Ant-Man & The Wasp is a visually-stunning film that toys with your senses in order to create a larger-than-life adventure befitting any Marvel blockbuster. But the film’s most impressive technical feat isn’t one of the flashy CGI-powered stunts you’ve seen in the trailers.
Camille Boyer and cinematographer Nik Mirus worked with a Montreal-based agency called Caravane to create a surreal short film called Club Palace. It looks like a computer animation student’s final-year project, but in reality it was all filmed using real-life miniatures and clever practical effects.
When you look at fur, the light has taken an extended journey before hitting your eye, bouncing around lots of fur fibers and their microscopic structures. You can imagine that it’s quite difficult for filmmakers to render these structures in CGI.
When CGI became a useful means of creating animated features, it changed the shape of films radically. New contenders like Pixar entered and then dominated the animated filmmaking space. And according to one interpretation, they changed more than just the visuals.
Bong Joon Ho’s Okja is named for the magical superpig that everyone desires in some way: The Mirando Corporation wants sell her as its new meat product. The Animal Liberation Front wants to use her to expose Mirando. And Mija (An Seo Hyun) just wants the companion she raised for 10 years back again. So if the…
With a stunt that will probably see France initiating changes to its National ID card program, an artist named Raphaël Fabre submitted a photorealistic computer-generated image of himself—and he says it was approved without question.
Rising Sun Pictures, the visual effects team behind Logan, has released a behind-the-scenes look at their work on the critically and commercial successful X-Men film. According to the video description, Rising Sun Pictures (which previously worked on The Wolverine) contributed about 230 shots to the film... and man oh…
The ideal of digital doubles—a CG recreation of an actor’s face being used over footage of a real stunt performer—is hardly new in cinema. But the work done on seamlessly integrating them into Logan is nothing short of amazing.
Adam Nimoy thinks it would be pretty cool if his father’s most iconic role was digitally restored in the Star Trek universe. You know, like how Rogue One did with some of Star Wars’ most familiar characters.
I can’t even begin to explain what the hell is going on in this clip made by Steve Smith and Jerry Paper for Adult Swim because holy mother it gets freaking weird. All I can tell you is that there’s a digital human head (or at least, like, the skin, eyeballs, and teeth of a human head) being put through tests that…
Even if there is too much CGI in movies these days (and there is), let’s be thankful that the CGI we’re bombarded with looks good. Or, at least, it looks so much better than the utter crap computers spat out back in the ‘90s. God, that era of CGI was awful. Diane Bullock edited together this clip of CGI footage to…
We’ve talked before about how Black Panther’s outfit in Captain America: Civil War has been the only CG superhero costume to ever look good on-screen. Now a new VFX reel from Cinesite shows exactly what went into making Black Panther look so good while simultaneously looking so real.
Jurassic Park still holds up. It’s an excellent movie that’s still fun to watch, the dinosaurs are still scary as hell, and the visual effects still look spectacular. How is that possible? Even though Jurassic Park changed the way films use visual effects, the restraint it used with its own effects is what has made it…
The magnetized liquid known as ferrofluid already looks like some kind of alien substance, but a design studio in Barcelona created a short video used this strange material along with CGI to create something that resembles a Pixar film you’d watch in hell.
Short film Accidents, Blunders, and Calamities reworks Edward Gorey’s The Gashlycrumb Tinies for a family of possums. It’s an ABCs of accidental animal expirations, with great animation.
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