This is totally silly because it was two years ago but anyone who saw True Detective season one knew a few things to be true. That Matthew McConaughey was going to win an Oscar for Dallas Buyers Club because of his performance as Rust Cohle in True Detective and that as foul as cigarettes are, you wish you could enjoy…
This year’s genre television gave us high highs and low lows—sometimes on the same show! In no particular order, we’ve rounded up the year’s best moments, along with some of the absolute worst. SPOILERS AHEAD.
We loved True Detective season one. We wanted to like season two, but creator Nic Pizzolatto had trouble keeping the anthology series’ magic alive in a new setting with new characters. There might be chance for redemption, now that Pizzolatto has signed a new HBO deal—but TD3 isn’t a sure thing yet.
As recently as the 1970s, fact crime magazines were a significant, if not reputable, segment of the publishing industry. No liquor store magazine rack was complete without the lurid covers of True Detective warning of a “Sex Freak on the Prowl” or promising to reveal the scoop “Behind California’s Latest Mass Murder…
Season 2 of True Detective wrapped up last Sunday with a less-than-stellar finale: the various story lines mostly came together, but this season lacked much of the impact and focus of the HBO show’s first season. Allow me to suggest one change that should help the show get back on track: Take the story out of the…
One of the best parts of True Detective has always been the fantastic opening credits: the double exposure and mix between characters and landscapes is eerie and very beautifully executed. When set to imagery from Star Wars? It’s pretty fantastic.
The second season of True Detective was a steaming pile of hot plot garbage that smeared itself across our eyeballs and dripped its word vomit dialogue into our ears for 8 weeks. It was everything bad about the first season. Well that’s not true. The intro credit sequence was still fantastic. Here’s something to help…
True Detective’s uneven second season wound down with “Omega Station,” a moody finale that spelled doom for many of its main characters. We finally learn who killed Caspere ... but the reveal is so anticlimactic amid the limp to the end, it only emphasizes how insanely overlong 90 minutes can feel.
What’s on TV this week? Another sporadically programmed episode of Gravity Falls! Atlantis, True Detective and Stitchers all draw to a close. Plus whatever the hell’s happening on Zoo! All on This Week’s TV.
It’s nearly the end of the line for True Detective’s second season, and if “Black Maps and Motel Rooms” is any indication, none of our troubled leads are heading toward anything resembling closure or a happy ending. (Remember how season one finished?) And everyone is in the same state of mind: desperation.
We all knew that True Detective season two was going to be totally different than season one: new cast, new case, new setting. But it seemed hopeful that the new episodes would keep the weird magic—that thing distinguishing True Detective from a zillion other cop shows—alive. So far, not so much.
“Church in Ruins” is episode six of True Detective’s eight-ep second season, which has yet to trigger the buzz of season one. (Without a magnetic lead character like Rust Cohle, and the lack of much spooky intrigue, it’s not surprising). But as the closed-loop approaches completion, a few surprises still await.
“Other Lives” begins 66 days after last week’s explosive episode. Nobody was happy before, and now they’re all worse off than ever. But a surprise move from a politically-motivated higher-up brings the team back together, as the sinister swirl around Caspere’s murder yields ever-more layers of questions.
In “Down Will Come,” each member of the detail battles his or her own personal demons as Frank continues his ungraceful lurch back into criminal life. Everyone is angry and frustrated, and the screws are further tightened by the episode’s devastating last act—which brings zero catharsis.
In “Maybe Tomorrow,” yesterday is actually the keyword. The criminal ties that Frank’s tried so desperately to shed are now the one thing he needs the most; Ray’s near-death experience makes him question nearly every decision he’s made; and Paul’s deeply in denial about his own past actions.
True Detective’s first episode ended with an eyeless corpse. In “Night Finds You,” it pulls a last-scene move that’s a zillion times more shocking, and could mean that season two is about to take a dramatic turn way early in the season. Spoilers follow!
Summer TV is in full swing, and we’ve got a couple of new shows premiering this week. There’s the vigilante hacker thriller Mr. Robot and Humans, a series that explores the line between humans and their synthetic servants. Plus, Under the Dome and Falling Skies are both back for new seasons. Details ahead.
True Detective returns with a completely new setting, cast, and case, as well as a grittier, bleaker tone. In episode one, “The Western Book of the Dead,” we miss the loopy Rust Cohle, as well as the first season’s instantly compelling murder mystery. But we’re intrigued by its neo-noir sprawl so far.
HBO’s True Detective returns tonight with an all new cast and story. We all have questions: will there be weird philosophizing? Will Colin Ferrell’s mustache be the villain? Will it be as good as the first season? We’ll see tonight: weigh in on the comments with your thoughts and comments tonight!
It’s a big week for summer TV with the premieres of Syfy’s new space bounty hunter show Killjoys and The Astronauts’ Wives Club, which brings us back to the early days of the space race. Plus, True Detective returns with a new existential mystery and Orphan Black’s latest season comes to a close.