The Set Up: Sigma calls this camera a DSLR in the body of a point and shoot, and they're kinda right. It's got the Foveon X3 sensor, which is just a hair smaller than the Nikon and Canon APS-C sensors. Sigma has carefully paired a fixed 24.2mm F2.8 lens in order, they told me, to maximize the benefits of that larger sensor. No zoom lens would do, they said, because picture quality would likely suffer.

To make things even more complicated, for these same reasons, they could only build in contrast-based autofocus. Though more accurate, it takes a lot longer to focus, and, in this camera, tends to give up easily when it can't quite do it. It was often hard to get a satisfied chirp that meant focus was locked, especially in lower light conditions. Many hastily shot shots are blurry beyond help.

As you can see, this camera is low in the frills department, with greater reward going to those who can shoot manually, and most certainly in RAW. Meaning my first shots were hideous things, and it took a few days for me to become worthy enough to even hold the bastard. Eventually, slowly, I learned what it could—and could not—do.

The Bad News: Let's repeat: There's just the one fixed lens, which isn't much of a wide angle, isn't much of a macro, isn't exactly "fast" by today's DSLR standards, and does not zoom. You have to get in the habit of going to your subjects, then making them stay still long enough to get a decent focus, then a decent shot. To add to the troubles, the sensor that is pristine at ISO 200 is noisy as crap at ISO 800, which means you also have to shoot longer at times to make up for it.

Sigma people said that the ISO should be compared to other point-and-shoots, and that shooting RAW and converting it to JPEG on the computer cuts down on the noise, but even so, check out how crazy the noise was at 1600 after RAW post-processing on the computer:

It's a mess, you know? I did manage to make some artistic looking black-and-whites by just desaturating the grainy 1600 shots—frankly, they were pretty cool, but it's something you'd want the option to do, not something you should be forced into.

Other dings the camera gets are a lack of RAW+JPEG mode—what I like to call "insurance+good enough"—some extremely abysmal QVGA video mode that probably should have been left out of the product altogether because it's pointless, and poor battery life. When Sigma sent me the camera, they included a spare battery. I thought it odd at the time given how insanely great camera battery life is these days usually. Clearly they knew something I didn't. On top of all that, it's just not terrifically small—Olympus and Panasonic are pushing Micro Four Thirds cameras that aren't much bigger. (Course, their sensors are actually smaller.)

The Good News: As I have alluded, I have come around on this camera. Push aside all of the uncool characteristics, focus on what it can do—shooting relatively still objects at relatively close range—and you get some seriously attractive photo work. I can't show them all to you—the wife lays down a general rule of not posting family pics in Giz reviews—but what I can show you should give you a decent idea of the DP2's capabilities, coupled with patience and some basic know-how, can deliver. I'll let them speak for themselves (and yeah, I already know you can do better with your mom's LG cameraphone, so let's go easy on the qualitative judgments):

(Note: Wait for page to fully load before clicking on gallery thumbnails, otherwise you're gonna have a bad time.)

The Rub: As much as I'd like to say it's a great camera for photographically inclined people to stash somewhere for certain situations, it's too damn expensive. It costs around $650 street price; for that money you can probably get a clearance-model DSLR model these days, maybe even with a kit lens. In the end, I've come to think of the Sigma DP2 as the Dogfish Head 120 Minute IPA of cameras: Beautiful in concept but complex, powerful and damn expensive—if you hit it everyday, it could well get the best of you. [Sigma]

In Brief
For a small-bodied camera, it has exceptional picture-taking capability and superior image quality

Its $650 cost can only be justified by a small percentage of wealthy photo enthusiasts

It's tricky to use at first

Crap battery life

No zoom lens or any other obvious point-and-shoot frills

Basically, on one end you have 2 HDMI ports, 2 component video ports and a composite port. Video from all your set-top boxes go in there, from the 480p Wii to the 1080p PS3. You select inputs the way you'd select them in a switcher—at any given time, the thing is only streaming one signal, upconverted to whatever resolution you choose. If you have an audio system nearby, you can send audio out of it via optical cable or digital coax. The system keeps the audio that goes out in sync with the picture that's distributed all over, so there's no lip-out-of-sync issues.

The video (and optionally, audio) is encoded and transmitted to a receiver unit with HDMI and optical outputs, so it can be the only thing next to your TV or projector. The transmitter also has a coax output, and the receiver has a coax input, to receive the signal. (When you're transmitting UWB through your house, it apparently doesn't interfere with your cable-TV signal.)

That means users could stream HD video content with full 1080p resolution between their HDTV displays, Blu-ray, DVD players and/or set-top boxes within a room or between adjacent rooms and transmit A/V contents up to 330 feet over existing coaxial cables. Monster expects their new wireless HD products to hit the market by this October. Check out the press release for full details.

Press release:

Monster Teams with Sigma Designs to “Go Wireless” in HD Home Entertainment with Exciting New Wireless HDAV and UWB-over-Coax Combination Solution

New Monster® “Wireless Digital Express HD” for HDMI Cable Replacement System Offers Both In-Room and Room-to-Room A/V Signal Distribution

New York City – June 12, 2008 – Monster, the world’s leading manufacturer of audio and video connectivity solutions, and Sigma Designs (NASDAQ: SIGM), a leader in digital media processing system-on-chip (SoC) solutions for consumer electronics, today announced a collaboration to create advanced wireless solutions for HDMI™ home entertainment distribution.

The first fruit of the Monster/Sigma Designs partnership will be the new “Monster® Wireless Digital Express HD” system, which will use Sigma’s Wireless HDAV™ for High-Definition (HD) A/V cable replacement as well as its UWB-over-Coax technology to offer consumers an elegant “wireless and no new wires” combination solution for enjoying HD content throughout the home. In addition to letting users stream HD video content with full 1080p resolution between their HDTV displays, DVD players (including Blu-ray), and/or set-top boxes within a room (or to an adjacent room), Monster’s Wireless Digital Express HD system will allow room-to-room HD entertainment streaming, transmitting A/V contents up to 330 ft. over a home’s existing coaxial cables. Monster’s Wireless Digital Express HD line of products was officially announced at Digital Downtown 2008, a CES showcase running June 12-14 in New York City. Monster® Wireless Digital Express HD products are scheduled to reach the market by October 2008.

“After evaluating other wireless solutions for A/V cable replacement, we chose Sigma as a partner for our entry into the wireless distribution arena simply because the company’s solutions proved to be the most reliable and because they meet Monster’s strict quality parameters,” said Noel Lee, The Head Monster. “In addition, Sigma’s UWB allows us to continue offering our customers the quality service levels they’ve come to expect. Together, we are achieving a “virtual wireless” solution for the whole home by combining wireless for in-room HD content streaming and UWB-over-Coax for room-to-room streaming.”

Monster’s Wireless Digital Express HD is powered by Sigma’s Wireless HDAV™ which features Sigma’s UWB Windeo® chipset and its Intelligent Array Radio™ (IAR) technology. Sigma’s IAR technology incorporates three antennas to deliver the industry’s most reliable wireless link that is uninhibited by walls, objects or people, also referred to as non-line-of-sight activity. Sigma’s Wireless HDAV solution will ultimately enable Monster’s customers to mount their HDTVs on walls without the need for multiple HDMI and A/V cables spread throughout the room or hanging across the walls. Meanwhile, users will experience the same advanced high definition signal quality they have come to expect via traditional wires.

Sigma’s Wireless HDAV and UWB-over-Coax combination solution also powers the Monster Wireless Digital Express HD product with long range capability to cover the whole home with wireless connectivity that achieves mobility and flexibility for in-room video streaming. At the same time, the solution maintains the highest quality of service that is required for HD content that travels from room-to-room. Finally, Sigma’s UWB technology is based on the most preferred WiMedia™ Alliance standard supported by many of the world’s leading technology companies. The WiMedia standard-based architecture and interoperability enables economies of scale and rapid market adoption.

“We are excited that Monster has chosen Sigma’s wireless HDAV and “no new wires” UWB-over-Coax solutions to power the new Wireless Digital Express HD product,” said Hung Nguyen, vice president and general manager at Sigma’s Wireless Products Division. “Monster’s selection of Sigma’s UWB technology further validates that advanced wireless home connectivity is here now, ready for our home high def products. We are delighted to offer Monster customers a simple way to set up and experience broadband wireless connectivity between their home entertainment products, and once and for all eliminate the need for any new complex wiring.”

More about Monster Wireless Digital Express HD

Monster’s Wireless Digital Express HD product includes transmitter and receiver elements inside box equipment that encodes older video formats to 1080P HDMI, can upscale all inputs to 1080p format, and offers in-room and adjacent room wireless connectivity, and 330 ft. plus range of coax connectivity room-to-room. In addition, the product offers a fully integrated Infrared (IR) distribution solution as well as inputs for two HDMI ports, two component, one composite video/S-video with audio, coax digital, optical digital with outputs of coax digital, optical digital F-connector for coax, 3 IR emitters and a serial communication input. The input switching is IR controlled for advanced whole home control capability. The Wireless Digital Express HD can be software updated through its included USB port.

More about Sigma’s Wireless HDAV Solutions

Sigma’s Wireless HDAV streaming is a technology for transporting HD multimedia using standard-based encoding technologies over Ultrawideband (UWB) to replace high definition audio/video cables. Sigma enables developers of home networking systems to eliminate cables between a television and set-top box or High-Definition DVD player using wireless HDAV, the first technology solution to support both the H.264 format and UWB based on the WiMedia® standard. Wireless HDAV streams high-definition content from device to device at distances up to 330 feet.

Sigma’s wireless solution combines the Fujitsu H.264-compliant MB86H52CODEC with Sigma Designs’ SMP8634 Secure Media Processor decoder and UWB Windeo® chipset, the only UWB chipset that uses Intelligent Array Radio (IAR) technology. IAR ensures the highest reliability in wireless connections between devices and also delivers through-wall and range extension capabilities. Using the MB86H52 to compress raw video allows wireless HD video streaming without compromising visual quality.

Camera Test: Sigma SD14 [Popular Photography]

But the camera retained its promise nonetheless. Using a multi-layered Foveon X3 image chip, the SD14 promised superb color capture by allocating a separate analog chip to each of the 3 primary colors, allowing 3 color properties per each pixel of the image instead of the normal 1. While Sigma had debuted the chip in the past, their last camera was released back in 2004. And things have changed a bit since then.

Pop Photo got their hands on one of the first Sigma SD14 models and posted a quick review. So what did they think?

Summary

- Build on par with Canon 30D
- Image eyeballed at 9 megapixels
- Autofocus improved over predecessor
- Capture JPEG and RAW
- Excellent color verging on "sometimes...translucent"
- ISO 800 showed virtually no grain or mottling
- IR filter pops out with ease

While these screenshots don't show full resolution, you can still make out many of the cameras tendencies.
Color is extremely lifelike. It's accurate and avoids oversaturation.

Shadow detail is excellent.

We're excited to see more reviews as they come. The 3 CCD philosophy has been in consumer camcorders for years and there is no reason that the philosophy still couldn't make a splash in the work of photography. – Mark Wilson

We Got it First: Our Hands On Impressions of the Sigma SD14 [popphoto]
That Might Not Exactly Be True [photoreview]
Product Page

Sigma's Hydrocephalic Telephoto Lens [Dethroner]

What's the big deal? That 14.1-megapixel Foveon x3 sensor uses a unique process that separates the three primary colors, giving it better resolution and more accurate colors. We'll be looking for one of these Sigma SD14 cameras for a hands-on at PMA. – Charlie White

SD14's availability date announcement [Digital Photography Review]

Along for the ride are a 2.5-inch LCD viewscreen, five-point autofocusing and it can snap out three frames per second in its high-speed continuous shooting mode. Sigma didn't announce pricing on the SD14, but speculation has it running around $1000 for the body only.

Should give the comparably-priced Nikon D80 and the Canon EOS 400D/Digital Rebel XTi a run for their money. Come to think of it, up against the Foveon sensor, the old-skool chips inside those other cameras just look like old news. – Charlie White

Sigma SD14 [Digital Photography Blog]

If you're not familiar with Sigma, it's the company that developed the Foveon X3, whose newest iteration is now called the Full Color Capture Direct Image Sensor. First introduced in its SD9 digital SLR in 2002, the groundbreaking sensor uses a special layered-grid technology that separates the three primary colors, offering significantly higher resolution and color clarity.

Personally, we like the picture a little bit lower down the page more than this camera picture. – Jason Chen

Xitek

If you're not familiar with Sigma, it's the company that developed the Foveon X3, whose newest iteration is now called the Full Color Capture Direct Image Sensor. First introduced in its SD9 digital SLR in 2002, the groundbreaking sensor uses a special layered-grid technology that separates the three primary colors, offering significantly higher resolution and color clarity.

It looks like the Sigma site is swamped right now, but keep trying and maybe you'll see the teaser animation that reminds us of the countdown hype from Nikon last month when promoting its D80. More details on this upcoming Sigma SD14 as we get them. – Charlie White

Sigma SD14 - coming soon [DP Review]

You power the watch through the natural movement of your arm and there is a small rotor near the face which is connected to a micro-generator and battery. The resulting amalgam of fanciness and high-tech will cost you about $1,750 and should be available in the U.S. soon.

World's first Automatic Digital Watch [WristFashion]