Sex and Brains

It's got the same spacious image sensor as the G11—1/1.7" as opposed to 1/2.5" like most point-and-shoots. But instead of being built into a Panzer tank, it's in the body of a hot German model. It's an actual point-and-shoot: It fits in the pocket of your skinny jeans, but delivers, for the most part, the same wow image quality.

I wish it was slightly more square with sharper angles for an even more classic aesthetic, but it's still pretty classy looking. The texture, which makes for half of the appeal, makes it a little slippery. The control ring around the lens is like the perfect scarf that ties it altogether. And despite being a bantam-weight shooter, it feels more solid than most cameras its size.

Lord of the Ring

What makes the camera really work is that control ring wrapped around the lens. By default, when you turn it, it adjusts the main setting for each mode—aperture in aperture priority, shutter speed in shutter priority, you get the idea. Using the ring function button on top of the camera, you can set the ring to adjust almost whatever parameter you want though, like white balance, ISO, exposure, even specific zoom intervals.

Truthfully, using the dial never feels completely seamless, because of way you're forced to hold the camera. As a result of its pint size, there's no completely natural hand or finger posture for spinning the ring. But, the control it manages to put at your fingertips is remarkable: In manual mode, I had aperture mapped to the main ring, exposure set to the control ring on the back (which, like the G11, is a little too small to have a settings dpad stuffed in the center of it) and ISO speed mapped to the shortcut button. The only real issue with that setup is that the ISO setting interface lags behind your input occasionally, so you sometimes overshoot the ISO speed you wanted.

Just a Little More Hardware Talk

There's no viewfinder, so you're stuck using the screen exclusively. The LCD is a little bigger than the G11's, at 3 inches, though it uses the same number of pixels and obviously doesn't swivel out. It too is easily viewable in sunlight, though I found a more of a difference, exposure-wise, between what I thought I shot according to the display and what I later saw on my computer, than I noticed with the G11. Also, there's no flash hot shoe, like you get with the G11.

The battery's small, obviously, so your picture taking is capped at a little over 200 shots, according to Canon. My days of shooting didn't contradict that, for better or for worse—I'd get to half battery after around 100 shots and a couple video clips.

Finally, the Photos (and Video)

Since it's the same 10-megapixel image sensor as the G11, yes, you do get just about the same fantastic image quality, solid low-light performance (noise doesn't start really kicking in til ISO 800, and even that's totally usable for most stuff) and ability to shoot in RAW. The main difference is in the lens. The S90 has a faster lens that'll shoot at F/2 wide open, meaning you rely less on that high ISO—up to 3200—to compensate for the lack of light. The oh-so-small price for this incredibly fast lens is that you lose a bit of zoom, since it goes out to 105mm, vs. the G11's 140mm, but who cares? I can't reiterate how big of a deal a lens like this is on this kind of point-and-shoot. That said, I seemed to get photos that were a touch less sharp than what I got on the G11.

Here's a gallery of some stuff I shot, which you can compare to G11 sample photos and ISO tests (spoiler, they look great):

The video's still 640x480, and still quite good too:

Buy If You Need a Tiny-But-Great Camera

I know, it's $430, way more than most point-and-shoots cost in this day and age. But the amount of picture power this literally slips into your pocket is almost unbelievable: Outstanding low-light performance for a camera this size; a speedy lens; full control rings, plural; and yep, RAW. It's the soul of what makes the $500 behemoth G11 great, packaged in a true point-and-shoot. You lose some power and some pro tools, like the swivel screen, a (shitty) viewfinder, faster burst shooting, hot shoe, some zoom and a custom mode or two, but you're also shedding a ton of bulk, meaning you'll actually take it everywhere. And the best camera's always the one you have with you—for me, that's this camera, which just happens to be an excellent one all by itself.

G11's awesome image sensor plus a fastfastfast lens means awesome photos

Looks like a serious little camera (it is)

Did I mention I love this camera?

Control ring can feel awkward

More battery life and 720p video would be nice

[Canon]

The G11 is Canon's top-of-the-line point-and-shoot. It occupies a sorta strange spot, towering over the average point-and-shoot in basically every metric—image quality, size, weight and price—but sits just below entry-level DSLRs and more recently, micro four thirds cameras.

So, there are two ways to look at the G11: It's an amazing street camera. More discreet than a DSLR, but more powerful than a run-of-the-mill point-and-shoot. You can't stuff it in your jeans pocket, but that's fine, because you want to sling it over your shoulder anyways. The other way is that you can buy a more versatile entry-level DSLR that's not much larger for around the same price, especially if you step back a generation or so.

It's all about your priorities.

H-h-h-h-hardware

Everything about this camera is just—solid. The full-metal jacket makes it feel indestructible, while the shape evokes the classic cameras you feel like you're supposed to be taking photos with. It's thick, remarkably so, in part because of the flip-out swivel LCD screen. And it's definitely more along the lines of a rangefinder-style camera than a typical point-and-shoot.

The real magic of this camera lies in the dedicated control dials. You'll fine three on top—exposure compensation, ISO speed, and shooting mode. They feel cramped and tiny, at first, but the snap they make as as you rotate them is surprisingly deep and satisfying. Having these settings at your fingers at all times is so much of why the G11 feels like a camera that's a step above point-and-shoots, a tool for creating photographs.

The back dial is the most frustrating part of controlling the camera—a ring surrounds a four-way d-pad with a button in the center. Ultimately, you wind up pressing buttons on the d-pad when you're trying to rotate the dial to adjust shutter speed or aperture, or simply pressing the wrong button because it's so small. The menu system, otherwise, is a pretty standard Canon setup, which looks a lot like the G10's—it's not dead simple, but it's not overly complicated either, and a couple minutes of fiddling will reveal all of its secrets.

The viewfinder is utterly depressing. I want to use it, badly. It just feels intrinsically wrong to hold a camera of this caliber out in front of me to shoot, not up to my eyeball. Meanwhile, the G11's viewfinder is so small, and the coverage is so bad (you can see the lens through it!), that it's nigh useless, like trying to compose through a pinhole.

One of the shooting modes, quickshot, sounds like a good idea on paper, but is ruined by this viewfinder. The camera constantly adjusts parameters while waiting for you to take the photo, so you can fire off instantly without worrying about missing the shot. Unfortunately, you have to use the minuscule viewfinder in quickshot, and I wound up botching far more photos than I did nailing them.

So, you're pretty trapped to using the decent flip-out swivel LCD display. Honestly, I probably would've preferred the static-but-larger 3-inch version on the G10, to the 2.8-inch, 461,000-dot display on the G11.

The LCD is really bright, though, and perfectly usable in direct sunlight, with a wide viewing angle to boot. But the video feed is not quite crisp enough on it to use it for manual focusing—in this mode, a zoomed in box appears in the center of the display as you spin the back dial to bring it into focus. The experience of focusing becomes a bad iPhone game.

Can we talk about the photos please?

With the G11, Canon pulled the bold maneuver of cutting megapixels—to 10, from 14 on the G10—in order to get better quality and low-light performance. It was the right move. Low-light images are definitely improved, and more detail is preserved up through ISO 800. Shots at ISO 1600 are definitely usable at web resolutions, which is pretty impressive for a compact camera. You should stay away from the special "low light" shooting mode, though, which cuts the size of pictures in half to try to extract every ounce of light possible—it produced uniformly bad pictures.

The G11 has a wide-angle zoom lens with the same basic specs as the G10, starting at 28mm and going up to 140mm, which is versatile enough to shoot just about anything you'd want. I'm not sure, however, if it corrects some of the problems at the wide-end with the macro mode, though, since I didn't have a G10 to compare it with.

The runthrough of the ISO range goes a couple ways—on programmed auto, letting the camera figure out what to make of the ISO setting I picked, and then another set where I dictated shutter speed, so you can see how much you gain (or lose, depending on your point of view) as you ratchet up the ISO setting.

Like past G series cameras, you can shoot in RAW, but if you do, you're stuck with using Canon's software to process it for the time being. In the full sample gallery above, I've marked the handful shot in RAW.

In a world where phones and gadgets the size of a jumbo pack of Juicy Fruit shoot 720p, the fact that video's limited to 640x480 resolution on such a stacked camera gets a big frowny face. But, the video the G11 produces at that resolution is generally excellent (just compare to the video-shootin' iPod nano). That's because it's packed with data—the bitrate averages around 10Mbps, which is more than the Flip Mino HD, at 9Mbps for 720p video. That's why it looks so vibrant compared to a lot of the 720p video out there. Sure, 720p out of this would be nice, but I'd take VGA video that looks great over HD video that looks like crap.

Okay, but do I buy it?

I like this camera a lot. It's what I'd reach for whenever I wouldn't feel like tugging along a honkin' DSLR, and I'd feel like I wasn't sacrificing too much. The real question, I think, it how it stacks up against Panasonic's Lumix LX3, which is in the same demographic—a lauded $500 point-and-shoot—and outgunned the G10 in many respects (though the G10 tried to cram 14 megapixels onto the same-sized sensor the G11 only squeezes 10 megapixels onto). The slightly cheaper S90 offers the same sensor as the G11 as well, and inside of a pocketable body—though you lose perks like the dedicated control dials and a viewfinder, as far as that's a perk on the G11.

If you do buy the G11, you won't regret it—you'll be too busy taking pictures.

Photographs are top-notch for a compact camera

Solid low-light performance

Built to smash into people's spaces and live to smash again

It's huge

The viewfinder is basically useless

[Canon]

There's no HD output, though. On the upside, the HZ25W (aka WB5000 in Europe) can handle uncompressed RAW images, in addition to standard JPEG files.

Aside from manual controls, aided modes include optical and digital image stabilization, smart face recognition, blink detection, and automatic adjustments to accommodate the color, brightness and movement of what you're shooting.

Update: The HZ25W is scheduled to hit U.S. shops in October at $400. [Samsung]

Why the qualification? Because the $600 camera is just part of a new ecosystem, including special plastic-lens-coated 3D prints (expensive!) and an eight-inch 3D-enabled photo frame (also expensive!). It'll work as a regular 10-megapixel camera as well, though $600 prices it well out of the "why not" range, especially when compared to the bevy of solid cameras available for much, much less. [Time via Digicam Review]

Other features include: a battery life of 1000 shots, a 3-inch LCD, CCD-shift image stabilization, max ISO 3200 sensitivity, dynamic photo function that coverts JPEGs into a motion movie file and 720p video recording capability at 30 fps. All in a package that measures under an inch thick. The Exilim EX-H10 will hit stores in July for $300.

CASIO RELEASES EXILIM HI-ZOOM COMPACT DIGITAL CAMERA WITH ULTRA-WIDE ANGLE 24 MM, 10X OPTICAL ZOOM LENS

World's Thinnest and Lightest*1 Camera in its Class Features Battery Life of 1,000 Shots,*2 and an Advanced Dynamic Photo Function

DOVER, NJ, June 11, 2009 – Casio America, Inc. and its parent company, Casio Computer Co., Ltd., today announced the release of another groundbreaking digital camera, the EXILIM

Hi-Zoom EX-H10. With a thin, compact body and an ultra-wide angle 24mm, 10x optical zoom lens, this new model can take up to 1,000 shots*1 on a single battery charge - making it the perfect travel companion.

At the heart of the new EX-H10 is the EXILIM Engine 4.0, which delivers higher image quality and lower power consumption in an even more compact package. The new Engine's Multi-CPU*3 is specifically designed for high-speed image processing. Reflecting Casio's quest for perfection, the new camera provides the best in basic photography functions - beautiful imaging with reduced noise and long battery life for many hours of use. A high-performance 12.1-megapixel model, it also boasts a lens with outstanding optical capabilities - from wide angle to telephoto - and it features a number of Casio's totally original photographic functions.

Ultra-wide angle 24 mm, 10X optical zoom lens

Only Casio could find a way to pack a 10X optical zoom lens, large 3.0-inch monitor and a CCD-shift image stabilization mechanism into such a slim, compact camera body, just .95" thin, convenient for travel. With ultra-wide angle starting at 24 mm (35 mm film camera equivalent) all the way up to 10x telephoto zoom, the photographer is ready for any scene - from huge buildings and other wonders at tourist destinations to distant figures in a landscape.

*1. As of June 11, 2009, based on a Casio survey of digital cameras with a 10X or greater optical zoom lenses.

*2. When photos taken in accordance with Camera & Imaging Products Association (CIPA) standards.

*3. A package comprising a high-speed dedicated image processing CPU in addition to the usual high performance CPU.

"The development of the ultra-wide angle 24mm continues Casio's dedication to creating digital cameras that are packed with innovative features and new technology," said Toshiyuki Iguchi, Senior General Manager of Casio's Digital Imaging Division at Casio America, Inc. "This new feature gives our camera enthusiasts the opportunity to capture their extraordinary moments in a variety of shooting environments."

Advanced Dynamic Photo function

Casio's original Dynamic Photo function, which creates composite moving images using the camera's own high-speed image processing technology, now does even more. When a moving subject is cut out of a number of images and combined with a different still shot that forms the background, the size of the subject can be changed to suit the background image. Next, the Dynamic Photo video can easily be converted in-camera into a Motion JPEG movie file. Moreover, moving graphics such as hearts and bouquets of flowers are included so that users can have fun decorating their still images using the Dynamic Photo function. Casio not only allows users to have fun taking and viewing photos, but also provides innovative new ways for them to create original images, right on the camera.

1,000-shot long battery life

Casio has reduced energy consumption by improving the circuitry and operational controls and designing a higher capacity battery, enabling the user to take 1,000 shots on a single full charge. The EX-H10 provides a convenient solution for people on the go. It's possible to take 100 pictures every day of a 10 day vacation, without ever needing to recharge, eliminating the need to pack a charger. The long-life battery gives users approximately 11 consecutive hours of viewing on a single charge.

New Landscape Mode

The EX-H10 also features a new Landscape Mode for capturing beautiful scenic photography. Unlike earlier landscape photography modes, which enhance the saturation of an entire hue, users can now select between the Vivid Landscape option that uses image analysis to determine and vividly enhance only the most important colors in the landscape or the Mist Removal option that makes weather-affected misty scenes look clear and bright.

The new camera will begin shipping to retail in mid July. The EX-H10 will have an MSRP of $299.99 and will be available in black.

The Set Up: Sigma calls this camera a DSLR in the body of a point and shoot, and they're kinda right. It's got the Foveon X3 sensor, which is just a hair smaller than the Nikon and Canon APS-C sensors. Sigma has carefully paired a fixed 24.2mm F2.8 lens in order, they told me, to maximize the benefits of that larger sensor. No zoom lens would do, they said, because picture quality would likely suffer.

To make things even more complicated, for these same reasons, they could only build in contrast-based autofocus. Though more accurate, it takes a lot longer to focus, and, in this camera, tends to give up easily when it can't quite do it. It was often hard to get a satisfied chirp that meant focus was locked, especially in lower light conditions. Many hastily shot shots are blurry beyond help.

As you can see, this camera is low in the frills department, with greater reward going to those who can shoot manually, and most certainly in RAW. Meaning my first shots were hideous things, and it took a few days for me to become worthy enough to even hold the bastard. Eventually, slowly, I learned what it could—and could not—do.

The Bad News: Let's repeat: There's just the one fixed lens, which isn't much of a wide angle, isn't much of a macro, isn't exactly "fast" by today's DSLR standards, and does not zoom. You have to get in the habit of going to your subjects, then making them stay still long enough to get a decent focus, then a decent shot. To add to the troubles, the sensor that is pristine at ISO 200 is noisy as crap at ISO 800, which means you also have to shoot longer at times to make up for it.

Sigma people said that the ISO should be compared to other point-and-shoots, and that shooting RAW and converting it to JPEG on the computer cuts down on the noise, but even so, check out how crazy the noise was at 1600 after RAW post-processing on the computer:

It's a mess, you know? I did manage to make some artistic looking black-and-whites by just desaturating the grainy 1600 shots—frankly, they were pretty cool, but it's something you'd want the option to do, not something you should be forced into.

Other dings the camera gets are a lack of RAW+JPEG mode—what I like to call "insurance+good enough"—some extremely abysmal QVGA video mode that probably should have been left out of the product altogether because it's pointless, and poor battery life. When Sigma sent me the camera, they included a spare battery. I thought it odd at the time given how insanely great camera battery life is these days usually. Clearly they knew something I didn't. On top of all that, it's just not terrifically small—Olympus and Panasonic are pushing Micro Four Thirds cameras that aren't much bigger. (Course, their sensors are actually smaller.)

The Good News: As I have alluded, I have come around on this camera. Push aside all of the uncool characteristics, focus on what it can do—shooting relatively still objects at relatively close range—and you get some seriously attractive photo work. I can't show them all to you—the wife lays down a general rule of not posting family pics in Giz reviews—but what I can show you should give you a decent idea of the DP2's capabilities, coupled with patience and some basic know-how, can deliver. I'll let them speak for themselves (and yeah, I already know you can do better with your mom's LG cameraphone, so let's go easy on the qualitative judgments):

(Note: Wait for page to fully load before clicking on gallery thumbnails, otherwise you're gonna have a bad time.)

The Rub: As much as I'd like to say it's a great camera for photographically inclined people to stash somewhere for certain situations, it's too damn expensive. It costs around $650 street price; for that money you can probably get a clearance-model DSLR model these days, maybe even with a kit lens. In the end, I've come to think of the Sigma DP2 as the Dogfish Head 120 Minute IPA of cameras: Beautiful in concept but complex, powerful and damn expensive—if you hit it everyday, it could well get the best of you. [Sigma]

In Brief
For a small-bodied camera, it has exceptional picture-taking capability and superior image quality

Its $650 cost can only be justified by a small percentage of wealthy photo enthusiasts

It's tricky to use at first

Crap battery life

No zoom lens or any other obvious point-and-shoot frills

That's because it's really teeny and the easiest to stick in your pants, and it pulls off the square form factor really nicely without being boring. I don't think it's quite as comfortable to hold as its slightly larger, more ergonomic-minded older brothers because it just borders on being crampy to use, but this will fit in your jeans pocket better than any other Canon camera (Sony's typically been the master of truly pocketable point-and-shoots), and it shoots 720p video.

Unfortunately, it's still using Canon's old UI—a couple of the newer models have a slicker, more list-oriented menu style (more on that later)—but at least the button-layout is relatively straightforward. Oh yeah, the form factor really is the reason to buy this thing. Why? Every one of Canon's new 12-megapixel cameras uses the same image sensor, and this only has a 3x zoom (the step up models have a 5x zoom lens).

PMA is an annual show where we get to see tomorrow's digital cameras—the ones that'll be populating pockets and purses for the rest of the year. We'll be here for the next couple of days.

They're claiming a 10,000:1 contrast ratio and the ability to see the AMOLED display perfectly in direct sunlight, so it damn well better be pretty. Like many higher end point-and-shoots, it records 720p HD video, making it sound like a capable, if not particular drool-including, pocket cam. Well, those analog gauges for battery life and memory on top are kinda sexy:

Its dance partner is the HZ15W, which is also a 12-megapixel cam. No AMOLED display, but it does cram a 10x optical zoom 24mm wide-angle lens into its body, which is the real selling point. It too, shoots 720p video.

They've both got the typical point-and-shoot whizbangs: image stabilization, face & booger detection, and super-auto-do-everything-but-take-the-picture-for-you mode. The TL320 will be $380 in May, the HZ15W will be $330 next month.

Samsung Introduces Pair of 12 Mega-Pixel, 24mm Ultra-Wide Angle Compact Digital Cameras

New TL320 Boasts Three-Inch AMOLED for Enhanced Viewing and Energy Efficiency

HZ15W Offers 12 Mega-Pixel Resolution and 24mm, 10x Optical Zoom Schneider Lens

RIDGEFIELD PARK, N.J.—(BUSINESS WIRE)—Samsung Electronics America today unveiled two new 12 mega-pixel compact digital cameras boasting 24mm ultra-wide angle Schneider lenses. Samsung's new TL320 raises the bar for innovation in the digital imaging industry as it is the world's first digital camera to feature a three-inch AMOLED screen with HVGA resolution. The new HZ15W, Samsung's second mega-zoom, point-and-shoot digital camera, offers consumers one of the most powerful lenses on a compact point-and-shoot with an impressive focal length of 24-240mm (35mm film equivalent).

The TL320

The new TL320 goes above and beyond traditional compact point-and-shoot digital cameras, offering an impressive list of features that set the camera apart from the competition. The TL320 features a Schneider lens, renowned for quality and trusted by professionals worldwide, and offers consumers a more versatile 24mm ultra-wide angle focal length paired with a powerful 5x optical zoom.

Utilizing the same advanced technologies found in its revolutionary AMOLED televisions, Samsung was able to incorporate a three-inch, 460,000-dot HVGA AMOLED screen in the new TL320, the largest AMOLED screen on a digital camera to date. In comparison to a traditional TFT-LCD screen, the TL320's AMOLED consumes less power and offers a higher contrast ratio of 10,000:1, producing darker black levels, more vibrant colors, and a brighter display which can easily be viewed outdoors and even in direct sunlight. Additionally, unlike a TFT-LCD, the TL320's AMOLED screen has the ability to display images that can be reviewed at any angle, while fully maintaining the same color gamut.

Samsung's new TL320 also offers advanced high-definition video recording at a resolution of 720p, as well as HDMI connectivity through the use of a cradle to view one's video and photos in HD clarity on an HDTV. The camera's 5x optical zoom can be used while recording, and because the camera utilizes H.264 compression (a codec for high-definition video that yields three times the recording length than that of MJPEG video) users can record HD video for longer periods of time with the TL320.

For added stability and blur-free images, Samsung has outfitted the TL320 with both Optical and Digital Image Stabilization. The shooter has the option of simply using Optical Image Stabilization or choosing Dual Image Stabilization, combining the strengths of Optical and Digital Image Stabilization.

For the more advanced user who prefers to have more control over camera settings, the TL320 offers aperture priority, shutter priority, full manual shooting, as well as Samsung's unique Advanced Picture Mode. Much more precise than simple white balance presets, Advanced Picture Mode gives users the ability to fine tune color tones before image capture by adjusting the color temperature from 2,800-10,000K, in 100K increments, or by manually configuring the camera's color space shift.

For users looking for simplicity when it comes to taking digital images, the TL320 offers a comprehensive suite of automatic controls designed to help them capture better images with ease, including the camera's Smart Auto mode. When selected, Smart Auto will automatically choose from one of the TL320's 11 scene modes, determining which best suits the environment the user may be shooting in. For example, the TL320's Smart Auto feature will automatically set the camera to its Landscape scene mode if the user is taking an image of a mountain range, and then switch gears and automatically select the Portrait scene mode if the user proceeds to take an image of an individual. No manual interaction is required.

In addition to Smart Auto, the TL320 also incorporates Samsung's proprietary Smart Album program. Smart Album is useful tool which allows users to easily search for a specific image they have saved on their memory card. Smart Album automatically organizes the user's digital images and gives them the ability to narrow their search based on specific criteria. Users can quickly sort by the date or week the image was taken, the overall color tone, as well as whether they're searching for portraits or specific file types, including photos, videos, or voice memos.

Users can also take advantage of the TL320's Face Detection, Blink Detection, Smile Shot, and Beauty Shot technologies. Designed to help capture better portraits and group shots of family and friends, Face Detection technology detects up to nine faces and automatically adjusts focus and exposure to ensure better composition and image quality. Smile Shot automatically triggers the TL320 to take a photo only when the camera detects smiles on the subjects' faces, and Blink Detection will automatically fire two consecutive shots if the camera detects that a subject's eyes are closed. Beauty Shot is a unique functionality which will automatically enhance and balance skin tones as well as remove blemishes.

Featuring a brushed stainless steel finish, the TL320 is as stylish as it is advanced. The camera offers a compact form factor highlighted by two analog dials found on top of the TL320's body. The two dials give the TL320 a retro look and provide users with the ability to quickly glance down at the camera for an approximate readout of remaining battery life and memory capacity.

The HZ15W

The step up model from the HZ10W introduced in January at CES 2009, the 12 mega-pixel HZ15W offers consumers one of the most powerful lenses on a compact point-and-shoot digital camera, featuring a 24mm ultra-wide angle Schneider lens coupled with a generous 10x optical zoom. For blur-free images, especially when using the HZ15W at its maximum zoom, Samsung includes both Optical and Digital Image Stabilization. Optical Image Stabilization can be used independently or shooters can choose Dual Image Stabilization, which combines the strengths of Optical and Digital Image Stabilization.

Like the HZ10W, the HZ15W puts high-definition video recording in the palm of users' hands. With the HZ15W, consumers have the ability to record high-definition video at a resolution of 720p, and utilize the camera's full 10x optical zoom. Samsung also incorporates H.264 compression and offers consumers true HDMI connectivity, which allows the camera to be connected directly to an HDTV without the need for a cradle. Additionally, the HZ15W's ultra-clear, three-inch LCD screen is sure to turn heads and gives consumers the ability to easily frame their shots and review their images and video in any condition, even in direct sunlight.

Designed for a range of consumers, including entry-level photographers and advanced amateurs, the HZ15W offers a variety of shooting modes, including Manual. The camera's Manual shooting mode allows users to manually configure settings such as shutter speed, aperture, exposure, and ISO values. Similar to the TL320, the HZ15W also features a highly-intuitive suite of automatic controls designed to help improve one's ability to take great digital images. The camera's advanced automatic shooting options include Face Detection, Smile Shot, Blink Detection, Beauty Shot, as well as Smart Auto, which automatically selects the appropriate scene mode for the user, and Smart Album, which simplifies the process of searching for an image saved on a memory card.

Specifications
TL320
Mega-Pixels 12.2 mega-pixels
Optical Zoom 5x optical zoom / Schneider lens
LCD Size 3.0" hVGA AMOLED
Lens Schneider - KREUZNACH
Movie Mode 720P HD Resolution With HDMI Connectivity

(An optional cradle needed.)
Size 97mm x 60mm x 21.8mm
Special Features

- 24mm Ultra-Wide-Angle Schneider Lens
- 5x Optical Zoom
- 3.0" hVGA AMOLED (460K dots)

- Dual Image Stabilization (Optical + Digital)

- Full Manual Mode (A/S/M) supported

- Advanced Picture Mode (manually adjust color tones)
- High-Definition 720p Video With HDMI Connectivity
- Smart Auto / Smart Album
- Face Detection / Smile Shot / Blink Detection /
Beauty Shot / Self Portrait / Red-eye Fix
- Frame Guide
- Recycle Bin
- Dual Analog Gauges (Memory Capacity / Battery Life)

* Specifications are subject to change without notice.

Available in black or silver, the TL320 will be available in May 2009 at an MSRP of $379.99.

Specifications
HZ15W
Mega-Pixels 12.0 mega-pixels
Optical Zoom 10x optical zoom / Schneider lens
LCD Size 3.0" TFT-LCD (230k pixels)
Lens Schneider Lens f = 4.2 ~ 42mm (35mm equivalent : 24~240mm)
Movie Mode 720P HD Resolution
Size 105 X 61.4 X 37.2 mm
Special Features

- 24mm Ultra-Wide-Angle Schneider Lens
- 10x Optical Zoom
- High-Definition 720p Video With HDMI Connectivity
- Dual Image Stabilization (Optical + Digital)
- Smart Auto / Smart Album
- Face Detection / Smile Shot / Blink Detection
Self Portrait / Beauty Shot / Red-eye Fix
- Function Description, Photo Style Selector
- Frame Guide
- Recycle Bin

* Specifications are subject to change without notice.

The Samsung HZ15W will be available in March 2009 at an MSRP of $329.99

About Samsung Electronics America, Inc.

Samsung Electronics America, Inc. (SEA), based in Ridgefield Park, NJ, is a subsidiary of Samsung Electronics Co., Ltd. The company markets a broad range of award-winning consumer electronics, information systems, and home appliance products, as well as oversees all of Samsung's North American operations including Samsung Telecommunications America, LP, Samsung Electronics Canada, Inc. and Samsung Electronics Mexico, Inc. As a result of its commitment to innovation and unique design, the company was ranked #6 in the Electronics Industry segment in Fortune Magazine's "Most Admired Companies 2008," and named as one of Fast Company's "Fast 50 Most Innovative Companies of 2008." Among popular BusinessWeek rankings, the company ranked #26 in the publication's "Most Innovative Companies of 2008" and #21 in the "100 Best Global Brands" for 2007. Samsung Electronics Co, Ltd. is also a top patent holder, ranking second overall in the U.S. in 2007. Please visit www.samsung.com for more information.

[BusinessWire]

We're looking at two models: the EX-FC100 and the EX-FS10. The EX-FC100 will retail for $400 and has a 9-megapixel sensor. It'll be able to shoot 30 fps of 6-megapixel pictures, 720p HD video and high speed movies at up to 1,000 frames per second. You get a 5x optical zoom and a 2.7-inch LCD with that.

The cheaper EX-FS10 will run you $350, and it has the same sensor and slo-mo specs as the FC100. The $50 you save knocks the optical zoom down to 3x and the LCD down to 2.5 inches.

These are pricey cameras for point-and-shoots, but there are no other cameras out there that pack such robust slow motion functionality into such a small package. If you've wanted to get in on the slo-mo fun without carrying around a huge camera, these are the way to go. No word on release dates at the moment, but expect them sometime this year.

For decades, photographers have engineered little tricks to get the most out of their cameras, and most of them have carried just fine over the digital divide. Here are a few, with some newer additions collected by our friends at Lifehacker.

Build your own stabilizer out of string
Shooting long exposures without something to prop your camera on is a pain in the ass, not to mention a blurry mess. So is carrying a tripod. This video shows how to build a pretty effective foot-looping camera stabilizer out of some string, a bolt and a washer. The results are surprisingly good.

Build your own L-bracket, for serious stability, vertical mounting
If you're doing portrait photography, or have a dumpy old tripod that can't accommodate vertically oriented cameras, you can build a sturdy L-bracket for about $30. It's a bit more involved than the piece-o-string stabilizer, but it's also a lot better, and much cheaper than something you'd pick up at Wolf.

The "David Pogue Special": Use a lamp as a tripod
To round out the camera-steadying tools, here's what I call the David Pogue Special, and it's great: Many lampshade mounts share a diameter and thread size with the tripod mount screw on the bottom of your camcorder, point-and-shoot or DSLR, providing quick and dirty stabilization in a bind.

Scrounge up household flash diffusers
Shooting with flash indoors is often necessary, but can wash out your subjects, making them look sheet-white, greasy and demon-eyed. With a diffuser, the light is softened and the photos are dramatically improved. Commercial flash hoods and diffusers cost money, but aren't much more effective than what you can make yourself. A coffee filter held in front of a flash, a translucent film canister with a notch cut into it, a simple piece of A4 paper or even a piece of matte Scotch tape over the flash lens will measurably improve your drunk party photography.

Calibrate color temperature with free flooring samples
Shooting a piece of paper, gray notecard or painted wall can give you OK white balance calibration, but this guy has a better idea: snag some free floor laminate samples and built a proper calibration board.

Make flash deflection umbrellas from actual umbrellas
If you really want to go pro-hobo, you can repurpose old umbrellas into flash-directing photography umbrellas. After all, there are always plenty lying around. Here's how you do it. If you're feeling lazy, you can even get away with just an old sheet and some tape.

Build still-life photography studio for free(ish)
Ever wonder how that creepy old photographer got such a soft, vivid, dreamy picture of you and your prom date all those years ago? This is how. The project doesn't call for much more than large pieces of paper and tape—relying on indirect sunlight for the adequate lighting—but the results are impressive. It is just a small-scale testbed though, so you'll be limited to shooting Lego models, action figures and the like, but what else were you going to shoot anyway?

Snap magazine-style portraits, beautiful macros with a homemade ringlight
Flickr user jedrek has written out a detailed how-to guide for converting your external flash into a ringlighting rig, mostly using kitchen wares. If you've never heard of ringlighting, have a look at this. The technique is usually reserved for professional photographers, because real ringflashes are comically expensive. This one costs a few bucks.

Foam-fit an old bag to hold your gear
If you're packing a DSLR with lenses and accessories, carrying a full-fledged camera bag is usually ideal, but they're expensive and tend to draw attention to your cargo. With some foam, cardboard and a ratty old military-surplus bag, you can put together a stylish, stealthy and highly-functional camera bag that won't make you feel like a snap-happy father of four.

Top image of proto-pro-photo-hobo Miroslav Tichy.

Dealzmodo Hacks are intended to help you sustain your crippling gadget addiction through tighter times. If you come across any on your own that are particularly useful, send it to our tips line (Subject: Dealzmodo Hack). Check back every other Thursday for free DIY tricks to breathe new life into hardware that you already own.

LG also touted its new relationship with DivX as fodder for future change in the industry (the Renoir contains software for converting files into DivX files, for viewing on the phone). DivX's Andy Glasson said HD recording in mobile phones is also something to watch next year. Glasson explained that his company is already working on H264 encoding and decoding technology that would make this kind of recoding possible.

Now, if they could just slap a Red 3K Scarlet or 5K Epic digital camera in a cell phone, I think we could officially label this development "progress." Until then, we wait. [Cell Phone Feeds]

CANON U.S.A. COMBINES ADVANCED TECHNOLOGY WITH A PROFESSIONAL STYLE DESIGN IN ITS LATEST ADDITION OF HIGH-END G-SERIES CAMERAS
Canon PowerShot G10 Digital Camera, the Flagship of the PowerShot line, Boasts Uncompromising Specs and High-Quality, Making It a Must-Have for the Advanced Amateurs

LAKE SUCCESS, N.Y., September 17, 2008 – Canon U.S.A., a leader in digital imaging, today announced the newest addition to its top-of-the line PowerShot G-series digital cameras. The PowerShot G10 digital camera offers serious amateur shooters and professional photographers several essential ingredients for a flagship model, including Canon's new DIGIC 4 image processor, 28mm Optical Image Stabilized lens and RAW mode. This trilogy of style, performance and image quality is an ideal professional complement for anyone seeking the photo quality of a DSLR, combined with the convenient size of a point-and-shoot.

As the successor model to the popular PowerShot G9 digital camera, the PowerShot G10 digital camera is loaded with Canon's latest technologies, including a long-anticipated 28 mm wide-angle lens with 5x optical zoom, 14.7 megapixels and 3.0-inch Pure Color LCD II screen.

"With exquisite image quality, the latest image processor and advanced functionality, the Canon PowerShot G10 digital camera brings an elevated level of performance and usability to the PowerShot line," said Yuichi Ishizuka, senior vice president and general manager, Consumer Imaging Group, Canon U.S.A. "By enhancing key technologies in this camera, including our proprietary DIGIC 4 image processor, Canon has merged the functions typically found in a DSLR with a smaller body form to provide affordable and portable options to photo enthusiasts of all types."

Control Options
The controller wheel is equipped with a dedicated Exposure Compensation Dial, which allows quick and intuitive adjustment of exposure compensation and the "My Menu" function for registering five user-selected options from the shooting menu, as well as 26 shooting modes. Additionally, the Custom Mode better allows the user to record two types of shooting parameter settings, thus offering the ability to arrange their most often used settings on their LCD display. A host of accessory options are offered, including the remote switch, Macro Ring Lite and Macro Twin Lite (when used with an additional attachment, available in January 2009). Now consumers can utilize similar accessories found in the Canon EOS line, therefore expanding a user's ability to customize.

Canon DIGIC 4 Imaging Processor
The newly upgraded DIGIC 4 image processor, a proprietary technology, accounts for the camera's higher performance levels, including significantly improved signal processing speed and higher image quality.

One of the most important new features made possible by the DIGIC 4 image processor is Servo AF, which is a form of continuous focus tracking for moving subjects. By pressing the shutter button half-way, the camera can track subject movement up to the instant of exposure, resulting in sharper photographs. Additionally, the processor's high ISO speed noise reduction processing has improved substantially to enable consumers to shoot high-quality images, even in extremely dark situations without the use of a flash. The new Intelligent Contrast Correction function automatically improves image quality in high-contrast shooting situations.

The Genuine Canon Face Detection technology has evolved even further, thanks to DIGIC 4. Improved features include the ability to recognize human faces at most angles. Another innovation is the Face Detection Self-Timer, which automatically takes a photo two seconds after a new face enters the scene.

Availability and Pricing
Scheduled to be available in October, the PowerShot G10 digital camera will have an estimated selling price of $499.99*. Kit contents will include a battery, charger, neck strap, USB and A/V interface cables, Canon Digital Solutions Software CD, and a 1-year Canon U.S.A., Inc. limited warranty.

FASHION MEETS FUNCTIONALITY IN CANON'S NEW POWERSHOT SD990 IS AND SD880 IS DIGITAL ELPH CAMERAS
Feature-Rich Canon PowerShot Cameras Offer Consumers Cutting-Edge Technology Packaged within Digital ELPH Signature "Sleek" Design

LAKE SUCCESS, N.Y., September 17, 2008 – Canon U.S.A., Inc., a leader in digital imaging, today announced, the PowerShot SD990 IS and PowerShot SD880 IS Digital ELPH cameras. Loaded with a host of advanced features, such as Optical Image Stabilization and Canon's new DIGIC 4 image processor, these cameras are ideal for the trendsetting techie looking for functionality or style-conscious photo enthusiasts who want their gadgets to keep pace with their style. In addition, to commemorate the 100 millionth compact digital camera manufactured, Canon created a limited-edition PowerShot SD990 IS Digital ELPH camera in red.

"The introduction of DIGIC 4 imaging processing and a variety of color creations, continues to build on Canon's mantra of incorporating substance and style into everything we create," said Yuichi Ishizuka, senior vice president and general manager, Consumer Imaging Group, Canon U.S.A. "We recognize that if we continue to make digital cameras easy to use and easy to take along wherever one goes, people will carry them, not just for their style and compactness, but because of the image quality."

Canon PowerShot SD990 IS Digital ELPH Camera
The PowerShot SD990 IS Digital ELPH camera showcases enhanced specifications such as 14.7-megapixel resolution, 3.7x Optical Zoom with Optical Image Stabilization and Canon's new Quick Shot Mode for even faster shutter speed.

Reminiscent of a sporty race car, with its curved design and brilliant metallic topcoat, the PowerShot SD990 IS Digital ELPH camera is available in black or silver. Still small enough to fit in a shirt pocket or suit jacket, this compact, cutting-edge camera is an anytime, anyplace must-have.

Limited-Edition Red Digital ELPH Camera
To help commemorate the manufacture of the 100 millionth PowerShot camera,, Canon has produced a limited-edition red PowerShot SD990 IS Digital ELPH camera. This camera can be exclusively purchased on the Canon U.S.A. eStore at www.canonestore.com while supplies last.

Canon PowerShot SD880 IS Digital ELPH Camera
The successor to Canon's widely popular PowerShot SD870 IS Digital ELPH camera, the PowerShot SD880 IS Digital ELPH camera boasts improved specifications such as 10.0-megapixel resolution and 4x wide-angle Optical Zoom with Optical Image Stabilization. In combination with the latest DIGIC 4 image processor and Motion Detection Technology, the wide-angle zoom lens has been improved, enabling consumers to capture large and small group shots with ease, while on vacation or attending social gatherings.

Available in stylish two-toned body colors of black and silver or gold and brown, the Canon PowerShot SD880 IS Digital ELPH camera functions as a fashion statement, as well as a feature-rich powerhouse. Additionally, four large and distinctive convex buttons are positioned to the right side of the large 3.0-inch PureColor LCD II screen to make camera operation and menu navigation even easier. The LCD screen's contrast ratio has been greatly improved as well, offering more accurate color and viewing from any angle.

Canon DIGIC 4 Imaging Processor
The newly upgraded DIGIC 4 image processor, a proprietary technology, accounts for the camera's higher performance levels, including significantly improved signal processing speed and higher image quality.

One of the most important new features made possible by the DIGIC 4 image processor is Servo AF, which is a form of continuous focus tracking for moving subjects. By pressing the shutter button half-way, the camera can track subject movement up to the instant of exposure, resulting in sharper photographs. Additionally, the processor's high ISO speed noise reduction processing has improved substantially to enable consumers to shoot high-quality images, even in extremely dark situations without the use of a flash. The new Intelligent Contrast Correction function automatically improves image quality in high contrast shooting situations.

The Genuine Canon Face Detection technology has evolved even further, thanks to DIGIC 4. Improved features include the ability to recognize human faces at most angles. Another innovation is the Face Detection Self-Timer, which automatically takes a photo two seconds after a new face enters the scene.

Availability and Pricing
Scheduled to be available in October, the Canon PowerShot SD990 IS Digital ELPH and PowerShot SD880 IS Digital ELPH cameras will have estimated selling prices of $399.99* and $299.99*, respectively. Kit contents will include a memory card, battery, charger, wrist strap, USB and A/V interface cables, Canon Digital Solutions Software CD, and a 1-year Canon U.S.A., Inc. limited warranty.

There's auto face-detection of up to 16 faces, to do something similar with the exposure settings, and "Shadow Adjustment Technology" which sounds intriguing. Basically, it does absolutely everything for you, photographically, except depress the shutter.

It can shoot VGA video at 30fps, and has a high-speed photo mode at 9fps. It's out in the UK at first, in September in silver, black and green for around $485. [TFTS]

Besides that unique design feature, it also has a 2.7 inch LCD, internal 5x optical zoom as well as Dual Image Stabilization. Sure, the gauges are kind of gimmicky, but hey—it's easy to access when your on the go and it reels in the geeks. Samsung’s TL9 will be available in September for around $280. A press release outlining the entire series:

SAMSUNG UNVEILS 2008 SECOND-HALF DIGITAL CAMERA LINE UP

RIDGEFIELD PARK, N.J., July 16, 2008 – Samsung today unveiled its 2008 second-half digital camera line up with the launch of four new models – the TL34HD, TL9, SL310W and SL201. Joining the company's growing array of advanced digital imaging solutions, these four new digital cameras bring new technologies to the industry and will be on retail shelves nationwide in time for the upcoming holiday shopping season.

TL34HD
Boasting an impressive resolution of 14.7 megapixels and renowned Schneider lens yielding a 28mm wide-angle focal length with 3.6x optical zoom, the TL34HD promises sharp, clear and detailed images with every shot. The most advanced point-and-shoot digital camera in Samsung's history, the TL34HD builds upon the success of its predecessor, the NV24HD, with the ability to capture high-definition video at a resolution of 720P along with Dual Image Stabilization.

Featuring an all-metal build, the TL34HD is pocket-sized with dimensions of 3.68" x 2.34" x 0.80". Available in all-black, or silver with a red accent adding to the camera's elegance, the TL34HD takes camera design to a new level. Although compact, a large three inch touch-screen hVGA LCD dominates the back of the camera and is sure to turn heads no matter where the TL34HD may be used.

The TL34HD also pioneers Samsung's next generation Smart Touch 2.0 user interface, which further simplifies the way users navigate through the camera's comprehensive feature set. By incorporating touch-screen technology, users can now select and control various camera functions by interacting with the TL34HD's large three-inch touch screen LCD. Not only does this enhance the experience for the shooter and the operation of the Smart Touch interface, but it also provides for a much sleeker and attractive design.

TL9
Samsung's TL9 is an ultra compact, 10.0 megapixel digital camera highlighted by a large 2.7 inch LCD, internal 5x optical zoom as well as Dual Image Stabilization. The latest digital camera in Samsung's digital camera arsenal to feature MP3 and PMP capability, the TL9 sets itself apart from the crowd as a multimedia powerhouse.

The TL9 is encased in a silver, metal body, measuring 3.74" x 2.36" x 0.84", and incorporates a unique design element which graces the top of the camera's body - dual analog gauges. The small gauges, located next to the power button, display remaining battery life and memory capacity in a way that's easy for the shooter to access while on the go. Thanks to the enhanced sensitivity of the TL9's CCD sensor, which features a maximum ISO of 1600, and the camera's Dual Image Stabilization, users can rest assured that they'll be able to capture images in low-light situations, especially when the use of a flash is not desired.

Shooters can also benefit from a comprehensive suite of automatic controls designed to help them capture better images, specifically portraits and group shots of family and friends. The TL9's Face Detection technology makes taking pictures of family and friends a snap, as it detects up to nine faces and automatically adjusts focus and exposure to ensure better composition and image quality. Furthermore, Smile Shot automatically triggers the TL9 to take a photo only when the camera detects smiles on the subjects' faces, and Blink Detection will prevent a photo from being taken if the camera recognizes that a subject's eyes are closed – a useful feature as it's often difficult to distinguish closed eyes when composing a shot on an LCD screen.

SL310W
Ideal for the step-up shooter, the SL310W is highlighted by features commonly found on higher-end, more expensive digital cameras, including an impressive resolution of 13.6 megapixels, Dual Image Stabilization, 2.7 inch LCD, and a 3.6x, 28mm wide-angle optical zoom lens which significantly improves the user's ability to photograph more of a desired scene.

Unlike a standard 35mm lens which is commonly found on compact digital cameras, the SL310W's 28mm wide-angle lens gives consumers the ability to expand their creativity and take even more moving and emotional images. Ideal for a variety of scenarios, users can easily leverage the increased viewing angle of the SL310W's wide-angle lens, especially when shooting landscapes or groups of family or friends.

The SL310W offers a number of user-friendly features, including 11 scene modes, auto red eye fix and MPEG-4 video recording. The camera also features Self Portrait, Face Detection, Blink Detection, and Smile Shot technology, all which help enhance the digital imaging experience for the shooter.

The SL310W also offers Function Description and a Photo Help Guide. Function Description automatically provides a brief and easy to understand description of each setting when scrolling through the camera's menus, helping the end-user determine which setting is appropriate for their current shooting scenario. The camera's Photo Help Guide is another intuitive component incorporated into the digital camera. Photo Help Guide offers the end-user a guided tour of how to take better images as well as easy-to-follow tips instructing them how to obtain excellent results.

SL201
The Samsung SL201 is an ultra-slim, compact point-and-shoot digital camera featuring a resolution of 10.2 megapixels, a 3x optical zoom lens and large 2.7-inch intelligent LCD which will automatically brighten or dim based on available lighting.
For added versatility, the new SL201 features Face Detection, Self Portrait, and Digital Image Stabilization technology. Face Detection makes taking pictures of family and friends a snap as it automatically detects up to nine faces and automatically adjusts focus and exposure to ensure better composition and image quality. Self Portrait mode is a unique function that takes the guessing out of taking a self portrait. When in Self Portrait mode, the SL201 automatically detects the user's face, adjusts focus and exposure, and will only allow a photo to be taken if the subject is centered in the frame. Samsung's improved Digital Image Stabilization (DIS) helps the user capture blur-free images.

With 11 scene modes to choose from, including Night, Children, Landscape, Text, Close Up, Sunset, Dawn, Backlight, Fireworks, and Beach & Snow, shooters can effortlessly adjust the camera to capture the most superb image possible in any setting. Additionally, the SL201 features Function Description and a Photo Help Guide. Function Description provides a brief and easy-to-understand description of each setting when scrolling through the camera's menus, helping the end-user determine which setting is appropriate for their current shooting scenario. The Photo Help Guide is another intuitive component incorporated into the digital camera. It offers the end-user a guided tour of how to take better images as well as easy-to-follow tips instructing them how to obtain excellent results.

Samsung’s TL34HD, TL9, SL310W and the SL201 will be available in September priced at around $330, $280, $230 and $170 respectively.

SAMSUNG LAUNCHES ITS SECOND POINT-AND-SHOOT DIGITAL CAMERA FEATURING HIGH-DEFINITION VIDEO CAPABILITY

New TL34HD Stands Out With Broad Range of Impressive Features and Resolution

RIDGEFIELD PARK, N.J., July 16, 2008 – Samsung today introduced the new TL34HD, a powerful, sleek and compact digital camera featuring high-definition video capability. TL34HD boasts an impressive resolution of 14.7 megapixels and renowned Schneider lens yielding a 28mm wide-angle focal length with 3.6x optical zoom. The most advanced point‑and-shoot digital camera in Samsung’s history, the TL34HD builds upon the success of its predecessor, the NV24HD, taking many of the camera’s advanced features to a whole new level.

Featuring an all-metal build, the TL34HD is pocket-sized with dimensions of 3.68” x 2.34” x 0.80”. Available in all-black, or silver with a red accent adding to the camera’s elegance, the TL34HD takes camera design to a new level. Although compact, a large three‑inch touch-screen hVGA LCD dominates the back of the camera and is sure to turn heads no matter where the TL34HD may be used.

The TL34HD gives shooters the ability to record video in 720p high-definition resolution, at a maximum frame rate of 30fps. Shooters can also take advantage of a movie stabilizer and optical zoom while recording video, as well as Samsung’s Successive Recording mode, which allows the user to pause and then resume filming without having to save the clips as individual files. Additionally, the TL34HD utilizes H.264 compression, a codec for high‑definition video that has become an industry standard and which yields three times the recording length than of MPEG4.

To enjoy the TL34HD’s high-definition video on an HDTV television, consumers simply dock the camera into a proprietary Samsung HDMI CEC (Consumer Electronics Control) cradle (sold separately). For added versatility, when the HDMI CEC cradle is connected to a high-definition Samsung digital television, end‑users can navigate the TL34HD’s menu using their TV’s remote control. The HDMI CEC cradle also gives shooters the ability to display their images in high-definition clarity, further enhancing the digital imaging experience. The TL34HD is also DLNA Compatible™ allowing users to maximize the way they view and share their digital content over their wireless home network.

“The TL34HD is truly a remarkable digital camera,” said Tony Sorice, vice president of Sales and Marketing for Digital Imaging, at Samsung Electronics America. “From its physical features and design, to the revolutionary technology embedded within, consumers will be impressed by how the TL34HD can enhance their own individual digital imaging experience.”

The TL34HD also pioneers Samsung’s next generation Smart Touch 2.0 user interface. With the Smart Touch 2.0 interface found on the TL34HD, Samsung further simplifies the way users navigate through the camera’s comprehensive feature set by incorporating touch-screen LCD technology. The Smart Touch interface has now been re‑engineered to be selectable options within the TL34HD’s large three-inch touch‑screen hVGA LCD. Not only does this enhance the experience for the shooter and the operation of the Smart Touch interface, but it also provides for a much sleeker and attractive design.

Besides serving as the portal to access the Smart Touch 2.0 user interface, the TL34HD’s three-inch hVGA LCD screen can be used to compose one’s shots and review images in stunning resolution with 460K pixels. To help cut down on glare and enhance viewing outdoors and in direct sunlight, Samsung has also designed the TL34HD’s hVGA LCD screen with a drastically improved anti-reflection coating.

Adding to the camera’s already impressive feature set, Samsung gives shooters the ability to capture more of a desired scene and fit it into the frame by including a high-quality 28mm wide-angle Schneider lens. Unlike a standard 35mm lens which is commonly found on compact digital cameras, the TL34HD’s 28mm wide-angle lens gives consumers the ability to expand their creativity and take even more moving and emotional images. Ideal for a variety of scenarios, users can easily leverage the increased viewing angle of the TL34HD’s wide-angle lens, especially when shooting landscapes or groups of family or friends.

Users can also utilize the 3.6x optical zoom for close up shots and the camera’s Dual Image Stabilization to reduce blur. Dual Image Stabilization combines both Samsung’s improved Optical Image Stabilization and Digital Image Stabilization which work simultaneously to provide blur-free images no matter how shaky the user’s hand may be. Along with the camera’s new DRIM Engine image processor, which yields outstanding image quality, enhanced sensitivity with the ability to shoot at ISO 4800 (at three mega-pixels), and blazing speed, the TL34HD redefines the advanced digital point-and-shoot category.

The new TL34HD also features an embedded contents management program called Digital Contents Management (DCM). DCM is a useful tool that significantly reduces the time to find a photo. The program automatically organizes photos based on the date that they were taken, their contents, color, and themes. Users can search through their images by month or by using a timeline. Based upon the theme of the image they’re looking for, users can also search by whether it’s a portrait, couple, or group photo and can even search for those images that are either city or landscape shots. Additionally, the DCM program also automatically sorts images based upon color tones as well as whether it’s a photo, video, or voice/memo note.

Shooters can also benefit from a comprehensive suite of automatic controls designed to help them capture better images, specifically portraits and group shots of family and friends. The TL34HD’s Face Detection technology makes taking pictures of family and friends a snap, as it detects up to nine faces and automatically adjusts focus and exposure to ensure better composition and image quality. Furthermore, Smile Shot automatically triggers the TL34HD to take a photo only when the camera detects smiles on the subjects’ faces, and Blink Detection will prevent a photo from being taken if the camera recognizes that a subject’s eyes are closed – a useful feature as it’s often difficult to distinguish closed eyes when composing a shot on an LCD screen. The TL34HD also offers 13 scene modes to choose from, allowing shooters the ability to effortlessly adjust the camera and capture the best image possible in any setting.

The TL34HD also puts an end to inadvertently lost images with a new feature called the Recycle Bin - a unique functionality that allows consumers to retrieve images which were deleted by mistake. When the Recycle Bin function is in use, the TL34HD automatically creates a “trash” folder on the memory card which stores any image deleted from the camera. This special feature allows users to shoot, delete and restore images without the fear that they will be lost forever.

Like many people, I have a digital camera and a cameraphone—but I find myself taking most of my shots with my phone just because it is so convenient. This is true despite the fact that the 2-megapixel camera on the iPhone blows goats (and it won't be getting any better next time around). So, my question to you is, what device do you use to take most of your photographs?

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[Impress]

As well as a 4x zoom, the MINOCTAR lens is multi-coated with a 42mm fixed focal length, allowing for macro shots as close as 24 inches. There's a two-inch TFT color screen, built-in flash and, as well as an internal memory of 16MB, there's a slot for an SD memory card up to 2GB. Running on two AA batteries, the DC6033 WP will be available for $299. [Aving USA]