The extra 3D hardware inside the TVs isn't likely to have a big price premium, but the glasses required to see 3D content could be sold separately for up to $200. The idea is to keep TV prices down, and let users grab the glasses if or when they want.

The march to 3D isn't just coming from Sony. Panasonic, JVC, Samsung, and Mitsubishi have also shown 3D TV models, and Panasonic's first wave of 3D Plasmas are on track to arrive next year. Fingers crossed we get a hands-on preview at the Consumer Electronics Show in January. [PC World]

Note: Due to the unprecedented price fluctuations seen on TV pricing this week from online retailers, don't be startled if the prices we brazenly quoted here are off—by pennies or by hundreds. The model numbers are there for a reason, so you can check prices yourself when you're ready to cash out.

Panasonic X1 Plasma Series

Plasma HDTVs provide the best picture performance and these 720p Panasonics—shown up top—are the value champs. Plasma screens have a wider viewing angle than any LCD panel, excellent contrast and color fidelity. The X1s include 600Hz refresh for full motion resolution, an SD card reader for digital photos and an anti-reflective screen coating (the shiny one). Available in 42-inch and 50-inch screen sizes. If you're going to set it up at a distance of 9 feet or more, it's almost silly to spend extra for more resolution.

The best deal is the TC-P50X1, a 50 incher selling for $689.98 at Electronics Expo (via Amazon).

Panasonic S1 Plasma Series

The S1s are Panasonic's least expensive 1080p line to feature its energy saving, high contrast, deep black level Neo PDP plasma technology. In addition to the full 1080 line motion resolution and an anti-reflective screen coating (the shiny one), there's an SD card reader. If you're looking for a Full HD 1080p TV with the excellent performance and don't care about features like internet connectivity or THX-certified picture and sound modes (which the step-up G10 line has), these are the HDTVs for you. Available from 42-inch to 65-inch screen sizes.

Under $1,000, your best shot is the TC-P42S1, a 42-inch set now selling for $797.95 at Amazon.

LG LH30 Series

LG's LH30 is the first step-up from the baseline, maintaining a nice low price but delivering surprisingly good picture quality. This model has a wide-viewing-angle IPS LCD panel, dull-finish anti-glare screen coating (better than the shiny anti-reflective coating at cutting down natural-light reflections, but at a slight cost of contrast), pro color-calibration mode and "Picture Wizard." They add 1080p resolution and Smart Energy Savings for low power consumption. Offered in a range from 32 inches to 47 inches.

We were impressed to find the 47-inch 47LH30 locally for $900, and on Amazon for $938.15.

LG LH40 Series

The LH40 line adds 120Hz to plenty of models below $1000. If that's something you value, this is your best bet. Everything else here comes in the LH30 line, too. It's available in screen sizes ranging from 32 inches to 55 inches.

Locally, we spotted a 47-inch 47LH40 for $980, though it was over $1000 on Amazon. The 42-inch 42LH40 may be the best pick: It's currently $823 on Amazon.

Samsung B550 Series

This series represents Samsung's top 60Hz 1080p HDTVs. They provide excellent overall performance without any of the fancy features found on its higher-end models. They incorporate Samsung's Touch of Color bezel and its 6ms response time LCD panel, and are available in 32-inch to 52-inch sizes. Currently, the 46-inch LN46B550 is priced at $999 on Amazon.

For this story, Gary picked out 10 total deals. He is running the other five on HD Guru, so go have a look. If you came across any other good deals lately, let us know in comments, but be ready to defend the quality, not just the super sick price.

Gary Merson is the HD Guru, the industry's leading HDTV journalist. He's been reviewing TVs for well over a decade, and recently wrote a guide to choosing an HDTV.

PANASONIC MAINTAINS GLOBAL #1 POSITION IN CORDLESS TELEPHONES

Data from Leading Research Firm Confirms Substantial Lead in Worldwide Sales of Consumer Telephones

Secaucus, NJ (November 23, 2009) – Panasonic System Networks Company of America today announced that it maintained its #1 global leadership position in the cordless telephone market for the full calendar year 2008. Market data from the prominent information technology research firm MZA Ltd. confirms Panasonic's #1 position in worldwide shipments of DECT* cordless phones and other digital cordless phones.

Panasonic's share of the global cordless telephone market in 2008 was 19%, according to the MZA report, "The Global Consumer Cordless Telephony Market." The nearest competitor held an 11% share of the global market.

"Panasonic continues to be consumers' favorite because we start with the consumers' needs in mind," said Bill Taylor, President, Panasonic System Networks Company of America. "From handset design to features such as Talking Caller ID, our focus is on what consumers need and how our phones can enhance their daily lives. Consumers have made Panasonic the #1 brand year after year and know they can count on Panasonic telephones to deliver exceptional reliability and affordability."

MZA reported that DECT phones showed strong growth in North America relative to other digital cordless phones. In DECT technology Panasonic's market position was even stronger, rising from 20% in 2007 to 23% in 2008, surpassing the next nearest competitor by 8 points of market share.

MZA concluded that a variety of factors continue to drive sales, including a large customer base that prefers to own a landline phone, attractively priced packages from telephone service providers and the availability of multi-handset bundles.

*DECT: Digitally Enhanced Cordless Telecommunications standard for minimal interference and extended range and battery life

Panasonic Z1

Panasonic's flagship HDTV is its thinnest 54-inch plasma HDTV ever, with only 1-inch depth. They did it by eliminating a third sheet of glass found in all other plasmas except Pioneer's Kuro, and bonding the anti-reflective coating directly top glass. The Z1 employs SiBEAM's 60GHz 1080p for wireless glitch-free images sent via the included transmitter/media box from up to 30 feet away. The Z1 has THX picture mode and a custom calibration mode, plus nice bonus features including VieraCast Internet connectivity for YouTube and Amazon VOD and an SD card reader for photos. The Z1 delivers amazing performance with full 1080 line motion resolution, accurate HD color, deep black levels and 96Hz for judder free movie viewing.

The sexiest HDTV of 2009, the TC-P54Z1 will set you back $4000.

Update: Many of you have commented that you prefer Panasonic's excellent Viera V10 series, and to Gary's credit, he gave the TV his highest rating, and is including it in his top 10 list, which he'll publish next week. There's nothing wrong with that TV, and if we indicated six here, it would certainly be shown. It has the same NeoPDP panel as the Z1, but it's not the same picture, because it has the third separate piece of glass with anti-reflective coating.

Pioneer Kuro Signature

You know it's been a weird year for TVs when not one but two of our top picks are no longer being manufactured, but are still being sold. Pioneer's sweetest (and last) Kuro line is technically a monitor: There's no tuner or audio. But the Signature models offer the deepest black of any high definition display on the market—without any white-letter-on-black-background halos occasionally seen on LED-based LCD TVs. The Signature models features hand selected parts, 2.5-in. depth, Custom Calibration, 72Hz refresh and control over the internet via its Ethernet connection. The Pioneer uses a single top sheet of glass to minimize internal reflections, with the anti-reflection coating bonded directly to the surface.

The Signature models are available at scattered retailers around the country in the 50-inch size (PRO-101FD) for about $3000 to $3500, and 60-inch size (PRO-141FD) for $4000 to $4800.

Samsung LNB8500

The 8500 series is Samsung flagship LED LCD TV. It feature packed with thin 1.6-inch depth, white LED local dimming backlights for improved uniformity, dual-chip 240 Hz plus a scanning backlight for excellent motion resolution and the best black level of any LED LCD observed to date. The 8500 features four HDMI inputs plus internet connectivity with Flickr, YouTube, weather, news and other widgets. It also has a PV+C input for connection to your computer or HTPC. This is a benchmark LED LCD to judge against every other make and model.

All this performance comes at a price. The LNB8500 series comes in 46-inch (UN46B8500) and 55-inch (UN55B8500) screen sizes, currently on Amazon for $2620 and $4020, respectively.

LG LH90

This LG has all the hot LCD performance features video freaks crave, including white LED dimming backlights for excellent black levels, wide viewing angle LCD IPS panel, accurate color, and 240Hz (120 refresh + scanning backlight) for excellent motion resolution. This LG also has all the tweaks anyone could ask for including ISF CCC mode for calibration, THX certification and LG's "picture wizard" for user set-up without calibration discs or external test signals. The LH90 isn't the thinnest LED LCD, but it more than makes up for it with its price.

The LG LH90 series is available in 42-, 47- and 55-inch screen sizes at street prices that are considerably lower than many competitors' edge lit 120 Hz LED edge lit models. The 42LH90 is online for $1200 to $1500; the 47LH90 sells in the $1700 range; and the 55LH90 goes for $2200 to $2800. In case you couldn't tell, the LH90 series is the value/performance leader of the pack.

Sony XBR8

A comparable model never replaced Sony's 2008 flagship model in 2009. It is the only HDTV available with separate red, green and blue LED backlights (rather than all white), with local dimming for deep black levels. Though slightly thicker than other TVs in its class, the XBR8 has accurate HDTV color, enough brightness for a beach house, a non-glossy anti-glare screen coating (rare for 2009), 120Hz refresh rate and Sony's Bravia Engine 2 signal processing.

You can still find the XBR8s—we spotted the 46-inch KDL-46XBR8 for under $2200 and the 55-inch KDL-55XBR8 for under $4000.

Gary Merson is the HD Guru, the industry's leading HDTV journalist. He's been reviewing TVs for well over a decade, and recently wrote a guide to choosing an HDTV.

The thing has a 9-inch display, SD slot, 4GB of internal memory and USB connectivity. It'll be $300, which is expensive enough that you might want to get a photo frame, iPod dock and speakers separately. Those components will probably perform better than this all-in-one anyway. [Pr Newswire via Engadget]

According to Panasonic, their system controls lighting to guarantee "good sleeping." I don't know about you but, to me, "good sleeping" means a large bed, a good duvet, and someone special to spoon with all night. Still, if you want to get close to the experience of hibernation in a deep space vessel, this is the place to go. [9hours via 9h]

• $298 HP Notebook Computer – 3GB memory, 160GB hard drive, Windows 7 Premium
• Sharp 1080p HDTVs – 42" for $498, 46" for $698 (120 Hz), 52" for $898 (120 Hz)
• Panasonic 46" 1080p plasma HDTV for $788
• Xbox 360 Arcade Console $199 with $100 Walmart Gift Card (for use on future purchases;
minimum store quantities are at least 10 per store)
• $148 Sony Blu-ray player (model #BDP-S360)
• $29 Magnavox Upconvert DVD player (model #DP170MGXF, 1080p)

The sale starts at 8 a.m. Nov. 7 (that's a Saturday) and lasts, to some extent, through Nov. 13. But it appears these doorbuster deals won't last beyond the first day.

Also of note, "Walmart will feature select 12-pound turkeys for less than $5, helping families serve a complete Thanksgiving meal for eight this year as low as $20." Limit two turkeys per customer. [Walmart]

The $5500 beauty uses a G12 1080p NeoPDP panel. Like Pioneer's Kuro, it does away with a top sheet of glass and bonds an anti-reflective coating directly to the top glass. HD Guru says this eliminates the internal reflections between the top two sheets of glass that you see on all other plasmas.

With the user controls tweaked, we sampled HD and SD content using source material from Verizon FIOS, DirecTV and HD movies from Blu-ray discs via Panasonic's DMP-BD80. The deep black level and bright whites consistently produced images with punch; undoubtedly due to the real world high contrast ratio the Z1 is capable of producing. Although the Z1 didn't ace the HQV jaggies tests, we noticed no problems with any source material we threw at it.

To connect the TV to the receiver set top box, the Z1 includes a wireless transmitter that can be fixed to the back of the set. You also get a pair of "elephant ear" side speakers, and a table stand.

The receiver has a built-in HDTV over-the-air tuner, and Ethernet (for Panasonic's Viera Cast content…stuff like Picasa photos, YouTube, Amazon, and Bloomberg news). It's a sweet system, and HD Guru's review is definitely worth a read if you've got that sort of cash to throw around. [HD Guru | Panasonic]

What the &*^@ is Micro Four Thirds?

Olympus and Panasonic co-developed what's called the Micro Four Thirds standard just last year. The biggest difference to the eye is the smaller-than-SLR lens mount that incompatible with SLRs unless you deploy an adapter. Internally, the standard ditches the mirrors used in SLRs and uses a four thirds CMOS (not micro four thirds chip!) to capture the image straight from the lens (just like a point and shoot). That sensor is roughly 30% smaller than that found in your average dSLR but 9 times bigger than what's in your average point and shoot. The result is a camera ever so slightly smaller than a dSLR that should give you a similar end image quality.

The end camera is just a tad smaller than a baseline dSLR:

But it's still way bigger than your average point and shoot:

The big not-so-secret

There are only four products on the market at this point (Panasonic G1, its video-centric brother, the GH1, Olympus E-P1 and, of course, the Panasonic GF1), and they all have the exact same 13MP Panasonic sensor. But only the latest two, the GF1 and the E-P1, have taken advantage of the smaller technology to create design-forward cameras.

The spoiler

However, if you're going to buy one of these cameras, you probably want the GF1 ($900 with 14-45mm lens). It couples all the good stuff from Panasonic's existing line with a retro body that's eerily similar to the Olympus E-P1.

The build

The GF1 is too big, and it's too heavy. The Panasonic GF1 is indeed smaller than my Canon XTi, but it still won't fit in your pocket.

Yet I love carrying it around. Why? The body feels solid, as if it's from another era, a Utopian time when men were men and companies built hardware to last—before we valued sissy silver painted plastic more than the metal it was emulating.

The GF1 (and the Olympus E-P1 for that matter) feels like a small tank in your hands, an element of war that won't give up after being tossed in a bag recklessly. If dropped on an iPod from over 3 feet, the iPod would certainly be crushed.
There are neither too many buttons nor too few. A familiar circle rotates between shooting modes naturally and burst and timer modes share a switch right in front of it. A d-pad toggles functions like ISO while a clever clicking dial allows you to adjust shutter speed and f-stops.
A few buttons earn their very own functions, like focusing mode, exposure lock and, maybe most cleverly, video. Hitting this little button to the right of the shutter release switches you to video no matter what mode you're in.

Given the almost retro-style build, however, it was tough for me to lose an optical viewfinder (though a digital optical add-on is available). It's a heavy camera to hold outstretched while framing shots on the viewfinder. But luckily, the 3-inch LCD's 460,000 pixels mean you can just manage to find critical focus, thanks to the screen auto-zooming to your subject during manual focusing, though it can be tough to be sure you've really nailed it.

That screen resolution is below a premium dSLR, but it's about twice as sharp as the E-P1—and you'll notice.
And then there's the flash. Unlike the E-P1, the GF1 has one of these bad boys, and Panasonic has celebrated that fact by designing what must be the most complicatedly mechanical flash on the market. Watching it snap from the camera body is both impressive and worrisome. Can these little struts really hold up? Regardless, it's handy to have, even though a perk of buying such a big, expensive camera is avoiding flash photography.

The pictures

Check out all of my GF1 test shots on Flickr, untouched JPEGs pulled right off the GF1. Or see compressed versions in our embedded gallery.

Honestly, there's not much we can say about the quality of the GF1's sensor that hasn't been said (by us, even.) The biggest particular problem is ISO noise, as you can see in the gallery below. Bottom line: the GF1 supports ISOs up to 3200, but you probably don't want to reach beyond 800.
However, with that disclosure out of the way, I'd like to make a few points.

1. Shooting on the GF1 feels like shooting on an SLR. I'm not just talking about the ease of tweaking advanced controls. I mean, you pull the trigger, the camera takes a shot RIGHT THEN. For dSLR owners, that's nothing new. For P&S owners, that's a revelation.

2. There is undoubtedly more noise with Panasonic's sensor in high ISOs than you could find in dSLRs for a similar price. But, the image quality you can achieve—I mean that intangible mix of sensor size and great glass that makes your photos feel professional—is undoubtedly beyond the realm of point and shoots, well in the SLR ballpark.

The BEST shot I was able to recreate of that watch above on my Canon P&S?
Needless to say, pretty gross stuff.

3. The Live View system features what's, hands down, the best function I've ever see on any Live View system yet. Holding a Shutter Mode Effect button previews the motion blur you can expect in your final shot—saving you the heartache of the perfect preview and horrible blurry-faced end product we've all experience on point and shoots.
The only catch? The system didn't work well in daylight, when you might want to use Live View to preview sports motion blur. Note that this car didn't blur at all in my preview, nor did about 20 similar test shots I took in identical conditions.
However, low light tests worked fine.

The 720P video I'd describe as solid but not extraordinary. The AVCHD (or motion JPEG) video, while inherently better than P&S systems or Mino HDs, is not razor sharp. Without side by side comparisons or the wonderful popping colors you get with a bit of sunlight (it rained through my entire testing period), I can't make any definitive statements. But what I've seen from the T1i seems better (richer colors, sharper figures), and not just because it's 1080P.

Versus the EP-1

There are definitely a few key advantages to buying a GF1 instead of Olympus' E-P1. They include:

• Sharper screen
• Faster autofocus (I'd estimate about 3x faster—it's noticeable)
• Built-in flash (the Olympus requires an optional mount)

But it should be noted, the E-P1 has its image stabilization inside its body while Panasonic relies on its IS kit lens. In other words, every lens the Olympus uses will have inherent image stabilization. Also, Olympus allows autofocusing on all Micro Four Thirds and Four Thirds lenses. The GF1 can accept these lenses, but it only retains autofocus on its own brand. So lens fanatics may find the E-P1 the better bet. And if you find one or the other on some super sale, well, it's a toss-up.

Confession

The real reason I enjoyed shooting on the GF1, and the real reason you're interested in Micro Four Thirds if you are indeed interested, has nothing to do with practicality.

I just feel cool using it.
I like walking around Chicago with the GF1 on my shoulder. It gives me that feeling of Leica superiority without the expense. The Micro Four Thirds system may have originated in Japan, but the romance of shooting on the latest systems is purely European. For the first time in a long time, a piece of electronics has made me long for an era and a place that I never knew.

Every soccer mom tourist in Chicago has a dSLR. They may take prettier photos than I do, but damn do I long to be different once in a while. And I'm here to say that, if you crave a Micro Four Thirds for the same reason, it's my opinion that the GF1 works well enough that, well, that's OK. I'm just not trading my dSLR for one.

Incredibly solid build

Best screen in class

Unique shutter blur preview

General stylishness and badassery

Video is good, not great

Same CMOS found in earlier version/competition

IS in kit lens, not camera

You see, in the future, when we're flying around in cars and Will Smith is saving us from over-protective robots, the dishes will wash themselves.

Case in point, in the video this robot/video camera contraption has magic hands that grip, wash, dump out and otherwise do all the things I had planned on forcing my kids to do after dinner in the future.

Panasonic is also working on a robot load lifter that converts into a motorized wheelchair, which will be perfect for all those elderly folks in the future who double as deliverymen. [Impress via Engadget]

So what do you think? I'm leaning toward pretty horrible. And in fact, with all of the most promising 3D displays of the next year utilizing active shutter, you'd think that some startup would have learned to make a sleek pair by now, only to be bought by one of the big television companies.

But really, it's not that these glasses are too ridiculous to wear while chucking to your comrades about it; the look just screams "novelty," not "new standard." [aving]

Even if the washer is all eco-friendly with electricity consumption dropping "from 79 watt hours to 72 watt hours and water consumption trickl[ing] down to 67 liters from 72 liters per load," the price is outrageous and keeps us from adding it to our laundry rooms just yet. (Though one of us could use it for his questionable bedsheet stains.) [Discover]

By making the back of the iron pointed instead of flat, like every single other iron out there, you can go back and forth with the Panasonic NIW810CS as much as you want without screwing up your ironing pattern and wrinkling what you already pressed. Best of all, Panasonic only charges $50 for this bit of ingenuity. [Amazon]

The more-affordable design benefits from lessons learned with the first concept, and new PDP materials and chips were developed to accelerate pixel illumination while maintaining brightness. Of course, the upcoming challenge for 3D (aside from the wacky glasses) is that you'll need a Blu-ray player and movies that support the 3D format.

The 50-incher will be shown next week at Tokyo's CEATEC show—Japan's version of CES. We'll let you know if Panasonic dish up any more details, or if Sony hits back with something new of its own. You might remember that Sony intends to introduce a 3D Bravia TV and PS3 games next year. [Panasonic via Akihabara News]

A veteran of over 50 events, this set has actually seen crazier installs: An outdoor event under a tent during heavy rain flooded the set's power cables in front of a brigade of very upset Japanese executives. Then again, the week at Giz Gallery hasn't even started yet. [Giz Gallery]

Read more about our Giz Gallery 09 here, follow @gizgallery on Twitter and see what else we'll be playing with at the event. And special thanks to Toyota's Prius — without their sponsorship, there would be no Gizmodo Gallery.

Yes, what you see in the gallery is a cable. In reality, the Panasonic Karma is an inflight entertainment system remote. One that kicks ass with a touchscreen, an embedded OS that looks very much like the iPhone's, a D-pad, and four game buttons. It will allow you to call, surf the web, send mail, and play games.

Dear Apple, if you don't want to do this, that's fine. Just allow a third party to do game button jackets, ok? Thanks. [Mary Kirby]

It should be noted, all designs require glasses. (More technical background on the types of glasses here.)

Panasonic's 3D Plasma Concept
The Tech: Plasma with Active Shutter (alternating left eye, right eye progressive frames)
As a baseline reference to get our bearings, I took yet another look at Panasonic's 103-inch plasma display that we've seen twice before. My original impressions stand. It's decent—and definitely the best technology of the three that we saw at CEDIA. Why? There's virtually no flicker in the image because of plasma's instantaneous response times/ability to push legitimate high frame rates. Plus, it probably helps that we're talking about a 103-inch display (that has its own trailer). The bigger a 3D display, the better the illusion. But glasses aside, it's not what I'd deem a perfect experience. You see ghosting around some objects. And...OK, I still can't ignore the damned glasses. It creates an inherent distance from the image inducing an unintentionally ephemeral viewing experience.

Sony's LCD Concept
The Tech: 240Hz LCD with Active Shutter (alternating left eye, right eye progressive frames)
Even Panasonic will tell you that 240Hz is the baseline speed needed for an LCD to pull off 3D. But you know what? 240Hz isn't enough. Watching Pixar's Up, the color and sharpness are both great, but there's an absurd level of flicker that's nominally better than on old timey crank projector. And on this normal-sized LCD, it's incredibly obvious when 3D objects break the illusion by reaching the TV's frame. Granted, we're not talking about a final product here, but the specs seem pretty much identical to what consumers can expect to see in the high-end display market next year.

JVC's GD-463D10 LCD
The Tech: Polarized filter (two images are interlaced on the screen, each eye sees half the data, glasses don't need power)
Of the three technologies here, JVC's is the only final product that's actually available now. And it costs $9,153. It's also easily the worst of the three—completely unwatchable, in fact. The interlaced 3D means that the resolution takes a huge hit. But it's worse than just a 1080i picture. Your brain can almost make out these lines. I could say more about the tech, but I honestly couldn't stand to look at the screen for more than 10 seconds at once. Oh, and the kicker? For nine thousand bucks, you still only get two pairs of the cheap, polarized glasses. Sorry kids, Mommy and Daddy are watching TV tonight.

There's no doubt that some home theater enthusiasts will go out and plop down $5k or more on a commercially available 3D display when they enter the TV lines of major manufacturers like Sony and Panasonic in 2010. But I'm hoping, really hoping, that the public can resist the gimmick until the technology is perfected. To me, that means when we don't need to deal with these silly glasses at all. But for whatever it's worth, plasma is definitely looking like the clear front runner in execution. [Image]

The Price:

$400

The Toughness:

It's rated to about 10 feet and for drops of 5 feet, which places it at the lower end of the spectrum of waterproofing. Well, it's not the lower end, but given the shock and dust proofing and the lens reinforcement system, I'd expect the makers of the Toughbook to best cameras like the fluffy Fuji z33 and the slimmer Pentax w80 waterproofs for depth. Again, I wouldn't call this a weakness, but if the DMC-TS1 had one, this would be it. Update: Wow, there's an external dive case for this camera which extends the depth rating to 130 feet. It's rated down to 32 degrees, which isn't quite as low as the Pentax W80, Canon Powershot D10 and Olympus Tough 8000's 14 degrees F op temps.

The Visuals:

The photos were among the best in low light, high ISO and daylight. There was a simple beach/surf macro mode which worked well enough. Colors were accurate, and I only noticed a slight distortion around the edges while zoomed out. (Many periscoping internal zoom cameras have this issue.) The lens went pretty wide at a 28mm equivalent and the zoom was almost top of the class at 128mm (only the Pentax did better). Images, overall, were second best to the Canon with its traditional lens system, but this camera doesn't have that problem of a protruding snout which makes it a lot more pocketable. The camera has optical stabilization, which is pretty kick ass. The uncovered lens caused some photos to look smudged, which is perhaps the rule, not the exception in these cameras. Shots are at 12.1MP, but you can get variations of that in 16:9 mode. (My favorite!) As usual, waterphotos are generally limited in quality by water clarity and color, so, well, above the sea shots work fine.

The TS1's video recording happens at a high res of 720p, stabilized and recordable in motion jpg or AVCHD lite, giving you more recording time and quality. It looks better than good.

The Design:

I'm into the spartan, square design. And the camera's responsive shooting, burst modes, and menus made it the easiest to use without being overly simple like the Canon D10.

Yeah, I don't know yet:

The Lumix is a fantastic all-around camera that is somewhat tough and waterproof. I'd originally gone into this review thinking it would be king, but given the shallow depth rating, I may have to wait 'til I see the new Olympus in action before I give a stronger rating. Especially at $400. At that price, the smaller, Pentax w80, rated to 16 feet with decent shots and shitty video looks like a lot better of a deal. And the super cheap and small Fuji z33 does, too. I don't know. I'm not giving up on this camera yet. Strong video playback is an important thing these days. I guess its my camera of choice and should be yours too (for now) if you don't go beyond 10 feet down and image quality and relative pocketability is a priority. Until I check out that Olympus Stylus Tough-8000 which has some really solid stats all-around and cost a bit less.

Great images

Great case design and menus

Great video at 720p

Despite the all-around toughness of the device, only waterproof to a middling (not poor) 10 feet

[DP Review, Panasonic, Giz]

Summermodo is a chance for Giz to get outside and test our gear where it belongs.

Besides the size and shape, the Lumix GF1 is very similar to the E-P1: Same 12.1 MP sensor, same 720p video and HDMI-out and same $900 kit price. But it does bring a handful of improvements, most notably the addition of a built-in flash. For the E-P1, the flash is a $200 attachment that hikes up the price and lowers the portability, so some people will be pleased to see it integrated in the GF1.

The other big refinements over the E-P1 is the LCD. Since there's no optical viewfinder—or even a high-res digital one like on the G1 and GH1, it's important to get all the dots you can on the 3" LCD itself. The E-P1's has a paltry 230,000 dots, while the GF1's has 460,000 dots.

The lenses Panasonic is offering in the kits also look great, though of course we can't make a definitive judgment until we try them out. One kit has the Lumix G 20mm f1.7 "pancake" lens, which seems better, on paper, than the E-P1's 17mm f2.8 kit lens. The other kit includes the LUMIX G VARIO 14-45mm f3.5-5.6 zoom lens. Both kits should retail for $900 when they're released in early October.

PANASONIC INTRODUCES ITS LATEST LUMIX G SERIES DIGITAL CAMERA – THE LUMIX DMC-GF1

The LUMIX GF1, the world's smallest and lightest system digital camera with built-in flash*, packs powerful DSLR and HD video capabilities into a sleek and easy-to-use compact body

Secaucus, NJ (September 2, 2009) – Today, Panasonic announced the new LUMIX DMC-GF1, the latest addition to the award-winning LUMIX G Series, which debuts as the world's smallest and lightest system digital camera with a built-in flash*. The LUMIX DMC-GF1 distinguishes itself from previous models with its elegant, compact design reminiscent of classic film cameras, yet builds on Panasonic's success with the revolutionary LUMIX G Series of digital interchangeable lens system cameras based on the Micro Four Thirds system standard. With its compact size, user-friendly design and ability to record High Definition (HD) video and take professional-quality photos, the LUMIX GF1 continues to redefine digital photography standards.

"Panasonic changed the digital camera industry with the world's first Micro Four Thirds digital camera, the LUMIX G1 – a compact "DSLR-like" digital camera that produces exceptional image quality. Then, as we continued to raise the innovation bar, Panasonic launched the LUMIX GH1, adding full High Definition 1080p video recording with continuous auto focus," said David Briganti, Senior Product Manager, Imaging, Panasonic Consumer Electronics Company. "The new LUMIX GF1 continues the evolution and is the perfect addition to our LUMIX G Series, as its sophisticated, small body makes it easier and more convenient to carry. The GF1 is ideal for point-and-shoot consumers looking to step-up to DSLR-quality or for current DSLR users who want greater convenience without compromising performance quality or creative flexibility."

With its lightweight body, the LUMIX GF1 provides experienced photographers with the ideal digital camera to carry with them at all times. Like its predecessors in the LUMIX G Series, the LUMIX GF1 eliminates the pentaprism found in traditional interchangeable lens cameras. Thus, this mirror-free structure allows Panasonic to dramatically reduce both size and weight.

Though small in size, the LUMIX GF1 does not compromise in advanced features. The LUMIX GF1 thoroughly optimizes the advantages of a system camera to ensure high performance, whether capturing photos or HD video. The LUMIX DMC-GF1 can record 1280 x 720 High Definition video in AVCHD Lite, a format that enables longer recording times. With a dedicated video record button, capturing video is convenient and easy. The LUMIX GF1 can also record HD Motion JPEG in 1280 x 720 and other video recording formats include: QVGA, VGA and WVGA. The LUMIX GF1 has a unique Movie Program Mode that allows consumers to adjust the depth-of-field while shooting in HD video, so background and foreground can be blurred to give creative effects – something typically only possible with expensive professional camcorders.

The LUMIX DMC-GF1 includes the new My Color mode, which includes seven preset effects – Expressive, Retro, Pure, Elegant, Monochrome, Dynamic Art, Silhouette and Custom – all which let users manually set the color, brightness and saturation levels. With the Live View function, users can see how these settings will effect the photo before they shoot, making it easier to capture the exact mood or atmosphere desired. For even more elaborate effects, users can choose from a total of nine Film modes, and set the contrast, sharpness and saturation levels for each. A custom function lets users store their favorite settings in memory. Furthermore, the exposure meter can be displayed in other shooting modes and the correlation between shutter speed and aperture is shown, with a color-coded warning that alerts users when the settings are not in the proper range.

For those users not quite comfortable with extensive manual and creative controls, the LUMIX GF1 provides a user-friendly setting that can address a beginner's comfort level, while helping them evolve their photography skills. For instance, Panasonic's new Scene mode, Peripheral Defocus, lets users take a photo where the foreground is in focus and background is blurred – or vice versa. This popular effect can be intimidating for a beginner, but in the Peripheral Defocus mode, by simply selecting the objects to be blurred and focused using the camera's keypad, it is simple for photographers of any level.

Also, helping to make the LUMIX GF1 more approachable, Panasonic's popular iA (Intelligent Auto) mode, a system of technologies that engage automatically – no setting changes needed – allows for intuitive use when shooting still or video images. While shooting video, iA activates Panasonic's O.I.S. (Optical Image Stabilization), which helps reduce video-blurring due to handshake. In addition, Face Detection automatically detects a face in the frame and adjusts focus, exposure, contrast, and skin complexion on it so it always turns out beautifully. Intelligent Exposure continually checks the ambient light level and adjusts the exposure setting as conditions change to prevent blown highlights and blocked shadows. For still photos, the iA system encompasses: Face Recognition (up to six faces can be registered); Auto Focus (AF) Tracking; Mega O.I.S.; Intelligent ISO; Intelligent Exposure; and Intelligent Scene Selector.

The LUMIX GF1 also comes fully-equipped with a built-in flash and a large, 3.0-inch Intelligent LCD with a wide viewing angle and a 460,000-dot resolution. The Intelligent LCD offers automatic backlight control, which when combined with its high-resolution, helps improve visibility in all light environments – from sunny outdoors to low-light interior settings. New for the LUMIX G Series, the LUMIX GF1 is compatible with an optional Live View Finder (DMW-LVF1), which provides the full-time live view function boasting 100% field of view regardless of the attached lens. To further expand the LUMIX G Series system, Panasonic Micro Four Thirds digital cameras can be used with Four Thirds System interchangeable lenses via an optional mount adaptor DMW-MA1 and with the prestigious Leica M/R lenses using Panasonic's DMW-MA2M DMW-MA3R. These adapters give the user access to the unlimited number of lens properties.

The LUMIX GF1's sensor technology offers the best of both worlds - the superior image quality of a CCD sensor, and the low-power consumption of a CMOS sensor. Advanced technology makes it possible to read four channels of data simultaneously, helping the LUMIX GF1 deliver 60 frames-per-second full-time Live View images, while maintaining fine detail and rich gradation. The LUMIX GF1's Venus Engine HD records stunning high-resolution 12-megapixel images using its advanced Live MOS Sensor. This sophisticated LSI circuit separates chromatic noise from luminance noise and applies the optimal noise reduction to each, helping to capture clear and beautiful images even when shooting at high ISO levels.

The contrast AF system adopted in the LUMIX GF1 is not only accurate, but also very quick – approximately 0.3 seconds with the LUMIX G H-FS014045 lens. Users can choose from a wide-range of AF modes, including multiple-area AF with up to 23 focus areas; 1-area AF with a selectable focus area; Face Detection; and AF Tracking. The LUMIX GF1 also has a Quick AF function that begins focusing as soon as the user aims the camera - without pressing the shutter button halfway.

As with all Panasonic LUMIX G Series digital cameras, the LUMIX GF1 is equipped with a highly-effective Dust Reduction system. Thus, if dust gets inside the camera (when changing lenses), Panasonic's Dust Reduction system addresses this problem by placing a supersonic wave filter in front of the Live MOS sensor which vertically vibrates around 50,000 times per second, thus repelling the dust.

The content captured on the LUMIX GF1 can easily be viewed on a Panasonic VIERA® HDTV by simply inserting the SD/SDCH Memory Card into the VIERA's SD/SDHC Memory Card slot or into a Panasonic DIGA Blu-ray Disc Player. Alternatively, an optional mini HDMI cable can be used to output still and motion images recorded with the LUMIX DMC-GF1 directly to the TV for easy VIERA Link™ operation, with control of playback functions, such as slideshows, managed from the VIERA HDTV's remote control.

The Panasonic LUMIX DMC-GF1 will be available in early October 2009 with the option of two kits – both with a suggested retail price (SRP) of $899.95. One kit option includes the newly-announced LUMIX G 20mm/F1.7 ASPH, a compact and lightweight "pancake" lens, while the other kit features the LUMIX G VARIO 14-45mm/F3.5-5.6 ASPH/MEGA O.I.S. The optional Live View Finder DMW-LVF1 has an SRP of $199.95; while the DMW-MA2M and DMW-MA3R both have an SRP of $249.95. All new accessories will also be available in early October.

For more information about Panasonic and its LUMIX G System cameras and accessories, please visit www.panasonic.com/lumix.

That Avatar's going to be shown in 3D has been one of its selling points since the beginning. The thing is, the whole 3D shtick, what with the glasses and specialized display tech, is all but impossible to advertise on traditional mediums. Panasonic Corporation in Japan, which partnered with Twentieth Century Fox for some of the movie's tech, has a wonderfully over-the-top way of dealing with this: They're sending trucks all over the US and Europe with freakin' 103-inch 3D TVs in them, just to make sure that you know that 3D is, in fact, awesome.

There's going to be a lot—probably too much—hype around this bright blue movie for the next few months, so a lot of you will probably be forcefully tuning it out by the time the December release rolls around. If you're even the slightest sci-fi nerd, and you see one of these trucks roll up in your mall parking lot, though, you should probably poke your head inside, since they'll be showing "dazzling Full HD 3D assets" (read: clips) from Avatar in a way that even your local multiplex won't be able to top. [Panasonic]