Tonight is your chance to see the closest “supermoon” that anyone on Earth has experienced in almost 69 years. That means amateurs and pros alike should be pulling out their photography equipment to get that once in a lifetime shot.
If you don’t know why this supermoon is a topic of interest, you can read our full breakdown here. Suffice it to say that on November 14th at 11:23 UTC (7:52am ET) the moon will hit perigee, its closest point to Earth. Two and a half hours later, at 1:52pm UTC (9:52am ET), the moon will be full—hitting your eye like a big pizza pie. But don’t worry about the exact time. NASA makes it clear that “viewing will still be super after sunset on both Nov. 13 and 14, with only subtle difference in the moon’s size and brightness.” There’s ample opportunity to appreciate this lunar event.
NASA has published some tips from the space agency’s senior photographer, Bill Ingalls on how to photograph the “supermoon.” Here’s a breakdown of Ingalls’ tips:
“Don’t make the mistake of photographing the moon by itself with no reference to anything, I’ve certainly done it myself, but everyone will get that shot. Instead, think of how to make the image creative—that means tying it into some land-based object. It can be a local landmark or anything to give your photo a sense of place.”
“I use Google Maps and other apps – even a compass — to plan where to get just the right angle at the right time.”
You may need to travel a bit to avoid light pollution. And make sure to ask someone for permission to shoot on their property.
Ingalls recalls a time when he went to shoot to photograph the Comet Lulin at Shenandoah National Park in 2009. “I had just basic equipment and saw all these people with great telescopes making a picture I could never get. So what could I do differently?” he asked himself. He decided to use a long lens to shoot through tree branches that reflected the red light from his headlamp. For that bit of improvisation, he earned a spot on National Geographic’s best space photos of 2009.
“It’s all relative. For me, it would be maddening and frustrating—yet it may be a good challenge, actually. You’re not going to get a giant moon in your shot, but you can do something more panoramic, including some foreground that’s interesting. Think about being in an urban area where it’s a little bit brighter.”
Ingalls prefers a daylight white balance setting to capture moonlight since it’s the sun’s light that is being reflected. And when using a long lens, Ingalls says:
“Keep in mind that the moon is a moving object. It’s a balancing act between trying to get the right exposure and realizing that the shutter speed typically needs to be a lot faster.”