Hollywood wrapped up the 2017 summer movie season with its worst number of tickets sold in a quarter century, ushered in by a series of massive box-office flops made worse by ubiquitous critical social media reviews and the growth of competing streaming services like Netflix and HBO Go. Theater chains in particular…
Some movie scenes are unforgettable, and Steven Spielberg’s reenactment of the Normandy Landing is one of them. Every shot feels chaotic, with indiscriminate bloodshed consistent with this brutal event. But as Nerdwriter1 explains in the video below, Spielberg’s filmmaking choices are anything but random.
Suburban dirtballs of the 1980s are a lost culture, worthy of academic study, that disappeared abruptly, leaving mysterious artifacts for future generations to work over. Think of them as, say, the ancient Mayans, only with mullets.
I’ve always thought that the Visual Effects Academy Award was one of the more important awards out there: after all, it’s championing the technology and approaches to film that makes fantasy into visual reality.
I’m loving this recent trend in video essays that go behind the scenes of how films are made: it’s been giving me a new appreciation for the movies that I watch, and it gives me a better understanding of just what makes a movie brilliant.
After the all important tuxedo, martini and gun, if there’s one thing James Bond never travels without, it’s a good gadget. This super-cut show every gizmo that Bond has ever used.
James Bond gets about at bit, in more ways than one. This interactive map shows where the spy has travelled to across all the movies in the franchise to date. He must’ve used a stack of (fake) passports.
Rejoice! Tony Zhou has released his latest installment of Every Frame A Painting: this time, the focus is on how Vancouver always used as a setting for cities around the world, but never itself. It’s like a weirdly familiar character actor that you see everywhere.
We’ve already seen what they’ll wear and drive, but this is the first glimpse of what the new Ghostbusters will like when they hit the screen.
The realism of today’s 3D blockbusters can blow audiences away. By using 3D glasses to present different images to the two eyes, stereoscopic 3D technology fools the brain into believing it is viewing a real scene rather than a flat image on a screen. Now 3D televisions enable viewers to experience the effect at home…
Pixar’s newest film, Inside Out, tells the story of 11-year-old Riley and her difficulty dealing with a family move to San Francisco. The film is getting a lot of attention for its depiction of emotion and memory.
Here’s an amusing and emotional short film about an old woman in a nursing home who struggles to send a text message to her daughter. You should watch it.
Everyone has those special film scenes that just give you chills, no matter how many times you see them. For me, one such scene takes place in the first film of the Lord of the Rings trilogy: The Fellowship of the Ring. Here’s a video explaining why this one scene is so perfect.
Whether they make us laugh, cry, be inspired, or turn us angry, great monologues stick to our brains long after we leave the theater, sometimes for years, and often become part of our popular culture. The guys at Cinefix put together this neat video ranking their favorites in movie history.
Lovely though it is in person, Chicago can seem like a grim, grey place on film. So when the Wachowskis decided to film key moments of their new movie Jupiter Ascending there, they didn't just wait for the most beautiful light—they built a whole new type of camera to capture it.
One of the most basic mechanisms of the motion picture is frame rate—how fast those frames of still images flicker past your eye to produce the magical effect of cinema. This video traces the history of why such values as 24, 30, or 60 frames per second came to be standard.
Smart people think that movies—not games—will be the first killer app for virtual reality. Maybe that’s why Oculus is poaching Pixar veterans for its very own virtual reality film studio, and showing off its very first film at Sundance this week.
We all know the motion picture is a lie. That movement on screen? It's just a bunch of still images. Still images that seem more like believable, realistic, lifelike motion the faster they flicker along. Faster is better, and that 48 frame-per-second version of The Hobbit was just the beginning.
She sits down on a rock, just a few feet away from me. She's tired, so completely drained that she doesn't even notice me here. Or maybe she doesn't care. We're just two travelers crossing paths in the wilderness. Maybe I should say something, I half-think. And then, without warning, Reese Witherspoon is looking at…