If you think your favorite science fiction TV show is full of nonsensical plot twists and lazy writing, you should check out the World War II documentaries, suggests Squid314 on Livejournal, in the funniest blog post you're likely to read this week. Who on Earth would believe that the Allies could actually win the Battle of the Bulge? It's total nonsense, and "Whoever wrote this episode obviously had never been within a thousand miles of an actual military." Adds Squid314, aka Scott:
Probably the worst part was the ending. The British/German story arc gets boring, so they tie it up quickly, have the villain kill himself (on Walpurgisnacht of all days, not exactly subtle) and then totally switch gears to a battle between the Americans and the Japanese in the Pacific. Pretty much the same dichotomy - the Japanese kill, torture, perform medical experiments on prisoners, and frickin' play football with the heads of murdered children, and the Americans are led by a kindly old man in a wheelchair.
Anyway, they spend the whole season building up how the Japanese home islands are a fortress, and the Japanese will never surrender, and there's no way to take the Japanese home islands because they're invincible...and then they realize they totally can't have the Americans take the Japanese home islands so they have no way to wrap up the season.
So they invent a completely implausible superweapon that they've never mentioned until now. Apparently the Americans got some scientists together to invent it, only we never heard anything about it because it was "classified". In two years, the scientists manage to invent a weapon a thousand times more powerful than anything anyone's ever seen before - drawing from, of course, ancient mystical texts. Then they use the superweapon, blow up several Japanese cities easily, and the Japanese surrender. Convenient, isn't it?
...and then, in the entire rest of the show, over five or six different big wars, they never use the superweapon again. Seriously. They have this whole thing about a war in Vietnam that lasts decades and kills tens of thousands of people, and they never wonder if maybe they should consider using the frickin' unstoppable mystical superweapon that they won the last war with. At this point, you're starting to wonder if any of the show's writers have even watched the episodes the other writers made.
I'm convinced. We should start a write-in campaign to get the writers of the twentieth century fired. Who's with me? More incredible brilliance at the link. [Squid314 at LiveJournal]