Sigourney Weaver and Robert DeNiro self-destruct in this year’s biggest Sundance letdown
Here’s how I imagine Red Lights’ elevator pitch: “It’s The Prestige, but set in modern times, and instead of illusionists, it’s a psychic versus a debunker.” Not a bad notion. But if director Rodrigio Cortes was able to see the future, he’d have added that the film would have a desultory script, overblown camera work,…
