When I direct the sequel to a smash comic book movie, people are going to ask me what I want to do with my money, and I’m going to say, “Brraaaaaggh,” because I’ll be stuffing my mouth with million-dollar bills. Sam Raimi, on the other hand, says he wants to build a “Century Cam,” a network of cameras that would hover over American cities for a millennium, taking a single frame of film each day at noon. Of course, there’s no mention of how exactly he’d do this — tethered balloons, geosynchronous satellite, buttered-toast/cat arrays — but when you have make a hit movie, every harebrained scheme you have is journalistic gold.
