Ali Shirazi explores the geometry of Paul Thomas Anderson’s There Will Be Blood, finding the golden spirals, examples of the Rule of Thirds, and tracking shot mathematics describing the film’s cinematography.
This is the first in what will be a series of films exploring Anderson’s directing style. It’s a fascinating watch, and it would be interesting to see Shirazi apply similar studies to other directors, examining the math that can be found in the art of filmmaking. Edit: And to see whether his analysis differs with different directors, or if this is just, as many commenters have suggested, an example of golden ratio pareidolia.
