A Trip to Godzilla's Home, Toho, Made Us Want to Stomp Through Its Amazing Sets

Rodan spreads his wings wide as Godzilla prepares to pounce at Toho’s Tokyo, Japan studio location.
Photo: All images Brian Ashcraft for io9

Last month in Tokyo, Toho Studios opened its doors to the assembled press, providing a rare look at Godzilla props of yore. We got an up-close and personal look at some of the coolest kaiju around—and the cities they’ve destroyed over the years—and we’ve got the pictures to prove it!

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Toho’s Toshifumi Shimizu and Kohei Umino, whose actual official job title is “Godzilla Specialist,” provided a guided tour and shed light on the future of Toho’s kaiju movies.

Kohei Umino discusses Ghidorah, the Three-Headed Monster, the 1964 film featuring a Godzilla, Rodan, and Mothra team-up.


“The buildings in front are larger than the ones in the back, which are smaller to create more perspective,” explained Shimizu, who worked as the assistant director during the Millenium Godzilla series. A whole city sprawled before us. Small buildings. Tiny cars. Cute little trees. The realism is staggering, and I just want to hop on the stage and stomp all over the place. I did not, of course. A Rodan suit, arms spread, from the 2004 film Godzilla Final Wars loomed overhead, staring down a King Ghidorah suit from 2001's Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack.

The Godzilla in the background in the center is the current Godzilla: King of the Monsters design. Also, “please do not touch.”


“This is the oldest existing Godzilla suit,” said Shimizu, gesturing to a suit used in both 1994's Godzilla Vs. Space Godzilla and 1995's Godzilla Vs. Destroyah. The suit was painted red for the second film, but since the design is a fan favorite, it has since been repainted black. “This is quite a heavy suit,” explained Shimizu. “Normally, the suit is made entirely from rubber, but in order to light it up in red, the suit’s torso area was also made from plastic.”

“With the rubber and the heavier plastic plus the lights and equipment for the smoke the suit emitted, it weighed 100 kilograms. It was quite heavy.”


King Ghidorah leaves a path of destruction.

According to Shimizu, Godzilla suits typically weigh around 130 pounds. However, the one from Godzilla Vs. Destroyah weighed 220 pounds, which puts it up there with the very first 1954 suit for the heaviest Godzilla suit. “The suit actor had a tough time.”


As Umino explained, a suit actor could lose a liter of sweat during a day’s work. “One suit actor played King Ghidorah, and it was so difficult that the actor could only do short takes,” says Umino, who pointed out the wires holding up the monster’s heads like a puppet. “As you can see, we used wires, but in the movies, you cannot see them. We didn’t erase them with CG, which shows how advanced our filmmaking techniques were.” But some of those techniques are being lost. “I think if we did a King Ghidorah now, people wouldn’t know how to operate the wires.”

King Ghidorah’s heads were controlled like a marionette.


The complicated puppetry used for this kaiju suit has apparently not been handed down. But that’s not the only thing that has been lost. There are Godzilla films dating back to the 1950s, but surely some of the iconic Godzilla suits from before the mid-1990s have survived? Why is the 1994 suit the oldest? Rubber kaiju, Umino told me later after I pulled him aside for a chat, start to degrade after a few years.

This is the upper body Godzilla costume. Perhaps since Toho actually allowed visitors to put it on their head, the wear and tear are definitely more apparent. It shows how the rubber can degrade over time.


The reason why the 1994 suit is the oldest existing Godzilla suit is that Toho previously did not meticulously preserve or store its archives. Instead, everything was just initially stuffed under a roof and exposed to Japan’s brutally hot summers. “We didn’t keep archives at all originally,” said Umino. “But after seeing that places like Warner Bros. do, we thought keeping archives was important and that we should, too.”

Now, the Godzilla archives are cataloged and kept in temperature-controlled storage in order to preserve them as long as possible. The rubber does still degrade, but the cool temperatures help slow that down. Toho also does maintenance on the suits, such as repainting and patching sections.


While visitors could handle the 2001 Godzilla upper body costume, the head for Megaguirus in 2000's Godzilla vs. Megaguirus was definitely “do not touch.” However, you can notice how it is beginning to degrade.

While the suits might not hold up well over time, Toho does still have props dating back to the original 1954 film, with the oldest among them being the original Oxygen Destroyer. According to Toho, this is its most important Godzilla prop. The studio does not bring it out on a regular basis and even many Toho employees have not seen it firsthand.


Seeing all the prop images on display made me nostalgic for an era when practical effects ruled and reminded me of that meme image of George Lucas surrounded by Star Wars models contrasted with him against a green screen.

The Oxygen Destroyer from the original 1954 Godzilla. This is one of the oldest, if not the most important, Godzilla movie props.


“International fans often get upset when the Toho Godzilla movies don’t feature a suit actor,” Umino told me. “But for Shin Godzilla, the original plan was to use both a hybrid CG and a suit actor. However, it was ultimately decided that CG worked best for that particular picture.”

Does that mean that all Toho Godzilla movies will be CG? “I think for future Godzilla movies, whether we use a hybrid of suit acting and CG or just CG will be decided case by case,” he said.


The actual Mothra used in the character’s 1996 film.

There are signs that Toho is readying its kaiju suit production team. “Last year, we remade the original suit,” Umino explained. This was done to celebrate the character’s 64th anniversary, and the remade suit was shown in Tokyo Midtown.


By Toho having its artisans remake this iconic suit, the studio is ensuring that the artistic tradition that made Godzilla possible lives on. “There are times that suit acting is best, such as the unexpected ways a building might be destroyed. But with CG,” Umino continued with a smile, “you can easily put those buildings back together.” Here are even more looks at Toho’s incredible Godzilla props, sets, and suits.

The Gotengo warship from 1963. The miniature vehicles were just as cool as the other props.
One of Toho’s oldest Godzilla props, this diving helmet was used in the original 1954 film.
Also known as the AC-3 White Heron, this vehicle appeared in 2002's Godzilla Against Mechagodzilla.
The storyboards from the original 1954 film.
The back of a building used in Godzilla Final Wars. “New York” is written in Japanese.
The Rodan costume from Final Wars is in beautiful condition.
The detail and craftsmanship in the models is staggering.
Those look like Christmas tree lights!
The display Toho Studios set up was truly impressive.
A painted over patch on the 1994 Godzilla suit’s tail. This is one way that Toho tries to take care of the suits.
Haven’t you always wondered what was on the other side of the miniature buildings?
This is an upper body costume from 2001 designed specifically for close-ups.
Haven’t you ever wondered what was *inside* the little buildings?
A Godzilla statue greets visitors outside the studio. Toho has made an array of wonderful films, but this is truly the studio that Godzilla built.


Getting an inside peek at Toho and checking out all these iconic Godzilla suits and props was truly special. Sadly, Toho does not offer tours for the general public, but hopefully, we’ll see more even more suits and sets in future films.

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