This Simple Story About A Sheepherder And A UFO Will Stay With You

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There's a good reason why we're obsessed with the fiction of Molly Gloss. Her mastery of language is unparalleled, and she tells deceptively simple stories that conceal layers of meaning. See for yourself: Her acclaimed 2002 story "Lambing Season" is now online.

In "Lambing Season," a woman named Delia takes two dogs and a herd of sheep up into the mountain, where she'll barely see another human being for months. She thinks her biggest worry is going to be coyotes — but then she sees a green flash in the sky, something that appears to be landing a couple of miles away. She tracks down its landing place, and finds a mysterious wing, with a creature that appears to be a dog at first... but isn't.


This is a great story of first contact, in which the impossibility of real communication with an alien creature is mitigated by all the non-verbal ways that we've learned to communicate with animals here on Earth.

Here's how it begins:

From May to September Delia took the Churro sheep and two dogs and went up on Joe-Johns Mountain to live. She had that country pretty much to herself all summer. Ken Owen sent one of his Mexican hands up every other week with a load of groceries but otherwise she was alone, alone with the sheep and the dogs. She liked the solitude. Liked the silence. Some sheepherders she knew talked a blue streak to the dogs, the rocks, the porcupines, they sang songs and played the radio, read their magazines out loud, but Delia let the silence settle into her and by early summer she had begun to hear the ticking of the dry grasses as a language she could almost translate. The dogs were named Jesus and Alice. "Away to me, Jesus," she said when they were moving the sheep. "Go bye, Alice." From May to September these words spoken in command of the dogs were almost the only times she heard her own voice; that, and when the Mexican brought the groceries, a polite exchange in Spanish about the weather, the health of the dogs, the fecundity of the ewes.

The Churros were a very old breed. The O-Bar Ranch had a federal allotment up on the mountain, which was all rimrock and sparse grasses well suited to the Churros, who were fiercely protective of their lambs and had a long-stapled top coat that could take the weather. They did well on the thin grass of the mountain where other sheep would lose flesh and give up their lambs to the coyotes. The Mexican was an old man. He said he remembered Churros from his childhood in the Oaxaca highlands, the rams with their four horns, two curving up, two down. "Buen' carne," he told Delia. Uncommonly fine meat.

The wind blew out of the southwest in the early part of the season, a wind that smelled of juniper and sage and pollen; in the later months it blew straight from the east, a dry wind smelling of dust and smoke, bringing down showers of parched leaves and seedheads of yarrow and bittercress. Thunderstorms came frequently out of the east, enormous cloudscapes with hearts of livid magenta and glaucous green. At those times, if she was camped on a ridge she'd get out of her bed and walk downhill to find a draw where she could feel safer, but if she was camped in a low place she would stay with the sheep while a war passed over their heads, spectacular jagged flares of lightning, skull-rumbling cannonades of thunder. It was maybe bred into the bones of Churros, a knowledge and a tolerance of mountain weather, for they shifted together and waited out the thunder with surprising composure; they stood forbearingly while rain beat down in hard blinding bursts.

Sheepherding was simple work, although Delia knew some herders who made it hard, dogging the sheep every minute, keeping them in a tight group, moving all the time. She let the sheep herd themselves, do what they wanted, make their own decisions. If the band began to separate she would whistle or yell, and often the strays would turn around and rejoin the main group. Only if they were badly scattered did she send out the dogs. Mostly she just kept an eye on the sheep, made sure they got good feed, that the band didn't split, that they stayed in the boundaries of the O-Bar allotment. She studied the sheep for the language of their bodies, and tried to handle them just as close to their nature as possible. When she put out salt for them, she scattered it on rocks and stumps as if she was hiding Easter eggs, because she saw how they enjoyed the search.

The spring grass made their manure wet, so she kept the wool cut away from the ewes' tail area with a pair of sharp, short-bladed shears. She dosed the sheep with wormer, trimmed their feet, inspected their teeth, treated ewes for mastitis. She combed the burrs from the dogs' coats and inspected them for ticks. You're such good dogs, she told them with her hands. I'm very very proud of you.

She had some old binoculars, 7 x 32s, and in the long quiet days she watched bands of wild horses miles off in the distance, ragged-looking mares with dorsal stripes and black legs. She read the back issues of the local newspapers, looking in the obits for names she recognized. She read spine-broken paperback novels and played solitaire and scoured the ground for arrowheads and rocks she would later sell to rockhounds. She studied the parched brown grass, which was full of grasshoppers and beetles and crickets and ants. But most of her day was spent just walking. The sheep sometimes bedded quite a ways from her trailer and she had to get out to them before sunrise when the coyotes would make their kills. She was usually up by three or four and walking out to the sheep in darkness. Sometimes she returned to the camp for lunch, but always she was out with the sheep again until sundown when the coyotes were likely to return, and then she walked home after dark to water and feed the dogs, eat supper, climb into bed.

In her first years on Joe-Johns she had often walked three or four miles away from the band just to see what was over a hill, or to study the intricate architecture of a sheepherder's monument. Stacking up flat stones in the form of an obelisk was a common herder's pastime, their monuments all over that sheep country, and though Delia had never felt an impulse to start one herself, she admired the ones other people had built. She sometimes walked miles out of her way just to look at a rockpile up close.

She had a mental map of the allotment, divided into ten pastures. Every few days, when the sheep had moved on to a new pasture, she moved her camp. She towed the trailer with an old Dodge pickup, over the rocks and creekbeds, the sloughs and dry meadows to the new place. For a while afterward, after the engine was shut off and while the heavy old body of the truck was settling onto its tires, she would be deaf, her head filled with a dull roaring white noise.


Read the rest over at Clarkesworld.

Top image: Jason Paris/Flickr.