I'm a fan of Fujifilm's "Most advanced" S100FS, even though its 11MP rating is less than the F series point and shoot they just released. Why? Because screw MP ratings! By dropping the MP count even further to 6, it can hit a light sensitivity of ISO 6400; drop it to 3MP and you've got an astounding 10,000 ISO. That's a better use of spare sensor space than goosing up to a MP rating good for poster sized prints. Although it borrows heavily from Fuji's S5 Pro camera in the feature department, this camera has no direct predecessor. The FS in the S100FS's model name stands for Film Substitute.
The camera has a 14.3x lens, adjustable manually, with a 35mm focal length equivalent of 28-400mm. It's paired with a 2.5 tiltable LCD and both optical and digital image stabilization. The camera can also handle a new wide dynamic range of 100-400% for accurate capture of high contrast scenes. There are also simulation modes that replicate after the colorful characteristics of Fuji's film. The camera has face recognition, and although Fuji pioneered the tech, I'm not sure they've kept up with the times; this system does red eye and can detect 10 faces in a scene, but Sony's system can detect smiles and manually focus on children or adult faces.

FUJIFILM UNVEILS ITS MOST ADVANCED CONSUMER MODEL TO DATE: THE FINEPIX S100FS DIGITAL CAMERAAdvanced Prosumer Model Offers DSLR Control and Functionality
Valhalla, NY, January 24, 2008 - FUJIFILM U.S.A., Inc. today unveiled the FinePix S100FS (Film Simulation) digital camera, its most advanced SLR-styled camera to date. The FinePix S100FS provides an all-in-one solution for photo enthusiasts and advanced amateur photographers seeking the manual controls and functionality of a Digital-SLR, without the hassle and expense of additional lenses and other accessories.
The FinePix S100FS is equipped with a 14.3x Fujinon manual zoom lens, Fujifilm's 8th generation Super CCD sensor with 11 MegaPixels, RP III processor, 2.5" tiltable LCD and ISO capabilities of up to ISO 6400 at 6MegaPixel and an incredible ISO 10,000 at 3 MegaPixels. Photographers will appreciate the ease of use afforded by Dual Image Stabilization which combines optical image and picture stabilization, and Fujifilm's acclaimed Face Detection 2.0 Technology with Automatic Red Eye Removal, while enjoying a wide dynamic range of 100-400% typically exclusive to the highest-end D-SLR cameras, and film simulation modes that only Fujifilm can provide.
"This camera benefits from the culmination of Fujifilm's 8th generation Super CCD and 3rd generation RP (Real Photo) Processor technology development," said David Troy, senior product manager, Consumer Digital Cameras, Electronic Imaging Division, FUJIFILM U.S.A., Inc. "This powerful combination allows the S100FS, with its wide dynamic range, to capture the subtleties in color, tone and detail to deliver perfect shot conditions every time."
One-Of-A-Kind Lens Design for a One-Of-A-Kind Camera
Through a unique collaboration among Fujifilm and Fujinon R&D engineers, the development team approached the design effort as a single project, creating the lens and CCD for express function as a single unit. This design allows the ultra-high precision Fujinon lens to achieve maximum resolution at all focal lengths of 28mm-400mm equivalent and aperture stop settings. Because of the composite body and lens structure, there is no penetration of dirt and dust onto the CCD of a bright F 2.8 (wide angle) or F5.3 (telephoto).A Feature Set Borrowed From the S5 Pro
Fujifilm's engineers have incorporated some of the FinePix S5 Pro's features that have been most appreciated by professional photographers, including film simulation modes and settings that expand the camera's dynamic range. The FinePix S100FS has an extended dynamic range (100% , 200% , 400% ) that is similar to that of negative film, thanks to the newly developed 2/3" 11.1 megapixel SuperCCD VIII "HR" and the new RP Processor III. This camera prevents overexposure and underexposure, regardless of whether the subject is a landscape or a portrait, and Fujifilm's unique Film Simulation modes (FS) allow photographers to select the ideal "film" mode for the scene with a choice of four modes that optimize for portraiture, low-contrast (soft), vibrant colors (Velvia), or general use (Provia). Only Fujifilm has developed its camera technology from its photographic heritage in film which uniquely gives subtle changes in tone and color reproduction to provide the photographer the widest technical range for the best creative expression possible.Face Detection 2.0 with Automatic Red Eye Removal
Fujifilm's proprietary Face Detection 2.0, featuring Automatic Red Eye Removal, debuted on the award-winning FinePix F50fd. This one-touch selectable mode enables cameras such as the FinePix S100FS to detect up to 10 human faces in a scene, correcting focus, exposure and white balance automatically as fast as 0.05 seconds to ensure that photos of human faces are clear and properly exposed, no matter where subjects are located within the frame. Fujifilm's Face Detection 2.0 has an advantage over the other face detection systems currently on the market because it can identify faces at extreme angles - even in full profile. The system allows for up to a 90 O movement in either direction for profiles and up to 135 O for leaning or lying down in either direction, for a total range of 270 O.The Automatic Red-Eye Removal feature works in conjunction with Fujifilm's Face Detection 2.0, automatically correcting red-eye directly after the shot is taken and then saving both the original image and the corrected file. The user can then perform a side-by-side picture comparison in playback mode and select the most pleasing image.
Other noteworthy features found on the FinePix S100FS include:
Dual Image Stabilization: The FinePix S100FS features Fujifilm's Dual Image Stabilization technology to ensure clean, sharp and blur-free images, even in low-light conditions. This combines image stabilization through a mechanically stabilized "floating" lens element to reduce blur from the photographer's hand-shake, with Fujifilm's Picture Stabilization Technology, to reduce blur caused by subject movement, for the ultimate in stabilization technology.
Multi-Bracketing Function: The S100FS has three bracketing functions useful for high level photography: Film Simulation Bracketing, Dynamic Range Bracketing and AE Bracketing.
High-Speed Shooting: Reliable high-speed performance is possible through Fujifilm's newly developed Super CCD VIII "HR" and the new image processor RP (Real Photo) III Processor. At 3-MegaPixels, a maximum of 50 continuous shots at 7 frames/second is possible. In addition, 14 scene settings and customer settings can be selected, as can four auto-focus modes offer convenient high-speed, high-precision shooting and focusing for a diverse range of conditions.
Image Formats: Capture images in both JPEG and RAW format.
Movie Mode: Movie mode with sound at 30 frames per second in VGA quality, and zoom capable with manual zoom ring while in movie mode.
xD/SD/SD-HC Compatible Slot: The FinePix S100FS features an "xD/SD Compatible Slot" which accepts not only Fujifilm's traditional xD-Picture Cards but also Secure Digital (SD) and SD-High Capacity/SD-HC cards too.
2.5: Tiltable LCD: The FinePix s100FS features a tilting 2.5" LCD that makes it easy to frame shots from a variety of shooting positions.The FinePix S100FS will debut in February 2008 at a retail price of $799.95.












Comments
I hope this is the start of a trend... Stop cramming pixels, start improving image quality, light sensitivity, etc.!
Didn't know dual image stabilization was even possible (optical and sensor-based). A lot of unique features for such an entry-level DSLR.
@Scaramanga: Unfortunately this isn't a DSLR but an ultra zoom EVF consumer cam.
Nice touch lowering the MP count, but it's unfortunate that the CCD is still the size of my pinky fingernail.
Pardon my ignorance please, but is that all that's needed for any digital camera? That is, just lower its setting for MP and the it's light sensitivity automatically increases?
Dr:
No. Imagine all cameras have a sensor which is a fixed size. Say, the size of a 35mm negative.
If you use a sensor with fewer pixels, then each pixel on that sensor will be bigger. So more light will hit it. The more light that hits a pixel, the darker the conditions you can take a photo in, and the less noise the image has.
You can also increase the amount of light hitting the sensor with a bigger lens. That's why the cameras on cellphones suck in low light conditions. The lens is too tiny to collect much light AND the sensor is tiny, so either it's low res, or the pixels are small.
There's just one thing I don't get. If I take a sensor of the same size, and quadruple the number of pixels on it, I'm still collecting the same amount of light... but now it's distributed amongst four pixels. When I have plenty of light the extra resolution is nice. But when I have low light... Couldn't I get the same quality image just by scaling the image down by half on each axis? Averaging the result of the four pixels should give roughly the same result as using one big pixel, but has the disadvantage that I don't get to have the option of higher resolution when taking photos in sunny conditions.
Unless maybe between the pixels there's space that is wasted and by making bigger pixels there's less waste? But how much waste could there be? 5%?
about time. i haven't used anything above 5MP despite owning a 7MP camera. increasing sensitivity with the extra pixels should have been done ages ago.
Wow, intelligent sensor design, in this day and age! Unthinkable!
/nicely played Fuji, whom I will never buy a camera from unfortunately.
Very nice design, but no pro photographer, or even serious amateur would consider a camera that wasn't a dSLR with interchangeable lenses. I'll stick to my Rebel XTi, thankyouverymuch. But I'm fascinated by what Fuji is doing with the technology and I'm interested to see more improvements in the near future.
Sorry for another n00b question, but what would 10k ISO be used for?? I was under the impression that the higher the ISO the more noise the picture would have?
@willyolio: I should have mentioned this, but its not new. A few fujis have done this before.
Brian an ISO value above 800 is just completly useless. I don't know how much you know about photografy but when you increase the ISO the quality of the photo drops.
@Townie: "Brian an ISO value above 800 is just completely useless."
Err, nope! This entirely depends on the camera. Larger camera (DSLRs) have a physically larger sensor (see 'sensor sizes' at www.dpreview.com) and this allows each pixel to be larger and gather more light without increasing noise.
@jibbly: um this sensor is nearly x2 the size of normal ccd's and ultra zoom sensors. That size of sensor alone without using reduced mp modes to gain light senstivity will have far better clarity and sensitivity.
"newly developed 2/3" 11.1 megapixel SuperCCD VIII "HR" and the new RP Processor III"
"Markarian" @ 2:38 A.M. wrote:
"...no pro photographer, or even serious amateur would consider a camera that wasn't a dSLR with interchangeable lenses..."
Nonsense. *I'm* a serious amateur (have been for thirty-five years), and *I'm* considering the new Fuji. For one thing, it's got a hell of a zoom range. For another, it gets around many travel-by-air problems, such as theft or loss of luggage, weight restrictions, etc., by the simple expedient of being an all-in-one ZLR that can fit into a carry-on with room to spare. No *way* am I taking my DSLR system on a plane in checked baggage these days, particularly if I'm flying to a U.S. destination.
The Fuji would make an excellent second camera (or first camera for a noob not yet ready to plunge into the waters of DSLR systems), *assuming* the hype surrounding its introduction is true...
The whole point of this camera is that it can use really high ISO values WITHOUT the image turning to noisy crap! Really expensive dSLRs already can do this, but most people are used to their non-pro cameras that can't handle high ISO values.
And there are many many times a very high ISO value is needed. Just trying taking photos with movement in low light without a flash.
@GarthWood: People actually put their cameras with checked luggage?!?!? I bring my Lowepro packed with my SLR and lenses as carry-on. I take big lenses like a 400 f/2.8 as a second carry on. Haven't had problems yet. Only the tripod case goes in cargo. Heck, even my arca-swiss ball head is in my carry-on.
ELLIUOTATAR: The process is called "binning" and it's done by *adding* (not avg) the 4 pixels into a virtual pixel - very common in astrophotography where every photon counts. It does require specific electronics on the camera.
PLASMAMACHINE: Answer = Astrophotography! And yes, noise does increase - and there are well-documented ways of dealing with that.
@demonwolf: I was trying to emphasize the fact that it's a tiny CCD compared to APS-X sized sensors found in DSLRs which Scaramanga thought this camera was.
I'm a big fan of fuji super ccd technology, btw, but their noise reduction - as with any consumer cam - blows chunks. It gives me great hope that they allow this camera to shoot RAW.
Also, 28mm equivalent wide angle Fujinon = wonderful news. Hopefully this will help take the wide angle monopoly away from Panasonic.
@jibbly: agreed at nearly 4x the size of even this sensor dslr's are rediculously amazing for imaging. Also I agree with your hope on the raw format. Not sure why they didn't use RAW in the last ultrazoom they made to compete with olympus and the pany.
@demonwolf: Which one didn't have RAW? I have the S6000fd and it does raw, I heard that the S9600 supports it as well. I use raw all the time when there's low light because you can trim even more noise when it's raw.
@Townie: Here's a picture with the a previous generation fuji S6000fd at ISO 800: [flickr.com] I don't have any ISO 1600 pictures on my flickr account but you should get an idea of how much noise this older camera generates.
I must say that Fuji kit is good. I am a Nikon driver but I owned and used one of the older Fuji models for 3 years and it served me very well. The optics in the Fuji bridge cameras are very good. Their F5 pro is a great camera.
If I was looking for a non-dslr portable camera for travel, Fuji would be the only vendor that I would consider.....and that is based on owning and using their cameras.
If Fuji keep up the good work, I may opt to trade my D200 for their next upgrade to the F5 rather than go for the Nikon D300.
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