Minus the piece’s frenzied violin solo, it is a swell of sound that comes and goes like a playground swing kept aloft by the wind. The haphazard live-recording acoustics just add to its dusty figurations. O’Halloran and Wiltzie in effect proclaimed their modus operandi with the title of the first track of their self-titled album from 2011; the track: “We Played Some Open Chords.” A later track on the same album might also suffice: “Steep Hills of Vicodin Tears.” Along with the likes of Nils Frahm and Rachel’s, anong others, A Winged Victory for the Sullen are openly nostalgic and emotive in a way that brings to mind the heart-on-the-sleeve emotional awareness of much indie-rock. Pärt’s “Frartes” makes a natural choice for its role as retroactively adopted precedent to what A Winged Victory for the Sullen is currently up to. The association is as natural as Billy Bragg covering Pete Seeger or Alexandre Desplat giving the nod to John Williams.

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Here’s the complete A Winged Victory for the Sullen, released by Kranky in 2011:

The Arvo Pärt track was originally posted for free download at soundcloud.com/alliedee. More from the duo at awvfts.com. More from O’Halloran at dustinohalloran.com. More from Wiltzie’s Stars of the Lid at brainwashed.com/sotl.