Senior Contributing Editors:
Jesus Diaz
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Mark Wilson, Reviews
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Contributing Editors:
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Dan Nosowitz
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Chris Jacob
With current capacities I see no reason to go below 320kb, preferably FLAC, I just wish more players would support it (Apple, Microsoft, SanDisk, Creative, I'm looking at you) without the need for third party OSs (Thank you RockBox). The codec is free, the chips you're using can already handle it, just f**cking implement it already.
Mark you look quite handsome there. Maybe its the gotee. I have found in practice that a gotee on a man is extremely useful. But I digress. Not really, you did put a pic of yourself right up top!
Now onto music! I loved checking these out on my ipod touch, it went right into quicktime!
Speakers are iffy, but anyone can hear the difference with a nice pair of $200+ headphones. I want to punch people who encode MP3s in anything below 256kbps.
@Slayer: Personally, I cannot hear a difference between 64K or lossless when I play back my music through my daughter's headphones. What it lacks in audio replication of the original it makes up for in painful off-tune memories.
I am sort of curious why VBR w/the --alt presets didn't show up on the list...
That said, disk space is cheap. I ripped my collection to ALAC. Lossless 2:1 (or so) compression and tagging on the one hand versus proprietary format on the other... But at least ALAC works fine with my iPod and the host of slim devices on my network...
@Thud: Same here. Disk space is _really_ cheap. Encode to a lossless format (I also use Apple Lossless), for home, but batch downsample (or use playlists) for your portable. And, if AAC is better than MP3 at low bitrates, why stick with MP3?
@notfred: I should add, the mental agony I was experiencing about "should I encode at a higher bitrate" completely vanished after going lossless. Now that's worth a disk drive right there....
@notfred: For what it is worth, PC Magazine did a (albeit, subjective) test and found that MP3 format actually sounds better than WMA and AAC at bit rates of 160K or above. Not that I have tested their findings, mind you.
@notfred: The problem with lossless or anything other than MP3 is that it is not universally supported. If you pick an Apple Lossless format, for example, you had better stick with Apple hardware for playing it. If you go with a Microsoft Lossless, then you had better stick with Microsoft devices for playback. If you go with MP3, you can use anything to play it back, which is about as future-proof as you can get. Plus, I find it hard to believe that anyone can tell a major difference between 320K MP3 and lossless no matter what type of equipment you are playing it on.
When I wanted to figure out what bitrate to use, I did ABX tests at various bitrates. I had a preconceived notion, based on subjective listening, what the minimum acceptable bitrate was. It turned out, after ABX testing, that I could not tell the difference between the original and files encoded at a much lower bitrate.
Subjective audio test results are meaningless when it comes to answering questions like, "What's the best bitrate to use?" If you can't actually tell the difference between the original and a lower-bitrate file, your subjective impressions are just imagination.
@Joshua Bardwell: More importantly, why would anyone record material at less than 320K with hard drive space as cheap as it is today? Who cares if you can hear the difference when, ultimately, there is no harm in recording it at the highest rate possible.
05/15/09
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EVER.
That's a bi-curious hobbit if I ever saw one.
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Now onto music! I loved checking these out on my ipod touch, it went right into quicktime!
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Yes he does look good all around. The eyes too.
:::Stop typing, stop typing!:::
Sorry Mark, you caught me at a errrrr interesting moment.
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That said, disk space is cheap. I ripped my collection to ALAC. Lossless 2:1 (or so) compression and tagging on the one hand versus proprietary format on the other... But at least ALAC works fine with my iPod and the host of slim devices on my network...
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[www.hydrogenaudio.org]
When I wanted to figure out what bitrate to use, I did ABX tests at various bitrates. I had a preconceived notion, based on subjective listening, what the minimum acceptable bitrate was. It turned out, after ABX testing, that I could not tell the difference between the original and files encoded at a much lower bitrate.
Subjective audio test results are meaningless when it comes to answering questions like, "What's the best bitrate to use?" If you can't actually tell the difference between the original and a lower-bitrate file, your subjective impressions are just imagination.
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Or better yet AAC.
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