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12/08/09
12/08/09
The Flip (and Kodak Z-series) cameras are the worst digirecorders one could buy. Want good portable P&S video? Get the Canon SX200 IS digicam that records at 720/30p. Not only you will get exposure compensation AND locking for $300, but you get enough color and other settings to even emulate the movie look! And all that at high h.264 bitrate: 24 mbps! Beats the completely automatic, highly compressed Flip/Kodaks any day.
As for the high-end camcorder, I don't agree with going with the Panasonic one. The best camcorder in that range is the Canon HF-S10/S100. It has more detail than the TM-300, and more manual controls and ports -- at the same price.
12/08/09
12/08/09
The focusing lens is what makes it totally outclass the flipcam-style recorders. It's also *tiny!*Bonus: Canon makes a really solid underwater case that'll let you shoot down to something like 150 feet with full controls available.
12/08/09
"TM300 has the edge in performance, clearly beating out the HF S100 in low light, noise, stabilization, and still performance; the Canon has only a slight edge in bright light color, video sharpness, and motion"
I'm not sure what port the Canon has that the Panasonic doesn't - is it an important one?
12/08/09
It's a very easy argument that currently Cannon makes some of the leading sensors on the market and another easy argument that everyone looking to do semi-pro filming (ie 1300$ and up) should stay far away from Panasonic. I say redo this article as a weeklong special with that level of research.
12/08/09
12/08/09
12/08/09
12/08/09
12/08/09
12/08/09
It's since been replaced by the $5K AGX200, which shoots in HD, but a quick search on ebay shows that they are out there (don't be fooled by the "buy it now" listings - they're priced too high and there's a reason they're still listed).
12/08/09
It's been replaced by the HVX-200, the HPX-170, and the HMC-150 actually....actually in many ways the HMC-150 is the actual successor. There is no AGX200 to my knowledge. The HMC-150 at $3500 is a freaking amazing camera...same body, etc, as the much more expensive HPX-170 but it lacks P2 recording which for most people isn't a big deal, p2 actually being a detriment for independent filmmakers on a budget. HMC-150 also has the best implementation of AVCHD in any camera ever.
That said, I also highly recommend the Panasonic Lumix GH1.
12/08/09
12/08/09
12/08/09
12/05/09
11/30/09
I still think this concept of everyone wanting to sit around watching TV with special glasses is ridiculous. I experienced a number of the 3D movies this summer in both formats and (for me) all of them were a more enjoyable experience without the glasses. I am not saying the extra dimension did not add an extra element, but they are uncomfortable to wear for an entire movie. The troublesome short versions of me ended up watching half the movie without the glasses because they were annoying for a couple of the movies. All of which is to say - I just have a tough time imagining an entire family sitting in front of a TV every night with 3D glasses on.
11/30/09
11/30/09
This is a dumb gimmick. Until someone does it correctly, and I have yet to see a company even come close, I won't be adopting this technology.
My eyes are fucked up enough.
11/30/09
11/30/09
11/30/09
I'll tell a better quality, longer lasting TV over a 3D one any day.
11/30/09
11/30/09
11/30/09
11/30/09
Thanks but no thanks, you may keep your gimmicks.
11/30/09
11/30/09
11/25/09
11/25/09
11/25/09
11/25/09