dust and particles, the Supersonic Wave Filter dust reduction system helps prevent foreign contaminants from adhering to the image sensor.

After users capture their images using the LUMIX GH1, it's easy for them to enjoy their photos or HD videos immediately on a large-screen Panasonic VIERA® high-definition television. All that is required is to remove the SD Memory Card from the LUMIX GH1 and insert it into the VIERA Image Viewer (SDHC/SD Memory Card slot) located in the VIERA HDTV or in the Panasonic Blu-ray disc player. Alternatively, an optional mini HDMI™ cable is available to output the images from the LUMIX GH1 directly to the Panasonic HDTV via VIERA Link™. Then, using the VIERA HDTV's remote control, users can take advantage of the LUMIX GH1's advanced playback and slideshow features.

In addition to the new LUMIX G lenses, the DMC-GH1 and LUMIX G Micro System is compatible with any interchangeable lens that complies with the Four Thirds standard.**** This gives users access to the entire range of Four Thirds lenses. Additional Micro Four Thirds lenses will be announced in the future, giving users a large, diverse line of high-performance lenses to add to their photographic toolboxes. With the LUMIX G Micro System and the growing assortment of lenses becoming available, the creative possibilities are endless.

The LUMIX DMC-GH1 is a system camera with a wide variety of options to choose from to match a wide range of shooting situations and styles. Accessories compatible with the LUMIX G Micro System include: External Flash: DMW-FL220(GN22) / DMW-FL360(GN36) / DMW-FL500(GN50); PL Filter: DMW-LPL62; ND Filter: DMW-LND62 (New); MC Protector: DMW-LMCH62; Mount Adapter: DMW-MA1; Stereo Microphone: DMW-MS1 (New); Battery Pack: DMW-BLB13; DC Cable: DMW-DCC3; Soft Cases: DMW-CG1, DMW-CG2 (New); Soft Bag: DMW-BAG1; Shoulder Strap (Stylish) DMW-SSTG1-A/C/R/K(New); Shoulder Strap (Woven) DMW-SSTG2-W; Shoulder Strap (Leather) DMW-SSTG3-T; Remote Shutter: DMW-RSL1.

For more information about the DMC-GH1 and all of Panasonic's LUMIX G Micro System accessories, please visit http://www.panasonic.com/lumix

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<![CDATA[Panasonic Lumix Camera Summer Sequels: FZ28 18x Zoomer, 14.7-Megapixel FX150 and Ultra-wide Angle FX37]]> Panasonic has a nice set of digital camera summer sequels to last year's lineup. Here's the rundown, with full releases below:
•Panasonic's FZ28 updates its original 18x super-zoomer FZ18 with a higher res, and some new software features, autofocus tracking and more robust face detection, plus it shoots HD video, like every new Panasonic camera. Out in Aug. for $399.
•The ultracompact FX150 bulldozes the FX100 with a ridiculous 14.7-megapixel resolution (hopefully not with meteor-size noise, but probably), RAW recording, HD video shooting, and a 28mm wide-angle lens. Available Aug. for $399.
•Finally, the FX37's raison d'etre is its 25mm ultra wide-angle 5x zoom lens. It's tiny, has a 10MP resolution and also shoots 720p HD video. It's available in Sept. for $350.

PANASONIC ADDS ULTIMATE ACTION LUMIX DIGITAL CAMERA WITH LONG ZOOM AND 27MM WIDE-ANGLE LENS

LUMIX DMC-FZ28 Features AF Tracking, Latest Addition to
Intelligent Auto Mode, Helping to Capture Moving Subjects With Clarity

SECAUCUS, N.J. (July 21, 2008) – Panasonic today unveiled the LUMIX DMC-FZ28 digital camera, which boasts a premium 27mm wide-angle LEICA lens with an 18x optical zoom, ideal for tight indoor shots and long-distance action photos. The 10.1 megapixel digital camera also features an enhanced Intelligent Auto Mode (iA), with the new AF (auto focus) Tracking function, making it easier for photographers at any level to shoot sharp, well-focused photos, even when the subject is moving – making it ideal for action shots.

The AF Tracking function, the latest component to be added to Panasonic’s iA system, allows users to lock focus on a moving subject. The camera then automatically tracks the subject as it moves, keeping it in focus without the need to hold the shutter halfway down. AF Tracking makes it easier to capture moving subjects and spur-of-the-moment action shots. The AF Tracking technology also improves Face Detection (up to 15 faces), by providing continuous adjustment of the focus and exposure, even if the face is turned away from the camera.*

“The FZ28 packs a wide-angle lens and a high-powered zoom, so shooting outdoor events or vacation adventures is easy with this powerful camera,” said David Briganti, National Marketing Manager, Imaging, Panasonic Consumer Electronics Company. “Without sacrificing Panasonic’s reputation for high-quality lenses and innovative technologies, the FZ28 expands the Intelligent Auto Mode, allowing a user at any level to take high-quality photos.”

In addition to the AF Tracking functionality, Panasonic’s other iA technologies include:

• Intelligent Exposure – Helps prevents photos from being under- or over-exposed by instantly analyzing the framed image and adjusting the brightness in areas that are too dark because of dim lighting, backlighting or the use of the flash. The camera will automatically adjust the brightness accordingly.
• Digital Red-eye Correction– This feature helps to eliminate the red-eye problem that sometimes results when taking flash shots at night. Incorporated into the camera, the built-in flash emits a small preliminary flash before the main flash, detects red-eye and will digitally correct it.
• MEGA O.I.S. – Gyrosensors detect hand-shake and the lens system shifts to compensate, helping to prevent hand-shake from creating a blurry image.
• Intelligent ISO – Determines if the photo subject is moving and changes the ISO setting and shutter speed accordingly, thus giving a blur-free photo.
• Intelligent Scene Selector – Senses the ambient conditions, recognizes the shooting environment and will automatically select the appropriate scene mode from: Scenery, Portrait, Macro, Night Portrait or Night Scenery mode. This intuitive technology, helps the consumer use the most common scene modes that are built into the camera, but often go unused, without making any manual adjustments.
• Face Detection – Detects faces in the frame (up to 15 faces), even if they are moving, and selects optimal focus and exposure settings so portraits come out clear.
• Quick AF (Auto Focus) – Starts focus on the subject by just pointing the camera at the subject, thus minimizing the AF time.

The high-quality, high-performance Venus Engine IV supports a faster response time, allowing the camera to shoot 2.5 shots per second at full resolution and 13 shots per second in High-Speed Burst mode. In High Sensitivity mode, the FZ28 can shoot up to ISO 6400 in extremely low-lit situations. The LUMIX DMC-FZ28 also is equipped with a 2.7-inch large, high resolution LCD with 230,000 pixels, and a high resolution electric viewfinder equivalent to 201,600 pixels.

The DMC-FZ28 also features High Defintion (HD) video capabilities with a resolution of 1280 x 720p at 30fps. Still photos can also be shot in a 16:9 aspect ratio for optimal full-screen viewing on a HDTV. Panasonic VIERA Plasma or LCD HDTVs also feature an integrated SD Memory Card slot, allowing users to easily view photos by simply inserting the SD Memory Card into the convenient SD Card slot built into the TV. Consumer can also enjoy watching videos in HD quality and view still images by connecting the DMC-FXZ28 via an optional Panasonic component cable (DMW-HDC2).

Additional features of the Panasonic LUMIX DMC-FZ28 include:

• Image Leveling – When a captured image “leans” to the right or left because the camera was held at a slight angle when the photo was taken, the Image Leveling function rotates the image to straighten it and crops the unnecessary edges. No computer needed!
Scene Modes – The DMC-FZ28 offers a total of 37 scene modes to respond easily to any shooting situation. The new Pin Hole and Film Grain modes add unique, film camera-like effects and ambiences to images. Additionally, the actual effects of the scene mode can be viewed on the LCD before taking the shot.
• Flash – Reaches a distance of 8.5 meters at the wide setting and 5.4 meters at the telephoto setting (ISO AUTO).
• SILKYPIX Developer Studio 3.0 SE – Software application comes bundled with the DMC-FZ28 for editing and developing images in the RAW file format.

The Panasonic LUMIX DMC-FZ28 will be available in silver and black in August 2008 for a suggested retail price of $399.95. For more information and to download the full specs, please visit www.panasonic.com/pressroom.

PANASONIC INTRODUCES NEW ADDITION TO FX-SERIES, COMPLETE WITH 14.7 MEGAPIXELS AND 28MM WIDE-ANGLE LENS

New LUMIX FX150 Features Manual Controls to Help Creative Photography

SECAUCUS, N.J. (July 21, 2008) – Panasonic today announced its newest addition to its FX-Series of LUMIX digital cameras with the unveiling of the stylish and feature-rich DMC-FX150. Equipped with 14.7 megapixels, the FX150 also boasts a 28mm wide-angle LEICA DC VARIO-ELMARIT lens with F2.8 brightness and 3.6x optical zoom.

The FX150’s manual controls and creative-shooting features distinguish it from many of its ultra-compact competitors. For instance, the Manual Exposure mode lets users choose the shutter speed, giving the freedom to render artistic images of ordinary scenes. The multi-exposure function superimposes up to three consecutively shot images together while the user views the previous image on the LCD, creating a surrealistic effect that cannot be achieved with a single image alone. Furthermore, the manual bracketing function includes typical exposure and adds new color bracketing to capture color, monochromatic and sepia shots of an image simultaneously.

The FX150 also records original photos in the RAW file format and comes bundled with the SILKYPIX Developer Studio 3.0SE software application, enabling the user to freely adjust RAW data settings such as exposure bias and white balance even after shooting for greater editing and image development.

“With the FX150, Panasonic brings a unique type of ultra-compact camera to the market,” said David Briganti, National Marketing Manager, Imaging, Panasonic Consumer Electronics Company. “The combination of 14.7 megapixels, numerous manual controls and Intelligent Auto mode in a stylish, pocket-sized body creates an ideal camera for photo enthusiasts.”

In addition to manual controls, the FX150 also offers Panasonic’s Intelligent Auto (iA) mode that provides the user with automatic settings adjustments depending on the shooting environment. A new technology, called AF (auto focus) Tracking, has been added to the iA roster of features. AF tracking enables the camera to lock focus on a moving object. Additionally, AF Tracking increases Face Detection accuracy, allowing for crisp, sharp-focused shots even if the subject moves while shooting the image*.

When the FX150 is set to iA mode, the following technologies engage automatically, no settings need to be made:

• Intelligent Exposure – Helps prevents photos from being under- or over-exposed by instantly analyzing the framed image and adjusting the brightness in areas that are too dark because of dim lighting, backlighting or the use of the flash. The camera will automatically adjust the brightness accordingly.
• Digital Red-eye Correction– Helps to eliminate the red-eye problem that sometimes results when taking flash shots at night. Incorporated into the camera, the built-in flash emits a small preliminary flash before the main flash, detects red-eye and will digitally correct it.
• MEGA O.I.S. – Gyrosensors detect hand-shake and the lens system shifts to compensate, helping to prevent hand-shake from creating a blurry image.
• Intelligent ISO – Determines if the photo subject is moving and changes the ISO setting and shutter speed accordingly, thus giving a blur-free photo.
• Intelligent Scene Selector – Senses the ambient conditions, recognizes the shooting environment and will automatically select the appropriate scene mode from: Scenery, Portrait, Macro, Night Portrait or Night Scenery mode. This intuitive technology, helps the consumer use the most common scene modes that are built into the camera, but often go unused, without making any manual adjustments.
• Face Detection – Detects faces in the frame (up to 15 faces), even if they are moving, and selects optimal focus and exposure settings so portraits come out clear.
• Quick AF (Auto Focus) – Starts focus on the subject by just pointing the camera at the subject, thus minimizing the AF time.

The FX150 boasts the high-speed image processing system, the Venus Engine IV, which supports a faster response time, allowing the camera to shoot 2.5 shots per second at full resolution and six shots per second in High-Speed Burst mode. The FX150 can also record dynamic High Definition video in 1280 x 720p at 24fps. Other advanced features of the LUMIX FX150 include:

• Image Leveling – When a captured image “leans” to the right or left because the camera was held at a slight angle when the photo was taken, the Image Leveling function rotates the image to straighten it and crops the unnecessary edges. No computer needed!
• Scene Modes – The FX150 offers 24 different scene modes to respond easily to any shooting situation. The new Pin Hole and Film Grain modes add unique, film-camera-like effects and ambiences to images and the Transform mode trims and stretches images to virtually transform the subject.

The Panasonic LUMIX DMC-FX150 will be available in silver and black and will begin shipping in August 2008 with a suggested retail price of $399.95. For more information and to download the full specs, please visit www.panasonic.com/pressroom.

PANASONIC ANNOUNCES NEW SLIM LUMIX MODEL WITH ULTRA WIDE-ANGLE LENS AND POWERFUL 5X OPTICAL ZOOM

New LUMIX FX37 Offers Enhanced Intelligent Auto Technology, 10.1 MP and HD Video Recording Capabilities With a 25mm Ultra-Wide-Angle Leica Lens

SECAUCUS, N.J. (July 21, 2008) – Panasonic today introduced the new LUMIX DMC-FX37 digital camera with a 25mm ultra wide-angle LEICA DC lens, enabling users to capture almost double the viewing space at the same shooting distance as compared to 35mm cameras. The 10.1 megapixel FX37, capable of High Definition video recording, also includes a powerful 5x optical zoom while maintaining a sleek, ultra-compact body and expands Intelligent Auto Mode (iA), Panasonic’s system of intuitive technologies that help consumers take better photos.

“Panasonic is committed to manufacturing innovative, high-performance LUMIX digital cameras that offer technologies that are advanced, yet easy to use,” said David Briganti, National Marketing Manager, Imaging, Panasonic Consumer Electronics Company. “The FX37 gives users big features – an ultra-wide angle lens, 5x optical zoom, and the enhanced Intelligent Auto technologies – while still packing all this into ultra-sleek body easy enough to slip into a pocket or small purse. With wide-angles, consumers are able to fit more into their frame, giving them increased flexibility when taking photos.”

Joining the LUMIX family, the FX37 comes with several of Panasonic’s proprietary features, including the new AF (auto focus) Tracking function, which expands the iA system. AF Tracking automatically tracks the subject in the frame by locking it into focus, making it easier to capture sharp, well-focused photos. With AF Tracking, the FX37 continually monitors the light source and automatically activates the backlight compensation function if it detects that the light source is behind the subject. AF Tracking also increases Face Detection accuracy, allowing for crisp, sharp-focused shots even if the subject’s face moves – or turns to a profile.*

When the FX37 is set to iA mode, the following technologies engage automatically; no settings need to be made:

• Intelligent Exposure – Helps prevents photos from being under- or over-exposed by instantly analyzing the framed image and adjusting the brightness in areas that are too dark because of dim lighting, backlighting or the use of the flash. The camera will automatically adjust the brightness accordingly.
• Digital Red-eye Correction– This feature helps to eliminate the red-eye problem that sometimes results when taking flash shots at night. Incorporated into the camera, the built-in flash emits a small preliminary flash before the main flash, detects red-eye and will digitally correct it.
• MEGA O.I.S. – Gyrosensors detect hand-shake and the lens system shifts to compensate, helping to prevent hand-shake from creating a blurry image.
• Intelligent ISO – Determines if the photo subject is moving and changes the ISO setting and shutter speed accordingly, thus giving a blur-free photo.
• Intelligent Scene Selector – Senses the ambient conditions, recognizes the shooting environment and will automatically select the appropriate scene mode from: Scenery, Portrait, Macro, Night Portrait or Night Scenery mode. This intuitive technology helps the consumer use the most common scene modes that are built into the camera, but often go unused, without making any manual adjustments.
• Face Detection – Detects faces in the frame (up to 15 faces), even if they are moving, and selects optimal focus and exposure settings so portraits come out clear.
• Quick AF (Auto Focus) – Starts focus on the subject by just pointing the camera at the subject, thus minimizing the AF time.

The LUMIX FX37, which includes 50 MB** of internal memory, also features High Definition (HD) video recording capabilities, shooting with a resolution of 1280 x 720p at 30fps. Still photos can also be shot in a 16:9 aspect ratio for optimal viewing on an HDTV. Panasonic VIERA Plasma and LCD HDTVs also feature an integrated SD Memory Card slot, allowing users to easily view photos by simply inserting the SD Memory Card into the convenient SD Card slot built into the TV. Consumers can also enjoy watching videos in HD quality and view still images by connecting the DMC-FX37 via an optional Panasonic component cable (DMW-HDC2).

The new Venus Engine IV supports a faster response time, allowing the LUMIX FX37 to shoot 2.5 shots per second at full resolution and six shots per second in High-Speed Burst mode. The shutter release time lag is as short as 0.005 second, making it easier to capture spur-of-the-moment photo opportunities. The high-performance engine enables the camera to shoot up to 310 photos on a single battery charge.

Additional features of the Panasonic LUMIX DMC-FX37 include:

• Image Leveling – When a captured image “leans” to the right or left because the camera was held at a slight angle when the photo was taken, the Image Leveling function rotates the image to straighten it and crops the unnecessary edges. No computer needed!
• Scene Modes – The DMC-FX37 offers 25 scene modes to address the unique needs of a variety of shooting situations. The new Pin Hole and Film Grain modes add unique, film camera-like effects and ambiences. Additionally, the Transform mode trims and stretches the image to virtually transform the subject to appear slimmer or stretched wider.

The Panasonic LUMIX DMC-FX37 will be available in silver, black, blue, pink, white and brown in September 2008 for a suggested retail price of $349.95. For more information and to download the full specs, please visit www.panasonic.com/pressroom.

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<![CDATA[Panasonic Lumix LX3 High-End Point-and-Shoot Dumps Pixels to Stay Sensitive]]> Panasonic's new high-end LX3 point-and-shoot totally bows out of the megapixel war, keeping the same 10-megapixel resolution as its LX2 predecessor for a 40 percent bump in sensitivity and 35 percent greater saturation, plus it can shoot up to 3200 ISO in full res, or 6400 at a reduced one. As a semi-pro point-and-shoot, it has an F2.0 2.5x 24mm ultra-wide angle lens, full manual controls and RAW output, though it still has more consumer-y stuff like Intelligent Scene Selector and HD video recording. Out in August for $499.

PANASONIC ANNOUNCES MUCH-ANTICIPATED ADDITION TO ITS LX-SERIES OF LUMIX DIGITAL CAMERAS

New LUMIX DMC-LX3 Combines Enhanced CCD Technology, LEICA Lens, and a Wide-Range of Manual Shooting Controls For Increased Creativity

SECAUCUS, N.J. (July 21, 2008) – Panasonic today introduced the LUMIX DMC-LX3 digital camera, the successor to the highly-regarded and popular DMC-LX2. Designed for easy, creative shooting, and high-performance in low-light conditions, the DMC-LX3 features a F2.0 24mm LEICA DC VARIO-SUMMICRON lens, 10.1 megapixels and an ultra-sensitive 1/1.63-inch CCD developed specifically for this model. By combining a high-quality lens and sensor ready for a variety of shooting conditions with a wide-range of accessories and manual controls, the DMC-LX3 is ideal for professional photographers and serious amateurs looking for a compact digital camera that furthers their creative photography.

At the heart of the DMC-LX3, is its 1/1.63-inch CCD. Making the intentional choice to limit the number of megapixels to 10.1 on its CCD, Panasonic was able to give more space for each pixel and also redesigned the peripheral circuits and other components to further minimize noise generation. As a result, sensitivity is almost 40 percent higher and saturation is increased by 35 percent, when compared to Panasonic’s 10 MP digital cameras*, giving the DMC-LX3 outstanding image quality and a wide dynamic range, and meeting the demand for a camera that works optimally in low-light environments. The CCD is also capable of reproducing images in three aspect ratios – 4:3, 3:2 or 16:9. The new Multi Aspect mode allows the camera to take an image in all three aspect ratios simultaneously, allowing users to choose the version that best suits their needs.

“With the strong response towards the DMC-LX2, Panasonic has taken its technology a step further by upgrading several key components that we think will make the LX3 another win,” said David Briganti, National Marketing Manager, Imaging, Panasonic Consumer Electronics Company. “With the enhanced CCD and extensive manual and automatic functions, the DMC-LX3 is ideal for photographers looking for a full-featured compact digital camera with some DSLR-like characteristics and a wide-range of optional accessories.”

Another major upgrade to the LX3 is the F2.0 24mm ultra wide-angle LEICA DC VARIO-SUMMICRON lens. The F2.0 is about twice as bright as a F2.8 lens and can shoot at higher shutter speeds to capture clear, blur-free images in dimly lit environments. In addition, the 24mm lens captures approximately a 213% larger viewing angle than a normal 35mm camera and 136% larger compared to a 28mm wide-angle lens. The lens unit consists of eight elements in six groups with four aspherical lenses with four aspherical surfaces. As a result of the F2.0 lens, the LX3 produces high resolution and minimal distortion and artifacts – such as chromatic aberrations, ghosting and flaring.

The LX3 also incorporates the Venus Engine IV, which provides more advanced signal processing technology for producing higher-quality images with reduced noise in both luminance signal and chromatic signal processing – as compared to the Venus Engine III.
The Venus Engine IV supports high sensitivity recording enabling the DMC-LX3 to record at up to ISO 3200 at full resolution and even up to ISO 6400 when using high sensitivity mode, enough to capture subjects in low lighting without using a flash**. The Venus Engine IV also supports a faster response time, allowing the camera to shoot 2.5 shots per second at full resolution and six shots per second in High-Speed Burst mode.

The easy-to-use joystick operation which was featured in its predecessor continues with the LX3, as its intuitive design makes selecting different settings on the camera, including focus, aperture and shutter speed – easy and quick. Other convenient design elements include a switch on the side of the lens barrel that allows the user to quickly change the focus modes between Manual Focus, Auto Focus and Macro Auto Focus. When choosing Manual Focus, the focus distance and the depth of field according to the zoom range and aperture is also displayed. For setting white balance, the LX3 provides a new color temperature display function, and still includes the Two-Axis white balance adjustment settings offered in previous models. Users can also customize and store their own personal settings of up to four unique functions and instantly recall them later using the mode dial.

Furthering its creative options, the LX3 also features a Film mode with six color types and three types of monochrome selections. Much like selecting from different film types, this function gives the user the flexibility and creative freedom to take more expressive digital photos. Also, when using the Multi-film mode, the LX3 produces a maximum of three images from a RAW file for the user to compare the different textures. Another new feature is the multiple-exposure feature, which lets the user create artistic photos by overlaying up to three consecutive images; while still viewing the last image on the 3.0-inch LCD screen. The LCD on the LX3 is new and improved with a 460,000-dot high resolution.

While the LX3 allows full manual control for more advanced photography, it also includes Panasonic’s Intelligent Auto mode (iA), including the new feature, AF (auto focus) Tracking. AF Tracking automatically tracks the image subject and locks it into focus, making it easier for anyone to capture sharp, well-focused photos. The AF Tracking technology also improves face detection accuracy, allowing for crisp, sharp-focused shots even if the subject moves or turns their face. Other iA technologies include Intelligent Exposure, Digital Red-eye Correction, MEGA O.I.S, Intelligent ISO, Intelligent Scene Selector, Face Detection (up to 15 faces) and Quick AF.

The DMC-LX3 has the ability to record High Definition (HD) video in 1280 x 720p at 24fps. With the newly added HD component output capability, still and moving pictures can be viewed by connecting the camera to a TV via an optional component cable (DMW-HDC2). In addition, the LX3 features Image Leveling, so when a captured image “leans” to the right or left because the camera was held at a slight angle when the photo was taken, this feature rotates the image to straighten it and crops the unnecessary edges.

A number of accessories are also available to further expand the flexibility of the LX3 as more than just a typical point-and-shoot camera. The optional Wide Conversion Lens (DMW-LW46) brings the maximum wide angle to 18mm. Other optional accessories include: ND Filter (DMW-LND46)***, the new PL Filter (DMW-LPL46), the high-end aluminum External Optical Viewfinder (DMW-VF1); the GN22 Compact Flash mounts to the LX3’s hot shoe – a new feature for the LX-Series.

The Panasonic LUMIX DMC-LX3 will be available in silver and black in August 2008 for a manufacturer’s suggested retail price of $499.95. For more information and to download the full specs, please visit www.panasonic.com/pressroom.

*Compared with Panasonic LUMIX DMC-FX35 with 1/2.33” CCD.
** In 3-megapixel (4:3), 2.5-megapixel (3:2), 2-megapixel (16:9( recording.
*** Requires a lens adapter DMW-LA4.

[Panasonic]

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