It’s neat stuff. By rendering settings in the Unreal Engine and then streaming it to these massive LED video walls, these VFX teams create backdrops in front of which live sets can be put together, allowing the actors to act in the actual environment viewers are going to see on screen. This also limits the amount of time needed for after-the-fact VFX and allows for a more director-driven approach, as directorial choices aren’t limited by the need to edit in VFX later on. Instead, the two arts can adapt to each other in a live setting.

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So if you’re wondering why The Mandalorian is so visually engrossing, despite so heavily featuring digital effects, here’s part of the reason. The show returns for a second season this fall.

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