Universal Decided It Needs a Comics Imprint for Some Reason

Grant Morrison attending San Diego Comic-Con in 2014.
Grant Morrison attending San Diego Comic-Con in 2014.
Photo: Jesse Grant/Stringer (Getty Images)

“Disney has one. Warner Bros. has one. Why not us?”—some NBC Universal executive immediately speed-dialing Grant Morrison, presumably.


Revealed by Variety, Universal Content Production (the TV production arm of NBC Universal that’s behind the production of Umbrella Academy for Netflix and the newly launched Peacock streaming service) is launching its own comics imprint. It’s awfully titled UCP Graphic.

Interestingly, NBC Universal won’t publish the comics itself—it’ll be turning to third party publishers to actually release comics developed by the division. That will start with a partnership with Boom Studios to release Alex Child and Grant Morrison’s Proctor Valley Road. The series is a thriller set in a 1964 California beach town where a group of teenage girls is suspected of being involved in the disappearance of a group of teenage boys.

It’s clear NBC Universal is doing this not just because comic adaptations across TV and film are pretty big, but also because it sees that rival studios have their own comics to leverage IP from instead of having to rely on outside acquisitions—just as Universal itself has been doing with things like the aforementioned Umbrella Academy, or with Dark Horse’s Resident Alien at Syfy. But the way it’s doing it is just bizarre. UCP Graphic is launching with a single series, and the foofaraw of getting a noted comics figure like Morrison involved is blunted by the fact that he’s not actually sticking around (he’s only co-writing the first five issues of Proctor Valley Road). It’s still having to work with actual outside comics publishers to release these titles, as well, unlike its rivals. It’s essentially what’s already been tried, but inversed.

Furthermore, it raises an altogether more perplexing question: if these comics are being created for the specific purposes of finding an IP to then translate to other mediums like film and TV... why even make them comics in the first place? Does NBC Universal think people will be on board for a Proctor Valley streaming series simply because it can say “based on the comic book” instead of standing as its own idea?

In the endless race for transmedia properties, as these studios are scrambling for their own slice of the streaming service pie, the reasons why these adaptations have become so popular, and why the comics themselves even existed in the first place, seems like it’s being forgotten.


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James is a News Editor at io9, where you can find him delivering your morning spoilers, writing about superheroes, and having many feelings about Star Wars. He wants pictures. Pictures of Spider-Man!


Kazuhira (master) Miller

if these comics are being created for the specific purposes of finding an IP to then translate to other mediums like film and TV

I assumed this was a way to keep producing content in case the pandemic continue to impact film crews. An alternate revenue stream that doesn’t require stuffing people in production vans and doing location shoots in New York and California must seem pretty attractive right now. Build up an IP and then leverage it into a straight-to-series order might even save money on filming pilots that don’t go anywhere.

Starting with a single series from a big name like Morrison to drum up interest from comic audiences though... that just seems like a TV exec who has outdated ideas building a brand. You could at least add a couple of limited series based on Law & Order and Fast & Furious.