The Canon 1DX Makes One Hell of a 5K Movie Camera

People who use cameras like the Canon 1DX are usually shooting fast-action sequences like sports and nature subjects. The hallmark feature at play is the ability to fire off stills ridiculously fast—12 fps RAW, or 14 fps JPEG.

Then we started thinking—14 frames per second. That's so fast, it's damn near movie-like. In fact, many of the Super 8 film cameras of yore shot only a bit faster at 18 fps. So why not use 1DX bursts as a movie camera? It was one of the best decisions we've ever made.

To compare, the the 1D Mark IV shoots 10 fps, and the 7D shoots 8 fps. On the Nikon side, their flagship D4 shoots 11 fps.


You're probably thinking why bother stitching stills together when the 1DX has a movie mode that shoots at 24, 30, even 60 fps. Why not just use that? Yes, the 1DX, as well as most DSLRs these days, can shoot amazing video at standard frame rates. But if you cobble together a video from stills, you are getting the a full 18 megapixels in each frame (in video resolution parlance, that's 5K video! ), rather than the scaled down 1080p footage (about 2 megapixels).

Illustration for article titled The Canon 1DX Makes One Hell of a 5K Movie Camera

Our resulting videos were super detailed and crisp. Actually, viewing them on a regular HDTV or monitor won't do them justice, and until a 4K monitor hits our doorstep, we won't even get to see them play at full size.

Of course, there are vast limitations to using the 1DX's still mode to make movies. Aside from settling for a choppy 14 fps, you can only shoot in bursts of between 5-10 seconds (this might increase with faster CF cards), there is no sound recorded, and you can't even see through the viewfinder while shooting.

Illustration for article titled The Canon 1DX Makes One Hell of a 5K Movie Camera

But for all the downsides, it was surprisingly, incredibly fun shooting in this manner. It felt like shooting with an old 16mm Bolex camera. That loud shutter, the short bursts, composing your shot through a viewfinder rather than an LCD, it was quite a joy. All in all, we had to shoot 2000 separate JPG images to form the video.


And ultimately, this experiment begs the question: how long before DSLRs can reach a full 24 or 30 fps with the same quality and resolution of still images? We hope not too long.

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maybe a slower shutter speed and a tripod would've helped some of the jitteriness? also you guys could get another 1dx, film with both for 3d and have them alternate frames lol.

also to view this at full res you could get a bunch of 1080p screens together for a multi screen display even though you'd have the bezel grid.

and you can upload the 5k res version to youtube btw. vimeos better i'd say for 1080p though