
Adapting Superman is always a daunting task. He’s the ultimate beacon of hope, to some that perfection makes him…
Adapting Superman is always a daunting task. He’s the ultimate beacon of hope, to some that perfection makes him…
The situations that bring Ana, the disoriented heroine of writer-director Karen Cinorre’s Mayday, to the movie’s…
Writing-directing duo Albert Birney and Kentucker Audley’s Strawberry Mansion imagines a world where the time people…
If you’re familiar with the work of documentary filmmaker Rodney Ascher—The S From Hell, Room 237, The Nightmare—you…
The first and last half-hours of Space Sweepers, Jo Sung-Hee’s new Netflix movie, have some of the grandest, most fun…
If you’ve been following the coverage of this year’s all-digital Sundance film festival, there’s a very good chance…
Why does every werewolf movie have to be so similar? Is there a law that states the creature only comes out during a…
The lengths that Iuli Gerbase’s The Pink Cloud goes to in order to show you parallels between its fictional story…
Prisoners of the Ghostland, the English language debut of Japanese director Sion Sono, works in two ways. First, it…
Made during a pandemic, with a fictional pandemic slithering around a story that taps into both the spiritual powers…
The Exorcist is legendary. The Exorcist III is fascinating. The dueling fourth parts of the Exorcist saga are odd…
About 15 years had passed since I last spent time aboard the Serenity with Mal, Zoe, Wash, and the gang. But with ple…
WandaVision’s first three episodes barely have the time to bother paying attention to Marvel’s larger “Cinematic…
American Gods spent trying to claw its way out of production hell before coming to Starz. Now, it’s one of the shows…
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