V/H/S/94
Rough on the eyeballs by design—it’s supposed to take place in 1994, with technology to match—this year’s entry in the popular found-footage series isn’t a cinematic masterpiece, but it will still crawl under your skin and hang out there for an uncomfortably long time. It’s hard to even pick a winner in terms of “most distressing segment,” but “The Subject,” from writer-director Timo Tjahjanto, definitely takes top prize in terms of body horror, while Ryan Prows’ “Terror” plucks its idea from current events that are already real-world terrifying, and twists it into a ghastly supernatural scenario.
