George R.R. Martin Remarks on the Lord of the Rings Death That Inspired His Own Murderous Rampage

Okay, eenie meenie miney dead.
Okay, eenie meenie miney dead.
Image: Warner Bros.

George R.R. Martin is no stranger to killing off beloved characters. HBO’s Game of Thrones, and his A Song of Ice and Fire series that inspired it, are littered with the corpses of heroes, villains, and everyone in between. How did Martin become so comfortable with shocking his audience? Because when he was a kid, J.R.R. Tolkien did it to him.


In a video to celebrate Game of Thrones being added to PBS’ “The Great American Read” collection, Martin chatted about how Tolkien’s Lord of the Rings series influenced his own fantasy saga through its expansive world and complex characters.

Martin remarks on how he would use fantasy novels as a form of escapism when he was a kid, because he didn’t grow up with a lot of money. His favorite, by far, was The Lord of the Rings—even though, when he first picked it up, he was a bit put off by it.

“It opens with, like, a dissertation on pipeweed, and then there’s a birthday party,” Martin said. “I’m saying, ‘Where are the giant snakes? Where are the scantily clad women? There’s no sword fights here, what’s going on?’”

Eventually, the novel started to pick up the pace, and Martin said that by the time he’d reached the Mines of Moria he realized “this was the greatest book I’d ever read.” However, that admiration turned into shock and horror once a particular moment happened. You know the one I’m talking about. If not, I’ll let Martin himself explain it.

And then Gandalf dies! I can’t explain the impact that had on me at 13. You can’t kill Gandalf. I mean, Conan didn’t die in the Conan books, you know? Tolkien just broke that rule, and I’ll love him forever for it.

The minute you kill Gandalf, the suspense of everything that follows is a thousand times greater, because now anybody could die. Of course, that’s had a profound on my own willingness to kill characters off at the drop of a hat.

It actually makes a lot of sense that Gandalf’s “Fly, you fools!” demise inspired Martin’s own murderous leanings. He’s never been afraid to kill off important characters, most notably patriarch Ned Stark (played by Sean Bean in the HBO series; coincidentally, Bean also played Boromir, who met his end in the first LotR movie). The show has followed in his footsteps with similarly shocking choices, like the death of Hodor in one of Game of Thrones’ saddest moments.

Martin’s admiration for Tolkien’s choice to kill Gandalf also explains why he really isn’t a fan of the fact that Tolkien brought him back as Gandalf the White, as he shared in a 2011 interview with John Hodgman:

What power that had, how that grabbed me. And then he comes back as Gandalf the White, and if anything he’s sort of improved. I never liked Gandalf the White as much as Gandalf the Grey, and I never liked him coming back. I think it would have been an even stronger story if Tolkien had left him dead.


Currently, Martin is doing everything else besides finishing The Winds of Winter, including working on a Game of Thrones prequel series with Jane Goldman, anticipating the release of Syfy’s Nightflyers TV show, and developing an Ice Dragon animated movie that, sadly, has nothing to do with Viserion or his blue fire powers.




I never liked Gandalf the White as much as Gandalf the Grey, and I never liked him coming back. I think it would have been an even stronger story if Tolkien had left him dead.

The way I read it, Gandalf the Grey is dead, for all intents and purposes, and in his place is a character with almost the same name and purpose but none of the endearing traits that his friends remember him for — an avenging archangel, not a bumbling old man with a fondness for pipeweed and fireworks. I think McKellen’s performance really nailed this — at one point in RotK, when he’s with Pippin, he’s trying to smoke, perhaps because he remembers it was a thing he did when he was among the hobbits, and he can’t quite get his pipe to light. And you realize that it’s because that, as far as subjective time goes, for Gandalf his smoking days were aeons ago. It’s not, as far as I can recall, a scene that’s in the novel, but it does capture the way the character has irrevocably changed.